Professional Documents
Culture Documents
How Students Learn From Writing Journals
How Students Learn From Writing Journals
educational purposes of the University under licence. You may not sell, alter or
further reproduce or distribute any part of this coursepack/material to any other
person. Where provided to you in electronic format, you may only print from it for
your own private study and research. Failure to comply with the terms of this warning
may expose you to legal action for copyright infringement and or disciplinary action
by the University
Course of Study:
(PAEDS719) Health, Education and Youth Development
Title of work:
Learning journals; a handbook for reflective practice and professional
development, 2nd ed. (2006)
Section:
How students learn from learning journals pp. 26--35
Author/editor of work:
Moon, Jennifer A.; ebrary, Inc.
Author of section:
Jennifer A. Moon
Name of Publisher:
Routledge
Chapter 3
Introduction
In the previous chapter we explored some of the relationships between learning,
reflection and journal-writing. We were able to show how reflection is part of the
process oflearning, and how writing a journal can enhance both, within a mutually
reinforcing system. Journals also accentuate the favourable conditions for learn
ing, affecting learning in a range of less direct manners. There are a number
of ways in which this occurs and we explore these in the course of this chapter.
There are many types ofjournals, many purposes, many forms - hence the need
to generalize. In enhancing the favourable conditions for learning, journal-writing:
living' (Dawson, 2003).Alerby and Elidottir (2003) explore the notions of silence
with regard to reflection.They end on the note: 'In the process ofreflection, silence
can be observed as a sense-making process which emphasises learning in, with and
through silence.It is important to listen to and be with others, but also to listen to
ourselves, understand and value the sounds of silence and use its many melodies'
(Alerby and Elidottir, 2003). From the experiences of the writer, there is a very
special quality of the silence that occurs when a roomful of people are engaged in
the reflective writing of a learning journal.
In that time-space in which learners write in their journals, they are, by the
definition of the activity, undergoing independent learning and the encouragement
of independent thought is a means of enhancing learning.The learners are forced
to be self-sufficient because there is no specific answer to any question that they
might ask about 'what shall I write?', though there may be structures or questions
that will prompt their writing. To the degree that journal-writing is independent,
it is also 'owned' by the writer.
• A student teacher writes in her learning journal about a painful incident that
occurred when she was at school. It was an incident that has always bothered
her. She reads a novel and talks with a friend about how the content relates to
her experience and suddenly she sees the incident in a different light. This
influences the whole ofher orientation to teaching -worries fall away and she
feels 'different'.
• The subject in Rainer's diary extract (above) undergoes the catharsis that she
anticipates, and her whole outlook feels different.
We have coined the term 'emotional insight' for these changes. The literature
on learning and emotion does not seem to have a term for this - and, as the first
example demonstrates, it can be very relevant to journal processes. Donaldson, in
her book Human Minds (1992) uses a schema for the process oflearning that could
be taken to imply the existence of this process. She uses examples from the
literature on spirituality and eastern philosophies (e.g. Bhuddism) to illustrate it,
and suggests that the western ways ofthinking have not recognized such forms of
experience and learning. 'Emotional insight' would seem to be a form oflearning
that is not a conscious process in that it is not immediately accessible to description
in terms oflanguage.
We end this section by bringing it back to the beginning. Journal-writing is f
process that enables us to experience, address, explore, manage and work with
emotion. Sometimes, too, emotion may 'get in the way' ofwhat is intended in the
learning and may seem not to be enhancing conditions favourable for the 'intended'
learning -but it may be that other learning ensues. We end, however, on the sug
gestion that emotion is always present in our learning and journal-writing processes,
influencing them in a wide range of ways (Darnasio, 2000).
all the turning back and turning over and again. I felt I was pushing myself
into comers and forcing myself to stay there until I'd worked out a valid
response ... And then it got worse as I took it more seriously. Back in the
comers again and this time instead ofcrawling around muttering, I felt I had
to stand up and confront the comers. It did feel like bumping around in the
dark. Then it began to dawn on me. I was refusing to see that it was me who
had to switch on the lights. And the switches ... generally ...were just above
my head.
(Ghaye and Lillyman, 1997: 74)
Another event made me aware ofby the manner in which a journal account
of events provides a framework for reconstruction ofmemory. A number of
times during the holiday I wondered what places I had visited in previous
visits to Cornwall - most visits had involved touring. While I did not recall
what places looked like, I felt that names were very familiar. A week or so
after I got back, I located details of the main previous visit in a diary of over
30 years ago. From the scaffolding of the account, I recalled other aspects of
that visit. I think if I went back to the same account, I would regain more
memories - but, of course, the notion of 'reconstruction' comes in - are my
recollections 'real' or what I am constructing as 'reality'? Does it matter if
they are real or what I think are real? I am aware that it may not matter to me
personally - but if others were involved, and the event was of significance -
that would matter.
(Jaye, 2001)
their own language and using their own experience helped students seal . . .
concepts and problems in their mind' (1986: 201).
The term 'expressive writing' was used by Britton (1972). Britton based the
theory ofhis writing on Bruner' s (1971) work on language and thought. In an often
cited paper, Emig (1977) also related the use ofwriting for learning to Bruner's
work. She referred to Bruner' s suggestion that we learn in three different ways -
though doing (enactive), though imagery (iconic) and through representational or
symbolic means. 'What is striking about writing as a process'; she says, 'is that, by
its very nature, all three ways ofdealing with actuality are simultaneously, or almost
simultaneously deployed' She suggests that in this way, writing 'through its
inherent reinforcing cycle involving hand, eye and brain marks a uniquely power
ful multi-representational mode for learning'. In addition Emig argues that the
involvement of both brain hemispheres implies that 'writing involves the fullest
functioning ofthe brain'.
We summarize some of the means by which learning from writing occurs.
Clearly some of these points relate back to other headings in this chapter - there
is reciprocity and there are multiple dimensions - and this is one ofthe values of
the journal as a learning tool.
• Writing forces time to be taken for reflection (Holly and McLoughlin, 1989).
• Writing forces learners to organize and to clarify their thoughts in order to
sequence in a linear manner. In this way they reflect on and improve their
llllderstanding (Moon, 1999b).
• Writing causes learners to focus their attention. It forces activity in the learner.
Writing helps learners to know whether or not they understand something. If
they cannot explain it, they probably cannot understand it.
• Along similar lines, being asked to write the explanation of something
can encourage a deep approach to learning in the manner that the learner
anticipates the quality of understanding required for the writing (Moon,
1999b).
• Writing an account of something enables the writer to talk about it more
clearly (Selfe et al., 1986).
Writing captures ideas for later consideration.
Writing sets up a 'self-provided feedback system' (Yinger, 1985).
• Writing can record a train ofthought and relate it in past, present and future
(Emig, 1977).
• The process of writing is creative, and develops new structures. It can be
enjoyable.
The pace ofwriting slows the pace ofthinking and can thereby increase its
effectiveness (Emig, 1977).
There are other qualities in self-expressive writing ofthe kind that might be found
in journals. These qualities may have a power that sometimes goes beyond
individual words. Elbow says:
How students learn from learning journals 35
I like to call this power 'juice'. The metaphor comes to me again and again. I
suppose because I am trying to get at something mysterious and hard to define.
'Juice' combines the qualities of magic potion, mother's milk and electricity.
Sometimes I fear I will never be clear about what I mean by voice . . . in
writing. [It] implies words that capture the sound of an individual on the page
. . . Writing with no voice is dead, mechanical, faceless. It lacks any sound.
(Elbow, 1981: 286-7)
T h in kpoint
There was a garden shed in my father's small garden where I kept rabbits and
a tame raven. There I spent endless hours, long as geological ages in warmth
and blissful ownership; the rabbits smelled oflife, of grass and milk, of blood
and procreation; and in the raven's hard, black eye shone the lamp of eternal
life. In the same place I spent other endless epochs in the evenings, beside a
guttering candle with the warm, sleeping animals . . . and sketched out plans
for discovering immense treasures, finding the mandrake root and launching
victorious crusades on which I would execute robbers, free miserable
captives, raze thieves strongholds . . . forgive runaway vassals, win king's
daughters and_ understand the language of animals.
(Hesse, 1975: 25)