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HERITAGE TOURISM TOUR 40023 such as folklore, traditions,

language, and knowledge.


TOURISM
 Natural heritage
 The world’s largest industry, is essential o Refers to natural features,
to a community’s economic vitality, geological and physiographical
sustainability, and profitability formations and delineated
 Is a social, cultural economic areas that constitute the habitat
phenomenon which entails the of threatened species of animals
movement of people to countries or and plants and natural sites of
places outside their usual value from the point of view
environment for personal or science, conservation, or natural
business/professional purposes. These beauty. (UNESCO 2009)
people are called visitors (either tourists o Refers to the sum total of the
or excursionists; residents or non- elements of biodiversity,
residents) including flora and fauna,
ecosystems and geological
structures. It forms part of our
WHAT IS HERITAGE natural resources.
Heritage is our legacy from the past, KINDS OF CULTURAL HERITAGE
what we live with today, and what we pass on to
future generations. (UNESCO,2012)  Tangible Movable – things that we can
move (archival documents, books, etc.)
 An aspect that can be passed down from  Tangible immovable – built heritage
generation down to the next. (church, bahay, etc.)
 It must be appreciated, continuously  Intangible– it is experience to be passed.
supported and practiced, protected, (festivals, traditions, etc.)
preserved, and conserved.
 Is a property that is or may be Tangible Heritage Intangible Heritage
inherited; an inheritance.

PAST.PRESENT.FUTURE Includes buildings Includes traditions or


and historic places, living expressions inh
HERITAGE PYRAMID (Zerudo, 2008)
monuments, erited from our
 Cultural heritage artifacts, etc, which ancestors
o Refers to the totality of cultural are considered
property preserved and worthy of
developed through time and preservation for the
passed on to posterity (NCCA – future.
National Commission for the
Culture and the Arts) Objects significant t Passed on to our
o Includes tangible culture such as o the archaeology, descendants, such as
buildings, monuments, architecture, oral traditions,
landscapes, books, works of art, science or performing arts, social
and artifacts, intangible culture practices, rituals,
pursuits. They may engage in activities
technology of a festive events,
like guided tours, workshops, or
specific culture. knowledge and
interactions with local experts to gain a
practices
deeper understanding of the culture
they are exploring.
Important to the Concerning nature and
study of human the universe or the  Incidental Cultural Tourist - who engage
history because knowledge and skills to in cultural tourism activities or
they provide a produce traditional experiences by chance or as a secondary
concrete basis for crafts, food and aspect of their primary purpose for
ideas, and medicine heritage and visiting a destination. While cultural
can validate them. digital heritage. experiences may not be the primary
focus of their trip, they still engage with
them incidentally.
Tangible cultural Intangible cultural
heritage has a heritage is commonly  Casual Cultural Tourist - who engage in
physical presence. defined as not having a cultural tourism activities in a relaxed
physical presence. and non-intensive manner. They may
have a general interest in cultural
experiences but do not actively seek in-
depth knowledge or engage in extensive
HERITAGE CYCLE (Thurley, 2005)
planning.
 By understanding
 Sightseeing Cultural Tourist - who
o They will value it
primarily engage in cultural tourism
 By valuing
through visiting and exploring significant
o They will want to care for it
landmarks, iconic sites, and attractions
 By caring
of cultural, historical, or architectural
o It will help people enjoy it
significance. These tourists are
 From enjoying
interested in observing and appreciating
o Comes a thirst to understand the physical and visual aspects of
TYPES OF TOURISTS cultural heritage, often through guided
tours or self-guided exploration.
 Serendipitous Cultural Tourist - This
refers to a type of cultural tourist who
seeks unexpected and unplanned
experiences while engaging with cultural
attractions and activities. They often
embrace the element of surprise and
value the sense of adventure that comes
with stumbling upon unique cultural
encounters.
 Purposeful Cultural Tourist - purposeful
cultural tourists are more focused and
intentional in their cultural tourism
POLICIES, REGULATIONS AND INSTITUTIONS Duties: NAP is mandated to collect, store,
GOVERNING HERITAGE IN THE PHILIPPINES preserve and make available archival records of
the Government and other primary sources
CULTURAL AGENCIES IN THE PHILIPPINES
pertaining to the history and development of the
NATIONAL COMMISSION FOR THE CULTURE country
AND THE ARTS (NCCA) by virtue of the
NATIONAL LIBRARY OF THE PHILIPPINES (NLP)
Republic Act 7356
by virtue of Republic Act 10087
Location: 633 General Luna St. Intramuros,
Location: T.M. Kalaw St. Ermita, Manila
Manila
Chairman: Cesar Gilbert Q. Adriano
Chairman: Victorino Mapa Manalo
Duties: NLP is the repository of the printed and
Duties: NCCA is the overall policy making body,
recorded cultural heritage of the country and
coordinating, and grants giving agency for the
other intellectual, literary and information
preservation, development and promotion of
sources.
Philippine arts and culture.
CULTURAL CENTER OF THE PHILIPPINES (CCP)
NATIONAL HISTORICAL COMMISSION OF THE
by virtue of Executive Order No. 30
PHILIPPINES (NHCP) by virtue of Republic Act
10086 Location: CCP Complex, Roxas Boulevard, Pasay
City
Location: NHCP Bldg. T.M. Kalaw St. Ermita,
Manila Chairman: Jaime C. Laya

Chairman: Emmanuel Franco Calairo Duties: CCP was created in 1966 as a trust for the
benefit of the Filipino people, for the purpose of
Duties: NHCP is responsible for conservation and
preserving and promoting Philippine culture in
preservation of the country’s historical legacies.
all its varied aspects.
NATIONAL MUSEUM OF THE PHILIPPINES
KOMISYON SA WIKANG FILIPINO (KWF) by
(NMP) by virtue of Republic Act 11333
virtue of Republic Act No. 7104
Location: P. Burgos Drive, Rizal Park, Manila
Location: J.P. Laurel, Malacanang Palace
Director-General: Jeremy Barns Complex, San Miguel, Manila

Duties: NMP is mandated to establish, manage Chairman: Arthur P. Casanova


and develop museums comprising the National
Duties: The Official regulating body of the
Museum Complex and National Planetarium in
Filipino language and the official government
Manila, as well as regional museums in key
institution tasked with developing, preserving,
locations around the country.
and promoting the various local Philippine
NATIONAL ARCHIVES OF THE PHILIPPINES languages.
(NAP) by virtue of Republic Act 9470

Location: 1765 Paz M. Guazon St. Paco, Manila


1007

Chairman: Victorino Mapa Manalo


NATIONAL CULTURAL HERITAGE ACT OF 2009 anthropology, botany, geology, zoology and
REPUBLIC ACT NO. 10066 (Heritage Law) astronomy, including its conservation aspect;
and
An act providing for the protection and
conservation of national cultural heritage F. The Komisyon sa Wikang Filipino shall
be responsible for the dissemination
ARTICLE VII ROLE OF CULTURAL AGENCIES
development, and the promotion of the Filipino
Sec. 31. Responsibilities of Cultural Agencies for national language and the conservation of ethnic
Designation of Cultural Property languages.

The Cultural agencies, in conformity with SEC. 32. Institutional Linkages of the National
their respective charters and mandates, shall Cultural Agencies.
define and delineate their respective areas of
The cultural agencies and other national
responsibility with respect to cultural property
government agencies and other national
and assessment of national cultural treasures
government agencies, as listed below, shall
and national historical landmarks, sites or
consult, coordinate and work closely with the
monuments. These areas shall be subject to
Commission in the implementation of their
periodic reassessment whenever necessary.
respective programs/ projects in the context of
For purposes of this Act, the following shall be this Act. Furthermore, the Commission may link
the responsibilities of cultural property: up with other agencies and institutions, as it may
deem appropriate, as a way of dealing with
A. The Cultural Center of the Philippines conservation in a holistic manner:
shall be responsible for significant cultural
property pertaining to the performing arts; (a) The Department of Tourism and its
attached agencies which shall be
B. The National Archive of the Philippines responsible for cultural education
shall be responsible for significant archival among tourism services, and protection
materials; of cultural properties supplemental to
C. The National Library shall be responsible the jurisdiction of the cultural agencies
for rare and significant contemporary Philippine as defined in this Act. The
books, manuscripts such as, but not limited to, implementation and creation of a
presidential papers, periodicals, newspapers, tourism master plan shall be consistent
singly or in collection, and libraries and with this Act;
electronic records; (b) The Intramuros Administration which
shall be responsible for the restoration
D. The National History Institute shall be and administration of the development
responsible for significant movable and in Intramuros;
immovable cultural property that pertains to (c) The National Parks Development
Philippine history, heroes and the conservation Committee as an attached agency of the
of historical artifacts; Department of Tourism which shall be
E. The National Museum shall be responsible in supervising the
responsible for significant movable and development (beautification,
immovable cultural and natural property preservation and maintenance) of the
pertaining to collections of fine arts,archaeology, Quezon Memorial, Fort Santiago,
Luneta, Paco Park,Pook ni Maria
Makiling and other national parks and is properly executed by the local
satellite projects; government unit;
(d) The Department of Education which (i) The Office on Muslim Affairs which
shall be responsible in instituting the shall coordinate with the national
governance of basic education act, and cultural agencies on matters pertaining
the conservation and restoration of its to cultural properties under its
built heritage such as the significant jurisdiction;
Gabaldon school buildings as (j) The UNESCO National Commission of
determined by the National Historical the Philippines which shall be
Institute; responsible for providing the liaison
(e) The Department of Public Works and between the cultural agencies of the
Highways which shall be responsible in Philippines and the UNESCO as well as
undertaking major infrastructure assist the national cultural agencies in
projects specifically in the planning, implementing the agreements and
design, construction, and maintenance conventions adopted by the UNESCO of
of national roads and bridges as they which the Philippines has ratified or is in
impact on heritage structure or aspects the process of ratification;
of heritage conservation; (k) The Housing and Land Use Regulatory
(f) The National Commission on Board which shall coordinate with the
Indigenous Peoples, in behalf of the local government units and the
country’s indigenous cultural Commission on matters pertaining to
communities, which shall coordinate the establishment and maintenance of
with the national agencies matters heritage zones;
pertaining to cultural properties under (l) The Autonomous Region in Muslim
jurisdiction; Mindanao and the Cordillera
(g) The Department of Environment and Administrative Region which shall
Natural Resources which shall be coordinate with the national cultural
responsible for the establishment and agencies on matters pertaining to
management of the National Integrated cultural properties under their
Protected Areas System and the respective jurisdictions; and
conservation of wildlife resources, (m) The Office of the Special Envoy on
including cave and cave resources and Transnational Crimes which shall have
which shall coordinate with the National the oversight and operational capacity
Commission on Indigenous Peoples, the to go after illicit trafficked and stolen
conservation of natural resources that cultural treasures.
are cultural sanctuaries of indigenous
peoples;
ARTICLE III CULTURAL PROPERTY
(h) The Department of the Interior and
Local Government which shall SEC. 4
coordinate with the national cultural
agencies on matters pertaining to Categories – the cultural property of the country
cultural properties under its jurisdiction, shall be categorized as follows:
and ensure that the provisions of this Act (a) National cultural treasures;
(b) Important cultural property;
(c) World heritage sites; - UNESCO
(d) National historical shrine;
(e) National historical monument; and }
NCCP
(f) National historical landmark.
MARKERS – declared by the government as
historical sites/landmarks or cultural heritage
(shouldn’t be move)

TYPOLOGY OF CULTURAL TOURIST

DEEP

 Serendipitous cultural tourist


 Purposeful cultural tourist

EXPERIENCE SOUGHT

 Incidental cultural tourist


 Casual cultural tourist
 Sightseeing cultural tourist

Shallow

 Low
o Importance of cultural tourism
in the decision to visit a
destination

Note: Deep & Shallow - Talks about how much


they have become engaged and how deep their
emotions are captured.

Low & High - Talks about how much they


planned or intended to visit the destination.

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