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Sanet - St-Rigor in Your Classroom A Toolkit For Teachers
Sanet - St-Rigor in Your Classroom A Toolkit For Teachers
How can you ensure students are engaged and learning at deeper levels?
This book from bestselling author Barbara R. Blackburn is a treasure chest
of more than 250 practical and effective tools that can be used across grade
levels and subject areas to increase rigor, leading to higher levels of learning
and success.
Rigor in Your Classroom will be your go-to resource throughout the school
year, as you continually use new tools with your students. Bonus: The tools
are accompanied by graphic organizers, charts, templates, and reproducibles
for easy implementation.
Barbara R. Blackburn
Designed cover image: © FatCamera / Getty Images
Second edition published 2023
by Routledge
605 Third Avenue, New York, NY 10158
and by Routledge
4 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
© 2023 Barbara R. Blackburn
The right of Barbara R. Blackburn to be identified as author of this work has
been asserted in accordance with sections 77 and 78 of the Copyright, Designs
and Patents Act 1988.
All rights reserved. The purchase of this copyright material confers the right
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copyright line at the bottom of the page. No other parts of this book may be
reprinted or reproduced or utilised in any form or by any electronic, mechanical,
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Trademark notice: Product or corporate names may be trademarks or registered
trademarks and are used only for identification and explanation without intent
to infringe.
First edition published by Routledge 2014
Library of Congress Cataloging-in-Publication Data
Names: Blackburn, Barbara R., 1961- author.
Title: Rigor in your classroom: a toolkit for teachers/Barbara R. Blackburn.
Description: Second edition. | New York, NY: Routledge, 2023. | Includes
bibliographical references.
Identifiers: LCCN 2022028669 | ISBN 9780367559229 (hardback) | ISBN
9780367559236 (paperback) | ISBN 9781003095743 (ebook)
Subjects: LCSH: School improvement programs. | Academic achievement. |
Teaching.
Classification: LCC LB2822.8. B528 2023 | DDC 371.2/07—dc23
LC record available at https://lccn.loc.gov/2022028669
ISBN: 978-0-367-55922-9 (hbk)
ISBN: 978-0-367-55923-6 (pbk)
ISBN: 978-1-003-09574-3 (ebk)
DOI: 10.4324/9781003095743
Typeset in Palatino
by Apex CoVantage, LLC
Access the Support Material: www.routledge.com/9780367559236
To my Mom, who continues to inspire me every day
with her attitude toward change.
Contents
Acknowledgements xv
Meet the Author xvi
Support Material xvii
Introduction xix
1 Understanding Rigor 1
Myths About Rigor 1
Myth 1: Lots of Homework Is a Sign of Rigor 2
Myth 2: Rigor Means Doing More 2
Myth 3: Rigor Is Not for Younger Students 2
Myth 4: Rigor Is Not for Struggling Students or Those With
Special Needs 2
Myth 5: When You Increase Rigor, Student Motivation Decreases 3
Myth 6: Providing Support Means Lessening Rigor 3
Myth 7: Resources Equal Rigor 3
Myth 8: Standards Alone Take Care of Rigor 4
Myth 9: Rigor Means You Have to Quit Doing Everything You
Do Now and Start Over 4
Myth 10: Rigor Is Just One More Thing to Do 4
Conclusion 8
Tool 177: Remove Effort, Behavior, and Attendance from Grading 142
Tool 178: Align Grading to Assessment 143
Tool 179: Wanted Poster 144
Tool 180: Revised Grading Guidelines 145
Tool 181: The Instant Credit Recovery Model 146
Tool 182: Teaching Responsibility 147
Tool 183: Sample Reassignment Policy 148
Tool 184: Sample Rubric for Not Yet Grading 149
Tool 185: Extra Credit Undermines Authentic Grading 150
Tool 186: Grading for Exceptional and Struggling Learners 150
Tool 187: Ideas for Working With Students With Special Needs 151
Appendix A 223
Appendix B 225
Appendix C 229
Appendix D 232
Bibliography 234
Acknowledgements
As always, to Lauren Davis, my editor and publisher; thank you for always
helping me share my message.
To Apex CoVantage for all the work coordinating production, and for
Autumn, who continually makes my books better.
Finally, for the teachers and leaders who have collaborated with me
remotely during the pandemic, especially Clarke High School and Clayton
County Schools in Georgia, Hillside Schools in New Jersey, Graham Local
Schools in Ohio, and New London High School in Connecticut.
Meet the Author
The following tools from the book are also available on our website as free
downloads, so you can easily print and reproduce them for classroom use.
To access the materials, go to the book product page at www.routledge.
com/9780367559236 and click on the link that says Support Material.
DOI: 10.4324/9781003095743-1
2 ◆ Rigor in Your Classroom
Myth 4: Rigor Is Not for Struggling Students or Those With Special Needs
Often, teachers think the only way to ensure success for everyone is
to lower standards and lessen rigor. This may mask a hidden belief that
some students can’t really learn at high levels. You may have heard of the
Pygmalion effect—students live up or down to our expectations of them.
Each student can complete rigorous work at high levels, whether they
are advanced or a student with special needs. Does the end result look
Understanding Rigor ◆ 3
different for those two students? Yes, but I know from my own experience
as a teacher of struggling students reading far below their grade level that
any teacher can be rigorous, and any student can reach higher levels with
the right support.
Defning Rigor
Now that we have looked at what rigor is not, let’s look at what rigor is. In
Rigor Is Not a Four-Letter Word, I define rigor as: Creating an environment in which:
Notice we are looking at the environment you create. The tri-fold approach
to rigor is not limited to the curriculum students are expected to learn. It is
Understanding Rigor ◆ 5
of it, therefore getting lost in the process. This can occur in a variety of ways,
but it requires that teachers ask themselves during every step of their lessons,
“What extra support might my students need?” In Chapter 5, we’ll explore
this in more detail.
• Rigor is not a negative concept. It is about meeting students where they are
in their learning process and helping them move to a higher level of learning.
• Every student should be given the opportunity to learn at high levels.
• Students are more likely to succeed if they are held to high expectations
and provided appropriate encouragement and support.
• Rigor may “look” different for different students, but all students can
master complex, higher-order skills and concepts.
• Students need varying levels of support as they move to more rigorous
work.
• A classroom environment that promotes student motivation, student
ownership and empowerment, and a growth mindset is critical.
Before you read any further, think about your own beliefs and misconcep-
tions. Are they similar to any of these I’ve described?
we’ll explore at the variety of ways you can put high expectations into prac-
tice. In Chapter 2, we’ll look at models for questioning and the behaviors
that reinforce high expectations. In Chapter 3, we’ll turn our attention to the
instructional aspects of high expectations, focusing on complex tasks.
Next, in Chapter 4, “Increasing Depth of Instruction,” we will explore a
wide range of tools you can use to effectively impact your instruction. These
include academic discourse, project- and problem-based learning, multiple
perspectives and points of view, and starting and ending lessons.
Chapter 5, “Giving Support,” addresses the scaffolding needed to sup-
port students as they move to more rigorous work. Before-, during-, and
after-lesson strategies frame this chapter.
Chapter 6, “Options for Assessment,” provides a range of options for
assessment. We’ll focus on formative assessment, quality assignments, feed-
back, homework, and grading.
In Chapter 7, “Reinvigorating the Environment,” we turn our attention
to the overall environment of your classroom. What role does the physical
environment play in a rigorous classroom? What about the role of the teacher
and students’ views of success and failure?
Chapter 8, “Common Concerns,” focuses on the major questions I receive
when I’m working with teachers. Time, student motivation, and parents are
among the topics. Finally, Chapter 9, “Leading Rigor in Your School,” is pro-
vided for instructional specialists, coaches, and other teacher-leaders in your
school. It addresses building support with administrators, building a rela-
tionship with teachers, and professional learning communities
Conclusion
I hope you will find the tools throughout the book helpful. They all are
designed to meet today’s rigorous standards, whether that is the Common
Core or your own state’s standards. Each is an effective, research-based
strategy and one that you can implement immediately in your classroom.
Remember that I’ve provided a wide range of tools, too many to be used
immediately. Please don’t get overwhelmed; think of this as a true toolkit,
one to return to again and again when you need a strategy for your students.
I wish you the best on your journey—a journey to higher levels of learning for
both you and your students. Please don’t hesitate to contact me if you have
any questions or if you’d like to share your successes. You can reach me at
www.barbarablackburnonline.com or at bcgroup@gmail.com.
2
Raising Expectations Through
Questioning and Adult Behaviors
The Pygmalion Effect, named after the play by George Bernard Shaw,
states that people respond to the expectations placed upon them. For exam-
ple, if we expect students to perform at high levels, they do. Conversely, if we
have low expectations, they tend to prove that we are right to believe so. In
this chapter, we’ll focus on two ways to raise expectations: questioning strat-
egies and adult behaviors.
Questioning
Our questioning strategies reflect our high expectations. When we ask
students higher-order questions, we are showing them we expect them
to answer at higher levels. On the other hand, when we only ask students
recall questions such as “Who
did this?” we are demonstrat- Questioning Models
ing that we don’t really expect
Bloom’s Taxonomy
them to know any more than
Essential Questions
the most basic answers.
Socratic Questioning
There are multiple mod- The Williams Model
els for questioning available SCAMPER
to you. In order to provide Moving From Low to High-Level Questions
the fullest understanding of Efective Questions
the concept of higher-order
DOI: 10.4324/9781003095743-2
10 ◆ Rigor in Your Classroom
questioning, we’ll begin with the classic, Bloom’s Taxonomy, then look at six
other models. We’ll finish with discussing what students’ responses should
look like in a rigorous classroom.
Bloom’s Taxonomy
The original Bloom’s Taxonomy of Educational Objectives, released in
1956, was designed to help teachers write objectives and create tests to address
a variety of levels of understanding. In the early 2000s, a group of researchers
revised the original taxonomy to include a more rigorous progression.
By using the verbs and descriptors, you can plan objectives, activities, and
assessments that allow students to learn different types of knowledge using
a variety of processes. The widely used revised taxonomy is a complex but
useful method for addressing all levels of questioning.
Questions promote . . .
Fluency (generate many ideas)
Flexibility (seek various objects or concepts, create various categories)
Elaboration (expand or enrich content based on prior ideas)
Originality (seek new ideas)
Curiosity (question and wonder)
Risk-taking (deal with new and/or unknown)
Complexity (build structure in something that is unstructured)
Imagination (visualize possibilities, move beyond the practical)
14 ◆ Rigor in Your Classroom
How does this work in practice? Let’s look at a lesson for middle/high
school art students in which they are asked to critique a piece of art. You
could also adapt it to other subjects, such as critiquing a musical performance
or evaluating a science project.
Fluency Who would like this piece of art? What aspect would they
specifically like?
Flexibility Choose one element of the work of art. How does that
change the overall piece? How might someone view it
differently?
Elaboration Take each key element of the artwork such as shading or
color. Describe it in detail, including how it impacts the
overall piece.
Originality If you were to use this piece of art to promote a cause or
issue, what would it be? Why?
Curiosity If the painting could speak, what would it say to the
artist? To you?
Risk-Taking Choose another type of art. It might be from a different time
period, such as the Renaissance, or it might be a different
format, such as a sculpture. Use it to change the work.
Complexity What is the overarching theme of the artwork? What
other elements support it? How do they do that?
Imagination Imagine you are creating your own work. You’d like to
include the best of what you see but improve upon it.
What would you do?
was originally developed by Alex Osborn. Bob Eberle expanded the concept
in his book, SCAMPER: Games for Imagination Development.
Let’s say you want students to describe the causes of a particular event.
After they write their basic response, the SCAMPER steps serve as questions
for them to elaborate on their answer. For the final response, they revise their
answer, including additional detail they discovered through the process.
16 ◆ Rigor in Your Classroom
Cause Not that it led to the other, but how it led Had it not been for _____, then ____ would not have
part lead to the other? to the other.
and E˜ect happened because _____.
Had _____ happened di˜erently, then _____ would
have been di˜erent as well because _____.
Not that they are working together or the _____ allows ____ to happen because____.
order they are working together, but how
Since there is ____, ____ can happen be-
they interrelate in working together, how
Process each part allows the other parts to hap-
cause______.
outcome? If not for ___, then ___ could not happen be-
pen, how the outcome can only come
from all of the parts cause_____.
_______.
because ______.
First, students’ responses are clear and precise. When a response is con-
fused, that reflects the thought process of the student, and it may reflect
the effectiveness of our teaching. For example, we may not have explained
a concept effectively, but on the other hand, the student may not have had
the appropriate background knowledge. Either way, this provides formative
feedback. The response should also be precise. When I ask a question, I want
students to answer that question, not veer off into multiple areas. For example,
when I ask “If Jamal has two pieces of pizza and Suzanna has one piece, how
many do they have together?”, I don’t want to know about your favorite type
of pizza. I may have asked that earlier, but now students should focus on the
math. I find that a “parking lot” is helpful. This is a section of your wall where
students can use post-it notes to write their off-topic thoughts to revisit later.
Next, students should focus on providing a deeper answer that moves
beyond surface knowledge. For example, if I ask students to describe the
characteristics of biomes, then put them into groups to investigate that infor-
mation, I expect more than a list; I want them to provide detail on each charac-
teristic. One caution: sometimes students mistake depth for “as many words
as possible.” We still want to be clear and precise.
Third, students should justify their responses with evidence. Evidence
means more than their opinion; it includes facts from a lesson, the text, other
subjects, or real life. An easy prompt is to follow any student response with . . .
because (evidence).
It’s important to remind students multiple times that evidence is differ-
ent from their opinion. A helpful tool is to show them examples and non-
examples of evidence.
20 ◆ Rigor in Your Classroom
Examples Non-Examples
Subject/Content/Lesson
→
Belief: The most basic characteristic to invest in your students is a strong belief
that they are important, valued, and capable. If you believe in your students, you
will call on each one to give them an opportunity to share a response. You’ll also
stick with them when they don’t know an answer. For example, if La’Quandra
doesn’t know, or stumbles with an answer, I have several possible responses.
I can tell her she is wrong, call on another student to help her out, answer for her,
or give up and move on to another question. However, another alternative is to
use a series of questions to guide her to the correct answer. I might go to another
student for help, but I continue to come back to her until she demonstrates under-
standing. By doing so, I show her that I believe she can learn.
Encouragement: Students who do not have a lot of self-confidence need a
steady stream of encouragement. Encouragement is communicated through
appropriate praise and feedback, as well as nonverbal cues such as a smile.
Encouragement is always a signal to the student to keep trying. It’s import-
ant to encourage students regularly, especially when they are less successful.
Think back to the example we just discussed. When a student is struggling
to answer a question, it’s important to encourage them with supportive com-
ments while guiding them to the correct answer. Focus on their strengths to
give them the confidence to continue.
Support: Providing support to accompany increased expectations is not
optional. This can be as basic as guiding students through responses, as in
the prior example. However, it also includes ensuring that each student has
access to the resources needed to accomplish more rigorous tasks. Finally, as
teachers, we need to build scaffolding into projects and assignments so that
students can be successful. We’ll focus on that in Chapter 5, “Giving Scaffold-
ing and Support.”
Time: Ultimately, inspiring students through your belief, encouragement,
and support requires that you make a choice to invest your time in particular
students. This is evidenced in two specific ways. First, it is critical to allow
appropriate wait time for every student to answer. Some students need more
time to reflect before they are ready to respond. That’s one of the reasons I like
the strategy of Think–Pair–Share. After you ask a question, ask everyone to
stop and think for approximately 45 seconds to a minute. It allows students
to have more time to reflect before you ask for a group answer.
You may also choose to pay extra attention to those students who are
sometimes overlooked. In fewer than five minutes per day, you can say an
extra positive comment several times during the day. Or you can write addi-
tional feedback on a student’s paper or schedule time to meet with a student
during the school day to go over material he or she doesn’t understand. The
important part is not the amount of time you spend; it is that you commit to
doing these things consistently with the students who need you.
Raising Expectations Through Questioning and Adult Behaviors ◆ 25
The option to not do work was not there. If as adults, we accept that
students cannot do work, we are not doing the kids any service at all.
This comes out in several ways, starting with our vocabulary. If we
say “Students just won’t do the work,” we are part of the problem. We
have to get those words out of our vocabulary. They won’t do because
we don’t make them do.
26 ◆ Rigor in Your Classroom
A Final Note
Raising your expectations of students is foundational to
increasing rigor in your classroom. Increasing our levels of ques-
tioning, adjusting our adult behaviors, and insisting that learning
is not optional are concrete ways we can exhibit high expectations.
In this chapter, we’ll look at how we can raise expectations through com-
plex tasks. Webb’s Depth of Knowledge is widely used across the nation.
Focusing on depth and complexity rather than verbs, such as those with
Bloom’s Taxonomy, it provides descriptions that can inform our understand-
ing. We’re going to look at his framework, then turn our attention to the Cog-
nitive Rigor Matrix, another popular frame of reference that blends Webb’s
Depth of Knowledge with Bloom’s Taxonomy. Let’s take a look at each.
DOI: 10.4324/9781003095743-3
30 ◆ Rigor in Your Classroom
Source: http://facstaff.wcer.wisc.edu/normw/WEBBMonograph%2018AlignmentPaper.pdf
Notice how, with the complexity of descriptions, the levels are truly more
than the verbs. For example, in the Level 3 description, Norman Webb notes that:
The complexity does not result from the fact that there are multiple
answers, a possibility for both Levels 1 and 2, but because the task
requires more demanding reasoning.
Considering the depth of the task and/or question is key. It is not enough
to simply generate something (a task at the highest level of Bloom’s Taxon-
omy), such as a children’s book. A student can complete that task by simply
summarizing information. For a DOK Level 3, creation should require analy-
sis of multiple sources, making an argument within that children’s book and
backing it up with evidence, and critiquing his or her own work to ensure
accuracy.
Writing
Level 1
Level 1 requires the student to write or recite simple facts. This writing or
recitation does not include complex synthesis or analysis but basic ideas.
The students are engaged in listing ideas or words as in a brainstorming
activity prior to written composition, are engaged in a simple spelling or
vocabulary assessment, or are asked to write simple sentences. Students
are expected to write and speak using Standard English conventions.
This includes using appropriate grammar, punctuation, capitalization,
and spelling. Some examples that represent but do not constitute all of
Level 1 performance are:
Level 2
Level 2 requires some mental processing. At this level, students are engaged
in first draft writing or brief extemporaneous speaking for a limited number
of purposes and audiences. Students are beginning to connect ideas using
a simple organizational structure. For example, students may be engaged
in note taking, outlining, or simple summaries. Text may be limited to one
paragraph. Students demonstrate a basic understanding and appropriate
use of such reference materials as a dictionary, thesaurus, or web site. Some
examples that represent but do not constitute all of Level 2 performance
are:
Level 3
Level 3 requires some higher-level mental processing. Students are
engaged in developing compositions that include multiple paragraphs.
Raising Expectations Through Complex Tasks ◆ 35
Level 4
Higher-level thinking is central to Level 4. The standard at this level is a
multi-paragraph composition that demonstrates synthesis and analysis of
complex ideas or themes. There is evidence of a deep awareness of purpose and
audience. For example, informational papers include hypotheses and supporting
evidence. Students are expected to create compositions that demonstrate a dis-
tinct voice and that stimulate the reader or listener to consider new perspectives
on the addressed ideas and themes. An example that represents but does not
constitute all of Level 4 performance is:
• Write an analysis of two selections, identifying the common theme and gen-
erating a purpose that is appropriate for both.
comprehensive model for increasing rigor in the classroom. Hess has devel-
oped eight subject-specific matrices for use in classrooms.
Following, you will find three of the matrices: Math and Science, Written
and Oral Communication, and Social Studies and Humanities. You can access
each matrix at www.karin-hess.com/cognitive-rigor-and-dok.
Tool 30: Math and Science CRM
Understand o Evaluate an expression o Specify and explain relationships (e.g., o Use concepts to solve non routine o Relate mathematical or scientifc concepts
o Locate points on a grid or number non examples or examples; cause-effect) problems to other content areas, other domains, or
Construct meaning, clarify, paraphrase,
on number line o Make and record observations o Explain, generalize, or connect ideas other concepts
represent, translate, illustrate, give ex- o Solve a one-step problem o Explain steps followed using supporting evidence o Develop generalizations of the results
amples, classify, categorize, summarize, o Represent math relationships in o Summarize results or concepts o Make and justify conjectures obtained and the strategies used (from
generalize, infer a logical conclusion, words, pictures, or symbols o Make basic inferences or logical o Explain thinking or reasoning when more investigation or readings) and apply them
predict, compare–contrast, match like o Read, write, compare decimals in predictions from data or observations than one solution or approach is possible to new problem situations
ideas, explain, construct models scientifc notation o Use models or diagrams to represent or o Explain phenomena in terms of concepts
Apply o Follow simple procedures o Select a procedure according to criteria o Design investigation for a specifc purpose o Select or devise approach among many
(recipe-type directions) and perform it or research question alternatives to solve a problem
Carry out or use a procedure in a
o Calculate, measure, apply a rule o Solve routine problem applying multiple o Conduct a designed investigation o Conduct a project that specifes a problem,
given situation; carry out (apply to
(e.g., rounding) concepts or decision points o Use concepts to solve non routine identifes solution paths, solves the
a familiar task), or use (apply) to an
o Apply algorithm or formula o Retrieve information from a table, graph, problems problem, and reports results
unfamiliar task
(e.g., area, perimeter) or fgure and use it solve a problem o Use and show reasoning, planning,
o Solve linear equations requiring multiple steps and evidence
o Make conversions among repre- o Translate between tables, graphs, words, o Translate between problem and symbolic
sentations or numbers, or within and symbolic notations (e.g., graph data notation when not a direct translation
and between customary and metric from a table)
measures o Construct models given criteria
Analyze o Retrieve information from a table or o Categorize, classify materials, data, fgures o Compare information within or across o Analyze multiple sources of evidence
graph to answer a question based on characteristics data sets or texts o Analyze complex or abstract themes
Break into constituent parts, determine
o Identify whether specifc information o Organize or order data o Analyze and draw conclusions from o Gather, analyze, and evaluate information
how parts relate, differentiate between
is contained in graphic o Compare–contrast fgures or data data, citing evidence
relevant-irrelevant, distinguish, focus,
representations (e.g., table, graph, o Select appropriate graph and organize and o Generalize a pattern
select, organize, outline, fnd coher-
T-chart, diagram) display data o Interpret data from complex graph
ence, deconstruct o Identify a pattern or trend o Interpret data from a simple graph o Analyze similarities–differences between
o Extend a pattern procedures or solutions
Evaluate “UG”—unsubstantiated generalizations = stating an opinion without o Cite evidence and develop a logical o Gather, analyze, and evaluate information
providing any support for it! argument for concepts or solutions to draw conclusions
Make judgments based on criteria,
o Describe, compare, and contrast o Apply understanding in a novel way,
check, detect inconsistencies or
solution methods provide argument or justifcation for the
fallacies, judge, critique o Verify reasonableness of results application
Create o Brainstorm ideas, concepts, or o Generate conjectures or hypotheses based o Synthesize information within one o Synthesize information across multiple
perspectives related to a topic on observations or prior knowledge and data set, source, or text sources or texts
Reorganize elements into new o Design a mathematical model to inform
experience o Formulate an original problem given
patterns or structures, generate, and solve a practical or abstract situation
a situation
hypothesize, design, plan, produce
o Develop a scientifc/mathematical
model for a complex situation
© Karin K. Hess (2009, updated 2013). Linking research with practice: A local assessment toolkit to guide school leaders. | Permission to reproduce is given when authorship is fully cited www.karin-hess.com
Tool 31: Writing and Speaking CRM
Apply o Apply rules or use resources to o Use context to identify or infer the o Revise fnal draft for meaning, progression o Select or devise an approach among many
edit specifc spelling, grammar, intended meaning of words or phrases of ideas, or logic chain alternatives to research and present a
Carry out or use a procedure in a given o Apply internal consistency of text novel problem or issue
punctuation, conventions, or o Obtain, interpret, and explain information
situation; carry out (apply to a familiar organization and structure to a full o Illustrate how multiple themes (historical,
word use using text features (table, diagram, etc.)
task), or use (apply) to an unfamiliar
o Apply basic formats for documenting o Develop a (brief) text that may be limited composition or oral communication geographic, social) may be interrelated
task to one paragraph, précis o Apply a concept in a new context within a text or topic
sources
o Apply basic organizational structures o Apply word choice, point of view, style,
(paragraph, sentence types, topic rhetorical devices to impact readers’
sentence, introduction, etc.) in writing interpretation of a text
Analyze o Decide which text structure is o Compare–contrast perspectives, events, o Analyze interrelationships among o Analyze multiple sources of evidence, or
appropriate to audience and characters, etc. concepts, issues, and problems in a text multiple works by the same author, or
Break into constituent parts, determine
purpose (e.g., compare–contrast, o Analyze–revise format, organization, and o Analyze impact or use of author’s craft across genres, or time periods
how parts relate, differentiate between
proposition–support) internal text structure (signal words, (literary devices, viewpoint, dialogue) in a o Analyze complex or abstract themes,
relevant-irrelevant, distinguish, focus,
o Determine appropriate, relevant key transitions, semantic cues) of different single text perspectives, concepts
select, organize, outline, fnd
words for conducting an Internet print and non print texts o Use reasoning and evidence to generate o Gather, analyze, and organize multiple
coherence, deconstruct (e.g., for bias
search or researching a topic o Distinguish: relevant–irrelevant criteria for making and supporting an information sources
or point of view)
information; fact–opinion (e.g., What are argument of judgment (Was FDR a great o Compare and contrast conficting
the characteristics of a hero’s journey?) president? Who was the greatest ball judgments or policies (e.g., Supreme
o Locate evidence that supports a player?) Court decisions)
perspective–differing perspectives o Support conclusions with evidence
Evaluate “UG”—unsubstantiated generalizations = stating an opinion without o Evaluate validity and relevance of evidence o Evaluate relevancy, accuracy, and
providing any support for it! used to develop an argument or support a completeness of information across
Make judgments based on criteria, perspective multiple sources
check, detect inconsistencies or o Describe, compare, and contrast solution o Apply understanding in a novel way,
fallacies, judge, critique methods provide argument or justifcation for
o Verify or critique the accuracy, logic, and the application
reasonableness of stated conclusions or o Critique the historical impact
assumptions (policy, writings, discoveries, etc.)
Create o Brainstorm facts, ideas, concepts, o Generate conjectures, hypotheses , or o Develop a complex model for a given o Synthesize information across multiple
problems, or perspectives related to predictions based on facts, observations, situation or problem sources or texts in order to articulate a
Reorganize elements into new
a topic, text, idea, issue, or concept evidence/observations, or prior o Develop an alternative solution or perspec- new voice, alternate theme, new
patterns or structures, generate,
knowledge and experience tive to one proposed (e.g., debate) knowledge or nuanced perspective
hypothesize, design, plan, produce
o Generate believable “grounds” (reasons)
for an opinion-argument
© Karin K. Hess (2009, updated 2013). Linking research with practice: A local assessment toolkit to guide school leaders. | Permission to reproduce is given when authorship is fully cited www.karin-hess.com
Tool 32: Social Studies and Humanities CRM
Analyze o Identify causes or effects o Compare similarities or differences in o Analyze information within data sets or o Analyze multiple sources of evidence
o Describe processes or tools used processes, methods, styles due to infuenc- a text (e.g., interrelationships among across time periods, themes, issues
Break into constituent parts, determine
to research ideas, artifacts, or es of time period, politics or culture concepts, issues, problems) o Analyze diverse, complex or abstract
how parts relate, differentiate
images refecting history, culture, o Distinguish relevant–irrelevant information, o Analyze an author’s viewpoint or perspectives
between relevant-irrelevant,
tradition, etc. fact or opinion; primary from a secondary potential bias (e.g., political cartoon) o Gather, analyze, and organize information
distinguish, focus, select, organize,
o Identify ways symbols and source o Use reasoning, planning, and evidence to from multiple sources
outline, fnd coherence, deconstruct
metaphors are used to represent o Draw inferences about social, historical, support or refute inferences in policy or o Analyze discourse styles or bias in speech-
(e.g., for bias, point of view,
universal ideas cultural contexts portrayed in (literature, speech es, legal briefs, etc. across time or authors
approach/strategy used)
o Identify specifc information given arts, flm, political cartoons, primary o Use reasoning and evidence to generate o Compare and contrast conficting
in graphics (e.g., map, T-chart, dia- sources) criteria for making and supporting an judgments or policies (e.g., Supreme
gram) or text features (e.g., heading, o Explain, categorize events or ideas in the ‘argument of judgment’ (e.g., Was FDR a Court decisions)
subheading, captions) evolution of _____ across time periods great president? Is this a fair law?)
Evaluate “UG”—unsubstantiated generalizations = stating an opinion without o Develop a logical argument for o Evaluate relevancy, accuracy, and
providing any support for it! conjectures, citing evidence completeness of information using
Make judgments based on criteria, multiple sources
o Verify reasonableness of results of others
check, detect inconsistencies or
o Critique conclusions drawn, evidence used, o Apply understanding in a novel way,
fallacies, judge, critique credibility of sources provide argument or justifcation for the
application
o Critique the historical impact on policy,
writings, advances
Create o Brainstorm ideas, concepts, prob- o Generate testable conjectures or hy- o Synthesize information within one source o Synthesize information across multiple
lems, or perspectives related to a potheses based on observations, prior or text sources or texts
Reorganize elements into new
topic , principle, or concept knowledge, and/or artifacts o Develop a complex model or symbol for o Articulate a new voice, alternate theme,
patterns,structures, or schemas,
given issue new knowledge or new perspective
generate, hypothesize, design,
o Develop and support an alternative o Create historical fction drawing on sources
plan, producee
solution
© Karin K. Hess (2009, updated 2013). Linking research with practice: A local assessment toolkit to guide school leaders. | Permission to reproduce is given when authorship is fully cited www.karin-hess.com
40 ◆ Rigor in Your Classroom
For more detailed information, see Karin Hess’s new book: Rigor by Design,
Not Chance: Deeper Thinking Through Actionable Instruction and Assessment.
Subject Areas
Math
Science
English/Language Arts
Social Students
Related Subject Areas
Math
Tool 33: 3rd Grade Math
Third Grade
Mathematics Unit 3
Name___________________________________________ Date_____________
Directions: Read each question two times. Please CIRCLE the correct
answer for each question. Show your math thinking for each problem.
It’s okay to write on this test!
3×3×3>9×3
C. True, because when you multiply two factors together, you will get a
smaller product than when you multiply three factors together.
D. True, because the product of 9 × 3 is less than the product of 3 × 3 × 3.
2×2×3<4×3
Notice that in this assignment, students must determine not only if each
statement is true or false but why the statement would be true or false. To
complete the first question, students must have a thorough understanding of
the math concepts. Then, in order to move to a higher level, they must do a
similar problem, this time on their own without choices.
Name: Date:
Error Analysis
Read the word problem. Look at the student’s work and solution. Identify
the error and describe it. Solve the problem correctly. Then share a strategy
this student could use to prevent the same error in the future.
Problem: __________________________________________
Error analysis, a common math strategy used at most grade levels, is very
similar to the previous problem. In this case, it is more open ended, with stu-
dents reading a word problem and solution. Then, they identify and explain
the error, ideally using math terminology. After working it correctly, they
share their strategy with another student. I would also recommend students
explain why they know they now have the correct answer. Identifying and
explaining misconceptions, the heart of this assignment, is quite rigorous.
Thanks to Pythagoras, we have a great equation that we can use to find the
length of the sides of a right triangle. The theorem is used in architecture,
navigation, and surveying, which are important parts of our lives, but what
if Pythagoras had never come up with the theorem? Sure, you could use
measurement of a tool, but some things may be impossible to measure, such
as if you are trying to find distances between long navigation points. Your
charge is to come up with a replacement equation that would assist you with
the following problem. You should be able to explain how you came up with
the new equation and also include the drawbacks of using this equation. . . .
Pythagoras can’t be replaced, but I bet you can come close.
For instance, a plane can use its height above the ground and its distance from
the destination airport to find the correct place to begin a descent to that airport.
Source: https://sciencing.com/real-life-uses-pythagorean-theorem-8247514.html
I’m often asked what rigor looks like at the kindergarten level, and this is
a good example. Rather than the traditional “plant a seed and watch it grow,”
this assignment adds reflective aspects throughout the task. Students are then
asked to go beyond what they have learned to broaden the information to
other variables.
44 ◆ Rigor in Your Classroom
PBL Driving Question: What life skills do we need to sustain life as a new
colony on Mars?
Create a school on Mars. Design your ideal school. Think about what
it should look like, how you would build it, what will be taught, and what
kinds of teachers will be there. You need to think about themes, concepts,
elements, and so on. Next, build a village around your school. You’ll need to
consider what you need such as gardens or greenhouses, jobs needed, and
transportation.
After you have designed your school and village, justify each of your
choices. You can do this in writing, orally, or visually. Remember to base your
reflection on what you learned in class and from the materials provided as
well as your own experience.
Note—the teacher who provided this set of 10 lessons explained it encompasses a
period of 3–4 weeks. Throughout, students are working in groups and partners for
planning, reflection, and feedback. It is designed to be a combination of a PBL project
and Genius hour.
We’ve been reading books and watching videos about heroes and heroines.
Choose someone who is your hero, heroine, or role model. Next, make a list
of why you chose them. Then, make a list of how they are like either Jackie
Robinson, Allie Murray Smith, Jimmy Carter, or Martin Luther King, Jr.
Create write a script for a short video explaining why your person is a hero,
heroine, or role model using information from our lessons and what you
know about the famous person you chose.
46 ◆ Rigor in Your Classroom
As with several of our other examples, this task relies on students explain-
ing their thesis using evidence from lessons in class, other sources, and their
own experiences. These characteristics can apply to many rigorous activities,
especially those in the language arts areas.
What is the theme of “Goldilocks and the Three Bears”? Make sure to use
details from the text to support this choice. “Goldilocks and the Three Bears”
was written nearly 200 years ago. Justify whether this theme applies to today.
Provide an example from modern life to validate your answer
The Goldilocks example follows a similar path to the heroes lesson but
contains a twist. Instead of asking for a real-life example, students are required
to take the theme from 200 years ago and apply it to our world today. Thus,
the real-life application is taken to an even higher level.
In this example, two accessible texts are being paired, requiring a more
complex level of analysis and evaluation. Not only do students need to eval-
uate author’s craft in the first piece, they must also establish connections
Raising Expectations Through Complex Tasks ◆ 47
between the two seemingly unrelated pieces and consider how the same con-
cept applies to other social groups in our country. This type of assignment
could easily apply to any social studies reading as well.
As we turn our attention to social studies, we see that students are asked to
look at changes over time and across different populations. In order to do that,
they must consider a variety of aspects of geography. Finally, as an exclama-
tion point to rigor, students are asked to propose a solution to the problems.
As we move into a middle school example, we are once again asking stu-
dents to use evidence as a basis for their work. However, they must use that
for an informational piece and then an opinion piece.
48 ◆ Rigor in Your Classroom
In the third example, students must take information they have learned
and go beyond the knowledge gained to internalize the information and use
it in another format. Students are stepping into a role-play scenario, using
evidence and reasoning to generate hypothetical conversations between peo-
ple with opposing viewpoints while maintaining the essence of the person’s
true personality. Finally, they are taking their knowledge about each of the
persons and applying it to a current situation. This also requires them to
move beyond the text, which in this case is what they have learned. While
this assignment uses historical figures, it could easily be used with characters
from a novel.
1. What have you learned about Freedom, Equality, and Dignity from
playing The Human Rights Game? Give an example.
2. Along with Freedom, Equality, and Dignity, the UN says they also come
with responsibilities. If people did not have responsibilities to each other,
how do you think the freedoms and rights associated with the UN would
work? Explain your answer.
3. At times, it can be hard to make choices. How could you use the
Universal Declaration of Human Rights to help you make better choices
in a variety of everyday situations?
5. Name some projects your school could take on to help people benefit
from the Universal Declaration of Human Rights.
6. If it was your job to teach students in developing countries who may not
have access to The Human Rights Game or the funds to purchase learning
resources, how would you go about the job?
10. What would you want to change about this game? Please feel welcome to
send your suggestions to info@thebrainary.com
Building on our class discussion, find at least three credible sources on the
topic of data tracking. In particular, you are looking at both the advantages
and disadvantages of using data tracking. Design a tool (video, webpage,
etc.) designed to convince your audience of your perspective on data
tracking. For example, if you believe companies should be allowed to use
data tracking, create a technology-based format to convince others of your
belief. In your information, you should include the reasons that support
your position, as well as addressing the typical objections. Your presentation
should be based on facts and data, which can come from our class
information and resources, your independent research, or data collection
from interviews with local companies.
Your goal is to research and develop at least one practical use for older
computers that will help eliminate the practice of disposing of used
computers or landfills. Your use does not necessarily need to relate to a
new consumer computer. For example, you may find a purpose for data
warehouses. Develop a detailed proposal, address practical issues, such as
cost, and any disadvantages, and explain how this will solve technology
problems now and in the future.
A Final Note
Ensuring depth of instruction is a critical part of instructional
rigor. By using frameworks such as Webb’s Depth of Knowledge
and the Cognitive Rigor Matrix, you can create in-depth tasks
that are challenging for students.
In this chapter, we’ll look at options to increase the depth of your instruc-
tion. We’ll start with three that blend well together: academic discourse, proj-
ect- and problem-based learning, and looking at various perspectives. Then,
we’ll explore some engaging, deeper ways to start and end your lessons.
Academic Discourse
Project- and Problem-Based Learning
Multiple Perspectives and Points of View
Lesson Starters
Lesson Enders
DOI: 10.4324/9781003095743-4
54 ◆ Rigor in Your Classroom
In recent years, the conversation has shifted from classroom talk and dis-
cussion to student discourse, which is also called accountable talk or aca-
demic discourse. What exactly is the difference? Student discourse is focused
on “on-task” talk, as well as the use of academic vocabulary. In other words,
not only is discourse more rigorous, it is more purposeful.
Jackie Acree Walsh and Beth Dankert Sattes, in Questioning for Classroom
Discussion, describe five organizers students use during academic discus-
sions. These are essential tools students need in order to be successful.
It isn’t enough to tell students they need to use these tools. Instead, we
need to teach students how to do each of these, as well as giving them guided
practice.
Accountability to Speak
You can develop accountability to speak by using chips. Each student
is given a certain number of chips, each one used when a student makes a
comment. All chips should be used by the end of the conversation. Another
option is to use a checklist to track comments.
Math Science
Offering possible solutions to a problem Discussion of possible research questions
Learning to Question
In addition to providing the opportunity for students to ask questions,
they may need assistance in crafting questions. In addition to modeling ques-
tioning for them, you may want to provide sample prompts.
Increasing Depth of Instruction ◆ 57
You may also want prompts students can use for follow-up.
Types of Objectives
Douglas Fisher, Nancy Frey, and Carol Rothenberg, in their book
Content-Area Conversations, point out there should be three types of objectives:
content, language, and social. As you consider the skills we just looked at,
you’ll notice the three types of objectives encompass those skills. The objec-
tives are helpful as you craft your tasks and discussions.
Description Example
I’d like to finish this section with a look at academic vocabulary, the sec-
ond of the three objectives. Academic vocabulary, rather than conversational
language, is a key indicator of discourse. You’ve probably listened to a discus-
sion from a group of students and thought: “This is not what I expect.” I cer-
tainly felt that way. Encouraging the use of academic vocabulary is critical.
Increasing Depth of Instruction ◆ 59
Elementary Reading
Roald Dahl used well-developed characters in his story, Charlie and the
Chocolate Factory. Think about each of the other four children, the way they
misbehaved, and how their behavior caused them to exit the factory earlier
than they anticipated (in very odd ways). Create a new character with a
different behavior problem and write him/her into the story. How would
this character treat his/her parent and others? What would he/she look like
and what would his/her mannerisms be? What would get him/her into
trouble during his tour of the chocolate factory that would lead to him/her
getting “thrown out”? How would the existing characters react/respond to
this new character?
Finally, become this new character, introducing yourself to our class in
the way the character would act in the book and tell us of your experience
in the chocolate factory. Use details from the setting and plot to weave your
own story in and step into character!
Increasing Depth of Instruction ◆ 63
The city is in danger. The mayor has moved and everything has shut
down! We have been asked to design a plan to get the city up and running!
Think about all of the critical roles we’ve discussed in creating an effective
community. In your small groups, complete research and determine how
you would propose we help out as efficiently as possible! Justify your ideas
with textual evidence and logical reasoning. Your final product will be a
persuasive visual presentation using chart paper, PowerPoint, poster board,
handout, etc. that outlines your proposal with information about the trip(s)
and pictures, graphs, maps, etc.
“Don’t Trash the Earth.” Due to the increasing garbage people produce, the
local community landfill is running out of space. Students are presented with
a scenario in which they are hired to evaluate their school and community
recycling and waste management practices. After researching and analyzing
past and current methods, teams develop a new recycling plan, complete
with cost analysis and supporting data. Teams propose recommendations to
a committee, supported by brochures that inform and persuade the public
to take action. Source: https://ronaldreaganms.pwcs.edu/common/pages/
DisplayFile.aspx?itemId=645115.
Students choose an issue with theme parks that may need to be addressed
using mathematical concepts. This may include having a friend in a wheelchair,
ensuring safety for younger children, creating a special space for grandparents,
or accommodating service animals. Keep in mind if these changes are already in
place, students should evaluate their effectiveness and suggest any changes.
64 ◆ Rigor in Your Classroom
In our class novel, the protagonist sets out to civilize people from a remote
tribe in the Amazon. Do your own research on uncontacted tribes in the world
today. Do they exist? Where are they? Do they want to be contacted? Do you
think they should be left alone or assimilated into civilization? Put together
a presentation or mini-lesson to teach us more about what’s happening in
Brazil, Venezuela, and Colombia that is creating an ethical dilemma for these
peoples and the governments. Justify and/or critique the decisions being
made concerning these isolated tribes. Your presentation will need some type
of visual and a creative way to present the interesting facts you uncover.
Developing PBL
Brian Pete and Robin Fogarty, in their book Everyday Problem-Based Learn-
ing, focus on seven key areas to consider in problem-based learning.
If you are using problem-based learning, students will follow the seven
areas. If you are focusing on project-based learning, you and your students
will share the areas. For example, you may develop the questions launch the
scenario; students will follow areas 3–6, and you may assess the learning.
Yes No Comments
Cubing
Thinking Hats
RAFT
Debates
Thinking Hats
The White Hat calls for information known or needed. “The facts, just the facts.”
The Yellow Hat symbolizes brightness and optimism. Under this hat, you
explore the positives and probe for value and beneft.
The Black Hat is judgment—the devil’s advocate or why something may
not work. Spot the diffculties and dangers—where things might go
wrong. Probably the most powerful and useful of the hats but a problem
if overused.
The Red Hat signifes feelings, hunches, and intuition. When using this hat,
you can express emotions and feelings and share fears, likes, dislikes,
loves, and hates.
The Green Hat focuses on creativity—the possibilities, alternatives, and new
ideas. It’s an opportunity to express new concepts and new perceptions.
The Blue Hat is used to manage the thinking process. It’s the control
mechanism that ensures the Six Thinking Hats guidelines are observed.
Source: www.debonogroup.com/6hats.htm
As a side note, I have spoken with many teachers who have pointed out
that the color of the black hat may be perceived as negative by some students.
I prefer to change this to a purple hat to avoid any issues.
using the RAFT strategy (Santa, Havens, & Macumber, 1996), which, although
developed years ago, has continued to be a strong strategy to deepen student
learning. RAFT stands for Role/Audience/Format/Topic. Using this strategy,
students would assume a role (such as an astronaut in this case) and write
from that perspective to a more authentic audience, such as people reading
his/her online blog. With a slight shift in the assignment details, students are
required to understand the topic at a higher level in order to complete the
task. Additionally, when students are asked to write for a genuine purpose
and audience, they tend to complete the assignment more effectively. As you
can see from the examples, you can tailor this task to your specific needs. For
younger students, they can draw rather than write their RAFTs. Also, you
might allow them to choose roles and formats that interest them.
They get into their groups and come up with what they think the oth-
er group would say. What do you think their points are going to be?
Then, they write down at least three points their opposition might
have and they research comebacks to the opposition’s points. So, they
have to think ahead and research not only their position, but the oth-
er side as well. Then, when we hold our debate, each student had to
speak at least once.
If you would like exemplars for debate positions, you can use editori-
als and opposing columns. For example, USA Today regularly publishes an
opposing view to their editorial.
Since the preparation part was key, I also used a graphic organizer to help
students organize their points, as well as possible counterpoints.
Position
With younger students, you may want to adjust the language. For exam-
ple, instead of My Opponent’s Arguments, you may want to use “The Other
Group’s Opinion.” As always, you know your students; make any adjust-
ments that are best for them.
Finally, let’s look at quick ideas for starting and finishing lessons.
Lesson Starters
A critical part of every lesson is the starting point. Without a strong kick-
off to the lesson, prior knowledge may not be activated, and learning may not
be focused. Let’s look at several tools for introducing a lesson.
the topic or concept and, through the lesson, they are guided to learn the con-
cept. Both methods are appropriate and require students to think at higher
levels.
Deductive vs. Inductive Reasoning
You are an ecologist from Rock Hill, South Carolina. Recently, members
of the United Nations have come together and decided that they must
eliminate one biome to make room for the world’s growing human
population. You and a group of your peers have decided to take a stand.
You will each choose one biome to present to the United Nations in New
York City this April. It is very important that you persuade the members
of the UN to keep your chosen biome alive! The UN has asked that you
write a persuasive essay to present to the audience. They also asked that
you bring visuals and information about your references. You must be sure
that you include how your biome benefits the world population. You need
to include information about the habitats, populations, animals, plants, and
food chains of your biome.
discussion, and laboratory activities. However, since she began with the
open-ended, authentic situation, her students were more engaged and chal-
lenged throughout the lessons.
Exit Slips
Another easy way to review student learning and also assess student
understanding is through the use of exit slips (see Chapter 6, “Options for
Assessment,” for more on assessing student understanding). As students are
leaving your class, they complete a paper or index cards responding to three
statements
Exit Slip
What I learned today: ________________________________________________
____________________________________________________________________
How this connects to something else I know: ____________________________
____________________________________________________________________
A question I still have: ________________________________________________
____________________________________________________________________
Not only does this allow students to reflect of their knowledge from the
day, it also encourages critical thinking to narrow down their answers to one
for each question. If you’d prefer, you can collect the exit slips through tech-
nology, such as online surveys, email, or responses on a class blog/wiki/
Facebook page.
A Final Note
There are a limitless number of strategies you can use to
enhance your instruction and make it more rigorous. Increasing
student engagement during all parts of the lesson, ensuring all
students participate through academic discourse, and encourag-
ing higher-order thinking through PBL and looking at different
perspectives will make a difference in student learning.
As you increase rigor for your students, you must also increase the level
of support they receive. Consider a time when you tried to accomplish some-
thing new. For example, think about your first year of teaching. Did you need
help or guidance? That’s exactly how our students are as they move to higher
levels of rigor. However, you don’t want to provide the same level of support
all the time.
DOI: 10.4324/9781003095743-5
82 ◆ Rigor in Your Classroom
How do you decide when to move a student through the various stages
of gradual release? I wish I could give you a set formula, but there isn’t one.
Sometimes students need to see you model something once; other students
may need multiple explanations and models.
Using gradual release as our overall guide, let’s look at eight specific
strategies to support struggling learners.
K-W-H-L Chart
K (what I know or W (what I want H (how I can L (what I learned)
think I know) to learn) learn this)
LINK Chart
L (list everything I (inquire about N (now we are K (what do you
you know) what you want to going to take know now?)
know) notes)
After they complete the L column individually, her students turn to a part-
ner and share their answers. Then she leads a short class discussion, charting
out what everyone in the class knows about the topic. As she works through
the lesson, students finish by writing what they now know (K), and they tear
that part off to turn in as they leave her class. This provides her immediate
feedback as to what her students learned or didn’t learn in class.
It’s important to share students’ responses with everyone, albeit in a safe
way that doesn’t embarrass anyone. That’s why I like her method. She starts
by allowing each student to write an individual response, so everyone has
an opportunity to think about what they know. As Kendra points out, if I’m
a student:
[B]y sharing with a partner, I can feel “safer” in case I’m not right.
In the whole class discussion, I’m sharing “our” answers (mine and
my partner’s), so I don’t feel like I’m out on a limb by myself. You
could even add another option of sharing with two groups of partners
before you share with everyone. However, don’t sacrifice the whole
class discussion. We all learn more together, and it’s a safe guess that
someone in my class knows something I don’t know. Listening to all
responses and charting them out for everyone to see helps me build
prior knowledge when I don’t have much.
IIQEE Strategy
I think I know the following about the topic . . .
I am sure that I know the following . . .
Questions that I have about the topic (I want to learn) . . .
Experiences that I have had with this topic . . .
Experiences that my friend_________has had with the topic . . .
What I like about this is that, although they provide some questions for
each number, such as facts you know if you spin a 1, you can create your own
questions and numbers on the spinner.
Anticipation Guides
Another way to assess and build prior knowledge is to provide an antici-
pation guide. You can use ones that are general or that are more specific.
Agree/Disagree Agree/Disagree
Content
Before the Lesson After the Lesson
SLANT
Sit up
Lean forward
Act attentive using varied facial expressions
Nod when the person pauses, and
Track the speaker maintaining intermittent eye contact.
Working through this process with your students takes several days and
may need to be revisited throughout the year. Also, the use of rubrics sup-
ports this process. Providing students with a clear set of clarifying statements
for each criterion on your procedures chart can help them improve their writ-
ing throughout the year.
Using Guide-O-Ramas
Europe: War and Change—Chapter 12 (Sections 12.1–12.2)
326 Look at the map. This gives you an idea of where Europe is in
relation to the United States.
327 Read the introduction in the yellow box. Can you believe that
most Europeans can speak at least three languages? Can you
speak any languages other than English?
329–332 Read section 12.1. Pay close attention to the terms nationalism,
colonialism, and dual monarchy. They are related and can be
confusing!
334–338 As you read this section carefully, make a timeline of which
countries joined the war and record the dates when each joined.
335 I found it interesting that dogs were used in the war to detect
mines and guard ammunition! Do you think this is humane?
336 Pay close attention to the term fascism. How does this compare
to what you know about communism and democracy?
Giving Scafolding and Support ◆ 93
3. Add “think-aloud” comments, such as, “Notice that on page 56, there is a
key that explains what the map symbols represent. When I see a box of text
in the margin of the text, I pay special attention since it usually contains
important information.” These are typically statements and/or questions
that you would verbally use to model your thinking for students.
4. Use visuals that will help students remember the content. For example, if
students are learning about the characteristics of two countries, give them
a graphic organizer that has outlines of the two countries rather than a
simple chart.
5. Keep in mind that your goal is twofold: help students process and
understand the complex text and move toward independence in learning.
You may choose to use a guide that is less structured, which requires stu-
dents to narrow down the information from the source.
Graphic Organizers
Graphic organizers are simply a visual way for students to organize their
learning. They are particularly effective when students are working inde-
pendently and need a way to chunk information, whether that is in a physical
or remote classroom. One of the things I like about graphic organizers is that
you can find a wide variety to meet a range of needs, and you can adapt them
for your own needs.
Giving Scafolding and Support ◆ 95
Statement or Claim
Analysis
Time Period
Infuence
Political
Ge Ar
In gra /
no ce
f
o ea
Event
c
ue phic
mi
Ec fuen
nc al
e
o
In
Int fue
ue us
In
ell nc
e
Inf ligio
nc
ec e
tua
Re
l
Social
Infuence
Political Infuence
Ge
e
og
nc
ra Ar
ue
p
nf
hic ea /
I
al
ic
Event
om
Inf
ue
on
nc
Ec
e
ce
Int
uen
elle
Inf
ctu
al I
ous
nfu
ligi
en
Re
ce
Social Infuence
Math
What is missing?
a=
b=
c=
Use the Pythagorean
Theorem
to
Science
My Question
Materials I Need
Steps to Follow
What I Observed/Learned
Why This Is
Important/Rationale
Design Experiment
Develop Research
Question
Giving Scafolding and Support ◆ 103
Reworking Tests
Many students struggle with tests. If our purpose is for students to demon-
strate their understanding of content, we can provide support by allowing
them to retake tests or rework incorrect problems.
Kendra also uses mini-assessments after each test. If you look at Kend-
ra’s assessment, she immediately goes over the answers, and students must
identify what items they missed and why. This shifts the focus from what
they did wrong to what they are learning. It also requires they actually learn
the material rather than simply moving on without revisiting their mistakes.
104 ◆ Rigor in Your Classroom
Reworking Tests
Why I missed the question on the original test: (circle one)
I didn’t understand the question.
I thought I had it right.
I skipped a step.
I studied it, but I forgot it.
I had no clue about this.
I ran out of time or guessed.
I made a careless mistake.
Why I know I have the right answer now: (write your response below)
Diferentiated Instruction
Another critical scaffolding tool is the use of differentiated instruction. As
you provide different ways of learning the content for different groups of stu-
dents, whether they are grouped by readiness or interest, they are more likely
to be successful. For your reference, I am providing instruction for three lev-
els of students: struggling students, students working on level, and advanced
students. Let’s start with an elementary reading lesson excerpt.
Teacher previews a picture book for all students, pointing out key elements
and any new vocabulary. Then, he or she reads the book aloud, stopping to
ask questions as appropriate. You will need copies for all students.
Struggling Students Standard Advanced Students
Teacher previews a picture book for all students, pointing out key elements
and any new vocabulary. Then, he or she reads the book aloud, stopping to
ask questions as appropriate. You will need copies for all students.
Struggling Students Standard Advanced Students
Source: Typically, other application activities would follow, including writing activities.
Next, let’s look at a more detailed lesson for the math classroom.
Third, let’s view a content literacy example for science that can also be
used across other content areas.
Class Discussion
Class Discussion
At each center there are four different folders, with a number (one
through four). When it is center time, if a child sits at a one in his or
her group, then he or she may choose a center and complete the activ-
ity in folder number one at that center. If a child sits at the three spot in
his or her group, then during center time, he or she may choose a cen-
ter and complete the activity in the folder number three at that center.
When preparing activities for each center, I make sure that the concept
for all four folders is the same. For example, at center number one, ev-
eryone may be working on concepts that involve order of operations.
However, the level of difficulty varies based on the folder number.
Folders one and two are basic activities, and folders three and four
are enrichment activities. This arrangement allows me to challenge
the higher-level students and do some remediation for the lower level
students. Some centers are set up so that ones and fours work together
and twos and threes work together. Although my ones and twos are
low, I still want to challenge them. Therefore, on challenging activi-
ties, I pair them with the higher-performing students so that they can
help and support each other.
While this teacher’s approach sounds justifiable, and maybe even familiar,
the teacher is reinforcing the student’s learned helplessness. This exchange
undermines the student’s independent ability to solve the problem. Other
behaviors that continue a student’s learned helplessness include an increased
time of completion, lack of academic perseverance, refusal to initiate an
attempt, and general off-task behavior. Thus, once a student has begun a run
of learned helplessness, expect to see the behaviors repeatedly. In the previ-
ous scenario, the student must learn to attend to the teacher’s group instruc-
tion and attempt to solve problems.
Instead of running to the rescue of students who can succeed without us
or even refusing to help such students, it is important to find ways to teach
students to gain independence in their problem solving. In other words, find
out why the student is behaving in a certain way and plan a response that
best builds academic success and independence. One way to help is to teach
students how to learn and succeed without instantly making excuses and
asking for help by following seven steps.
Say-Ask-Check
Say The student reads the problem while asking herself if she
understands the information being presented.
Ask The student builds an internal dialogue through questioning
herself about the information, such as “What is the question
asking?” and “How do I use the information in the problem to
answer the question?” The student may even paraphrase the
word problem to see if the information is presented in a manner
she understands.
Check The student compares her answer to the question that was posed.
If I did this in the science experiment . . . I think this would happen . . . and
that would mean . . .
It’s also important to use appropriate wait time, since our non-native lan-
guage speakers may need more time to process their answer.
students the opportunity to read, watch, and learn in their native language
while they are learning English. Google Translate can take any text and con-
vert it to one of 300 languages so that students can still access the content and
learn at a high level.
Gifted Students
Underachievers
Autistic Students
Students With ADD/ADHD
Gifted Students
You may be thinking, “This is a chapter about struggling students. Why is
she writing about gifted learners?” I find that gifted students can also strug-
gle, particularly when they are bored or uninterested or they perceive that the
teacher or their peers are less than competent. Here are some tips for working
with gifted students to keep them from struggling.
Underachievers
Do you teach any underachievers? These are students who have the
potential to achieve at high levels, but they never reach that potential. Their
Giving Scafolding and Support ◆ 117
parents are often highly successful and are very involved in their children’s
lives. Students who are underachievers use elaborate defense mechanisms
to protect themselves from the anxiety of failing. It’s often easier to give up,
or not try at all, than it is to try and fail. Once again, Thompson provides us
some tips for working with this group of students.
In many cases, students with high-functioning autism are in the regular class-
room. What is autism? WebMD provides the medical definition.
6. Remember that facial expressions and other social cues may not work.
Most individuals with autism have difficulty reading facial expressions
and interpreting “body language.”
7. If the student doesn’t seem to be learning a task, break it down into
smaller steps, or present the task in several ways (e.g., visually, verbally,
physically).
8. Avoid verbal overload. Be clear. Use shorter sentences.
9. Prepare the student for all environmental changes and/or changes in
routine. Use a visual or written schedule to prepare him for change.
10. Behavior management works, but if incorrectly used, it can encourage
robot-like behavior, provide only short term behavior change, or result
in some form of aggression. Use positive and chronologically age-
appropriate behavior procedures.
11. Consistent treatment and expectations from everyone are vital.
12. Normal levels of auditory and visual input can be perceived by the
student as too much or too little. For example, the hum of florescent
lighting is extremely distracting for some people with autism. Consider
environmental changes such as removing “visual clutter” from the
room or seating changes if the student seems distracted or upset by his
classroom environment.
13. If your high-functioning student with autism uses repetitive verbal
arguments and/or repetitive verbal questions, you need to interrupt
what can become a continuing, repetitive litany. Continually responding
in a logical manner or arguing back seldom stops this behavior.
14. Try requesting that he write down the question or argumentative
statement. This usually begins to calm him down and stops the repetitive
activity. Then write down your reply.
15. If your class involves pairing off or choosing partners, either draw
numbers or use some other arbitrary means of pairing. These students
could benefit most from having a partner.
16. Assume nothing when assessing skills. For example, the individual with
autism may be a “math whiz” in algebra but not able to make simple
change at a cash register. Or he may have an incredible memory about
books he has read, speeches he has heard, or sports statistics but still
may not be able to remember to bring a pencil to class. Uneven skills
development is a hallmark of autism.
Source: Thompson, J. G. (2013). The first-year teacher’s survival guide. San Francisco: Jossey-Bass.
A Final Note
Providing a wide range of support for your students is a nec-
essary part of helping students achieve rigorous learning. This
includes general support for all students, as well as specific sup-
port for students with special needs and other specific needs.
Formative Assessment
Quality Assignments
Feedback
Homework
Grading
Formative Assessment
Formative assessment is one of the hottest buzzwords in education today.
A Google search nets over a quarter of a million hits! I strongly believe that if
we are going to truly support our students to higher levels, we must continu-
ally assess their learning and use that information to plan our future instruc-
tion. In 2004, Black, Wiliam, and other researchers provided an in-depth
explanation of formative assessment in Working Inside the Black Box: Assess-
ment for Learning in the Classroom. This work has been cited in thousands of
other articles and books.
DOI: 10.4324/9781003095743-6
124 ◆ Rigor in Your Classroom
Assessment for learning is any assessment for which the first priority
in its design and practice is to serve the purpose of promoting pupils’
learning. It thus differs from assessment designed primarily to serve the
purposes of accountability or of ranking or of certifying competence. An
assessment activity can help learning if it provides information to be used
as feedback, by teachers, and by their pupils, in assessing themselves and
each other, to modify the teaching and learning activities in which they
are engaged.
What does that mean to you as you consider your current assessments,
whether they are tests, projects, homework, or a mix of items? Let’s back up
for a minute. Many assessments used in classrooms are summative. In other
words, they are used to evaluate a student. We will discuss that more in terms
of grading later in this chapter. However, formative assessments are used to
help a student and teacher adjust to improve learning.
Area From To
Students’ Refections
A different type of formative assessment is student reflections. In this case,
students think about their own learning and provide feedback to the teacher
about what they think they know and don’t know. We discussed entrance and
exit slips in Chapter 4, “Increasing Complexity,” and they are an excellent
example of this concept. However, students may also reflect on how they are
learning or their confidence level about understanding the content. Let’s look
at examples of both.
Options for Assessment ◆ 127
CROWN
Communicate what you learned
React to what you learned
One-sentence summary
Way(s) to use what you learned
Note how well you did today
Quality Assignments
There are three aspects of quality assignments: whether the assignment is
appropriate, whether it is purposeful, and whether it is results oriented.
was too easy, based on the earlier work. In another class, the teacher was
using a much higher assessment that was more rigorous and required stu-
dents to use higher-order thinking.
Tool 157: HOTS for Lord of the Flies by William Golding (novel)
Tool 158: HOTS for Cask of Amontillado by Edgar Allan Poe (short
story)
Tool 159: HOTS for “Free At Last” by Martin Luther King, Jr.
Assignment Is Purposeful
Next, the assignment should be purposeful. Giving work simply to give
work is not appropriate. When I was teaching, a fellow teacher gave home-
work every night—no matter what. Much of the work was busy work, but
she felt that she should give them something to do every night, regardless of
whether the work was needed.
Options for Assessment ◆ 133
As you think about in-class and out-of-class assignments, consider the stan-
dard(s) you are teaching, the type of thinking you want to see from students,
and the ultimate product you would like. For example, you may want to pre-
pare students for a multiple-choice test. If so, some of your questions should
be multiple choice. However, the questions should include applications and
thinking questions rather than just guessing questions about basic facts.
In Angie’s sixth-grade social studies classroom, she was teaching about
ancient cultures. She also incorporates rigorous work and wanted her stu-
dents to work over time to do research. She designed an assignment that stu-
dents worked on both in class and outside of class. You’ll find the assignment
is easily adaptable to other grade levels.
Choose a culture and a topic that you are interested in and that relates to
one of the ancient cultures in the sixth grade social studies curriculum.
Decide on your research questions that are broad and will provide interest-
ing information. Complete your research, using at least three sources. Take
notes during your research. Create a museum exhibit about your culture
and topic. Present your research in a costume that will represent your cul-
ture’s clothing. Bring and serve a food that would have been eaten by the
people of your culture.
Study the image in the site. Imagine that you are a member of the Sir
Arthur Evans’ archaeological team excavating the palace of Knossos. Write
an entry in your archaeology notebook for each of the following artifacts:
the fresco of the leaping bull, the fresco of the three women in blue, and the
Queen’s Hall fresco. In your entries, write about what each artifact reveals
about the social, religious, and artistic aspects of the Minoan civilization.
Last, let’s compare two different assignments for third grade math. The first
question was to use a graph to identify data. Although a good starting point, it
needs to lead to more rigorous work. The teacher scaffolded the work, then in
the final problem, students were required to interpret the data and assess three
problems based on the data. They identified the one problem that was incor-
rect, explained why is was incorrect, solved it correctly, and explained why
they knew it was correct then. What a great example of a quality assignment.
Feedback
Feedback is a critical aspect of assessment, whether formal or informal. It
doesn’t matter if you are providing feedback orally or in written form, it is a
crucial part of students improving their work.
Characteristic Description
Homework
Homework is an issue for many students and teachers. In almost every
workshop that I do on classroom motivation, a teacher will ask, “How do you
motivate students to do homework?” Of course, the answer is complicated.
You can make students do homework by increasing rewards or punishment,
but that rarely works in the long term. The real solution is to create homework
assignments that students are most likely to complete and then provide the
support necessary to help them be successful. Effective homework is based
on three key principles.
Imagine you are a TV weatherperson. Forecast the weather for next week
and justify your choices with evidence.
Notice the level of rigor for this assignment. It could have been a basic
task: forecasting next week’s weather. But the assignment also requires justi-
fication for the prediction based on more than opinion. Evidence for the fore-
cast might include last year’s data, this year’s forecast from multiple sources,
and the person’s own knowledge.
Grading
Grading is one of the most challenging aspects of a rigorous classroom.
Many of the aspects of grading, such as whether to grade homework, are
individual choices for a teacher. A key consideration for grading is your
purpose.
Options for Assessment ◆ 141
How to GRADE
Give Students an Opportunity to Participate in Grading
Remove Efort, Behavior, and Attendance From Grading
Align Grading to Assessment
Don’t Give Zeroes
Extra Credit Undermines Authentic Grading
142 ◆ Rigor in Your Classroom
Also, be sure that your grade reflects the quality of the work, not just com-
pletion or the quantity of included items. I received a copy of an assignment
146 ◆ Rigor in Your Classroom
for a tenth-grade honors course. Students had a week to complete the project.
Take a look.
There are several ways to increase the rigor of this assignment. Rather
than earning credit for completion, as it is now, scoring should be based on
quality.
5. Students must retake tests that they fail and redo all assignments
they earn less than a C grade on.
6. Consequences change for students not having work ready to turn in
on time.
7. Grading systems change from zeros or failing grades to “I’s” or some
other form of non-grade.
8. A few students will still fail no matter what. The goal is to get MORE
students to complete MORE assignments and assessments to the
proficient level of the standard.
Life has many do-overs, and when teachers think otherwise, they do
not have a handle on the “real world” as it works today. Quality is
the most important component of any job. Ask BP oil workers, their
supervisors and even their now defunct CEOs. When due dates and
dollars replace high-quality work, or even minimum standards, the
results can be devastating. America was built on quality and inno-
vation, and until and unless we instill these values into our stu-
dents, they leave our schools with notions about “the real world”
that do not actually exist in their lives. When I hear things like,
“they won’t get to redo work when they get on the job. They will
have timelines, and if they don’t do the work, they will get fired.”
Actually, on the job, they will have a set of expectations and respon-
sibilities that require them to do their work at high levels and they
will have to redo that work until they get it right. If they are unable
to do it to begin with, they will get extra help—a lot of extra help. If
the job requires knowledge and skills they do not have, they will get
on-the job training, assistance and even a mentor until they are able
to do the work. Some need longer training than others, but only the
148 ◆ Rigor in Your Classroom
inept or lazy do not make it through. If they are still unable or un-
willing, they will be notified of the need for improvement, usually
more than once. In most jobs, they will get verbal, then written no-
tification of the quality of their work and of what will need to hap-
pen in order to remain on the job. If they still do not meet the work
standard, then and only then will those workers be fired. Few jobs
require workers to do perfect, even high quality, or even minimal
work or be fired on the spot. There are steps in the firing process
that must be followed.
Our current methods and the real values our schools teach stu-
dents is the opposite of almost every real-world job. “If you don’t do
your work, you will get a zero,” tells a student there is an option to
do work or not. They can do the work or they can choose not to do
the work. A zero is something that occurs in their future, and in this
world, this generation works almost solely through instant gratifica-
tion and instant consequences, students do not understand the impact
of zeros, even when teachers try to tell them.
(Eubank, 2011, pp. 2–3)
Task: Complete the Musical Elements Chart, the Music Genres and Venues Worksheet, and the Music Prove It, and present informa˜on you
learned in mural, poster, oral, or wri°en report, ˜meline, map, skit, or game.
Performance Outstanding 15 Great 5 Not Yet Possible Actual
Element 20 pts. 10 pts. O pts.
Discrimina˜on Listened a°en˜vely; related the Listened to musical excerpts, but did Not a°en˜ve during listening ac˜vity; 20
musical excerpts to regions of the not relate all of them to regions of relied on others to relate music to
state. the state. regions of the state.
Iden˜fca˜on Iden˜fed all musical elements Iden˜fed some musical elements in Could not iden˜fy musical elements 20
present in the excerpts; iden˜fed excerpts; cultural prac˜ces that or cultural prac˜ces.
cultural prac˜ces that a˝ect music. a˝ect music not defned for all
excerpts.
Interpre˜ng Categorized musical excerpts using Categorized musical excerpts using Informa˜on has not been 20
Informa˜on all six music elements; compared most of the musical elements; most interpreted; jumps to conclusions
and contrasted recordings; comparisons and contrast were without carefully categorizing
recognized cultural characteris˜cs relevant; recognized some cultural characteris˜cs.
that determine musical style. characteris˜cs that determine
Bowman, Paddy, Maida Owens, and Sylvia Bienvenu, “Interpre˜ng Music Data.” Louisiana Voices Educator’s Guide, www.louisianavoices.org, Unit VI Louisiana’s Musical
Landscape, Lesson 1 Music Around the State: Sound and Place, 2003.
150 ◆ Rigor in Your Classroom
Tool 187: Ideas for Working With Students With Special Needs
Silva, Munk, and Bursuck (2005) also provide several suggestions when
working with students with special needs:
A Final Note
Assessment in a rigorous classroom can be complicated, but
if you focus your efforts, you will make a difference. Using for-
mative assessment is foundational, but assigning quality work,
whether in-class or as homework, is also critical. Finally, effec-
tive feedback, homework, and grading practices will enhance
the learning in your classroom.
1. What are three main tools from this chapter you could use
in your classroom?
2. Which of those three will you put into place?
3. Are there any resources you need to make this happen?
4. What other tools do you want to consider for the future?
7
Reinvigorating the Environment
DOI: 10.4324/9781003095743-7
154 ◆ Rigor in Your Classroom
when they are in your room. As they brainstorm a list of words, write them
down. Afterward, ask them what they can do to ensure that each classmate
experiences these feelings while in the room and write down what you will
agree to do as the teacher as well. This is a good starting place for a class
contract.
Sample Contract
Respecting Students
The first step to building respect is for you to respect your students. It’s
important to begin with the default perspective that all students deserve
respect. I spoke with a teacher who worked with students at an alterna-
tive school for at-risk middle and high school students. He told me “These
students don’t deserve respect. If they did, they wouldn’t be here.” With
that attitude, his students are doomed to failure. We must give all students
a chance. There are seven strategies you can use to show respect for your
students.
Reinvigorating the Environment ◆ 157
The outsides of the boxes are decorated with pictures, symbols, and
words/phrases to further explain who they are. Then the students share
their culture boxes with the class. Every semester, my students always
say that creating a culture box was their favorite activity because they
got to be creative, share previously unknown information about them-
selves with their peers and teacher, and develop a better understanding
of the similarities that we all have in common. The sharing might take
more than one class period, but the time spent is well worth it!
Julio
Miya Meteo Ernesto
Sofia Family
Live speaks
with another
grand language Angelique
parents
Amir
India Our
Lives
Adult Language
Our adult language makes a difference to our students. Both the verbal
and non-verbal language we use sends messages to students that reflect our
feelings toward them.
160 ◆ Rigor in Your Classroom
I can’t believe you did that! Can we build on what you’ve done?
Are you really that stupid? I know you can do it; let me help you.
You’ll never accomplish anything. You can accomplish anything if you
work hard.
Posting a Wall of Shame. Posting a Wall of Fame.
Source: Note: The negative comments are actual samples from teachers of negative items they have seen,
heard, or experienced.
Body Language
Our body language is also important. One of my fellow teachers during
my first year of teaching told me, “Don’t smile until Christmas.” That isn’t
very good advice. Students respond to our smiles, frowns, whether our
arms are crossed, and so on. Positive body language sends a message to our
students.
Smile Frown
Arms Loose at Your Side Crossed Arms
Standing Close to Student Standing at a Distance
Making Eye Contact Not Making Eye Contact
162 ◆ Rigor in Your Classroom
Certifcates
It’s also effective to use certificates to recognize students’ accomplish-
ments and efforts. Customize them to meet your needs and give them out to
students to recognize their successes.
Reinvigorating the Environment ◆ 163
Physical Environment
The physical environment of a rigorous classroom is positive, welcoming,
safe, and focused on progress. The physical aspects of your room are a critical
part of an environment that supports rigor.
Working Zones
One thing to consider is the physical setup of your room. Is your room
organized to support your rigorous instruction? If you would like opportu-
nities for small group work, do you have the space for that? You may already
have desks or tables organized in that manner, or you may need space to
move those chairs.
In a sixth-grade classroom I visited, teachers Angie and Kelly had dif-
ferent zones in the room. Some of the zones were sections of the classroom;
the success zone was a section of the wall; and some, such as the quiet zone,
could be at the student’s original seat. Throughout the day, students in small
groups moved from the reading zone to the technology zone, and so on.
Reading
Writing
Words and Vocabulary
Technology
Success Zone (posting of student work)
Quiet Zone (for independent work)
MakerSpace
Drama/Music/Art
Science
Interest (contains items students choose
based on their interests)
reinforce role models that can be a positive influence on your students. Using
posters and quotes is a great way to keep role models as a focus.
Malala Yousafzai
Emma Watson
Nelson Mandela
Demi Lovato
Simone Biles
Lin-Manual Miranda
Tony Hawk
Dwayne Wade
Please note: These are current at the time of publication, but people (and whether
they are appropriate role models) can change. Use an up-to-date list in your classroom.
Name
Welcome Doors
A simple way to welcome students to your room is to decorate your door. You
can use a theme, or just words, but the message is clear: I want you here to learn!
166 ◆ Rigor in Your Classroom
Oh the Places You’ll Go, with students’ faces on tiny balloons with a welcome
message.
Rainbow fish, and student’s faces can make up the scales. The message
should encourage diversity (the rainbow fish has many colors). For
example: We Like Different!!
Olympic medalist, with students’ names on gold medals including a
message about Winners Enter Here or Success in Progress.
Construction Zone: Science Skill Building in Progress (can choose your
topic)
Use a popular song like “Call Me Maybe” by Carly Rae Jepsen, except
change the lyrics to “Read Me Maybe.”
Welcome Notes
At the start of the year, you can tape a welcome note to students’ desks or
tables. When you have multiple classes, use a generic statement; when possi-
ble, use a student’s name.
Welcome to my class!
We’re going to have a great year!
Thanks for being a positive part of our classroom!
19. Report all injuries, no matter how minor, to the instructor. The
instructor will give guidance on the treatment needed and direct the
student to the health room, if needed.
1. Students should know the location of and how to operate all avail-
able safety equipment. This includes: eye wash stations; safety show-
ers; fire extinguishers; fire blankets; first aid supplies; and master
shutoffs for gas, electricity, and water.
2. Students should know the location of emergency telephone numbers
and how to use them.
Source: www.aasd.k12.wi.us/staff/Leonardann/safety.htm
WIDFD
Student Ownership
In a rigorous classroom, student ownership is an integral part of the class-
room, and students feel empowered about their own learning. However, in
order for that to happen, teachers need to shift from a managerial role to one
of a facilitator.
170 ◆ Rigor in Your Classroom
Choice or Selection
Topics
Tasks
Resources
Scafolding
Self-Refection
Assessments
Portfolios
Landforms
(Middle School)
Mountains
Hills
Plains
Plateaus
Valleys
Canyons
Think about the main Imagine that you are Think back on the
character and the the narrator. Choose chapters that you have
character traits that a scene from the read. How would you
describe them. Use book and retell this connect an event from
your imagination scene as the narrator, the book to something
to create this main but the narrator at a that has happened
character’s arch different age. Imagine in your own life?
nemesis! This new that the narrator is Be sure to support
character should be now an adult, or that your connection with
your main character’s the narrator is much evidence and examples.
polar opposite. Create a younger than portrayed
short biography about in the book. Be sure that
the new character. your writing shows the
Explain why your new mood, feelings, and
character is a nemesis emotion that would
with examples and be true to this new age
evidence. group. Include evidence
to support your opinion.
172 ◆ Rigor in Your Classroom
Your book’s sequel Think about the main Think about the conflict
hasn’t been released character. How did in the book. Now, think
yet, but you are already the main character about a conflict in your
very excited! The main handle conflict in the life and describe how it
character will be a book? Explain how you is similar and different,
student in your school. could have handled using examples from
Create a list of ideas the same conflict the text and your life.
and scenarios that the differently! Justify your Imagine the main
author should include explanation based on character was dealing
in the next book. In a what happened in the with your situation.
reflection, explain your book and your life. What advice would you
list by using specific give him to handle the
evidence and examples situation?
from the original
book and your own
experiences at school.
Criteria
Scafolding Tools
I’ve also found it is helpful to have several key scaffolding tools available
in your classroom on a regular basis. One teacher I met had some simple trays
near the pencil sharpener, so it wasn’t noticeable if a student collected some
items. Of course, you can also have tools available online on your teacher
webpage or in a shared document for easy access.
A Final Note
Reinvigorating your classroom environment to reinforce
rigor does not mean starting from scratch. You likely have many
of these elements already in place; it’s just a matter of incorpo-
rating new ideas and consistently implementing others.
Common Concerns
Time
Student Motivation
Communicating with Parents
and Families
Social-Emotional Learning
Remote Learning
Time
There is no doubt that time is the number-one concern of teachers considering
rigorous instruction. How can I plan rigorous lessons with appropriate scaffold-
ing every day? I’m often asked what my ideal solution would be. That’s easy. I’d
schedule every Friday as a professional day, providing ample time for teachers
to work together to plan, assess, learn new ideas, and improve teaching. Unfor-
tunately, that is not reality, and I don’t have a magic wand. So, what do we do?
I’ve found there are two answers to this question: adjusting to your cur-
rent situation and advocating for change.
DOI: 10.4324/9781003095743-8
180 ◆ Rigor in Your Classroom
Strategy 1: Accept that you will never have as much time or resources
as you would like. I continue to find that, no matter how much I have to
do, I always need more time. I told a friend of mine once that I wished
I had 48 hours per day. She replied, if that happened, you would end
up with double the work! I find inspiration from Maya Angelou: If you
don’t like something, change it. If you can’t change it, change your atti-
tude. Don’t complain (www.psychologytoday.com/us/blog/the-guest-
room/200902/interview-maya-angelou).
Strategy 2: Accept that the quest for perfectionism may be your enemy.
I have realized that there are times my expectations for myself are too
high and are, at times, unrealistic. I’ve also found that to be true with
many teachers. They spend hours on the internet looking for ideas to
create the perfect lesson plan, when they probably could have accom-
plished just as much if they had stopped much earlier. I’m not rec-
ommending you provide sloppy instruction. What I am saying is that
most of the time, 80% of excellence is still very, very good. If it takes
you double or triple the time to gain that additional 20%, it’s probably
not worth it because of all the other tasks you didn’t accomplish.
Strategy 3: Work with other teachers. Although it takes time to meet with
other teachers to plan together, in the long run, it saves time. Let’s say
that you have an upcoming unit in a history class that includes reading
Common Concerns ◆ 181
Strategy 5: Work smarter, not harder. You’ve probably heard this before,
but it is true. Far too often, we spend extra time on our work because
we can’t find something we need, or we don’t remember something we
wanted to change this year. It is absolutely critical to stay organized so
that we streamline what we do. Find or create an organizational system
that will help you manage all your tasks. There are technology-based
options, as well as paper ones. I find it particularly helpful to have
strategies to document changes I want to make when I teach a lesson
next year, collect resources I want to use, and keep up with recurring
tasks, such as a weekly email to parents. My friend, Frank Buck, has
a new book out called Get Organized Digitally. Not only is it practical
for educators, I found multiple options I could use. He also provides
182 ◆ Rigor in Your Classroom
One step forward, two back just means I can take more steps.
If I make a mistake, I can choose to give up, or keep going. Failure is my choice.
If I’m in a tough situation I have two choices: I can make the best of it or be
miserable. I choose to make the best of it.—My Mom
Strategy 7: Keep balance in your life. As you are creating a rigorous, differ-
entiated classroom, you will likely become overwhelmed, tired, and discour-
aged at times. If you want to make a difference with your students, don’t
work so much that you don’t have time for yourself and your family. Set a
time to leave at the end of the day, and stick to it unless there is an emergency.
If you need to take work home at night or on the weekend, set a limit of how
long you will work. Do your job effectively, but make time for yourself.
www.weareteachers.com/best-of-teacher-helpline-9-tips-for-balancing-work-
and-family/
https://teachingfromthefarm.com/6-tips-for-work-life-balance-in-teaching/
www.theeducator.com/blog/teacher-work-life-balance-5-tips-for-how-to-
have-a-life/
https://pernillesripp.com/2016/01/18/12-ways-i-got-my-life-back-in-
balance-as-a-teacher/
www.teachervision.com/blog/morning-announcements/achieving-work-
life-balance
www.wgu.edu/heyteach/article/how-to-make-sure-your-teaching-career-
doesnt-ruin-your-relationship2202.html
Common Concerns ◆ 183
Once you decide you are an advocate, you want to be an effective one.
There are eight characteristics of an effective advocate.
Stakeholders
Next, you will need to identify the stakeholders who are impacted by
your desire for more time and resources. There are three types of local groups
that can impact your activities. First, there are those in elected positions. Next,
you have internal stakeholders who are connected with your school. Finally,
there are external stakeholders. The following chart identifies the contacts
that are essential for you to involve in your local efforts.
Note: Depending on your local situation, some of those listed under elected officials may
be appointed.
PAIR
Partnerships Are a Two-Way Street
Accentuate the Positive
Inform and Transform
Relationships Are Shared
It’s also helpful to provide parents a list of ways they can help at home.
This should include clear guidelines of what constitutes appropriate help
(doing their science project for them isn’t) and any other simple tips (see
Tool 209, General Tips for Parents). Many elementary schools send home a
monthly calendar to post on the refrigerator. Each day has a simple activity
families can do together.
and immediately offered her help anytime I needed it. Five weeks later when
Marcus was in trouble in class, she supported me 100%. Focusing on the pos-
itive has benefits for you, your students, and their parents.
because she wasn’t at the meeting, and she thought the teachers were just
ignoring her. One phone call later, she connected with the teachers, and she
and Jared finished the year successfully.
This quarter in Education News rigor is our hot topic! Rigor is a positive concept
that should be used in classrooms no matter the ability of the students. When teach-
ers practice the use of rigor, our students are challenged but with adequate support.
A good everyday definition is that rigor is high expectations plus support plus
student demonstration of learning. I’ll use rigor in my classroom by increasing the
level of reading students will do, but also by providing aids such as reading guides
Common Concerns ◆ 191
so students can navigate through a piece of text more easily or a graphic organizer
to help them solve a problem in mathematics. You can provide rigor by requiring
your son or daughter to discuss material read in language arts, math, science, or
social studies by giving a summary. You can also require your son or daughter to
explain how they got a solution for a mathematics problem or describe the process
they chose to complete a science experiment. Rigor is really all about learning; help-
ing your son or daughter learn at higher levels. I look forward to our year!
In terms of families, I’m big on home visits. I feel like it’s always fair
to get off your turf and go into the environment where they are most
comfortable. It says this is a two way street; I’m not expecting you to
make all the accommodations; I’ll meet you where you are. If teachers
truly want to form partnerships, they cannot expect it all to be “come
to me”; you have to be willing to go to them. Sometimes I sent a letter.
It is important to give them options, such as meeting them in neutral
places (the public library or McDonald’s) in order to preserve their
privacy and dignity. Not everyone has transportation or telephones,
and they don’t want to advertise that to world.
It’s our responsibility to connect with parents; and the benefits outweigh
any costs in terms of time.
Parent–Teacher Meetings
You may want to present information about rigor at a parent/family–
teacher meeting. It’s important to tailor your presentation to your audi-
ence. For example, if you have a large number of college-educated and/
192 ◆ Rigor in Your Classroom
What is rigor?
Social-Emotional Learning
We are continuing to learn about the importance of social and emotional
learning related to academic learning. There are five areas of social-emotional
learning.
I understand my
strengths and
weaknesses.
I can process and
understand my
emotions.
Common Concerns ◆ 195
I do not let my
emotions rule my
behaviors.
I can remain calm
and in control of
myself even when
others around me
cannot.
I understand
that everyone
has different
strengths,
weaknesses, and
perspectives.
I respect others,
even if they are
different than me.
I get along with
others, especially
when working
together. I show
my respect with
my behaviors and
my words.
My decisions
are based on an
understanding of
all aspect of that
decision.
Although
I recognize my
emotions, they
do not drive my
decisions.
196 ◆ Rigor in Your Classroom
Self-Management
I Don’t Think I’m Working on It I’m Good at It
So
If I’m mad or upset, I stop
and calm down before I do
anything.
I motivate myself to do
things, even if I don’t want
to.
I set goals and try to
accomplish them.
Relationship Skills
I Don’t Think I’m Working on It I’m Good at It
So
When I’m working with
others, I can clearly explain
what I’m thinking.
It’s easy for me to make
new friends.
I work well with others
when I’m working in a
team or group.
When I was teaching, I used one very effective tool for SEL: a mind dump.
Oftentimes, my students would come into the classroom full of worries and
198 ◆ Rigor in Your Classroom
concerns. I would start class by asking them to write down everything that
was in their head—good and bad. Younger students can draw their responses.
Once they were finished, I asked them to put their papers away so we could
focus on learning. Their concerns were important—we were just going to
wait to worry about them. This was quite effective, from my upper elemen-
tary students to my graduate students at the university.
Remote Learning
Finally, let’s address remote learning. It became a core of instruction
during COVID, to varying degrees of success. I’ve had many teachers tell me
that rigor is not possible in remote learning; students are so challenged by the
technology that it isn’t fair to also challenge them instructionally. I’ve found
that isn’t true with all teachers. It just takes adjusting your view of rigor and
remote learning. For example, don’t try to create new lessons; simply adapt
the rigorous lessons you are already using. Take a look at my core beliefs
about rigor and remote learning.
quote it), all while talking through the process with students as you make
decisions to build your paragraph from research. It doesn’t have to be any-
thing fancy; students need to see that rough drafts are messy and that they
take much time and thought. All of these are support strategies, but they all
allow students to achieve tasks at a more rigorous level.
There are also ways to allow students to demonstrate and process their
learning in rigorous ways. Let’s look at four.
A Final Note
There are many concerns you may have about implement-
ing rigor in your classroom, including time, student motiva-
tion, working with families, social and emotional learning, and
remote learning. However, there are strategies you can use to
address these issues.
In this chapter, we’ll turn our attention to those who are in a different
role. Perhaps you are a school-based instructional supervisor, an academic or
instructional coach, or some other type of teacher leader. These roles vary in
terms of responsibilities. I cannot possibly address all the needs of each of the
roles, but, with that caveat, we’ll look at four general areas.
DOI: 10.4324/9781003095743-9
204 ◆ Rigor in Your Classroom
Step 1: Goal
What is your goal? I recommend you be more
specific than to “increase rigor.” Here are three 1. Goal
sample goals you may have for working with your 2. Purpose
teachers: 3. Process
4. Support
1. Increase our expectations by incorporating 5. Successes
Webb’s Depth of Knowledge.
6. Feedback
2. Develop and implement a toolkit of addi-
tional scaffolding strategies.
3. Develop common assessments with teams/
grade levels/departments.
Leading Rigor in Your School ◆ 205
Step 2: Purpose
Your purpose is linked to your goal, but it is a little broader. For example,
our purpose in incorporating Webb’s Depth of Knowledge is to move our stu-
dents into more complex work, such as analyzing multiple texts, synthesizing
information, and creating their own argumentative essays based on the work.
Or, by using additional scaffolding strategies, we hope to increase student
understanding throughout the lesson. Finally, by working with teachers to
develop common assessments, we’ll ensure that students will demonstrate
learning at a higher level.
Step 3: Process
Now you move to the details: what steps will you follow to put your plan
into place? These would be steps teachers would take with your coaching.
Area Steps
Area Steps
Step 4: Support
Then, ask for any support you need. In the case of incorporating Webb’s
Depth of Knowledge, you may need to provide training, which would require
time and possible material resources. In the case of the common assessments,
you might need help finding and scheduling additional common time for
your professional learning community to develop the assessments.
Step 6: Feedback
Finally, as you begin, and again throughout the process, ask for feedback.
Be open to suggestions that will help you improve. Another view is always
beneficial. Feedback is a valuable tool for your own professional growth and
the success of your plan.
Build a relationship.
Be clear on roles.
Begin with student learning in mind.
Build a Relationship
This may sound basic, but it’s true. A good relationship is the foundation
for working together. I worked with a school where some teachers resented
the instructional specialist because she had been promoted to the job, and
208 ◆ Rigor in Your Classroom
those teachers wanted the job. For other teachers, her new role was a shift
from being a friend to also being in a more specialized job of being a leader. It
was important for her to adjust and help teachers adjust to her new role. Here
are several ideas for building a relationship with teachers.
Be Clear on Roles
Second, be clear on your role. For example, in many situations, the instruc-
tional specialist or coach is not an evaluator; they serve as a facilitator of
teachers’ work and a resource. If so, be sure each of you understands the role
and works within those parameters. If the specialist also observes teachers
as part of formal evaluations, then you need to be aware of that and respond
accordingly. One teacher I spoke with explained, “Since my curriculum facil-
itator evaluates me and that is part of my yearly evaluation, I’m careful that
I don’t ask for too much help. I don’t want it to be seen as a negative.” That’s
unfortunate, but what’s important is that everyone is clear on roles.
Source: www.iste.org/explore/professional-development/4-benefts-active-professional-learning-community
210 ◆ Rigor in Your Classroom
Strategy Description
Strategy Description
Source: Adapted from Williamson (2009) and DuFour et al. (2016); updated 2022.
Lesson Studies
Video Lessons
Looking at Tasks and Assignments
Evaluating Instructional Materials
Sample Professional Development Activities
Leading Rigor in Your School ◆ 213
Reflect
Plan
Teach/observe
Teach/observe
Revise
Reflect
214 ◆ Rigor in Your Classroom
Bra
ins
tor
m
s
us
sc
Di
Watch vide
n,
sso
o
l e
ch
Tea
Discuss
Leading Rigor in Your School ◆ 215
Overall Thoughts:
At first glance, do you think this is rigorous? Why or why not? Working
with detailed criteria, such as the ones I recommended earlier, cross-check
each part of the task with the criteria. When I use this assignment with teach-
ers, we discuss that one positive is that students must go beyond the text to
make connections, which is an indicator of rigor. However, students are not
required to provide justification or evidence for their connections. Also, stu-
dents do not demonstrate they understand the text at a deep level, although
that may have been a part of another assignment. Our analysis concludes that
this task is Level 2: Developing, but it could be moved to a Level 3: Rigorous
if justification and evidence are required.
Assessing a Resource
Name of Resource:
Criteria Evidence
across all grade levels and subject areas. The outlines are provided here; the
articles referenced are in the appendices.
A Final Note
If you are an instructional specialist, coach, or other leader
or teacher-leader, you have a special role in terms of increasing
rigor in your school. By working with other leaders and teach-
ers, creating effective PLCs, and reflecting on your own prog-
ress, you can ensure success in your school.
When I am in schools working with teachers, I’m often asked why I care
about rigor. They are also quick to tell me they care about rigor because they
are told they have to. My response is simple. There are other reasons, such as
the clear research base that shows our students need more rigor, standards
that require more rigor, or the number of students who graduate from high
school ill prepared for college or the workforce.
But my most important reason is this: rigor is not about giving students
more to do or punishing them with more homework. Rigor is about helping
students learn at higher levels, and that’s why I became a teacher.
Defning Rigor
My definition of rigor has a sharp focus on instruction: creating an envi-
ronment in which:
Notice we are looking at the environment you create. The tri-fold approach
to rigor is not limited to the curriculum students are expected to learn. It is
more than a specific lesson or instructional strategy. It is deeper than what a
student says or does in response to a lesson. True rigor is the result of weav-
ing together all elements of schooling to raise students to higher levels of
learning. Let’s take a deeper look at the three aspects of the definition.
224 ◆ Appendix A: The Beginner’s Guide to Rigor
Are you interested in rigor? It’s one of the most common concepts in edu-
cation today. However, myths about rigor abound. What are some everyday
beliefs about rigor that are not true?
so we accept that there is a limit to what they can do. Realistically, all students
are capable of rigorous work, as long as they have the right support and scaf-
folding. For example, Dr. Brad Witzel, a colleague of mine, reminds me:
Just because a student is labeled learning disabled or at risk, it does not
mean he or she is incapable of learning. Students with learning disabilities
have average to above-average intelligence. Therefore, ensuring their success
in school is a matter of finding the appropriate teaching strategies and moti-
vation tools, all of which we can control as teachers.
Myth 8: Rigor Means You Have to Quit Doing Everything You Do Now and
Start Over
Although there may be times you need to create a rigorous lesson from
scratch, in most cases, you can take what you are doing and make adjust-
ments to increase the rigor. For example, if you are teaching math, instead of
asking students to always solve problems, provide examples of problems that
are already solved and ask them to identify the errors. Or, if you want stu-
dents to read and summarize scientific information, also ask them to generate
research questions based on the information.
question, which requires them to justify their answer and provide evidence.
Those are critical life skills, as well as academic skills.
A Final Note
While many myths are present in our conversations about rigor, the real-
ity is that rigor is about starting with where a student is in learning and help-
ing them grow to new heights.
Sources
Blackburn, B. (2018). Rigor Is NOT a Four-Letter Word (3rd edition). New York:
Routledge. Blackburn, B. (2018). Rigor and Differentiation in the Classroom. New
York: Routledge. Blackburn, B. (2020). Rigor in the Remote Learning Classroom.
New York: Routledge.
Appendix C
Expectations: Beliefs Into Actions
Action Characteristics
Many researchers have detailed specific actions we take that are reflec-
tive of low expectations. I’ve used Robert Marzano’s (2010) categories
of our affective tone and our academic content interactions to provide a
summary.
The opposite is also true. When we have high expectations, we act in cer-
tain converse ways. Which do you use with your struggling students?
Appendix C: Expectations ◆ 231
Consider your students. Are any of the actions true for you with specific
young adolescents? I’ve found that we sometimes act in these ways subcon-
sciously, not even realizing that we are doing so. It’s important to be aware of
the ways we act on high and low expectations so we can monitor ourselves,
reflect, and make adjustments if needed.
Conclusion
We know that having high expectations is important for our students, par-
ticularly when their expectations for themselves are low. It’s critical that we
examine our beliefs to ensure they represent a view of success for our strug-
gling students. Then we must put our beliefs into action, showing students that
we do believe they can learn at high levels. By changing our actions, we not
only motivate our struggling learners, we help them achieve at higher levels.
Material excerpted from Motivating Struggling Learners: 10 Ways to Build
Student Success by Routledge.
Marzano, R. J. (September, 2010). High expectations for all. Educational
Leadership, 68 1. Association for Supervision and Curriculum Development.
Source: https://www.middleweb.com/24030/do-we-really-have-high-
expectations/
Appendix D
Using Technology to Increase Rigor
in the Classroom
Conclusion
Technology is a powerful tool that can help teachers increase rigor in their
classrooms. As you integrate technology in your teaching, consider how its
use reflects the principles we’ve discussed. I’m sure you’ll find that incorpo-
rating these five principles will help you not only best meet your students’
needs but raise the rigor of their learning to new levels.
Source: https://www.teachthought.com/pedagogy/rigor-in-the-classroom/
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