Rime of the Frostmaiden’s Story & Structure

From the book’s title and the marketing, as well as how the book begins,
Rime of the Frostmaiden seems to be an adventure about saving Icewind
Dale from a spell of cold and darkness cast by the goddess Auril.

As the adventure starts out, the characters can certainly feel the effects
of this situation, but they can’t really do anything about it – yet. Instead,
they are put into a sandbox setting (Chapter 1: Ten-Towns and Chapter 2:
Icewind Dale), where they can roam around freely and complete minor
quests. There isn’t much direction given to the DM about how to structure
events or foreshadow the later chapters, except some guidelines for at
which levels the other chapters of the book should begin.

So, after a few levels of free play in Icewind Dale, the characters
eventually learn of a great threat to Icewind Dale – but it isn’t Auril and
her spell, as one might have assumed. Instead it is a duergar who’s
building a chardalyn dragon that will soon fly out to destroy Ten-Towns,
and so the story progresses into Chapters 3 & 4 with a subplot that is only
very loosely connected to the main story.

Once that issue has been resolved, the characters are finally given some
more information about the main plot (which we would perceive as
ending Auril’s spell of darkness), as they meet Vellynne. The necromancer
dumps a whole bucket of exposition on them, informing them that:
 The means to end Auril’s Everlasting Rime may be found in Ythryn
 The entrance to Ythryn is in the Reghed Glacier
 The Codicil of White is needed to open it.
 The Codicil of White can be found on the Island of Solstice.

The characters then travel to the Island of Solstice and begin Chapter 5,
where they can potentially encounter Auril herself – and, if they manage
to defeat her, end her spell of darkness right then and there. If they do so,
they have essentially finished the adventure before Chapter 6 & 7 even
begin, making the subsequent journey into Ythryn something of an
afterthought, and without clear purpose (beyond looting the ancient
ruins).
The Three Main Issues

All told, I find that there are three primary issues with Rime of the
Frostmaiden:

Structure. The story lacks structure in the beginning (Chapters 1 & 2), but
becomes linear and exposition-heavy in the later chapters (Chapters 5, 6
& 7). The start – a complete sandbox – puts a lot of work on the DM’s
shoulders, who has to figure out some way to guide events. The ending –
from Vellynne’s exposition dump at the end of Chapter 4 to the
characters’ arrival in Ythryn – is completely on rails, allowing the characters
little choice about how to proceed.

Motivation. The characters don’t have a clear purpose as they start out
and when larger story points – stopping Xardorok, ending Auril’s Everlasting
Rime, finding Ythryn – are introduced, the characters are often given only
shallow or inconsistent incentives to pursue them. Sometimes they are
given no greater reason than ‘because it’s the right thing to do’ or
‘because I’m asking you’, while at other times they are supposed to be
motivated only by the vaguest promises of treasure.

Exposition & Foreshadowing. Lastly, there’s issues with exposition and

foreshadowing throughout. There’s too much of the former and too little
of the latter – much of the interesting information about the adventure’s
background or upcoming events and plot points are simply told to the
player characters, instead of being something they learn more about
more organically and as a result of actions they take.
Running Rime of the Frostmaiden – Overview

Alright, so now that the main issues – as I see them – with Rime of the
Frostmaiden have been identified, let’s take a look at how the Eventyr
Edition is meant to tackle them.

The primary purpose of the Eventyr Edition is to shore up some of Rime of

the Frostmaiden’s shortcomings, enhance the adventure’s strengths, and
provide a loose structure for the adventure that will make the game easier
to run for the DM, tie the story better together, and ensure that both
players and their characters are kept interested and
motivated throughout.

The guiding principle in the Eventyr Edition is to accomplish the above

while changing as little as possible about the actual content – various
locations, encounters, and NPCs – in the book. You should be able to use
90% of the book’s contents exactly as written, even though we’re making
some rather big changes to how the story unfolds. In short, the Eventyr
Edition isn’t a complete remix of the adventure – it’s more like a remaster.

By only making subtle or at least ‘isolated’ changes, it is also possible – and

even advisable – for you to use only the changes you like and disregard
any changes you don’t like. Most of the changes we make won’t impact
the story further ahead in the adventure, so you should be able to take
what you like and leave the rest.
In brief summary, the Eventyr Edition includes the following changes to the
adventure:
Background

 Auril’s motivation is more clear. By understanding what Auril wants

– to preserve Ythryn and bend the inhabitants of Icewind Dale to
her will – we can better explain why she and her agents act as they
do.

 Auril’s Everlasting Rime is permanent – and getting worse. This makes

it so that stopping Auril’s spell from being cast in Chapter 5 doesn’t
mean that the characters have completed the story.

 Auril’s agents are more active and organized. By making Auril’s frost
druids and other agents more active, we can better foreshadow
Auril’s part in the adventure and tie the duergar subplot more
closely to the story.

 Auril’s Role. Auril’s role in Icewind Dale’s troubles is initially kept more
indirect and also closer to the chest, so the players get to discover
it on their own.

 Sacrifices to Auril. Only a few towns actively sacrifice to Auril, and

do so because they have been influenced by the goddess’ evil
druids.
Chapters 1 & 2

 A Strong Start. To help the DM frame the adventure, we provide an

optional starting hook to the adventure that sets the players off with
a clear purpose, while still allowing them to make their own choices
about where to go and when.

 A Loose Structure. By examining the various locations and doing a

little planning, we can create a loose structure for the first two
chapters, which will steer characters toward the ‘right’ locations at
the ‘right’ times, without railroading them.

 More Foreshadowing. There’s some foreshadowing already

included in the first two chapters, but we’ll add even more to it and
try to make it more likely that the characters learn as much
foreshadowing as possible.
Chapters 3 & 4

 A Better Hook. If the characters don’t decide to visit Sunblight

Fortress on their own, we provide a stronger hook than what’s in the
book, ensuring that the characters are properly motivated to
confront Xardorok and his dragon.
  Story Connection. We’ll connect Xardorok and the other duergar
more closely to the central plot, so they become more part of the
main story, rather than a detour from it.

 Vellynne’s Introduction. Vellynne’s introduction is a bit too

convenient and out-of-the-blue. We remedy this by providing
alternative ways to introduce her as a quest giver and making sure
that she’s properly foreshadowed.
Chapter 5

 Vellynne’s Quest. By dialing down the exposition and opening up

the plot, we can have the characters figure out for themselves A)
where the entrance to Ythryn is, B) what’s needed to open the
entrance, and C) where they must go to find the Codicil of White.

 Auril’s Agent. We replace Auril on the Island of Solstice with a frost

giant druid, who’s defeat will be the catalyst for Auril coming to the
material plane and chasing after the party.
Chapter 6 & 7

 Encounters with Auril. We ramp up the terror and sense of

impending doom by having Auril chase after the party, ensuring
that they will get a measure of her power before they have an epic,
final encounter with her in Ythryn.