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  • Colores en El Viento Violin

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    Verónica Lizbeth Tovar Gascón
    17 views2 pages
    This document is an abstract art piece composed of various symbols and shapes arranged on a grid. The piece utilizes a variety of symbols like circles, arcs, and lines in different colors and orientations across its grid to create an non-representational aesthetic expression. It explores the use of simple geometric forms and their arrangement to evoke different emotions and impressions through color and composition.

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    colores en el viento violin

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    This document is an abstract art piece composed of various symbols and shapes arranged on a grid. The piece utilizes a variety of symbols like circles, arcs, and lines in different colors and orientations across its grid to create an non-representational aesthetic expression. It explores the use of simple geometric forms and their arrangement to evoke different emotions and impressions through color and composition.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    17 views2 pages

    Colores en El Viento Violin

    Uploaded by

    Verónica Lizbeth Tovar Gascón
    This document is an abstract art piece composed of various symbols and shapes arranged on a grid. The piece utilizes a variety of symbols like circles, arcs, and lines in different colors and orientations across its grid to create an non-representational aesthetic expression. It explores the use of simple geometric forms and their arrangement to evoke different emotions and impressions through color and composition.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
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    of 2

    Colores

    en el viento
    LEM. Veronica Tovar

        
               

    pizz. arco


                              
     
    6

            
           
    10

                              

    15

     

                                     
    20

          
                       
    25

             
                 
    30

    
                         
    35

      
     
                           
    39

     
                         
      
    43
                
    2

               
       
    48

     
                     
    53


                         
       
    59

    
            

                
    64

                   
              
    70


                                   
    74

     

           
             
    79

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