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Literature
Parliamentary Chambers
FunctionsS
It has the cardinal functions of legislation
overseeing of administration, passing of
budget and ventilation of public grievance.
Speaker is the custodian of the dignity of the
house and an impartial arbitration in its
proceedings.
3. Legislative Council
This is the Upper House in states with bicam-
Literature Studies
Architecture Of Democracy
Symbol Of Power
Security Ornament of a Country/State
have
Recent terrorist attacks
changed the balance between
Draws people and Commerce
Promotes Patriotism
openness and the need for securny
and
to
Has given are fortress mentality
like
buildings being shaped
bunkers.
History shows that as a nation progresses and accumulates wealth, its civic structures are
rendered in pompous, almost authoritarian style- Grand landscaped gardens, high walls
Governmen Centre
Government Centre
Religion Centre
Pak Mal
Business Ma
Homes
Family/Farms/industiry
GreelyRome 0olinga.2007h Present Day olings.20n)
20
Architecture & Politics
of time and space with the of ings transtorm these fundamental meanings
idiosyncrasy
accentuation and the dogmatic glorification of scale to a higher level of expression, like a
10
Parliamentary Chambers
The Parliament is not just a building, it is of order and disorder, drama and
a scene
inac
tion, place of heated exchanges, a place of outburst of emotions. Within the four walls of
the Assembly area, it defines a nation's history and political state.
For 2500 have assembled to participate in and observe
more than years, people democ
racy. The environment in which democratic debates take place can be seen as a physical
expression of mankind's relationship with the ideas of democracy. Public participation
on democracy in architecture is an idea evolved from Ancient Rome. Since this is not the
case today. public spaces as a place to foster democracy have ceased to matter, and this
has reduces these civic structures as nothing more than
ornaments
INTERACTIVE SPACES
symbolise democracy by encouraging
participation in the democratic process
facilitated by the creation of an open and
publicly welcoming building.
SPATIALQUALITIES
A key part of the process of achieving
interactive public architecture is in
a more
arousing
Curiosity in a building, most notably through
CONTEXT
The building should reflect a dialogue
between the landscape and surrounding
context, t sits gently on the site rather than
imposing it as a harsh monument.
URBAN
The art of interaction to dissolve the bound-
aries between buildings and the
is
street, the
assembly building that accessible by the
public, it symbolses democracy by encourag
ing public participation in the democratic
process.
r d Nalior Asaembly, e s
Rcherd Rogers
SPATIAL EXPERIENCE
Palace
The
routes as
of Assembly
kind of
a
uses circulation
narrative
a
journey, it
provides spatial experience through series of
a
Views.
Ae Gy. Chendigah India
Literature Studies
a) Opposite Arrangement
Generally countries with parliamentary House of Representative, Canberra, Australia
systems like united kingdom have this kind of Pnoto apn gov au
ITERATURE REVIEW NEPAL RARLIAMENT BUILDINO COMPLEX
VIEWING CRITERIA
AUDITORIUM DESIGN -SEATED PERSON MUST HAVE
GOOD VIEW OF ANY PROJECTION SCREENS AND
OTHER VISUAL AIDS .
ANGLE FOR SCREEN PROJECTION: MAX.
VIEWING
S
VIEWING DISTANCE:
MAXIMUM VEWING DISTANCE 6 TIMES IMAGE Fg Distrjbuted Loudapesker system
wiDTH
VERTICAL ANGLE :-NOT EXCEED 35' FROM THE
NEAREST SEATS.
ACOUSTICS IN AN AUDITORIUM
SEATNG: ELEVATE D
SEATING IS EFFECTIVE NOT LESS THAN 8
CELINGS:-HIGHLY REFLECTIVE MATERIALS SHOULD BE USED FOR CEILING PURPOSES.
cElUNGHEGHT PROVIDED
SHOULD BE ONE-THIRD OF THE WIDTH OF THE ROOM
LAYOUT OF FLOOR PLAN: -FLOOR PLANS WITH THE RATIO OF ENGTH TO WIDTH 2:1
ARE PREFERRED
CONCAVE SURFACE SHOULD BE AVOIDED AS THEY ARE THE SOURESOF
WALLS:
ECHOES
HIGHLY ABsORPTIVE MATERIAL AND BROKEN TO DISTRIBUTE THE SoUND
PROJECT DEALS WITH A HALL USED MAINLY FOR SPEECH. THE TREATEDWITH
UNIFORMLY
CONSIDERANONS HAVE BEEN GIVEN BELOW. THE TWO MAN
STAGE:-STAGE FLOOR SHOULD BE RAISED TO AN EXTENT
REQUIREMENTS ARE:
REVERBERATION TIME :-162.1 SECONDS
POWER AND CLARITY
THE POWER OF SPEECH IN SUCH HALLS DEPENDS UPON THE
FOLLOWING cONFERENCE ROOMS
1. DiSTANCE FROM SPEAKER
2. DIRECTIONAL RELATIONSHIP TO SPEAKER 1.39M2PER PERSON: THEATER STYLE
TO 2.78M2 PER PERSON: CONFERENCE SEATING
3. ALUDIENCE ABSORPTION OF DIRECT SOUND 2.32 2 -4 PEOPLE
4, REINFORCEMENT BY REFLECTORS 1o a 8.8 MaREGPTONIST AND
5. REINFORCEMENT BY LoUDSPEAKERS SS OM 0.65 Sa. M PER FILE wITH A 900 MM TO 1200 MMAISLE
6. SOUND SHADOWS WIDTH
NEPL PARLIAMENT BUILDIN0 COMPLEX
LITERATURE REVIEW
UNIVERSAL DSRGN
AL PEOPLE UNDER CONDITIONS OF EMERGENCY Sso UNVERSAL DESIGN IS
UBRARY
MUST
cONSIDERSTHE ENTIRE RANGE OF CAPACITIES AND PoTENTIALS OF PEOPLE AND
ALIBRARY I5 A LARGE COLLECTION OF BOOKS AND ALSo
RESOURCES, AND SERVICES. AND PRODUCTS TH ROUGHOUT
NDES DIGITAL SOURCES,
AUDIO, ISUAL MATERIALS IN
HOW THEY USE
BUIL DINGS THEIR UVES
ACCESSIBLE TO BOTH PEOPLE WITHOUT DISABILUTIES AND PEOPLE
THEY CAN BE OF RINT
NUMEROUS FORMATS. DISABILITIES.
WITH
**
14
Fg Optimum she vng conddien for
SERVICE SPACES
dou
********** ***
CAFETERIA
CAFETE RIA IS NEEDED FOR THE PARLIAMENT COMPLEXAS NUMBER OF PEOPLE
ViSIT THE COMPLEX AND ALSO THE NUMBER OF PEOPLE WORK THERE
PARKING FACuTY
ASSEMBLY SPACES
SLOPE OF ASLES120
FOR DIFFERENTLY ABLED-112
ASSEMBLY HAL INCLUDES MUST SATISFY ACouSTIC REQUIREMENTS,
DEBATING CHAMBER THE CEUNG REQUIREMENTSAR-CONDITIONING
DEBATE, DECIDE DISCUSS AND DELIVER LEGISLATIONS
SHAPE OF HALL
LIGHTING REQuIREMENTS, REQUIREMENTS, STAGE
FIRE CONTROL REQUIREMENTS AND AESTHE TICAL
REQUIREMENTS,
sauARE,
RECTANG ULAR,
CIRCULAR SHAPED
FAN SHAPED,
HEXAG ONAL
SHAPED,
VAL SHAPED. REQUIREMENTS
LAYOUT OF FLOOR PLAN-FLOOR PLANS WITH THE RATIO OF LENGTH TO
FROM VISIBILITY AND GREATER ACCOMMODAT ION POINT OF VIEW, CIRCULAR SHAPES
TEL VATED SEATING IS EFFECTIVE NOT LESS THAN 8
CEIUNGS: -HIGHLY REFLECTVE MATERIALS SHOULD BE USED FOR
SEATING SPACE REQUIREMENT-AREA OF 15-165Q.M PER USER
CEILING PURPOSES.
TyPES OF ARRANGEMENTSL
1.OPPOSITE ARRANGEMENTS