VÁLOGATOTT BIBLIOGRÁFIA

A bibliográfia csak az idevágó legfontosabb könyveket, tanulmányokat és cik-

keket sorolja fel. További tájékozódásra a „Nem természetes narratológia” oldalt
(http://projects.au.dk/narrativeresearchlab/unnatural/) és Brian Richardson hon-
lapját (https://www.english.umd.edu/profiles/brichardson) ajánljuk.1

Alber, Jan. Revision of Unnatural Narrative, from Mon. 17 November 2014.

The Living Handbook of Narratology. Hozzáférés: 2018.04.29. http://www.lhn.
uni-hamburg.de/node/104/revisions/369/view.
Alber, Jan. Unnatural Narrative: Impossible Worlds in fiction and Drama. Lincoln:
University of Nebraska Press, 2016.
Alber, Jan. „Unnatural Narratology: The Systematic Study of Anti-Mimeticism”.
Literature Compass 10.5 (2013): 449–460.
Alber, Jan. „Unnatural Spaces and Narrative Worlds”. In A Poetics of Unnatural
Narrative, edited by Jan Alber, Henrik Skov Nielsen, and Brian Richardson,
45–66. Columbus: The Ohio State University Press, 2013.
Alber, Jan. „The Diachronic Development of Unnaturalness: A New View on
Genre”. In Unnatural Narratives – Unnatural Narratology, edited by Jan Alber
and Rüdiger Heinze, 41–67. Berlin and Boston: De Gruyter, 2011.
Alber, Jan. „Impossible Storyworlds – and What to Do with Them”. Storyworlds
1 (2009): 79–96.
Alber, Jan and Per Krogh Hansen eds. Beyond Classical Narration: Transmedial and
Unnatural Challenges. Berlin and Boston: De Gruyter, 2014.
Alber, Jan and Per Krogh Hansen. „Introduction”. In Beyond Classical Narra-
tion: Transmedial and Unnatural Challenges, edited by Jan Alber and Per Krogh
Hansen, 1–14. Berlin and Boston: De Gruyter, 2014.
Alber, Jan and Rüdiger Heinze eds. Unnatural Narratives – Unnatural Narratology.
Berlin and Boston: De Gruyter, 2011.
Alber, Jan and Rüdiger Heinze. „Introduction”. In Unnatural Narratives –
­Unnatural Narratology, edited by Jan Alber and Rüdiger Heinze, 1–19. Berlin
and Boston: De Gruyter, 2011.
Alber, Jan, Stefan Iversen, Henrik Skov Nielsen and Brian Richardson. „Intro-
duction”. In A Poetics of Unnatural Narrative, edited by Jan Alber, Henrik Skov
Nielsen and Brian Richardson, 1–15. Columbus: The Ohio State University
Press, 2013.
Alber, Jan, Stefan Iversen, Henrik Skov Nielsen and Brian Richardson. „What
Really Is Unnatural Narratology?”. Storyworlds: A Journal of Narrative Studies 5
(2013): 101–118.
1 
Hozzáférés a linkekhez: 2018. 04. 29.

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 230 VÁLOGATOTT BIBLIOGRÁFIA

Alber, Jan, Stefan Iversen, Henrik Skov Nielsen and Brian Richardson. „What Is
Unnatural about Unnatural Narratology? A Response to Monika Fludernik”.
Narrative 20.3 (2012): 371–82.
Alber, Jan, Stefan Iversen, Henrik Skov Nielsen and Brian Richardson. „Unnat-
ural Narratives, Unnatural Narratology: Beyond Mimetic Models”. Narrative,
18.2 (2010): 113–136.
Alber, Jan, Henrik Skov Nielsen and Brian Richardson eds. A Poetics of Unnatu-
ral Narrative. Columbus: The Ohio State University Press, 2013.
Behrendt, Poul and Per Krogh Hansen. „The Fifth Mode of Representation: Am-
bigous Voices in U nreliable Third-Person Narration”. In Strange Voices in Nar-
rative Fiction, edited by Per Krogh Hansen, Stefan Iversen, Henrik Skov Niel­
sen and Rolf Reitan, 219–252. Berlin and Boston: De Gruyter, 2011.
Bell, Alice and Jan Alber. „Ontological Metalepsis and Unnatural Narratology”.
Journal of Narrative Theory 42.2 (2012): 166–192.
Biwu, Shang. „Unnatural narratology: core issues and critical debates”. Journal of
Literary Semantics 44.2 (2015): 169–194.
Contzen, Eva von. „Unnatural Narratology and premodern narratives: Histori-
cizing a form”. Journal of Literary Semantics 46.1 (2017): 1–23.
Fludernik, Monika. „Games with Tellers, Telling and Told”. In Monika Fluder­
nik. Toward a ‘Natural’ Narratology, 269–310. New York: Routledge, 1996.
Fludernik, Monika. „How Natural Is »Unnatural Narratology«; or What is Un-
natural about Unnatural Narratology?”. Narrative, 20.3 (2012): 357–370.
Fludernik, Monika. „New Wine in Old Bottles: Voice, Focalization, and New
Writing”. New Literary History, 32.3 (2001): 619–38.
Fludernik, Monika. „Second Person Fiction: Narrative You As Addressee And/
Or Protagonist”. AAA (Arbeiten aus Anglistik und Amerikanistik), 18.2 1993. 217–
247. Gunter Narr Verlag Tübingen.
Grishakova, Marina. The Models of Space, Time and Vision in V. Nabokov’s Fiction:
Narrative Strategies and Cultural Frames. Tartu: Tartu University Press, 2006.
Hansen, Per Krogh, Stefan Iversen, Henrik Skov Nielsen and Rolf Reitan eds.
Strange voices in narrative fiction. Berlin and Boston: De Gruyter, 2011. 
Heinze, Rüdiger. „»The Whirligig of Time«: Toward a Poetics of Unnatural Temporal-
ity”. In A Poetics of Unnatural Narrative, edited by Jan Alber, Henrik Skov Nielsen
and Brian Richardson, 31–44. Columbus: The Ohio State University Press, 2013.
Heinze, Rüdiger. „Violations of Mimetic Epistemology in First-Person Narrative
Fiction.” Narrative 16.3 (2008): 279–97.
Herman, David, James Phelan, Peter J. Rabinowitz, Brian Richardson and Ro-
byn Warhol. Narrative Theory: Core Concepts and Current Debates. Columbus:
Ohio State University Press, 2012.
Iversen, Stefan. „Unnatural Minds”. In A Poetics of Unnatural Narrative, edited by
Jan Alber, Henrik Skov Nielsen and Brian Richardson, 94–112. Columbus:
The Ohio State University Press, 2013.

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Iversen, Stefan. „»In Flaming Flames«: Crises of Experientality in Non-Fictional

Narratives”. In Unnatural Narratives – Unnatural Narratology, edited by Jan Al-
ber, Rüdiger Heinze, 89–103. Berlin and Boston: De Gruyter, 2011.
Iversen, Stefan. „States of exception, decoupling, metarepresentation, and strange
voices in narrative fiction”. In Strange voices in narrative fiction, edited by Per
Krogh Hansen, Stefan Iversen, Henrik Skov Nielsen and Rolf Reitan, 127–
146. Berlin and Boston: De Gruyter, 2011.
Klauk, Tobias and Tilmann Köppe. „Reassessing Unnatural Narratology: Problems
and Prospects”. Storyworlds: A Journal of Narrative Studies, 5 (2013): 77–100.
Nielsen, Henrik Skov. „Inventing Unnatural Narratives”. Style 50.4 (2016): 467–474.
Nielsen, Henrik Skov. „Broken Narratives, Unnatural Narratology, and Unnat-
uralizing Reading Strategies”. In Narrative im Bruch: Theoretische Positionen und
Anwendungen, Redakteure Anna Babka, Marlen Bidwell-Steiner und Wolf-
gang Müller-Funk, 87–106. Wien: V&R Unipress, 2016.
Nielsen, Henrik Skov. „The Unnatural in E. A. Poe’s The Oval Portrait”. In Beyond
Classical Narration: Transmedial and Unnatural Challenges, edited by Jan Alber
and Per Krogh Hansen, 239–60. Berlin and Boston: De Gruyter, 2014.
Nielsen, Henrik Skov. „Naturalizing and Unnaturalizing Reading Strategies: Fo-
calization Revisited”. In Poetics of Unnatural Narrative, edited by Jan Alber,
Henrik Skov Nielsen and Brian Richardson, 67–93. Columbus: The Ohio State
University Press, 2013.
Nielsen, Henrik Skov. „Fictional Voices? Strange Voices? Unnatural Voices?”. In
Strange Voices in Narrative Fiction, edited by Per Krogh Hansen, Stefan Iversen,
Henrik Skov Nielsen and Rolf Reitan, 55–81. Berlin–Boston: De Gruyter, 2011.
Nielsen, Henrik Skov. „Theory and Interpretation, narration and communica-
tion, authors and narrators – James Frey’s A Million Little Pieces as a test
case”. In Theory, Analysis, Interpretation of Narratives, edited by Sylvie Pat­
ron, 73–94. Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Oxford,
Wien: Peter Lang, 2011.
Nielsen, Henrik Skov. „Unnatural Narratology, Impersonal Voices, Real Authors,
and Non-Communicative Narration, „In Unnatural Narratives – Unnatural Nar-
ratology, edited by Jan Alber and Rüdiger Heinze, 71–88. Berlin-Boston: De
Gruyter, 2011.
Nielsen, Henrik Skov. „Natural Authors, Unnatural Narration”. In Postclassical
Narratology, Approaches and Analyses, edited by Jan Alber and Monika Flu­
dernik , 275–301. Columbus: The Ohio University Press, 2010.
Nielsen, Henrik Skov. „Telling doubles and Literal Minded Reading in Bret
Easton Ellis’ Glamorama”. In Novels of The Contemporary Extreme, edited by
Alain-Philippe Durand and Naomi Mandel, 20–30. London and New York:
Continuum, 2006.
Nielsen, Henrik Skov. „The Impersonal Voice in First-Person Narrative Fiction.”
Narrative 12.2 (2004): 133–50.

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Richardson, Brian. „Unnatural Narrative Theory: A Paradoxical Paradigm”.

In Emerging Vectors of Narratology, edited by Per Krogh Hansen, John Pier,
Philippe Roussin, Wolf Schmid, 193–205. Berlin–Boston: De Gruyter, 2017.
Richardson, Brian. „Unnatural Narrative Theory”. Style 50.4 (2016): 385–405.
Richardson, Brian.  „Representing Social Minds, »We« and »They« Narratives,
Natural and Unnatural”. Narrative 23.2 (2015): 200–212.
Richardson, Brian. Unnatural Narrative: Theory, History, and Practice. Columbus:
The Ohio State University Press, 2015.
Richardson, Brian. „Unusual and Unnatural Narrative Sequences”. In Narrative
Sequence in Contemporary Narratology, edited by Raphaël Baroni and Françoise
Revaz 163–175. Columbus: Ohio State University Press, 2015.
Richardson, Brian. „Unnatural Narratology: Basic Concepts and Recent Work”.
Diegesis 1.1 (2012): 95–103.
Richardson, Brian. „Unnatural Voices in Ulysses: Joyce’s Postmodern Modes
of Narration”. In Strange Voices, edited by Per Krogh Hansen, Stefan Iver­
sen, Henrik Skov Nielsen and Rolf Reitan, 253–264. Berlin and Boston: De
Gruyter, 2011.
Richardson, Brian. „What Is Unnatural Narrative Theory?”. In Unnatural Narra-
tives – Unnatural Narratology, edited by Jan Alber and Rüdiger Heinze, 23–39.
Berlin and Boston: De Gruyter, 2011.
Richardson, Brian. Unnatural Voices: Extreme Narration in Modern and Contempo-
rary Fiction. Columbus: The Ohio State University Press, 2006.
Richardson, Brian. „Beyond Story and Discourse: Narrative Time in Postmodern
Nonmimetic Fiction”. In Narrative Dynamics: Essays on Time, Plot, Closure, and
Frames, edited by Brian Richardson, 47–63. Columbus: Ohio State University
Press, 2002.
Richardson, Brian. „Voice and Narration in Postmodern Drama”. New Literary
History 32.3 (2001): 681–94.
Richardson, Brian. „Denarration in Fiction: Erasing the Story in Beckett and Oth-
ers”. Narrative 9.2 (2001): 168–175.
Richardson, Brian. „Narrative Poetics and Postmodern Transgression: Theoriz-
ing the Collapse of Time, Voice, and Frame”. Narrative 8.1 (2000): 23–42.
Richardson, Brian. „The Poetics and Politics of Second Person Narrative”. Genre
24 (1991): 309–330.

Összeállította: Tóth Csilla

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