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  • Foundamental 參考資料

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    廖至珣
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    The document discusses the interactive and immersive nature of gameplay experiences. It argues that games come alive through players, who bring their own experiences and interpretations to shape their engagement with the game's rules and systems. When fully immersed, players can feel surrounded by an alternate reality that fully captures their attention and perception.

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    The document discusses the interactive and immersive nature of gameplay experiences. It argues that games come alive through players, who bring their own experiences and interpretations to shape their engagement with the game's rules and systems. When fully immersed, players can feel surrounded by an alternate reality that fully captures their attention and perception.

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    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
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    11 views1 page

    Foundamental 參考資料

    Uploaded by

    廖至珣
    The document discusses the interactive and immersive nature of gameplay experiences. It argues that games come alive through players, who bring their own experiences and interpretations to shape their engagement with the game's rules and systems. When fully immersed, players can feel surrounded by an alternate reality that fully captures their attention and perception.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as docx, pdf, or txt
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    Ermi, L. and F. Mäyrä.

    “Fundamental Components of the Gameplay Experience:


    Analysing Immersion.” Proceedings of the DiGRA conference Changing views:
    worlds in play, Vancouver, Canada, DiGRA, 2005.

    “the essence of a game is rooted in its interactive nature, and there is no game
    without a player. The act of playing a game is where the rules embedded into the
    game’s structure start operating, and its program code starts having an effect on
    cultural and social as well as artistic and commercial realities.” (90)

    “Players do not just engage in ready-made gameplay, but also actively take part in the
    construction of these experiences: they bring their desires, anticipations and
    previous experiences with them, and interpret and reflect the experience in that
    light.” (91)

    “the sensation of being surrounded by a completely other reality […] that takes over
    all of our attention, our whole perceptual apparatus” (Murray 98)
    Murray, Janet. Hamlet on the Holodeck. The Future of Narrative in Cyberspace,
    London: MIT, 1997.

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