Professional Documents
Culture Documents
FASS2100 2023 Lecture 1 Orwell
FASS2100 2023 Lecture 1 Orwell
George Packer
Dorian Lynskey
Forced industrialization
Great Terror
http://hawaii.edu/powerkills/NOTE4.HTM
Stalin thought
Comparisons with Mao
Totalitarianism
“Notes on Nationalism”
Orwell’s definition of nationalism:
“By ‘nationalism’ I mean first of all the habit of assuming that human beings can be classified like insects
[speciesism and essentialism] and that whole blocks of millions or tens of millions of people can be confidently
labelled ‘good’ or ‘bad’”(1).
“But secondly — and this is much more important — I mean the habit of identifying oneself with a single nation
or other unit, placing it beyond good and evil and recognising no other duty than that of advancing its interests.
Nationalism is not to be confused with patriotism… By ‘patriotism’ I mean devotion to a particular place and a
particular way of life, which one believes to be the best in the world but has no wish to force on other people
“The effects of the Central American war for the region were
dreadful. In Nicaragua it left 30,000 dead (as historian William
LeoGrande point out, relative to the population this was more than
the United States lost in the Civil War, the two world wars, and the
Korean and Vietnam wars combined). The country had over 100,000
refugees and an economy with inflation out of control and massive
unemployment. In tiny El Salvador the effects were even worse;
70,000 dead, death squads roaming he countryside, villages
destroyed, lives shattered.”(Westad, The Global Cold War, p347)
More
Standard
Theories of
Nationalism
Lieven has two American nationalism.
1. Exceptional Nationalism: Civic Nationalism
Radical nationalism has many fathers, but its mother is defeat, and her milk is
called humiliation.
This capacity for chauvinist nationalism in the United States can be explained
largely by the fact that the role of defeat in the genesis of nationalism resides
not only in the defeat of nations as a whole, but of classes, groups and indeed
individuals within them. The hatred and fear directed abroad by nationalism
often emanates from hatreds and tensions at home
Negative sides of nationalism: “demon in the cellar”
Reductive framing of
Significant opposition Preference for
issues and conflicts:
to multilateralism, unilateralism or Lack of knowledge of
Manichean view of
internationalism and “coalitions of the the rest of the world
enemies and supposed
legalism willing”
threats
• If you want to improve the quality and beauty of your writing (and who doesn’t!) you need to read great
stylists and think about how they do what they do so well.
• The magazine the New Yorker as well as the New York Review of Books and the London Review of Books are
places where great writing can be found on a weekly basis. Try to read these magazines regularly. Reading
book review magazines like the NYBooks.com and the LRB.co.uk will also expand your knowledge base
considerably across a wide range of topics. I highly recommend that you become familiar with some of these
reviewers Garry Wills (http://www.nybooks.com/contributors/wills-garry/), Alan Hollinghurst, Elizabeth
Drew, Jackson Lears, Geoff Dyer, Rachel Kushner, Laurie Penny, Andrew O’Hagan, Jenny Diski, and Joan
Didion. James Wood is often considered the best book reviewer in the world. Read some of his reviews at:
http://www.newyorker.com/contributors/james-wood
• NB: The key to success is reading widely and starting the planning, drafting and writing of the essay early
rather than at the last minute.
• Great advice on writing for the highly regarded author Jenny Diski:
https://www.theguardian.com/books/2009/jun/20/jenny-diski-author-author
• "For me writing is the editing. It's where the you make the story your own. Draft, redraft, let the thing sit,
and then consider it again, read closely, carefully, cut away everything that you haven't properly thought
through, and some things that you have. …Good writing is hard to come by. It's what I understand Beckett to
have meant when he wrote, towards the end of his life, what any writer must take as essential instruction:
'Ever tried. Ever failed. No matter. Try again. Fail again. Fail better."