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Cultural and Structural Imperialism
Cultural and Structural Imperialism
CRITICISMS
There is no doubt that the United States of America (and to a lesser degree the
United Kingdom) export a large amount of film and television programming:
however, many critics of cultural imperialism questions whether this really have a
homogenizing effect in other countries. India, Japan, Nigeria to name a few- all
have thriving movie industries of their own.
Other critics also point out that audiences are not just passive observers and they
are capable of making their own judgement and attaching their own meaning to
media contents ( the perception theory). Audience responses to globalized media
are highly differentiated depending on which country they are.
Critics of this theory claim that non-Western cultures, particularly from the Third
World countries, will forsake their traditional values and lose their cultural
identities when they are exposed only to the Western media. They believe that by
gaining adherents for this theory, it would create overseas market and political
environment favourable to Western (United States in particular) interests thereby
leading to Americanisation of the media and killing the culture, values, identity
and autonomy of the receiving countries.
References
Esimoka, G.A. (2014) Communication Theories Analysis and Application, Lagos:
Agumbay
centre
Center
periphery
centre
Periphery
Periphery
Harmony of
Interest
Disharmony of
interest
The structure of imperialism
According to Galtung there are five types of imperialism depending on the type of
exchange between the Center and Periphery nation:
a. Economic
b. Political
c. Communication
d. Military
e. Cultural