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Renaissance, Art Appreciation
Renaissance, Art Appreciation
Art Appreciation
Group 4 Reporters:
Antido
Ancheta
Diaz
Espineda
Asis
Calip
Relleve
Grande
Arceño
Tudlasan
well-known artworks from renaissance
Jane Seymour
Art Appreciation
Jane Seymour
by Hans Holbein (the younger)
German Artist, born in Augsburg. Holbein became court painter
to Henry VIII of England in 1536.
Elements of Artwork
Color
Principles of Artwork
Balance
Characteristics of Artwork
This portrait captured her at the point that she is the Queen of
England, married to Henry VIII who was also painted by Hans
Holbein several times.
Jane Seymour
Art Appreciation
Jane Seymour
Madonna of Bruges
by Michael Angelo
Italian Sculpture, Painter, Architect, and Poet of the Renaissance.
Elements of Artwork
Shape, Color
Principles of Artwork
Elegant
Characteristics of Artwork
She has a slander face with a long nose and piete coral
redmouth.
Madonna of Bruges
Elements of Artwork
Color, Line, and Shape
Principles of Artwork
Variety, Perspective
Characteristics of Artwork
The skin of her cheeks, neck and jaw hang loose on her face and
the rest of her skin is wrinkled and poked, and she has a wart on
the right of her face
Principles of Artwork
Emphasis, Unity
Characteristics of Artwork
Painted on an altar piece in the 16th century and destroy by Fire
in the 17th century, has come down to us in the form of a
preparatory drawing on blue gray paper
The Pieta
by Michael Angelo
Italian Sculpture, Painter, Architect, and Poet of the Renaissance.
Elements of Artwork
The overall shape of "The Pieta" is triangular, which gives it
a harmonious symmetry and draws the eye to Mary's
solemn and beautiful Face. Mary's head is at the Pinnacle
of the triangle, and Jesus feet form one of the other points
of the triangle
Principles of Artwork
He preferred carrara marble because he felt it had a
luminous quality much like human skin.
The Pieta
Art Appreciation
The Pieta
Characteristics of the Artwork
He crafted sculptures that focused on balance, detail, and a
lifelike yet idealized approach to the human form.