• Get familiar with the goal of the piece • Insert scene based sound effects -- Read script • Layer in foley -- Review creative brief • Add wild lines -- Talk with director, producer or client • Cut in music -- Study your own notes -- Custom score • Figure out driving elements -- Production cue -- Character dialogue • Sound design, “The Holy Trinity” -- Narration -- Swish -- Music -- Suckback -- Visuals -- Bassy hit -- Signature sound Stage 6: Final Adjustments Stage 2: The Prep • Awkward edits • Set up project with folder and bin structure • Mistimed sound effects • Watch and review all sources to get familiar • Confusing story points with material • Interruptions in flow • Organize your materials for efficient access • Color correction -- Create custom columns in your bins • Mattes for meta data • Fine tuning audio -- Use consistent wording in your • Adjust levels to carve out dialogue from descriptions music and sound effects -- Mixing with keyframes Stage 3: The Rough Cut -- Mixing with add-edits • Block in your scene with key moments • Add additional camera angles as needed
Stage 4: The Fine Cut
• Adjust overall pacing and timing • Shift and trim sections • Add more reaction shots, insert shots and wide shots • Manipulate some aspects with stylized effects