Come

dal ciel precipita

Aría Bancos úr Macbeth
Giuseppe Verdi
Francesco Maria Piave

 Adagio (  = 100)      
       
  
          
    
         



         

              
Recitativo


6 BANCO:

 
  
Stu dia il pas so, o mio fig lio! U

       
      
   


       



                        

10


 

sciam da que ste te nebre; un sen so i gno to na scer mi sen to in

        
           
       


 

       
              

        
215 Adagio ( = 56)

      
pet to, pien di tri sto pre sa gio e di so spet to.

        
      
 
   
         
              
   
  
          
  
    
  
22

  
Co me dal ciel pre ci pi ta l'om bra più sem pre o scu ra!

  
            
      
 
                                  


               
         
        


  

26

         

  
In not te ugual tra fis se ro Dun ca no, il mio si

      
          
   
 3
3


                              

                 
3 3

        
       
29 

 
gnor. Mil le af fanno se im

    
                      
                      
    
                 



stacc.

   

     
             
     
31 3


    

ma gi ni m'an nun cia no sven tu ra,

                    

  
                     


                                  

          

       
     

34


     
e il mio pensie ro in gom bra no di

    
           
         
                  
                 
 
                  
      



       
    

36


     
lar ve e di ter ror, di terror,

   
        
      
         
                  

                                
  
      
    
           
4 38


    
        
e il mio pensie ro in gom bra no di lar ve, di

     
     

                          



                   
             
      
     


     
    
     
 
41

      
 
lar ve e di ter ror, e il mio pen sie ro in gom bra

        
     


                   
 

     
      


 
             
  
43

   
    
no di ter ror, il mio pen sie ro ingom bra

      

                                 
    
                
                 





  

       
     5
          
45 



                                          
no di ter ror, ingom bra


     

 
                  
          



  

         
        
47 



no di ter ror, e di ter ror, e di ter

                           
                 

      
     
        

 
 


 
49

                
                                 
ror!

  

        


   
         