—

22

MS. 31, 403, fol, 13,

p. 23. Brit. Mus.
IE
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(Short
mordent.)

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(Note the tonal fugue.)

(Slide
C to E.) (Double-relish.)

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if' V r 3te
T r ^j^ &c.

^ ^
(Short
mordent.)

Here we have the " double-telish " of Christopher Simpson (1659) and the "elevation " and "double-
relish "of quaint old Mace (1676). It also occurs in Gibbons's Pavin " The Lord of Salisbury " (bars 7 and 9).

This latter piece is inserted below as a further illustration of graces. Together with Gibbons's superb:
" Fantasia of foure Parts," No. XVII., which immediately precedes it in the Parthenia,* we have the best of
extant music for the virginals. Indeed, there is nothing of equal weight in instrumental music before
Frescobaldi and Froberger :

"THE LORD OF SALISBURY; HIS PAVIN," BY ORLANDO GIBBONS.

(The large notes represent the text without graces.)

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* See /losf, p. 25- -29.
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8157.