Flute 11-12

Technical
Fast  = 80-88
        
(  = )
D. Duarte

                        
1 of 2, Set A

    
     
  
        

                                 
        
4

   cresc.   cresc.

                            
   

          
8

 
  Allegretto  = 96-104
ritenuto

          
      
   
12

      
                      
    
   
15

6 6 6 3 3

© 2022
 Flute 11-12
Lyrical
D. Duarte

Grave  = 66-72
                             
2 of 2, Set A

   

accel.


furioso

       
espressivo

 
   

3

    a tempo                       
     
4



        
Grave  =44-48
accel.

                
              
  
6

 
furioso

                

          

9



             

        
Grave  = 66-72
               
    
11

molto rit.
 

© 2022
 Piccolo 11-12


Etude D. Duarte

  
               
Allegretto  = 72-80
    
1 of 1, Set A

  
  
  3    = 60-66

3 3 3 3 3 3

     
                       
Allegro

       
 

  
   
5

  3 
                                     
3


  
10

  
    
         
  
              
 
         

         
    

   
13

    

© 2022
Oboe
Oboe 11-12
Technical D. Duarte

Allegro   = 66-72 (  = 198-216)

                                 
1 of 2, Set A

          
  
  
 
                                          
   
5

   
   
    

         
 
     
 
     
     
    
9

   

                           
    
13

 


© 2022
 Oboe 11-12
Lyrical D. Duarte

Adagio  = 66-72
   

2 of 2, Set A

                     
   
 
3

  
 
                 
3

              
  
molto rit.


7

  cresc.
         
 
                          3
a tempo

    
10

 
  3

 
        
  
             
a niente
14

     
  
 

© 2022
 Bassoon 11-12
Technical D. Duarte
Allegro   = 66-72
       
1 of 2 , Set A

                     
            
      

                       
           
   
3

 
          
                         
   
5

  
                            
                      
  
7

 

               
                             
10

 
       

                 
         
                       
13

 

© 2022
 Bassoon 11-12
Adagio  = 66-72

Lyrical D. Duarte

       

2 of 2, Set A

     
 
    
      
molto rit.



 

3
cresc.

                  
                 
5 a tempo 3

  3

              
               
   
8

 


3 3

molto rit.    
            
 
a tempo

 
11

 
3

 

cresc. 3
3

© 2022
 Eb Clarinet 11-12
Technical D. Duarte

Allegretto  = 100-108

                     

  
1 of 2, Set A

                         
 
  
     Adagio
                                                
   
rit.


4

 
Allegretto  = 100-108
 

            

                            

8

   
 
     
          
  
                    
          
 
12

   

© 2022
 Eb Clarinet 11-12
Lyrical D. Duarte
Adagio   - 48-52
      
2 of 2, Set A

                    
    
 
                  
       
   
5

dim.

        

            
  
rit.


8

 dim. 

© 2022
 Clarinet 11-12
Technical D. Duarte

Vivo   = 60-66       
1 of
1 of 2, Set2,AS

        
 
         
         
 
            

                 
   

4

  Andante  = 72-80
       
                        
 
7

       
Vivo   = 60-66
                 
    
molto rit.

           
10

 
     

         
               
      
  
14

© 2022
 Clarinet 11-12
Lyrical
Lento  = 48-52
D. Duarte

   

2 of 2, Set A

                 
          
   
 rall. 
    
        
a tempo

   
   
     
4 6

    
 
 
                          rit.
       

9


 6 6   6

© 2022
 Bass Clarinet 11-12
Technical D. Duarte

Allegro   = 60-66
1 of 2, Set A

  
( = )
  
                
     
       

 
 

 
                               

5

      
 cresc.

      
                                    
9

        


         

             

13

   cresc.   sub. 


© 2022
 Bass Clarinet 11-12
Lyrical D. Duarte


Lento  - 48-52
21ofof2,
2, Set A


Set A

           
                   
   
3

 
                         
 
        
5

 
  cresc. 
3
6

            
        
          
9 6 6
6

 
6 6


6

            
 
accel.

           
13
a tempo

        
3 3

  rit.


© 2020
 Contra Clarinet 11-12
Technical D. Duarte

Allegretto   = 48-56
1 ofof2,2, Set
Se1 Set A

  
( = )
    
                          
  
      
  
   
                    
         
5

      

                     
    
  
 
   
molto rall.

   
9 Moderato

           
    
Allegretto   = 48-56

      
 
                        

14

 
 

© 2022
 Contra Clarinet 11-12
Lyrical D. Duarte

Adagietto   = 40-44
2 of 2, Set A

              
                    

  
           
           
molto rit.

          
5



     
    cresc. 

© 2022
 Alto Saxophone 11-12
Technical D. Duarte
Adagio   = 60-66

                                                 
1 of 2, Set A

       
 
 
                
 
                   
        
4

   
     
                                        
   
7

 

                          
    

                 
     
10

 
 
cresc.

      
        
                        
14

 

© 2022
 Alto Saxophone 11-12
Lyrical D. Duarte
Adagietto  = 72-80
           
         
2 of 2, Set A

   
accel.

    
misterioso

   cresc.
  
 
   Andante  = 80-88
      
              
      
molto rall.


5

    

3

 Adagietto  = 72-80  
              
    
accel.

           
9 molto rall.

    

© 2022
 Tenor Saxophone 11-12
Technical D. Duarte

Adagio   = 60-66
  

1 of 2, Set A

    
                           

          
                     
 
5

 


  
                         

8

  
  
        
  
          
11

 

              
                   
  
14

© 2022
 Tenor Saxophone 11-12
Lyrical D. Duarte

Adagio  = 66-72
                    
2 of 2, Set A

      
 
 3


                                      
         
4

 6 6

         
3 cresc.

       
6

 
                      
8 3

 

  
        
                     
molto rit.


12 6

 cresc. 6
6
 

© 2022
 Baritone Saxophone 11-12
Technical D. Duarte

Adagio   = 60-66

1 of 2, Set A

   
                         
        


cresc.

                                  
    
      
5

   
  
             
   
            
      
8

 

      
  
   
           
                    
   
12

  

© 2022
 Baritone Saxophone 11-12
Lyrical D. Duarte

Adagietto  = 72-80
2 of 2, Set A

 
                            
  
 
                 
                 
             
         
5

3
   3 

                    
           
molto rit. rit.

 
a tempo

    
9 3

  
3

    

3 3

© 2022
 Trumpet 11-12
Technical D. Duarte

Moderato  = 80-88

1 of 2, Set A

    
       
                           
3 3 3 3


3


 3
 
                          
     
6


3


 
        
  
                            
10 3 3 3

 3 
3 3


                            

  
15

 
3

3
 cresc.   3


© 2022
 Trumpet 11-12
Lyrical D. Duarte
Larghetto  = 52-60

                
2 of 2, Set A

      
     
opt.

 3
                   
      

         
5 6


5 cresc. 6

   
                
accel.

   
a tempo a niente

 
     
rit. 3


molto rall.

9

     

© 2022
 11-12 Horn
Technical D. Duarte

 = 52-60

1 of 2, Set A

        
                 
Allegretto


  
        
  

                   

     
           
 
    
5

   
 
  

            
   
a tempo


rit.

               
11

  

© 2022
 11-12 Horn
Lyrical D. Duarte

Andante  = 66-72
   3
2 of 2, Set A

  
      
       
          
 3      
3 3

  
              

       
6

        
   

    

                      
         
rit.
13 3 3


  

© 2022
 Trombone 11-12
Technical David Duarte

Giocoso   = 60-66
      
                 

1 of 2, Set A

  
 
  
     
       
 
                 
     

4

  
        
        molto rall. 
        
   
a tempo

   
8

   
                    
         

12

  

© 2022
 11-12 Trombone
Lyrical
Adagio  = 72-80
D. Duarte

    
      
2 of 2, Set A

        
     

                
         
6

 3 3
 
 
3 3
cresc.

             
               
10

 3
cresc. 3
  3 3 3
3 

© 2022
 Euphonium 11-12
Technical D. Duarte

                             
Fast   = 66-72
      
1 of 2, Set A

   
 
  sub. 
 
                        
            
  
5

 
         

                    

9

   


                              
   

        

13

sub.  


© 2022
 Euphonium 11-12
Lyrical D. Duarte

       
Andantino  = 80-88
    
   
2 of 2, Set A

             

rall.


a tempo

       
 

   
3

                     
        
 
5

   
 sub.  
           


              
   
11 molto rall.

cresc.  

© 2022
 Baritone TC 11-12
Technical D. Duarte

Fast   = 66-72
                                    
1 of 2, Set A


     

  sub.  

                              
  
     
  
5

   

         

         
          
9

 
   

                                  

        
13

 sub.  

© 2022
 Baritone TC 11-12
Lyrical D. Duarte

Andantino  = 80-88
   
2 of 2, Set A

            
    
    
a tempo

   
   
rall. 3

  
    
        
 
                  
  
5

      
  sub. 
    

        

        
   
molto rall.

        cresc.
11

 

© 2022
 Tuba 11-12
Technical D. Duarte

Allegretto   = 60-66
1 of 2, Set A

    (=)       
                   
             
         
      
 
             rit. 

              

           

molto a tempo

 
7

     
  
 
     
          
    
     

12

          
    
    

                   
                
17

 
  

© 2022
 Tuba 11-12
Lyrical D. Duarte

                        
2 of 2, Set A


Andante q = 72-80

  
              
3

 

                 

rit.

          
6


3
3


3

        
 

© 2022
 Mid-State Mallets 11-12 Set A

>œ >œ > œ

4 mallets

7 œ œ
q = 110
œ œ œ œœ œœ œ œ œ œ œ œ
& b 8 œœ œ œ œ œ œ œœ œ œ œ œ œ œ
> œ œ > œ > œ œ
>
F 4 2 4 2 1 4 2 1 4 2 4 2 p4 3 2 1 4 3 2 f1 2 3 1 2 3 4
œ . Uœ .. to 2 mallets
3 1 3 3 3 1 3 1

œ œ 3 œ œ 12 œ
Ͼ.
. # œ
œ .
. œ ## 6
b œ œ œ œ œ œ # œ œ œ n œ . # œ
œ . œ n
5

. . .
3

& œ œ 4 œœœ 8 œ. œ. œ. œ. 8
3 3

>f æ F æ pæ
4 3 2 3 2 3 2 1 4 3 2 1 2 3 4 3 2 p
>
# # 6 Œ ‰ Œ j >œ >œ œ œ b œ >œ œ œ œ œ œ œ >œ œ œ œ b œ œ œ >œ œj œ œ œ œ œ
q. = 60

œ œj
8

& 8
>
f 3 3 3

b >œ œ œ >œ œ œ >œ œ œ >œ œ

œ bœ œ >
œ
>œ
## bœ œ bœ œœ œ œ ‰
11

& œ
3 3 3 3

b >œ œ >œ œ >œ œ >œ b >œ œ >œ œ >œ >œ

# bœ œ œ œ œ œ œ œ œ
& # œ œ œ œ œ œj
13
j
œ

p f
b œ œ œ b œ œ >œ
## œ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ œ œ bœ œ œ œ œ >œ
‰
15

& œ
p ƒ
3 3 3 3 3 3 3 3 3
 Mid-State Snare 11-12 Set A

Pay close attention to closed rolls (z) and open rolls (slashes).
q = 92-112

> > >

wz
eighth note constant throughout

ã 44 58 œ œ œ œ œ œ œ œ œ 3 68 œ œ œ œ œ ≈ œ œ œ œ œ œ œ ‰ 45
2

π f P f
> >
ã 45 Œ wz 42 œ œ œ œ œ œ œ 44 ‰ œ ‰ œ œ œ œ œ œz œ œz.
j
3 3 3
4 5
j 6 jj j
œ œ
p f p ƒ P
> > > > >8 >
z
œ œ œ œ œ œ œ œ œ œ! œ! œ œ 3 œ œ œ œ œ ‰ œ œ œ œ 74
5 3

ã œ œ œœ œ ‰
j
4
7

F L R L R L R L R L R L f P
>
ã 74 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Œ ˙z 38 œ œ œ œ œ 42
3
j j
œ
9 10
œ œ
f P

z
ã 42 œ œ œz 28 œ j
œ œ œ œ œ œ 48 ˙z 42
11 12 13 14
œ
F P F
>
j j
molto rit.

ã 42 œ 44 ‰ ‰
j j j j j j
15
œ œ œœœœœ 16
œ œ œ œ œ œ œ
œ œ
œ
f ƒ P π

MID-STATE CONCERT SNARE Cycle One by Edward Freytag © 2022 BOD Productions Music Services
International Copyright Secured / All Rights Reserved
 Set A
Mid-State Timpani 11-12
All stickings are given as suggestions only. Notes marked staccato are to be dampened.
Dampen during rests where convenient. Use common sense for mallet selection.
TUNING E, A, C#, E*

? ### 4 ˙ ˙
q = 80

4 ˙ ˙ ˙ ˙ ˙
˙
F

? ### æ ,
ROLLS

wæ wæ " 98
w wæ
π ƒ π ƒ
Œ. = 92-108
>3
PREPARED PIECE

? ### 9 œ œ . œ œ œ œ œ œ
8 œ œ œ œ œ œ œ œ œ@ ˙æ.
2

J œœ œœ
F
R L R L R L R L R R L R L
pR L R L f
R LL R

? ### >
œ œ œ œ œ œ œ œ œ œ ‰. œ. Œ. œ.
4 5

œ œ œ æ
F f
R R L R L R L R L R L R L R R

>
? # # # œ. ‰ œ. ‰ .j ‰ j ‰ ‰ œ œ œ
œ œ œ œ œ œ œ
6 7

œæ. œ œ œ
PR R R R R
f
R L R L R L R
F
R L R L

> >9 4
? ### œ œ œ œ >
œ . n n n b 44
Change to F, Bb, C, F

œ œ œ.
œ œ œ œ œ. œ.
8 10

œ.
P
R L R R L R L R L R
pL R L R π
Œ.=Œ
? b 44 œ œ œ œ œ œ ≈ œ œ ≈ œ œœœœœœœœœ
6

≈ œ œ œœ œœ
14 15 3 3

œœ œœ œ œ œ
F LR R L R L L R L R L R L R L R L R R L L R R

> > > > > 18 >

?b > œ >
œ >
œ . 17 >

œœ œœ œœ Œ Ó
molto rit.

œ œ œ œ œ œ œ
dampen all drums

˙æ
16

œ œ œ
p f
L L R L R L R L R L R L L

*Typically, 32" (E), 29" (A), 26" (C#), and 23" (E).