Appendix G

Coding Sheet (Iska)

Time Code “0:58 Iska is “4:22 Iska is “13:35 Iska saw “15:30 Iska was “20:00 Iska
struggling leaving for work Dong dong naked getting raped by her was feeding
Putting Clothes Dong Dong was while playing husband while Dongdong and
on Dongdong playing upstairs inside the house” Dongdong was getting ready for
in their bed craying beside her help
Image Image:1 Image: 2 Image: 3 Image: 4 Image: 5

Description Iska is struggling Iska came out to Iska came home Joven wake up and Iska was
putting clothes the shower from work and climb up to where feeding
on Dong dong talking to was shocked iska and dongdong Dongdong and
that has recently dondong saying while seeing her was sleeping and asking Joven to
wake up and that she would grandchild raped Iska her wife look after
having a leave him to his Dongdong naked while Dongdong dongdong
tantrums grandfather to while playing. was crying beside because she is
attend work her. going to work
Cinematography The camera angle The camera is The camera angle The scene is taken The camera is
is shot with the taken in an is shot with the into two shots one taken in an
rule of thirds in upright angle rule of thirds in focusing Joven and upright angle
the scene, where it can the scene, iska and the other where it can
emphasizing the give focus on emphasizing the one is focusing give focus on
character's the two character's Dongdong the two
natural point. characters natural point. characters
Production It is seen on the It is clearly seen Dong dong was The scene was The scene was
Design character that that Iska has not wearing any taken on a small taken on their
they have recently done clothes at all; his bed upstairs the small house in
recently wake up taking shower appearance appearance of the their small
and they are also and getting remains rugged character appears to dining table.
appears to be that ready to work and unkempt. It be that they have
they are on a the are also also appears to been wake up from
small bedroom pictures a typical be that they are their sleep
on a small urban small house on an urbanized
house mostly made of area.
light materials
Dialogue Iska: Sige na Iska: Dong dong Iska: Dong Iska: hayop ka Iska: ang
Dong Sige na pasok na si Lola dong bakit talaga asungot daming
Nako naman sa trabaho iwan hubo’t hubad sabi kong ayoko. mong
Nako namn muna kita kay ka Asungot si inaatupag
Sige na Dong lolo. Lolo mo magakakasakit Dongdong imbes na
Dongdong: mag babantay ka niyan apo umiiyak ayaw ko alagaan mo
(screaming sayo haa asan ba yung nga itong apo mo
having tantrums) pakabait ka. asungot na Joven: sundan pa Joven:
 Hmm Subukan lolo mo? Bakit natin yung anak Inaalagaan
kalang non hinahayaan natin sige na ko naman
paluin. mo ito mag Iska: ayaw ko nga ahh
hubad baboy ka talaga Iska:
Joven: sa gusto pinapabayaan
nya mag hubad mo nga na
ehh baka gusto nakahubad
magging bold Joven: pag
star nakahubad yan
di yan
nagwawala
Sound Design There was a There was a There was a There was a sound The sounds of
sound like a very barking sound sound like a very of neighbors their neighbors
urban place in and talking of urban place. fighting outside. talking can be
the morning. the neighbor heard on the
outside in the background
background
Theme Love of a Care of Care of a Rape, Care of a Care of a
grandmother grandmother grandmother, grandmother, grandmother,
neglectful neglectful neglectful
grandfather. grandfather. grandfather.
Depiction Family oriented, innocent Neglected, Helpless Neglected
Struggling Comic Relief

Time Code “25:35 Dongdong “29:54 Dongdong “33:21 Iska came “35:10 “37:35
is getting excited was left in the home from work Celebrating the Dongdong
and noisy. guidance of new year repeats the word
Making his someone and then
grandfather to get dongdong was
angry at him and bathed by iska
hurt him
Image Image: 6 Image: 7 Image: 8 Image: 9 Image: 10

Description Dongdong was Iska is leaving for Iska came home Iska and Dongdong heard
getting excited work and asking from work Dongdong a word Puke and
and being someone to look bringing snack celebrate the reapeats it iska
violently noisy after Dongdong for dongdong new year was then
being irritated and asking how together. reminded what if
throwing it was to look he starts to
everything he after him mature
 touch making his
grandfather
irritated and
angry

Cinematography The camera was The camera was The camera was The scene is The camera is
place in a way taken on a rule of focus on the taken into two taken in an angle
that it would third focusing on characters and shots one where it can give
capture their all the characters the shots were framing with the focus on the two
whole house following the window focusing characters
characters in on front and the
focus other one
focusing on the
back of the
characters.
Production There is a It is clearly seen Iska’s The scene was The scene was
Design Christmas theme that they are in an appearance taken on their taken in their
on the urban place. seems tired and small house in small house in
background and rugged after an urban place. It their small dining
the whole house work, and it is clearly seen table and kitchen.
was captured appears that it that some of the
seems a little bit neighbors are
dark in a place celebrating new
sign of near year too
nighttime
Dialogue Dongdong: Iska: Basta ikaw Iska: Ohh Iska: Happy Friend of iska:
Screaming nalang muna mag kumusta new year wag mong
excitedly. bantay ha baka Others: Ok Dongdong: sabihin yan
Joven: anak ng pag nagwala naman mabait Screaming tignanan mo
Puta di ko na ibigay mo lang naman pla ginagaya ka ng
naiintindihan itong asul na itong apo mo apo mo
pinapanood ko bola. Kakalma na basta ibigay Iska: hinde
dadagukan ko yan paghindi lang sa kanya gutom lang
na to. parin pwede yung asul na yan
Iska: ito naman morin syang bola Friend of iska:
papatulan pa kantahan pano kaya
ang bata kung mag
Joven: Ikaw na teenager na
nakatapon ikaw itong apo mo?
pa galit
Sound Design There is the There was a There was a There were a The sounds of
sound of the T.V. sound of sound of sound of their neighbors
on the neighbors passing neighbors neighbors and talking can be
background. on the outside. fireworks heard on the
background outside background
Theme Love of a Care of Care of a New year Care of a
 grandmother grandmother grandmother, grandmother,
Neglecful and caring for others turning into
abusive Puberty
grandfather.
Depiction Sensitive, Violent Innocent Innocent Family oriented Innocent

Time Code “50:45 Dongdong “1:03:40 “1:12:07 “1:26:27 Iska saw “1:36:05
and iska was Dongdong was dongdong was her daughter Judy Dongdong was
visited for an grabbed by a TV placed on an lying on their
interview in the host and was Put orphanage for bed whit chain
orphanage to an orphanage normal People on his foot
Image Image: 11 Image: 12 Image: 13 Image: 14 Image: 15

Description Dongdong was Iska is watching Iska went to the Iska saw her Dongdong was
visited by two T.V. to see how orphanage where daughter Judy the brought home
people to know if the Host Martina dongdong was mother of from the
he can be in the grabbed placed. Dongdong orphanage
orphanage Dongdong from having tantrums.
their home. Iska comes
home seeing
dongdong lying
naked with
chain on his foot
Cinematography The camera was The shots were The camera was The shots were the camera
angled downward taken in to two as place near the taken alternately moves as the
to focus on focused on the window to create focusing Judy character move
dongdong playing T.V. the shot was an effect like it is and Iska giving focus on
on the ground like the screen and peaking to see what the
when focus on dongdong characters were
Iska it becomes outside doing
normal again.
Production Their house They were in a It is clearly seen The Scene was The scene was
Design appears to be mini sarisari store that they are on taken on the side taken on their
much cleaner and watching TV with the orphanage of the streets small house in
organized after for some people and the agents in Iska’s appearance their bed which
the visitors passing by. On the the orphanage seems to be much is now a place
TV they featured was clothe worst as she has where dongdong
the structure of the appropriately been without her seems to be
house of iska. while iska’s work and now chained
appearance collecting scraps. dongdong’s
remained appearance full
 of mess,
chained, and
naked
Dialogue Visitors: hi Iska: (watching Iska: ay hindi Iska: Judy Iska: dongdong
john Christian T.V.) po bakit po ba nabalitaan mo sorry sorry
hello Martina: dito nga nandito yung ba yung dongdong
Iska: uy hello madalas apo ko ehh nangyari kay
daw apo gusto makarining ng special child dongdong
niyo pong kape ungol sa loob ng po yan ehh Judy:
Visitors: Hindi bahay… Si Agent: baka po napanood ko
na ho Dongdong ay kasi puno na sa po
La ano pong Sampung taong Special kaya po Iska: Grabe ka
nangyari sa gulang mistulang nandito Judy: Mabuti
pasa Ninyo nakakulong sa nga yun para
Iska: ano po hawla may mag
sumabit. aalaga sa
kanya.
Iska: ang dapat
nagaalaga kay
Dong dong
magulang nya
Sound Design There is a sound There was a sound There was a There was the The sounds of
of rain in the of neighbors sound of people sound of traffic their neighbors
background. passing by on the passing at the and people talking can be
background place. talking in the heard on the
background. background
Theme Love of a T.V. Shows done Care of a Neglectful Abusive
grandmother without research grandmother, mother treatment for
Care of an Organizational child with
orphanage for Mistake special needs
PWD’s
Depiction Innocent Helpless, Family Oriented, Helpless
Struggling, Scared Neglected,

Coding Sheet (Bwakaw)

Time Code “21:22 Alicia “39:08 Alicia is “1:02:45 Rene went to
speaks with Rene missing visit Alicia Again
Image Image: 16 Image: 17 Image:18
Description Rene came to visit Rene went to visit Rene went and visited
and chat with his Alicia again to Alicia again as she was
friend Alicia find out that Alicia temporarily getting
went missing well
Cinematography The camera The camera The camera angle is
focuses on both focuses on shot with the rule of
characters to characters to thirds in the scene,
highlight their highlight their emphasizing the
emotions. emotions. character's natural
point.
Production The appearance of The appearance of The characters
Design Alicia seems to Rene remains the appearance seems to be
appear blank and same though there fitting on the state they
innocent. is a hint of being are in now both change
worried about as they encounter
Alicia changes in their
environment.
Dialogue Alicia: sino ka Rose: Mang Alicia: Wag mo na
nga ulit? Rene akong bisitahin Rene
Rene: si rene Rene: si Alicia Rene: Bakit?
Alicia: Ikaw ba may nangyare Alicia: Gusto kong
ang asawa ko ba? maalala mo ako ng
Rene: hindi wala Rose: ganito ito na ang hiling
kang asawa nawawala po pag kikita natin dito
siya… may mag aalaga sayo
Rene: Rose hindi pero wlang mag
ko maintindihan mamahal kaya wag
ang gamit kang susunod sa akin.
nawawala si Alicia
dapat mahanap
nyo sya tao sya
hindi basta gamit.
Sound Design Only the voices of Only the voices of There is a sound of a
the actors in the the actors in the guitar playing on the
scene can be heard scene can be heard background
Theme Friendship, old age Missing person Old age, Goodbye

Depiction Innocent, Struggling, Helpless,

Struggling, scared,
Everyday Individual
Lover, Inspirational
 Coding Sheet (Pan de Salawal)

Time Code “0:28 Sal is “1:44 Dingdong “2:05 Brando “3:30 Sal is “7:00 Sal met
struggling to pee selling looking on the undergoing Aguy on the
sal is walking on newspaper girl Lala. dialysis alone railroad.
the rail waiting for Candeng Looking
the train. at her daughter
Lala happily
Image Image: 19 Image: 20 Image: 21 Image: 22 Image: 23

Description Sal is struggling Dingdong Brando is looking Sal is undergoing Sal met Aguy as
because of his Selling news at Lala with love dialysis on his he wants to end
sickness and Paper along the which cannot be own talking to a his life but
wanting to end his road using a expressed and rock because he failed and now
life Sidecar Candeng looking doesn’t have screaming in
at Lala happily someone pain Aguy
pinches his side
making him
irritated with
Aguy.
Cinematography The camera angle The camera The camera angle The camera angle The camera
is shot with the angle is shot is shot with the is shot with the focuses on the
rule of thirds in the with the rule of rule of thirds in rule of thirds in two characters
scene and POV thirds in the the scene, the scene, and follows the
emphasizing the scene emphasizing the emphasizing the characters as
character's natural character's natural character's natural they move to
point. point. point. emphasize the
characters
action.
Production It is seen on the It is seen that The characters It appears to be The Characters
Design character that he is the characters appearance seems that the character appearance fits
really struggling appearance is to be fitting on is on a Dialysis the way of
by the look of his rugged the state or the Clinic the living that they
appearance emphasizing the kind of living that appearance of the have and Sal’s
kind of living they have. character also appearance is
that the seems to be weak weak and frail
character has as he undergoes emphasizing his
the dialysis current
condition
Dialogue Sal: Ako si DingDong: Sal repeats the Sal Screams
Salbador Sal for Balita!! Balita other person as in pain.
short sabi nila life kayo dyan!! he talks to the Aguy
 is short sabi ni doc rock. pinches his
meron daw akong Saan mo gusto side.
sakit sa bato… mamaya libre Sal: Pilyang
kung talagang life ko na para di batang to
is short bakit ka naman ma bakit kaba
sisentay otso anyos bato nangungurot?
na ako buhay pa… Nurse: manong Aguy pinch
sal diba po dapat him.
palagi kayo nag Aguy: Bye!!
dadialysis… Lala: mang
Sal kumusta
Dialysis nyo
may gamot
paba kayo?
Sound Design There was a sound There was a There was a There were a The ambiance
of train on the sound of the sound like an sound of the of the place can
background and an train passing urban place and a dialysis machine be heard on the
emotional music and an upbeat joyous music on and people background
music in the the background talking on the
background background
Theme Thinking of Hard working Love that cannot Loner Man in pain.
Suicide be expressed Playfulness of a
child
Depiction Struggling, Hard Working, Afraid, Lover Neglected, Sensitive,
Helpless, Everyday Helpless struggling
individual,
Inspirational

Time Code “9:59 Sal and “15:11 Brando, “19:18 Dingdong “24:27 Sal let “30:05 Aguy
Dingdong on a Candeng, Sal, and aguy riding Aguy to sleep in listen to the
sidecar together and Lala in the sidecar his home heartbeat of Sal
together
Image Image: 24 Image: 25 Image: 26 Image: 27 Image: 28
Description Sal and In this scene Sal, Dingdong and Sal let Aguy to Aguy listen to the
Dingdong on the Candeng, Aguy riding in a sleep in his house heartbeat of Sal
sidecar riding Brando, and Lala sidecar talking as Aguy is hiding and heard nothing
together to sell can be seen. about what is in to someone. but a sad
newspaper the news paper deafining sound.
Cinematography The camera was The camera was The camera is The scene is taken The camera is
place in a way taken on a rule following the into two shots one taken in an angle
that it would of third focusing characters as they wide shot where it can give
capture and on all the move and giving focusing the focus on the two
follow both characters focus on each of characters and the characters
characters the characters other one focusing
Downward to
Aguy as she
sleeps
Production There is a mini It is clearly seen Their appearance The scene was The scene was
Design bicycle with a that they are on remains the same taken on their taken on their
side car and the an urban place. as well as the small old house of small house in
appearance of Characters sidecar that they Sal in an urban Sal’s bedroom
both characters appearance are ridding. place.
remain the same remain the same.
Dialogue In a nasal Lala: Dingdong Sal: Siya Feel at Aguy: (after
tune (fantasizing nasal tune home ka muna Listenning to
Dingdong: Brando) Dingdong: diyan ha may Sal’s
Balita Balita Candeng: tagasaan kaba? bibilhin lang ako Heartbeat and
kayo dyan (Moaning Aguy: Dito Sal wakes up)
Paparating na pointing at doon kahit Papandesal ka
ang mga Sal) saan naman Tanda.
intsik Lala: Mang Dingdong:
pilipinas Sal gamot ho? Sino kasama
sasakupin na Sal: Isa lang mo sa buhay
Sal: opss. muna ulit Aguy: Wala
opss Lala: Mang ako lang
Sal: Nakita Sal parang forever.
mo ba yun? nanghihina ka Parining ako
Brando: Bruh ng puso mo
timpla han Dingdong: Mag
kita uli ng isa kalang ako rin
tocino.

Sound Design There was a There was a There was a There were a The sound of
sound of people sound of groovy beat and a sound of a guitar Sal’s heartbeat as
talking on the neighbors mysteyous music playing on the a deafening
background passing on the on the background sound can be
background background heard.
Theme People helping Secret Hiding for Caring for others Sad Heartbeat
each other. admirer someone and
 Looking for getting to
someone know each
other.

Depiction Hard working, Lover Comic relief Helpless

Everyday
individual

Time Code “33:45 Lala is “37:08 Sal is “44:00 Sal is “54:00 Brando and “1:05:2 All
helping her mother afraid to put salt undergoing Lala looking at other character
on therapy in the pandesal dialysis now each other while was healed by
with Aguy Candeng was left Aguy except Sal
alone
Image Image: 28 Image: 30 Image: 31 Image: 32 Image: 33

Description Lala is Helping her Sal is afraid to Sal invites Aguy Brando and Lala Brando’s father,
mother Candeng in put salt into to accompany looking at each Brando, Lala,
her therapy to help Pandesal him to other fantasizing and Candeng.
her recover from because of his undertake each other while Was healed by
stroke and dancing sickness but then dialysis. Candeng was left Aguy by
with her as her reminded by alone dancing and inflicting pain in
mother misses it Aguy not to be fell on her them.
afraid. wheelchair.
Cinematography The camera was The shots were The shots were The shots were Shots were
taken from the rule focus on both divided into two taken alternately divided into
of thirds to give two characters one focusing focusing Brando, each character to
emphasis on both applying the rule both and the lala, and Candeng give focus on
characters of thirds. other one their actions
focusing on the
individual
characters
Production It appears to be The appearance It is clearly seen The appearances of The scene was
Design that they are on the of both the again that they the characters taken on a small
house of Candeng. characters are on the clinic remain the same urban town the
 The characters improved for dialysis Sal’s except Lala who appearance of
appearance specially Sal appearance want herself to be the character
remains the same. who is now change from notice by Brando. seems to change
telling jokes being gloomy to as they were
about salt being more now healed by
joyful Aguy.
Dialogue Lala: ohh sige Aguy: huwag Sal: Gusto Brando: Sige na Aguy:
ohh one!! Nay kang matakot mong Inflicting
wag nyo tigasan sa asin asin Sumama sa Lala: nay!! pain in them.
sige isa pa. na lang naman akin kaya Candeng: Brando’s
mimiss nyo na yan ehh. lang baka (Moaning) Di ko Father:
sumayaw nay Sal: don’t eat mainip ka na kaya ayaw ko magaling na
pano yun hindi salt its asin. na. ako wala ng
naman ako bukol
marunong Lala: Nay sorry. Brando:
Candeng tatanggapin
Moaning mo ba ang
Lala: anong Pag ibig ko
parehas kaliwa paa Lala: I do! I do!
ko nanay naman
ehh…
Sound Design The sound that can There was a There was a There was a sound The sound of
only be heard are sound of guitar sound of guitar of guitar playing guitar and
the dialogue of the playing as they joyously playing on the background carinosa music
characters. enjoy being on the can be heard in
together. background the background.
Theme Love of a Baking together. Being with Unexpressed love All were healed
daughter Don’t be afraid. someone and dancing.
Courage and
hope
Depiction Family oriented, Inspirational, Everyday Scared, Struggling Lover
Struggling Scared individual

Time Code “1:18:14 Sal is crying in pain

Image Image: 34
Description Sal is crying in Pain not in his sickness but as Aguy inflicted him the
pain of leaving him to heal him from his sickness

Cinematography The camera was taken from the rule of thirds to give emphasis on both
characters Action
Production Sal’s appearance remains the same rugged and weak. But becomes
Design joyful and strong as he was healed
Dialogue Sal: Pag nasaktan ako Babalik ka kaya? Aguy Aguy
Aguy: Bye
Sound Design There is a music playing on the background and a sound of rain as it
rained salt

Theme Letting go of someone.

Depiction Neglected

Coding Sheet (Edward)

Time Code “5:45 Edward and “8:22 Mario is “17:42 Mario “19:00 the Doctor “27:30 Mario
his father Mario very excited to go wants Edward’s is talking to Mario. wants Edward to
were excited to home brother to come call his brother
go home back again
Image

Image: 35 Image:36 Image: 37 Image:38 Image:39

Description Renato said to Mario is very Mario wants Doctor talks about Mario wants
Edward to pack excited to go Edward’s brother Mario for the tests Edward’s brother
their things for home not to come back to to know his to come back to
they will be going knowing that he look after him. He sickness look after him. He
home soon is still sick was irritated and wants Edward to
He wants Edward call his brother
to call his brother again
Cinematograp The camera angle The camera is The camera angle The camera angle The camera angle
hy is shot with the taken in an is shot as if the is shot with the is shot with the
rule of thirds in upright angle camera was rule of thirds in the rule of thirds in the
the scene, where it can give downward to give scene, scene,
emphasizing the focus on the emphasize to the emphasizing the emphasizing the
character's natural characters characters character's natural character's natural
 point. movement point. point.
Production It is seen on the It is seen that they It is seen that they The scene was The scene was
Design character that are in a public are back in the taken in the taken from another
they are in a Hospital. The room of the Public hospital room full room in the
hospital and that appearance of Hospital where of other patients. hospital. Mario’s
they are excited Mario seems to they were in in the The appearance of appearance did not
to go home be excited but first place the Mario begins to be change instead it is
change quickly as appearance of weaker. getting worse
he needs to stay Mario begins to be
longer in the weak and sickly
hospital
Dialogue Renato: ohh Mario: (stands Mario: asan Doc: Mag run Mario:
mag impake up in the yung kuya mo lang po kami ng Edward!!
kana uuwi na wheelchair) tawagan mo test tay tapos I Edward!!
tayo bukas halika na nga yung kuya mo rerecommened Tawagan mo
Mario: ay salamat kaya ko Edward: wala ko narin kayo ulit kuya mo
makikita ko na nanaman ito akong load sa papalit sa Edward: walang
ang mga kambing ehh Mario: tawagan akin. load
at kalabaw ko (Then Fall mo yung kuya mo. Mario: Gawan
don. slowly as he Pabalikin mo mo ng paraan.
takes a step)

Sound Design Only the voice of There were a lot There was a sound There was a sound There was a sound
the character and of sounds coming of other people of other people of other people
the people within from other people talking in the talking in the talking in the
the room can be talking in the background background background
heard background
Theme Excited to go Sickness, poverty Sickness, poverty Sickness, Poverty, Sickness, Poverty,
home, sickness and health care. and health care.
Depiction Family oriented Struggling Sensitive Sensitive

Time Code “37:08 Nurse “50:31 Renato came “56:21 Mario’s “1:14:29 Mario is
giving medicine to back to the Hospital condition becomes now in the ICU
their patients worse
Image

Image:40 Image:41 Image:42 Image:43

Description Nurse gives Renato Came back Mario becomes Mario’s condition
medicine to the to the Hospital and sicker and tries to gets worst and must
other patients and have a talk with his talk with Edward be put in the ICU
Mario. father Mario

Cinematography The camera was The camera was The camera was The camera was
place in a way that taken on a rule of focus on the focus on the
it would capture third focusing on all characters and the characters and the
their whole room the characters shots were following shots were following
the characters in the characters in
focus focus
Production The scene was The scene was taken The scene was taken The scene was taken
Design taken on the same on the same room on the same room on the ICU
room and Mario is and Mario is now and Mario is now
now weaker and weaker and sicker weaker and sicker
sicker than before. than before. than before.
Dialogue Nurse: inom na Mario: bat Mario: Ok ka (Mario says his
po ng gamot ngayon ka lang? lang? goodbye to his son
kuha mo ng Renato: bumalik Sino yung Edward)
tubig tatay mo ako ano pa bang liniligawan mo?
Edward: kelan gusto nyo? Pag wala ka rito
po kami Alagaan ko na tinatanong ko ang
makakalabas? kayo pati ba mga nurse.
Nurse: namn ito Anak nga kita nag
hinihintay aalagaan ko pa. mana ka sakin ehh
nalang ang lab Ito na ang huli tapos matinik
test. na ang paggiging
One-week nalang anak ko sa inyo.
Sound Design There was a sound There was a sound There was a sound There was a sound
of other patients in of persons passing of a violin playing of Piano Playing on
the room that can on the background on the background the Back ground
be heard.
Theme Sickness, Poverty, Sickness, Poverty, Sickness, Poverty, Goodbye
and health care. broken family, and Fatherly love, and
health care. health care.
Depiction Pitiable, Everyday Neglected, Family Family Oriented Scared
individual Oriented, Helpless
 Coding Sheet (ML)
Time Code “1:22 He is “3:18 Colonel is “12:25 Colonel is “14:34 Colonel “16:14 Colonel
having his hair opening his gate passing by the Invites Carlo for Offers Carlo a
cut then walks and a dog barked court where Carlo an Interview drink
and went to his at him and his friends are
home playing
Image

Image:44 Image:45 Image:46 Image:47 Image:48

Description Colonel is Colonel is Carlo is asking his Carlo tries to Colonel offers a
having his hair opening his gate friends whom to interview Colonel drink to Carlo
cut at the then a dog barked interview for about martial law, having an
barbershop. at him where in martial law and but he did not intention of
he becomes they saw Colonel know what was knocking him
irritated, he let walking waiting for him unconscious
the dog in feed it
and hold a
hammer in his
hand
Cinematography The camera The camera The camera angle The camera angle The camera
builds up first focuses on the is shot with the is shot with the follows the
the place to characters action rule of thirds in rule of thirds in characters
emphasize the and follows every the scene, the scene, movement to
place where the part of the emphasizing the emphasizing the emphasize the
character is on characters character's natural character's natural characters action
then give focus movement point. point.
and follows the
character after
Production It appears that It is seen that the The characters The character The characters
Design the character is a characters appearance seems appears to be in a appearance
typical normal appearance is to be fitting on the good appearance, remains the
Martial law Normal state or the kind of and they are also same.
veteran emphasizing the living that they in a nice and big
kind of living that have. house
the character has
Dialogue Barber: ok na Dog barks Friend 1: yun Carlo: I was Carlo: thank
po Colonel Colonel is calling nalang Just hoping you sir.
Colonel: ito the dog to come interviewhin you could tell
ohh inside mo si Colonel me something
Ito naman tip Friend 2: oo nga about martial
mo no si Colonel di law especially
Barber: Thank mo ba natatandaan for you kasi
you po colonel nung mga bata pa sundalo kayo
tayo nakakalaro pa that time.
natin yan ngayon Colonel: Gusto
 matandana mahina mo ng kape,
na. juice?
Carlo: tubig
nalang po
Sound Design There was a There was a There is a sound There was a There was a
sound of a guitar sound of people of a guitar playing sound of a mysterious music
and voices talking on the on the background mysterious music on the
playing on the background on the background.
background background
Theme Normal Day Animal Abuse Old age, Martial Martial Law, Martial Law
Change of Law Interview Torture
Behavior
Depiction Everyday Sensitive Everyday Innocent Innocent
individual individual

Time Code “19:00 Colonel “24:45 Colonel “29:30 Colonel “33:00 Colonel “39:20 Colonel
dresses up in his hears carlo’s Switch to a good tortures Jaze went up to his room
old uniform and phone ringing personality again and think
torture Carlo and invites Jaze
Image Image: 50 Image: 52

Image:49 Image:51 Image:53

Description Colonel dresses in After torturing Jaze comes and is Jaze is being Colonel went up to
his old uniform Carlo Colonel invited by colonel tortured and was his room and begins
thinking that he is hears Carlo’s to come in Jaze asked with the to think and it
still in the past phone ringing. was then put to same questioned seems like he has
torturing Carlo sleep and tortured asked for carlo no idea of what
happened.
Cinematogr The camera was The camera was The camera is The scene is taken The camera is taken
aphy place in a way taken on a rule of following the from many in an angle where it
that it would third focusing on characters as they different angles can give focus on
capture and all the characters move and giving each angle the character
follow both focus on each of emphasizes every
characters the characters character’s action
Production The appearance Colonel’s Their appearance The scene was The scene was
Design of carlo change as appearance remains the same taken on their taken on their small
he is being remains fierce small Basement of house in Colonel’s
tortured and also Colonel’s house bedroom
the appearance of
colonel changes
from being calm
to a lot of rage
Dialogue Colonel: Colonel: Jaze Jaze: Andyan Jaze: Carlo ano
Gising ka na sino siya po ba si Carlo to?
ba? kasama mo ba Colonel: oo Colonel: ako
Mag tatanong siya sa kanina ka pa lang ang mag
ako sasagot ka kilusan? niya hinihintay. tatanong.
Carlo: bakit Carlo: oo Pasok ka. Asan ang
mo ba kilala ko siya Jaze: Wow colonel headquarters
ginagawa sa pwede ko sya rocks star niyo?
akin to tawagan siya puntahan ko na po Jaze: hindi ko
Colonel: Ako nakakaalam siya alam
lang ang mag kung nasan
tatanong. ang
Asan ang headquarters
headquarters namin.
Ninyo? Colonel: Sige
Carlo: Hindi ko
alam
Sound There was a There was a There was a There were a There was a sound
Design sound of rock sound of groovy beat and a sound of a guitar of mysterious
music on the mysterious music mysteyous music playing on the music playing on
background playing on the on the background background the background
background emphasizing the
colonel’s change
of behavior
Theme torture Torture Torture Torture and Forget, change of
questioning. behavior
Depiction Violent, Villainous, Innocent, Violent Struggling
Villainous Villainous

Time Code “40:45 Colonel “47:02 Colonel “51:20 Colonel “56:13 Colonel “1:08:15
Wakes up tortures both Invites Pat to tortures Pat Colonel’s daughter
forgetting what Carlo & Jaze come in came with her
he has done family
Image Image: 54 Image: 56

Image:55 Image:57 Image:58

Description Colonel Wakes Colonel Tortures Colonel once Colonel then Colonel’s daughter
up forgetting both Carlo and again has a calm tortures Pat and came with her
what happened Jaze then attitude inviting asked the same family to bond and
then simply questioned them pat but has a questions. to celebrate.
remembers it as again about their different motive
he comes back to headquarters after
 the basement. thinking that he
is still in the past

Cinematography The camera was The shots were The shots are The shots were Shots were divided
place in a manner focus on taken on taken alternately into each character
that it can give characters different angle focusing the to give focus on
emphasis on the applying the rule emphasizing the characters their actions
characters action of thirds. characters
actions
Production It appears that The appearance Colonel has a The appearances The scene was
Design Colonel has of the characters light and inviting of the characters taken on a urban
recently wake up remains the appearance. remain the same town the
and Carlo and same. appearance of the
Jaze are in his character seems to
basement define the status
and class they are
in
Dialogue Colonel: Asan Pat: andiyan Colonel: alam Daughter:
ang po ba sila mo ba kung saan Pumunta lang
headquarters Jaze. ang Valkyrie kami to
Ninyo Si Pat Colonel: Oo celebrate
at shawna kanina ka pa nila Colonel: Pasok
kasama niyo hinihintay. Pasok kayo!
ba sila sa ka andun sila sa
kilusan basement.
Jaze: oo alam
nila kung saan
ang Valkyrie

Sound Design Only the There was a

dialogue can be sound of guitar
heard playing on the
background
Theme Forgetting, Torture Inviting Torture, Family bonding,
change of someone Interrogation EJK, Martial Law
behavior.

Depiction Struggling violent Innocent, Violent Family Oriented

Villainous

Time Code “1:12:15 after killing jaze and going back to his home Colonel was
seen opening a gate
Image

Image:59
Description Colonel was trying to open his neighbors gate but then reminded
that it is not his gate but his neighbors

Cinematography The camera was taken on a perspective that can capture both
characters in the scene
Production Design Colonel and the neighbor appear to be living in a village

Dialogue Neighbor: colonel Hindi po dito bahay Ninyo

Doon pa po kayo sa kabilang kanto

Sound Design Rock music was playing on the background

Theme Forgetfulness
Depiction Struggling