1” ‘A beautiful legatissimo song to play, Must be lke creamy butter, NO TWA‘! Remember thatthe Rhythm shows you when to move the fongue lip valves andthe side! Lear to synchronize al thse actions to sound clean ang clear along withthe rhythm you are Parra Andante 121 Spe pt P molto sostenuto poco ral. ‘poco rit,20 Lively and ful of musical buoyancy. Clean and clear on every note, no dead Sounds -al vibrant sounds! Giocoso Ne 22, nf | 4 é i f i i = a ha | a i SE Poco meno mosso _ P sostenuto = % 7 mo al Fist ~ Dal segno — 4 ‘poco a poco accelerando2 Agreat chance to really blow, but do not blow too hard - breath in fully and let the air do the job! To play loud emia doa ore ‘you must practice playing atthe top of your control and then came back abit, Make great slurs when marked, blowin and ou every note regardless ofthe articulation. Remember to breath! Ne 23. S deciso Pn crese. pif a tempo Poco rit,Excitement in style and rhythm are so important to this one. Make ol articulations excited and the same. Be consistentand remember to put more weight on the accents Allegro moderato 24, SE — nf poco crese, A A23 tonis the goal. You may This 8 Allegro isa3+2 beat feel. Remember, practicing slow ste ey to making t sound easy and perfection isthe goa very dynamics and adda few articulations go fr what sounds the best. Allegro Ne 25. nfPs ‘Andante ——_ Dr, Ne 26. P dolce nea SSN oe SS poco rall, SS‘i 25 ite, it should Play with a heavy sustained sound with clarity and evenness o tone. However this should not sound ploddy and without if, it. beexciting and fled with buoyancy. Moderato 2. f pesante26 The pulse must be exact and constant, Ver solidand accurate chunks of tone Pla with much spontaneity and excitement. Noeth this study resembles trombone passages from the 1st movement of Tchaikovsky Symphony No. 4. al Moderato 28, f deciso > poco agitato e string.27 icaswellas The pulse stays the same even though the me signature changes. In most ofthese etudes there are several atmospheric as We ‘mood changes in the music. Let yourself go naturally and musically with th flow. Andante 29. poco rit.‘Aggressive and fll of prt. Slow playing isa must o that the faster notes can be learned and played clean and effortlessly Lento Ne 30. PP crese. dim P poco crese. Set aa SS Sars we sey aa SS > ‘con moto29 This should have a powerful duple feeling and played with much spit. All notes should be matched despite the awkwardness, alla breve M31. Sf deviso