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    Masters of Two Arts Contents

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    Erwin Schmitt
    This document is the table of contents for a book that examines literary works that have been adapted or recreated in film. It is divided into four parts: 1. Epigraphic Re-creations - Analyzes films that directly adapted literary works, including Goethe/Archibugi and Kafka/Fellini. 2. Coextensive Re-creations - Explores films that recreated the spirit of literary works, such as Gogol/Lattuada and Tolstoy/Tavianis. 3. Mediated Re-creations - Looks at films inspired by literary works but incorporating other influences, like Merimee/Bizet/Rosi and Past

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    Masters of Two Arts Contents

    Uploaded by

    Erwin Schmitt
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    This document is the table of contents for a book that examines literary works that have been adapted or recreated in film. It is divided into four parts: 1. Epigraphic Re-creations - Analyzes films that directly adapted literary works, including Goethe/Archibugi and Kafka/Fellini. 2. Coextensive Re-creations - Explores films that recreated the spirit of literary works, such as Gogol/Lattuada and Tolstoy/Tavianis. 3. Mediated Re-creations - Looks at films inspired by literary works but incorporating other influences, like Merimee/Bizet/Rosi and Past

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    This document is the table of contents for a book that examines literary works that have been adapted or recreated in film. It is divided into four parts: 1. Epigraphic Re-creations - Analyzes films that directly adapted literary works, including Goethe/Archibugi and Kafka/Fellini. 2. Coextensive Re-creations - Explores films that recreated the spirit of literary works, such as Gogol/Lattuada and Tolstoy/Tavianis. 3. Mediated Re-creations - Looks at films inspired by literary works but incorporating other influences, like Merimee/Bizet/Rosi and Past

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    3 views2 pages

    Masters of Two Arts Contents

    Uploaded by

    Erwin Schmitt
    This document is the table of contents for a book that examines literary works that have been adapted or recreated in film. It is divided into four parts: 1. Epigraphic Re-creations - Analyzes films that directly adapted literary works, including Goethe/Archibugi and Kafka/Fellini. 2. Coextensive Re-creations - Explores films that recreated the spirit of literary works, such as Gogol/Lattuada and Tolstoy/Tavianis. 3. Mediated Re-creations - Looks at films inspired by literary works but incorporating other influences, like Merimee/Bizet/Rosi and Past

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    of 2

    Contents

    ACKNOWLEDGMENTS Vll

    Introduction 3

    Part One: Epigraphic Re-creations


    1 Goethe and Archibugi
    Italy, the Illegible Land: Mignon Has Left (1988) 27
    2 Kafka and Fellini
    Soteriology, Cinecitta-style: America and Interuista (1987) 33

    Part Two: Coextensive Re-creations


    3 Gogol and Lattuada
    Fantastic Neorealism: The Overcoat (1952) 57
    4 Tolstoy and the Tavianis
    The Interminable Path of History: Father Sergius and
    The Night Sun (1990) 77

    The Re-creation to End All Creation


    Sade and Pasolini
    Requiem for a Utopia: Said or the 120 Days of Sodom (1975) 101

    Part Three: Mediated Re-creations


    5 Merimee, Bizet, and Rosi
    The Consummation of Meridionalism: Carmen (1984) 125
    vi Contents

    6 Pasternak, Lean, and Moretti


    Hermits and Revolutionaries: Palombella rossa (1989) 143

    Part Four: Hypertextual Re-creations


    7 Stendhal and Rossellini
    The Masterpiece Fights Back:Vanina Vanini(19The Masterpiece Fights Back: Vanina Vanini (1961) 16161) 161
    8 Mann and Visconti
    One Sentry Falls: Death in Venice (1971) 183

    Conclusion
    On Readings: Perfect/Imperfect, Difficult, and More Difficult 205

    NOTES 219
    FILMOGRAPHY 321
    WORKS CITED 327
    INDEX 351

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