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School: BISLIG CITY NATIONAL HIGH SCHOOL Grade Level: 8

Teacher: CHARMANE MAE S. YU Learning Area: MAPEH (ARTS)

Teaching Dates and


Quarter: Third
Time:
DAILY LESSON LOG

In MAPEH-8

MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY

I. OBJECTIVES

The learners…

1. art elements and processes by synthesizing and applying prior knowledge and skills
A. Content 2. the salient features of the arts of South, West, and Central Asia by showing the relationship of the elements of art and
Standards: processes among culturally diverse communities in the region

3. that the South, West, and Central Asian countries have a rich, artistic and cultural tradition from prehistoric to present
times

B. Performance The learners…


Standards:
1. create artworks showing the characteristic elements of the arts of South, West, and Central Asia
2. exhibits completed artworks for appreciation and critiquing

● analyze art elements ● identify characteristics ● reflect on and derive ● appreciate the Summative Test
(color, line, shape, etc.) of arts and crafts in the mood, idea or artifacts and art
and principles (texture, specific countries in message from selected objects in terms
proportion, emphasis, South, West, and artifacts and art of their
C. Learning harmony, etc.) of arts in Central Asia: India objects. (A8PL-IIIh-1 utilization and
Competencies/ the production of arts (rangoli, Katak, their distinct use
Objectives: and crafts inspired by mednhi, Diwali); Saudi of elements and
the cultures of South Arabia (carpet design); principles.
Asia, West Asia, and Pakistan (truck art); (A8PL-IIIh-2)
Central Asia. (A8EL-Ilb- and Tibet (mandala),
1) etc. (A8EL-IIIa-2)

UNIT III : SOUTH, CENTRAL AND WEST ASIAN ARTS


II. CONTENT
Elements and Principles of Arts Characteristics of Arts and Communicating Through Arts Appreciate South, West, Weekly Summative
and Crafts in South, West and Crafts in South, West and and Central Asian Test
Central Asia Central Asia Artworks

III. LEARNING
RESOURCES

A. References

1. Teacher’s
None None None None None
Guide Pages

2. Learner’s Music & Arts LM Music & Arts LM


Music & Arts LM pages Music & Arts LM pages Music & Arts LM pages
Materials Pages pages pages

3. Textbook Pages
4. Additional
Materials from
Learning
Resource (LR)
portal

B. Other Learning
Resources

IV. PROCEDURES

A. Reviewing Fill in the Blanks! DESCRIBE ME! Directions: Study the To recall what the Ask the students
previous lesson unique characteristics of studentnt learned to answer the
or presenting Let the students recall The teacher will show the artworks in the from the previous Weekly
the new lesson again the art elements sample of Rangoli and pictures below to name lesson about Summative test to
and principles by filling in Shyrdak. Students will be the art and identify the Artifacts and Art test their
(ELICIT) the blanks of each item. tasked to describe the region where it comes Objects let them understanding
artwork in terms of its arts from. answer the activity and knowledge of
(see the attached elements and principles. below. Identify the the whole week
statements on SLM page
artifact or art object lessons.
3-4)
described in the
(5 mins) given idea or
elements texture message. (see attachement)
pattern unified
1. Led to the
balance line
discovery of
principles
dance as a form
emphasis
of entertainment
variety moves
in ancient Indian
civilization.
(5 mins)
2. Its light
symbolizes unity.

3. It symbolizes
(5 mins) beauty, hope,
and tradition for
the people of
India.

4. It is a symbol of
family and
traditional
hospitality.

5. During
celebrations and
holidays, it makes
a guest or visitor
feel welcome.

(5 mins)

B. Establishing a PICTURE ANALYSIS: IDENTIFICATION Directions: Read the Draw and


purpose for the given situation. Give at Appreciate
lesson Look at and analyze the Directions: Identify the least five (5) phrases or Directions: Using
picture below and answer origin of the following art sentences under each colored pencils and
(ENGAGE) the following questions. forms. Use the different column for FACTUAL paper, create an
motifs and designs as OBSERVATION and artwork inspired by
manifested in the folk arts INTERPRETATIVE the things in your
of South, West, and OBSERVATION. surroundings.
Central Asia.

(5 mins)

Process Questions:

1. What do you observe


in the picture?
2. What elements and Factual Interpretative
Observation Observation
principles of art that
can be seen? Explain
each.

3. How does the design


affect the overall
image?
(5 mins)
(5 mins)

(5 mins)

C. Presenting Familiarization! WHERE YOU BELONG? Unlocking of Terms! Process Questions:


examples/ Group the words below
instances of the Ask the students to give based on where these art 1. Idea/Message 1. How did you feel
a brief description of the forms originated. about the
new lesson 2. Factual
following: Complete the table. activity?
Observation
(EXPLORE)
1. BUDDHISM Rangoli Katak Mehndi 2. What difficulty
3. Interpretative did you find or
2. TAJ MAHAL Mandala Truck Arts Observation
Diwali Carpet design experience
while doing the
3. RANGOLI
India Tibet Saudi Pakistan activity?
Arabia
4. SHYRDAK (5 mins)
3. What did you
(5 mins) feel by making
your own art?

4. Describe the
(5 mins) concept of your
activity.

(5 mins)
D. Discussing new DISCUSSION DISCUSSION DISCUSSION DISCUSSION
concepts and
practicing new The teacher will discuss The teacher will discuss The teacher will discuss The teacher will
about the “Elements and about the about “Communicating discuss about
skills #1
Principles of Arts and “Characteristics of Arts Through Arts” “Appreciate South,
Crafts in South, West and Crafts in South, West, and Central
and Central Asia” West and Central Asia” Asian Artworks”
(see SLM page 6-11) (see SLM page 6-
13)
(See SLM page 5-11) (see SLM pages 5-9) (15 mins)
(15 mins)
(15 mins) (15 mins)

E. Developing ART ANALYSIS: Directions: Fill in the Directions: Identify the Directions:
mastery (leads blanks with the correct artifact or art object Describe the
to formative In a short bond paper, word/s to complete each implied in the given idea or purpose or function
draw a four (4) square sentence. message. of each art form.
assessment)
grid and label each box
(EXPLAIN) with description, analysis, 1. It led to the discovery of
interpretation, and dance as a form of
judgment. Use the (see the attached activity entertainment in ancient
Islamic Illumination on page 11-12) Indian civilization.
'Khamsah' of Niẓāmī and
the guide questions in 2. Its light symbolizes
answering each unity.
quadrant. 3. It symbolizes beauty,
hope and tradition for
Indians.
(5 mins)
4. It is a symbol of family
and traditional
hospitality.

5. It makes a guest or
DESCRIPTION ANALYSIS visitor during
celebrations and
holidays feel welcome.
INTERPRETATION JUDGMENT

(5 mins)

(10 mins)

F. Making Process Questions: Mandala Drawing Directions: Answer the Article!


generalizations Direction: Make your own following questions briefly.
and Description: design or style of mandala Directions:
using the materials listed. 1. What do you think is Imagine that you
abstractness to ∙ What kinds of things do
Use the procedures below the gesture of the are a writer
the lesson you see in the work?
and the rubrics on the next Dancing Girl that covering the West
(ELABORATE) page as your guide. made scholars believe Asia culture, you
∙ How would you describe
Materials: that it portrays a are assigned to
them?
natural and confident make an article on
Analysis: ● Paper girl? a newspaper
column that will talk
∙ What Elements of Art ● Pencil 2. What is the idea about a summary of
did the artist use (line, derived from the what West Asian
● Ruler combination of the
shape, space, form, Art is all about.
texture, color)? three characteristics of
● Eraser
Nataraja: Shiva’s
∙ What Principles of ● Compass slightly smiling face,
Design are used (rhythm, Ecstatic Dance, and
movement, balance, Procedure: Evil Dwarf?
pattern, variety,
emphasis, and unity? 1. Prepare your drawing 3. Why do Indians light
materials (i.e. pencil, their homes with clay
Judgment: colored pencils, ink, lamps during Diwali
crayons, etc.). festivals?
∙ Why do you think other
people should see this 2. Draw lines and circles 4. Why does a Pakistani
work? that will serve as your hire better-looking
∙ What would you do with guide. Refer to the Jingle Trucks?
it if you owned it? image.
5. What does a
Interpretation: 3. Draw shapes like traditional potter from
circles, triangles, Rishton, India wants
∙ What do you think this raindrops, loops, etc., you to feel when you
piece is about? following the guide you see their blue pots?
created. You may start
∙ What is the impact of (5 mins)
at the center until you
the painting? How does it
fill the shape.
make you feel?
4. The finished product
∙ What is worth
may look something
remembering about this
like this.
picture?
(use the attached rubric as
(10 mins)
guide on SLM page 11)

(15 mins)

G. Evaluating Rubric for Activity! Rubric for the Artwork! FILL IN THE BLANKS FILL IN THE
learning BLANKS
1. Content and 1. Craftmanship Directions: Fill in the
(EVALUATION) Relevance blanks with the missing Directions: Answer
2. Design words to complete the the following
2. Grammar, Usage statements. sentences by filling
& Mechanics 3. Attractiveness
the blanks and to
1. __________ described complete the idea.
the “Dancing Girl” as the
(see the attached rubric) most captivating piece of 1. ____ developed
(see the attached rubric
art excavated from an unique ways of
on SLM page 13)
Indus site. designing fabrics,
musical
2. The __________ are instruments,
the most dominant images carpets, furniture,
inside Ajanta Caves
making a contribution in jewelry and many
Buddhism. 3. __________ other things.
is the dance believed by
Hindus that created the 2. Rangoli’s most
universe and is shown in important feature is
the Nataraja sculpture. _____. 3. ____
cave consists of
4. The material used in thirty caves, each
making diyas to light and dedicated to the life
ornate homes during of the Buddha.
Diwali festivals is Each cave is filled
__________. with sculpture,
murals, and ceiling
5. __________ is a paintings.
country in South Asia with
a long tradition of truck 4. Islamic
artistry. Ascendancy (1192-
1757) or
6. The color of deep Transitional Period
waters and clear skies has two great
according to Uzbek belief Indian epics (a.)
symbolize __________. 7. ____ (b.) _____.
Yurt is a symbol of
__________ and 5. ____ was built in
__________ for the 1632 by Emperor
Kazakhs. Shah Jahan in
memory of his wife.
8. Tush Kyiz refers to the
embroidered wall 6. For many
hangings used to honor a centuries, Central
__________ of a son or Asia developed
daughter. unique ways of
designing fabrics,
9. Hellenism is a term that musical
refers to _________
culture that greatly instruments,
influenced the arts of West carpets, furniture,
Asia. jewelry and many
other things.
10. Ceramic arts are Another common
commonly present in art form in this
__________and region is ____.
__________ to decorate
architectures such as 7. Kazakhstan’s
mosques in Syria and visual arts are
Persia. relatively young. In
ancient times,
(5 MINS) nomads used to
draw on rocks and,
today, these ____
can be found
throughout
Kazakhstan, most
especially around
Tamgaly Gorge of
Chu-Ili mountains.

8. The most unique


and beautiful ___ in
the world are
produced by
Turkmenistan.

9. In____, a wide
range of textiles,
was mostly created
by women from the
felt of their sheep.
10._________
serves as the final
and total
summation of the
glyptic arts in
ancient Western
Asia.

(10 mins)

H. Additional Directions: Show your Remediation: “DIWALI Look at the picture below. RANGOLI ART
activities for artistic side! Create an MAKING” Study how the artwork
application and artwork inspired by arts was done by following the (Let the students do
from South, Central, and procedure. Activity 1: Let the activity on page
remediation
West Asia. It could be a your art convey your 14 SLM)
(EXTEND) rangoli, an arabesque, or message.
a shyrdak design.
(see the attached Activity
on SLM page 15-16)

V. REMARKS

VI. REFLECTION

A. Number of learners who


earned 80% in the
evaluation: _________

B. Number of learners who


scored below 80% who
needs additional
activities for remediation:
_________

C. Did the remedial lesson


work? No. of learners
who have caught up with
the lesson: __________

D. Number of learners who


continue to require
remediation: __________

E. Which of my teaching
strategy/ies worked well?
Why did these work?

F. What difficulties did I


encounter which my
principal or supervisor
can help me solve?

G. What innovation or
localized materials did I
use/discover which I
wish to share with other
teachers?

Prepared by: Checked by:

CHARMANE MAE S. YU ROLIZARETH V. VIDUYA


Teacher I MT-I

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