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  • Composicion No.1

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    JATNIEL ANDRES SANTOS CHUNGA
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    This document is a musical score titled "Composition No. 1" written for SATB choir and piano. It contains musical notation across 18 pages with vocal parts notated for soprano, alto, tenor and bass along with an accompanying piano part. The time signature is 4/4 and the tempo is marked as 80 beats per minute.

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    This document is a musical score titled "Composition No. 1" written for SATB choir and piano. It contains musical notation across 18 pages with vocal parts notated for soprano, alto, tenor and bass along with an accompanying piano part. The time signature is 4/4 and the tempo is marked as 80 beats per minute.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    3 views2 pages

    Composicion No.1

    Uploaded by

    JATNIEL ANDRES SANTOS CHUNGA
    This document is a musical score titled "Composition No. 1" written for SATB choir and piano. It contains musical notation across 18 pages with vocal parts notated for soprano, alto, tenor and bass along with an accompanying piano part. The time signature is 4/4 and the tempo is marked as 80 beats per minute.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Composicion

    No.1


    Para coro SATB y piano

      
       
    Jatniel A. Santos Chunga

               
     = 80
          

    

    

                      

        
    Piano

    5   SA 
             
        
     
             
    S.

         
     


    TB

      
    B.

     
              
        

                  
        
    Pno.

     

    9     
    S.        


    A.         
          

    T.             

          
        


    
    B.

              
     
        

                    
      
    Pno.

      
    13    
    2

    S.        


    A.             

     
    T.           

            
      


    B.

       
             

             
         
     
    Pno.

    16    
         
    rit.
    S.


    A.          

     
    T.         

           
     


    B.

      
          
         

      
    

     
             
         
    Pno.

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