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Analysis of Night of The Scorpion by Nissim Ezekiel - Poemotopia
Analysis of Night of The Scorpion by Nissim Ezekiel - Poemotopia
Analysis of Night of The Scorpion by Nissim Ezekiel - Poemotopia
NISSIM EZEKIEL
“Night of the Scorpion” is written by Indian-English poet Nissim Ezekiel. The poem was
originally published in Ezekiel’s 1965 collection, The Exact Name. This piece is regarded with
high acclaim due to its simple diction, and yet its ability to explore complex Indian concepts.
It centralizes the subject of a dialectical clash between the colossus presence of the west and
its impact on the cultured orient. Also, it brings forth the essence of human nature and
presents a real image of rural India in contrast to the urban, the position of women in society,
and other important themes relevant to the pre-independence era.
Table of Contents
Summary
Structure & Form
Literary Devices & Figures of Speech
Line-by-Line Explanation & Analysis
Themes
Historical Context
Questions and Answers
Similar Poems about Indianness & Motherhood
Useful Resources
Summary
“Night of the Scorpion” begins with a remembrance of the time the poet’s mother was stung
by a scorpion and how the “diabolic” creature created a commotion and fear in his home. The
superstitious villagers came to help his mother and were united to sympathize with her pain.
They made attempts at finding the “Evil One” in hopes to kill it and ease the pain she was
going through. They believed that along with each movement the scorpion made, the poison
inside her blood would also move. Ultimately, they did not succeed in their endeavors and
could only be there for her with their remedies.
Once the speaker’s mother gained consciousness, she broke the silence with a prayer to God.
She was grateful to the almighty for sparing her children from the excruciating sting. It
appears as if the scorpion made a deliberate choice to sting the mother, not her children.
Nonetheless, she remained unbothered by her suffering. This depicts how much she loved
her children.
The poem makes use of simple diction and is laced with colloquialism. Ezekiel employs the
first-person narration technique. His impersonal presence can be felt throughout the poem.
He makes intended efforts to withhold his own emotions and sentiments. This type of
narration gives the poem a factual feel. The narrator remains emotionally detached so that
the text appears realistic to readers. One may get the true picture of 20th-century rural India
and its traditions. Even while depicting the painful experience of his mother, the speaker
refrains from sprinkling his emotions into the narrative. The poem is entirely built on irony
and this very neutral and detached stance of Ezekiel gives the irony its intended sharpness.
Alliteration
Alliteration is a literary device that occurs when an initial consonant sound is repeated in two
or more nearby words. There are several alliterations employed in the poem adding to the
overall rhythm. In some instances, this device adds sound effects similar to religious
incantations. Readers can find alliteration in the following phrases:
“my mother”
“stung by a scorpion”
“Parting with his poison”
“risked the rain”
“scorpion shadows”
“sit still”
“birth/ be burned”
“poison purify”
“herb and hybrid”
“poured a little paraffin”
“flame feeding”
Assonance
Assonance occurs when a vowel sound is repeated in two or more nearby words. For
instance, there is a recurrence of the “i” sound in “driven him” (line 3) and the “ei”
(diphthong) sound in “rain again” (line 7). It also occurs in the following instances:
Symbolism
In “Night of the Scorpion,” Ezekiel makes use of symbols to represent different ideas and
thoughts. The “rain” pouring steadily throughout adds to the gloomy atmosphere of the
poem. The “rain” is symbolic of the constant pain of the mother.
The “shadows,” cast on sun-baked walls that took the form of a scorpion, indicate the hidden
presence of an evil force. “Shadows,” as a motif, are often associated with a fear of the
unknown that is in the backdrop of the poem.
The “peasants” represent the agrarian nature of rural India. They are also symbolic of a
closely-knit community. The father’s use of every “curse and blessing” and different natural
remedies like “powder, mixture, herb and hybrid” to cure the scorpion sting are symbolic of
traditional healing techniques some of which still persist.
Imagery
Imagery, as a literary device, helps readers form a mental image evoking the five senses.
There are majorly four types of imagery present in the poem that include:
Visual Imagery: This kind of imagery invokes the sense of vision. The poem is based
entirely upon the retrospective visualization of a childhood incident. In order to paint the
scenes, Ezekiel makes use of this type of imagery. For instance, he depicts how the
scorpion stung his mother in the line, “flash/ of diabolic tail in the dark room.” He also
uses visual images in “throwing giant scorpion shadows,” “I watched the flame feeding
on my mother,” etc.
Tactile Imagery: This kind of imagery invokes the sense of touch. It is used in “My
mother twisted through and through,” “He even poured a little paraffin/ upon the bitten
toe,” and “I watched the flame feeding on my mother.”
Auditory Imagery: This kind of imagery is associated with the sense of hearing. For
instance, the lines “buzzed the name of God a hundred times” and “They clicked their
tongues” appeal to readers’ sense of hearing. Ezekiel uses the scheme of traditional
chants in lines 18 through 29.
Kinesthetic Imagery: This kind of imagery depicts movements. For instance, the stealthy
movement of the scorpion is recorded in “to crawl beneath a sack of rice.” The way it
stung the poet’s mother is depicted in “Parting with his poison—flash/ of diabolic tail in
the dark room.”
Onomatopoeia
Onomatopoeia is characterized by the formation of a word from a sound. This device occurs
in the following lines: “and buzzed the name of God a hundred times”; “They clicked their
tongues.”; “more insects, and the endless rain.”; My mother twisted through and through/
groaning on a mat.”
Metaphor
A metaphor makes a reference to one thing by mentioning another. Throughout the poem,
the scorpion is referred to by the words “diabolic” and “Evil One.” This creature is depicted in
terms of human perception of evil, rather than as a creature ruled by primal instincts. The
scorpion is literally demonized by the villagers.
Simile
A simile puts forth a comparison between two things using “like” or “as.” In “Night of the
Scorpion,” this device is used in “The peasants came like swarms of flies.” The peasants are
compared to swarms of files as they came in a large number. They came to help the stung
mother. It seemed to the speaker that they formed a “swarm” around his mother as flies.
Ezekiel’s poem “Night of the Scorpion” begins in a retrospective fashion. The poem is
narrated in first-person and readers are introduced to the main characters, the poet-speaker
and his mother in the very first lines. He remembers the incident of his mother getting stung
by a scorpion on a rainy night. In these lines, he employs a matter-of-fact approach in order
to recollect the tragic event. The incessant ten-hour-long rain drove the scorpion to look for
shelter under the rice sack as an act of survival.
Lines 5-7
Parting with his poison—flash
Eventually, the scorpion stung the poet’s mother. It happened so fast that the speaker
describes the act by using the word “flash.” Afterward, the scorpion fled the scene. The term
“diabolic” represents the hooked tail of the scorpion. It is analogous to the devil’s fork. In this
way, the poet depicts the scorpion as an evil creature or an embodiment of the devil himself.
The setting of Ezekiel’s poem is an Indian village in the pre-independence era. Rural Indians
are characterized by their traditional beliefs. The rural culture has been infamous for using
dangerous animals as symbols of evil. Thus the scorpion has been demonized for centuries.
The fact remains a presumption but becomes obvious in the words, “flash/ of diabolic tail.”
Lines 8-10
The peasants came like swarms of flies
These lines of “Night of the Scorpion” depict the repercussions of the scorpion sting. Since
the majority of the Indian rural population is agrarian, Ezekiel makes a collective mention of
them as “peasants.” Most of them lacked scientific temper (or they were poorly educated)
and were unaware, so their first instinct upon their arrival was to make a mass appeal to God
or the almighty. The invocation of God was in the hope to paralyze the “Evil One,” which
represents the scorpion. The initials of the “Evil One” are capitalized. This is to reinforce the
earlier superstitious argument regarding the scorpion as an embodiment of evil. Nonetheless,
the peasants showed up to help in whatever way they could. This points to a sense of
togetherness among rural Indians and sympathy, one of the important values in Indian
tradition.
Lines 11-17
With candles and with lanterns
After the instinctive action of praying to God, the peasants started their search for the
scorpion with candles and lanterns. The “giant scorpion shadows” point to the scorpion’s evil
presence. The shadows are analogous to the apprehension in villagers’ minds. In these lines,
the backdrop conforms to pre-independence rural India. There was a lack of electricity as the
villagers searched for the scorpion with the help of candles and lanterns. The “sun-baked
walls” represent a traditional mud hut with a thatched roof (use of synecdoche). In contrast,
the urban houses were made up of brick and mortar.
The search for the “diabolic” scorpion was in vain as it was nowhere to be found. The
villagers’ disappointment is expressed through the expression, “They clicked their tongues.”
Every single person present in the room was tensed. They believed that with every movement
that the scorpion made, the poison would move inside the mother’s blood, worsening her
suffering. These lines create a sense of unrest and suspense in readers’ minds as there seems
to be no solution to ease the woman of her pain.
Lines 18-28
May he sit still, they said.
The villagers could only hope for the scorpion to “sit still” so that the mother’s suffering
would cease. After their attempts at finding and killing the “Evil One,” the defeated villagers
finally resorted to consoling the mother. These consolations are related to the Indian concept
of “Karma.” The villagers were of the view that with the excruciating pain the sins of her
previous life would be “burned away” or nullified. They also emphasized that with this
“suffering” of hers the “misfortunes” of her next life would also reduce.
In Hinduism, people believe in the concept of rebirth. They believe in the existence of a
higher realm that goes beyond this life, which is just an illusion or “Maya.” This is why the
villagers opined that the physical pain the mother was experiencing would balance out the
evils of this “unreal world” and could diminish the “sum” totally. The poison of the scorpion
would purge her soul as it would help her get rid of her bodily “desires” and spiritual
“ambitions,” which are considered bad.
In “Night of the Scorpion,” the consolations offered by the peasants are extracted from age-
old cultural beliefs. They remain prominent in the rural setting to date.
Lines 29-35
they said, and they sat around
groaning on a mat.
The villagers then ultimately encircled the mother on the floor. All they could do was
sympathize with her suffering as their suggestions had not yielded any relief. They were still
there with her. In fact, there were “more candles, more lanterns, more neighbours.” The
incessant rain added to the tense atmosphere inside the room. Besides, the increasing
number of insects hints at humans’ curiosity about another person’s suffering and distress,
similar to the insects that are drawn to the source of light for warmth.
In this section of “Night of the Scorpion,” the mother’s suffering is highlighted as the main
cause of concern directly for the first time. She twisted through and through and groaned in
pain on the floor. Up until this point, the poem seemed to be a report of the villagers’
activities, but in these lines, readers are finally introduced to the indisposed mother’s
condition.
Lines 36-45
My father, sceptic, rationalist,
In these lines, the character of the poet’s father is brought into play. He is addressed as a
“sceptic,” as well as, a “rationalist.” The character of the father is in contrast with the
superstitious villagers. He is the embodiment of the modern man. However, due to the
suffering of his wife, he turned to his Indian roots and resorted to relying on “trying every
curse and blessing,/ powder, mixture, herb and hybrid.” He also made use of some “paraffin”
to literally burn away the effects of the sting.
The narrator watched the flame “feeding” (use of personification) on his mother. Interestingly,
there is no mention of how he felt. He narrates the event in a detached and objective tone.
Lastly, readers are introduced to another character. It is the “holy man,” who could possibly
be a local healer. He performed holy rites and chanted an incantation. This was to stop the
poison from spreading in the mother’s blood.
The effect of the sting lessened eventually. After suffering for twenty hours, the mother was
finally relieved. These lines hint at the fact that nature always wins over humans. No matter
how much the peasants, the neighbors, the father, and the holy man tried to cure the mother
of the piercing scorpion sting, the cause lost its effect with the natural course of time.
Lines 46-48
My mother only said:
Towards the end of the poem, “Night of the Scorpion,” the chaos and commotion finally
came to an end as the mother was feeling a bit relieved after the long cycle of suffering. She
was free from the excruciating sting. Up until this point, she had not uttered a single word,
but as soon as she gained consciousness, her first words were for God. This reflects how
devout she was. She was thankful to God that the scorpion picked on her as if it was
intending to do so or it was its deliberate choice, not just an animal’s defensive response. She
was also grateful because the scorpion spared her children. These concluding lines prove to
be an exceptional example of a mother’s unconditional love for her children, and that
mothers are not just loving and nurturing but also selfless and ever-watchful.
Themes
Faith and Superstition
“Night of the Scorpion” can be interpreted in the context of Indian culture, which often builds
its foundation on faith and superstitions. There are various instances that bring out how
superstition seeps into and is associated with rural people’s lives. Firstly, the very idea of the
self-protective scorpion as “diabolic” or “Evil One” finds its origin in traditional legends. The
peasants or the villagers, who came to extend their helping hands for the mother, started
buzzing the name of God. They were in search of the scorpion in hopes of paralyzing the
devilish creature. They also believed that with every movement of the scorpion, the poison
would move in the mother’s blood causing her more pain.
When ultimately, they could not find the scorpion, they turned to seek answers from their
spiritual beliefs. The villagers believed that the mother was only getting rid of her sins from
her previous life. The suffering would lessen the misfortunes of her afterlife. They believed the
poison would purify her flesh or body of all worldly desires and ambitions. She was, in simple
words, spiritually purged in the process. Even when their intention was only to help, their
approach found its basis not in logic, but in faith and superstitions.
Indianness
Ezekiel is prominently known for addressing the issue of the identity of the modern
individual. He often talks about city spaces and rural settings. What is also quite deep-rooted
in his poems is the Indian culture or the theme of Indianness. His poem “Night of the
Scorpion” also addresses this very Indianness. Readers are presented with a varied range of
individuals who are reflective of the cultural milieu.
Firstly, there are the peasants, who are represented as a collective mass. They are believers of
the Hindu concepts like “previous birth” and “afterlife” along with the spiritual purification
process through suffering. They were of the view that the sting would purify the mother’s
body and help her get rid of normal human instincts, such as “desires” and “ambitions.”
Modern readers (even the Indian audience) feel at a distance from these peasants, but due to
the poem’s cultural setting and Ezekiel’s skills of representation, readers are able to
understand how they were feeling that night.
Secondly, Ezekiel introduces the father who was more rational in his ways. He employed both
traditional and scientific methods in order to pacify his ailing wife. Readers may feel at one
with his methods, but he seems to be an outsider amidst the traditional peasants. He
represents someone, who could not get rid of his Indianness, and neither could he be entirely
modern.
Lastly, there is the traditional “silent mother,” who only wishes the best for her children. She is
situated in the Indian culture as a woman possessing divine qualities of selflessness,
unconditional love, and pure devotion to her children. The character of the mother is
somewhat deified in the poem. These divine attributes attached to motherhood are essential
traits of Indianness. Besides, the mother’s character is also used as a representation of mother
nature—another Indian belief.
In this way, a mother is created, perfected, silenced, and idealized in Indian culture. The very
portrayal of the mother seems ironic in this poem. This is why “Night of the Scorpion” proves
to be quite a realistic representation of Indian culture (or Indianness).
Motherly Love
The most overwhelming and radically dominant theme of “Night of the Scorpion” is the
unconditional love a mother has for her children. In the concluding lines of the poem, Ezekiel
marks the voice of the otherwise silent mother:
She only wished for her children’s interests. This attitude of hers proves to be quite
sentimental and ironic for readers. She experienced a fatal scorpion sting, yet she was
thankful that it got her, not her children. This is the characteristic trait of an Indian mother,
idealized in Indian culture as a dutiful, selfless, and devout woman. Whatsoever, a mother
continues to love, regardless of the cultural context. She loves in a way she would.
Historical Context
“Night of the Scorpion” was first published in Nissim Ezekiel’s collection of poetry entitled
The Exact Name (1965). The poem is situated in an Indian rural backdrop, which points to the
larger agrarian culture in India. Prior to independence, the rural Indian culture was in stark
contrast to the emerging urban culture. Ezekiel was one of the most important Indian poets
of the 20th century. He was a thoroughly modern poet evident in his stylistic form and use of
themes. He moved away from the Indian poetic tradition that sought inspiration from
legends and mythologies. His poetry appears fairly simple in the use of poetic techniques and
diction.
Ezekiel wrote in free-verse and talked about culture, engaged in complexities of subject
matter, and used fragmented language. There are some important elements of modernism
evident in his poetry like the use of symbolism, wit, irony, and the stream-of-consciousness
technique. He was moved by the emerging issues of his time. He talked about the themes of
alienation, disillusionment, urbanity, rupture of tradition, and a movement away from social
conventions, religion, and culture. Ezekiel often presents a conflicted, even detached self in
his poems like the narrator in the poem, “Night of the Scorpion.”
actions of the superstitious villagers, the rational father, the pious man, and, last but not least,
the mother. After recovering from the sting, the mother thanked God for sparing her children
and picking on her. The title still remains suitable and relevant as the narrative poem is highly
descriptive and dwells on details that exist because of the scorpion. The emotionally
detached narrator appears to be no more than a reporter of the event and its repercussions.
His lack of emotions not only brings out the irony but also helps readers understand how the
scorpion is, in a way, central to the poem’s subject.
The setting of the poem is an early 20th-century Indian village. Rural people are often
regarded for their direct involvement in agricultural activities. Thus, Ezekiel collectively
mentions the villagers as “peasants” in his poem. This is significant as most of the Indians live
in rural areas and in closely-knit communities. Furthermore, Indian culture is packed with
feelings of unity and collective good. This is very well documented in the poem. All the
villagers came to the rescue of the mother when she was in great pain.
Ezekiel also refers to two important aspects of Indian culture: faith and superstition. He also
points out the popular beliefs revolving around “Karma,” which includes the concepts of
previous life and the afterlife. Through this poem, Ezekiel not only comments on the positive
aspects of Indian culture but also satirizes its peculiarities.
He made use of all the methods known to him: “every curse and blessing” along with “power,
mixture, herb and hybrid.” These methods may at first appear to be reasonable, but then he
went on to burn the sting with the help of “paraffin” in hopes of relieving her of the pain. All
his methods were of little or no avail. In a way, Ezekiel tries to highlight the superiority of
reason and logic over superstitions through this character.
The next irony surfaces when the skeptical and rational father is introduced. He tried both the
traditional, as well as, the modern ways known to him to cure his wife. Ultimately, he also
failed in relieving her of her pain. Therefore, the traditional and modern methods failed to
heal what could only be healed with time. This enhances the irony of the piece.
Ironically, the mother remained silent throughout even though she was at the center of
everybody’s attention. Readers are only made aware of her situation through these two lines
of this 48-line-long poem: “My mother twisted through and through/ groaning on a mat.” Yet
when she finally broke her silence, she only thanked God for sparing her children, even after
suffering from such a deadly experience. In this way, Ezekiel brings out the devotedness of a
mother to her children in an ironic way.
What is the theme of the poem “Night of the Scorpion” by Nissim Ezekiel?
In “Night of the Scorpion,” Ezekiel incorporates a number of themes that are integral to the
overall subject matter. The main theme of the poem is the faith and superstitious beliefs of
Indians. There are some other themes like Indianness, motherly love, good vs. evil, and
rationalism vs. traditionalism.
What is the concluding message of the poem “Night of the Scorpion” by Nissim
Ezekiel?
The concluding message of Ezekiel’s poem is that a mother always looks out for her
children’s welfare even if she has been suffering herself. Another important message that
Ezekiel tries to communicate through this poem is how traditional methods heighten the
suffering of an individual in spite of decreasing it. Sympathy fails to comfort one, who is in a
life-or-death situation.
What are the literary devices used in the poem “Night of the Scorpion”?
Some of the important literary devices used in Ezekiel’s “Night of the Scorpion” are
symbolism, alliteration, onomatopoeia, metaphor, irony, and imagery.
What does the “scorpion” symbolize in the poem “Night of the Scorpion”?
In the poem, the “scorpion” symbolizes humankind’s fear of the unknown. Alternatively, it is
also representative of any living creature trying to protect itself from danger. It is the
superstitious people who think the creature is an “Evil One” having a “diabolic tail.”
Useful Resources
Check Out The Oxford India Anthology of Twelve Modern Indian Poets — This collection
includes some of the finest Indian-English verses by Nissim Ezekiel, Jayanta Mahapatra,
A. K. Ramanujan, Arun Kolatkar, Keki N. Daruwalla, etc.
https://poemotopia.com/nissim-ezekiel/night-of-the-scorpion/#:~:text=Kinesthetic Imagery%3A This kind of,tail in the dark room.” 24/52
3/2/23, 7:49 PM Analysis of Night of the Scorpion by Nissim Ezekiel - Poemotopia
Check Out A History of Indian English Literature — This book traces the course of Indian
English literature from its beginning to recent times, dividing it into convenient periods
in an engaging style.
Nissim Ezekiel: A Modern Poet — Learn how Ezekiel broke attachment with the romantic
past and established himself as the Indian representative of western modernism.
About Nissim Ezekiel — Read about the life and works of Ezekiel.
Amisha Dubey
Amisha Dubey is pursuing a master's degree in English literature. She has always been a literature
enthusiast. Her main forte is American and modern Indian poetry.
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