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CB T123WSB 6 Group 3 Group Report Spotify
CB T123WSB 6 Group 3 Group Report Spotify
CB T123WSB 6 Group 3 Group Report Spotify
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SPOTIFY
REPORT
Group 3
Tạ Hoàng Nhi
Trần Ngọc Thanh Ngân
Nguyễn Đỗ Quỳnh Như
Đậu Nguyễn Mai Anh
Nguyễn Lê Thu Trang
CB - T123WSB - 6
Lecturer:
Dr. Dinh Tien Minh
AGENDA
2. SWOT Analysis
5. Research Objectives
6. Theories
9. Recommendations
10. References
11. Appendix
04
1
MARKET
OVERVIEW
05
MUSIC STREAMING
IN VIETNAM
SWOT
ANALYSIS
07
SPOTIFY
STRENGTH WEAKNESS
OPPORTUNITY THREAT
Compete with big companies
Podcasting market (Özel, 2022). like Apple, Amazon,...
Unique ideas that have Some artists criticized Spotify
attracted many big investors (Hesmondhalgh, 2020) and
Partnership (Appendix B.a) pulled their music from the
Artists' endorsements (Appendix platform for unreasonable
B.b). payments (TinNhac.com, 2021).
For the Vietnamese music
market:
+ Limited number of playlists in the
Vietnamese music industry.
+ Vietnamese people are
accustomed to freeing use, making
it difficult to enter the market.
Spotify Group Report 08
APPLE MUSIC - THE KEY COMPETITOR
WEAKNESS
STRENGTH WEAKNESS
Offers a massive 100 million The most likely reason for fewer
songs (Apple Music, n.d.). subscriptions is a lack of
Lets customers view videos accessibility and free versions.
without being interrupted by A pricey service.
advertisements. Although Apple Music's 3-
A family subscription plan month free trial appears to be a
(Arditi, 2017). strength, the company is
Three months trial before suffering a high percentage of
customers can pay. (Carter, rejections after the free trial.
n.d.).
OPPORTUNITY THREAT
TARGET MARKET
OF BRAND AND
BRAND’S KEY
COMPETITORS
10
Target market
Spotify launched in Vietnam in March 2021, aiming to
target the young demographic in its marketing efforts.
According to Start.io (2022), the target market for
Spotify in Vietnam is likely to be young adults,
particularly Millennials (19,4%) and Gen Z (66,4%). The
gender distribution is almost equal, with males
accounting for 52.7% and females accounting for
47.3%.
Moreover, Vietnam is a country with a growing middle
class, and it may target those with disposable income
and interested in consuming audio content. It also
targets Vietnamese-speaking ex-pats and foreigners
living in Vietnam who speak English and use Spotify as
their preferred music streaming service (Spotify
Advertising, 2022).
Spotify Advertising (2022) provides customized
playlists and podcasts for specific music genres and
interests, targeting audiences in Vietnam with a
youthful, technologically inclined, and enthusiastic
focus.
12
4
THE PROBLEMS
AND OBJECTIVES
OF THE
COMPANY
13
THE PROBLEMS
Analysts predict that Spotify will struggle in
Vietnam, where customers frequently sign up
for free music websites (Mai Chi, 2018). Typical
evidence clearly shows the consumption
behavior of Vietnamese people, during the first
month of the trial, the number increased
exponentially daily. But starting to collect fees,
the number of users dropped without
stopping, as evidenced by services such as
Apple Music or Netflix in this market
(Tapchitaichinh, 2021).
SPOTIFY
RESEARCH
OBJECTIVES
Objectives
With the above problems, this article is
provided recommendations to help Spotify
achieve its goals. The textbook theory can be
used to analyze the problem. It also organizes
Gen Z focus groups with qualitative research to
examine how young consumers use streaming
services. From there, understanding consumer
preferences helps Spotify solve piracy and gain
subscribers.
THEORY
SUMMARY OF
THE FOCUS
GROUP
DATA ANALYSIS
&
CONSUMER INSIGHTS
Insights
Young individuals prioritise their self-image and
peer groups influence their behavior, as evidenced
by data from five non-users and three Spotify
Premium subscribers. When queried regarding the
rationale behind their acquisition of Spotify over
other available options, the correspondents cited
their capacity to discern superior musical content
and the platform's diverse range of genres as
fulfilling their requirements. Thus, Spotify's
premium subscribers can experience a sense of
intellectual refinement due to its extensive music
collections and the ability to share customized
playlists.
RECOMMENDATIONS
REFERENCES
32
Aguiar, L., & Waldfogel, J. (2021). Platforms, power, and
promotion: Evidence from Spotify playlists*. The Journal
of Industrial Economics, 69(3), 653-691.
doi:10.1111/joie.12263.
Âm nhạc trực tuyến “mỏ vàng” mới của ngành công
nghiệp nội dung số. (2021, September 1). Retrieved March
22, 2023, from https://thudomultimedia.vn/am-nhac-
truc-tuyen-mo-vang-moi-cua-nganh-cong-nghiep-noi-
dung-so/
An. (2022, February 27). “Đánh thức” thị trường nhạc trực
tuyến ngàn tỷ của Việt Nam. Retrieved March 22, 2023,
from https://baodautu.vn/danh-thuc-thi-truong-nhac-
truc-tuyen-ngan-ty-cua-viet-nam-d161183.html
Apple Music. (n.d.). Retrieved March 20, 2023, from
https://www.apple.com/vn/apple-music/
Arditi, D. (2017). Digital subscriptions: The unending
consumption of music in the Digital Era. Popular Music and
Society, 41(3), 302-318. doi:10.1080/03007766.2016.1264101
Armstrong, M., & Richter, F. (2020, February 13).
Infographic: The World's most popular music streaming
services. Retrieved March 19, 2023, from
https://www.statista.com/chart/20826/music-streaming-
services-with-most-subscribers-global-fipp/
Carter, C. (n.d.). How streaming services changed the way
we listen to and pay for Music. Retrieved March 20, 2023,
from https://egrove.olemiss.edu/hon_thesis/1453/?
utm_source=egrove.olemiss.edu%2Fhon_thesis%2F1453&
utm_medium=PDF&utm_campaign=PDFCoverPages
FPT Telecom chính thức đóng cửa nhacso.net. (2016,
October 4). ZingNews.vn. https://zingnews.vn/fpt-
telecom-chinh-thuc-dong-cua-nhacsonet-
post686799.html
APPENDIX
APPENDIX B.b:
Spotify for artists
https://docs.google.com/spread
sheets/d/1Yjwlp0p8oXcTGH5-
fwRraznh6FHh51cxS5X2Cl8gzV
o/edit?usp=sharing
https://docs.google.com/docu
ment/d/1ubAOx2Bm0YVQyQru
y95VBWOQFljUToQhC8J_GKqs
kl8/edit?usp=sharing