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Chemistry Project .
Chemistry Project .
Chemistry Project .
Of
CHEMICAL
DYES
THE INDIAN COMMUNITY SCHOOL KUWAIT
(DEPARTMENT OFCHEMISTRY)
BONAFIDE CERTIFICATE
CERTIFIED TO BE THE BONAFIDE RECORD OF
WORK DONE BY MISS Hrithika Ratheesh
OF CLASS 12-a
IN THE INDIAN COMMUNITY SCHOOL KUWAIT
DURING THE YEAR 2022-2023
P.G.T IN CHEMISTRY
THE INDIAN COMMUNITY SCHOOL KUWAIT.
SUBMITTED FOR ALL INDIA SENIOR
SECONDARY CERTIFICATE EXAMINATION IN
CHEMISTRY AT THE INDIAN COMMUNITY
SCHOOL ,
KUWAIT.
DATE: 5/7/23
DECLARATION
I hereby declare that the project entitled
“PREPARATION OF CHEMICAL DYES“
to the Indian Community School,Kuwait is a
record of an original work by me by gaining
the knowledge related to the project from
certain resources.
INDEX
1. Axo dye
INTRODUCTION
1. HISTORY
2. SYNTHESIS
3. PROCEDURE
4. HEALTH HAZARDS
2. Vat dyes
1. Introduction
2. History
3. Process
4. PRETREATMENT OF VAT DYING
5. Application of vat dyes
6. precautions
AZO DYES
INTRODUCTION
Human's love of color reaches back almost to
prehistoric times, yet it is not actually until the
modern era that the full range of the rainbow has
been accessible to the majority of people in their
clothes and other textiles. Ancient or medieval times
have often been described as being quite splendid
with their "Tyrian Purple" and medieval scarlet, but
closer examination shows that some of these colours
were quite dull by today’s standards.
HISTORY
The history of dyeing can be divided into two great
periods, the "pre-aniline," extending to 1856 and
the "post-aniline" period. The former was
characterized by a rather limited range of colors
that were based on dye-producing animals and
plants. The main vegetable dyes available were
extracted from madder root (Asia and Europe),
producing a brilliant red and leaves of the indigo
plant (India), yielding the blue dye still used today
in jeans. Among the most important animal based
dyes is the famous and expensive "Tyrian Purple"
which was obtained from the small shellfish nurez.
We have the ancients' word that this dye was
unbelievably beautiful, but evidence taken from
ancient samples prove that it ranges through a
rather uninspiring series of reds and purples. After
seeing it, we wish that Homer had written about
some of today's inexpensive coal-tar purples and
reds. A far more beautiful natural color was
introduced to Europe from Mexico in 1518, the
brilliant scarlet dye cochineal, which had been
produced from tiny lice which infest certain types
of cactus.
SYNTHESIS
Today’s experiments deal with a class of
compounds called Azo dyes, compounds that
contain two aromatic fragments connected by a
N=N double bond. You may have encountered
these in chemistry experiments as they are typical
pH indicators. Methyl yellow, methyl orange,
methyl red, congo red and alizarine yellow are
some of the examples. They are straightforward to
make and of industrial importance. Azo dyes are
prepared in a two step reaction, the first being the
synthesis of an aromatic diazonium ion from an
aniline derivative. The next step is coupling of the
diazonium salt with an aromatic compound (shown
below is the preparation of methyl yellow). The
colours of azo dyes include different shades of
yellow, red, orange, brown, and blue.
aim
preparation of an azo dye and use it to
dye a piece of cotton.
Apparatus
Beakers, 10 cm3, x3
Thermometer
Tweezers
Chemicals
Ice
Aminobenzene (aniline)
Hydrochloric acid (concentrated)
Sodium nitrite
2-Naphthol (also called β-Naphthol; naphthalene-2-
ol)
Sodium hydroxide solution, 2 mol dm–3
Ethanol
Urea
PROCEDURE
Put eight drops of aminobenzene in a 10 cm3 beaker and add 30
drops of deionised water followed by 15 drops of concentrated
hydrochloric acid. Swirl the beaker and then put it in an ice bath.
Weigh 0.15 g of sodium nitrite into another beaker and add 1 cm3
of deionised water. Cool the beaker in the ice bath. Add one
spatula of urea (this prevents side reactions occurring).
Mix the contents of the two beakers together and keep in the ice
bath.
Weigh 0.45 g of 2-naphthol into another beaker and add 3 cm3 of
sodium hydroxide solution. Swirl to dissolve.
Take a piece of cotton cloth 2 × 2 cm2 and, using tweezers, dip it
into the 2-naphthol solution. Allow the solution to completely soak
the cotton.
Dip the cloth completely into the diazonium salt solution. A red
dye forms in the fibres, dyeing the cloth.
Take the cloth out, wash it under the tap and leave to dry.
Observations
The orange-red azo dye forms in the fibres of the cotton, dyeing the cloth. The
melting point of 1-phenylazo-2-naphthol is 133 °C.
VAT DYES
INTRODUCTION
The name ‘vat’ comes from the wooden vessel which
was first used for the reduction and application of vat
dyes. Vat dyes are made from naturally not synthetically.
Vat dyeing is widely used for coloration of cellulose
materials such as cotton. Vat dye can’t be directly
applied and required vatting because it is insoluble in
water. However, they can be made soluble by reduction
in alkaline solution which allows them to affix to
the textile fibers. Subsequent oxidation or exposure to
air restore the dye to its insoluble form. Indigo is the
original vat dye. These dyes are the fastest dyes for
cotton, linen and viscose. They are used with mordants to
dye other fabrics such as wool, nylon, polyesters and
acrylics. But vat dyes fastness properties is good among
the all dyes. The dye takes their generic name from
vatting. The vat dyes are naturally obtained coloring
materials from the ancient time and kept into wooden vat
and make soluble in vat by the process of fermentation-
so it is called vat dye
HISTORY
The first synthetic vat dye (indigo) was
discovered in 1880 by Adolf von Baeyer. In
1901, indanthrene was the first vat dye to be
sold commercially. In general, vat dyes are
very resistant to washing and sunlight. They
are used on Cotton, Linen, Rayon, and
Cellulose acetate. Other examples of vat
dyes include several anthraquinone
derivatives such as synthetic alizarin and
Alizarin yellow.
What is Vatting?
Vatting is the process of converting the
insoluble vat dyes into its soluble form.
Because our ultimate goal is to dye the
substrate evenly in an aqueous medium. And
the insoluble vat dye displays no
substantivity towards cellulose, but the
soluble form does. With the help of a
suitable reducing agent and alkali, we can
convert the insoluble vat dye into its soluble
leuco form. This usually results in a change of color.
Aim
Preparation of vat dyes.