The

international
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MM R
and trends
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IN
R WAY F XP RI NCING AL N
From architecture immersed in the landscape
to the reinterpretation of a historic palace,
and a nomadic dwelling open to new languages
RWIN W RM’ he Austrian
artist invites us to the island of ydra
P PL ummer design according to Barber
& sgerby MM R IM nprecedented
destinations for a tailor-made journey
Year 34 no 7-8 € 4.50
July- August 2023
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CLARIFICATION
The report ‘The Art of Light’, published in Elle Decor No. 6/2023, page 172, the Dresswall panels are made of printed fabric
with an aluminium frame (not visible). dresswall.com. In the Eco Directory section in the same issue, page 201, the box about
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 No. 7/8—2023

146

59
104

NEWS + CULTURE 52 Art design STYLE + DECOR DESIGN + ARCHITECTURE

17 Password
Summer in the South. Homes
and places for a Mediterranean
holiday
18 Likes
Boutique hotels, cars, books,
beaches and huts. This month’s
favourites
28 Crossing
Exhibits, installations and
architecture. When creativity
is ‘in the sun’
In Milan, the installations by
Agostino Iacurci, from the
Fuorisalone to a Maison’s
display windows
76 People
In Filicudi, designers Edward
Barber and Jay Osgerby tells us
about good design
173 Art show
Summer exhibitions, openings
and events
37 Decor-Scouting
A wish list including summer
furnishings, fashionable items
and outdoor pieces
155 Inside-Design
Focus on kitchens, wellness
areas and surfaces
163 Design-Book
Home projects and furniture for
the warm season
59 Inspired by nature
10 parks to visit this summer,
surrounded by works of art
67 An all-local project
In Arles, Atelier LUMA
experiments with locally sourced
materials, implementing
sustainable projects
78 Green oasis In the heart
of France, Damien Roger reveals
us his passion for gardening
13 ELLE DECOR

132
84 Lifestyle on vacation
A book explores holidaymaking
at 360 degrees, in traditional
yet current hotels
94 Summer hospitality
Five destinations for
unprecedented holidays
celebrating design. In homes or
hotels
14 ELLE DECOR
INTERIORS
104 Presicce
The revamp of a historic palace
in the heart of Naples, curated by
Giuliano Andrea dell’Uva
118 Carovigno
Luca Zanaroli designs a stone
and white plaster architecture
nestled among olive trees
elledecor.it
84
76
Cover
132 Sternatia
In the small Salento village,
a buen retiro between
contemporary and Baroque art
146 In Greece
Austrian artist Erwin Wurm
invites us in his holiday home on
the Hydra island
A dive into the greenery,
feature at p. 118 by
Francesca Benedetto; photos
by Nathalie Krag.
 PASSWORD

7-8.23 [Summer in the South]

A desire to relax. This is what we associate with summer, the time to take a break
away from the city, in one of the destinations chosen during the winter. Elle Decor
headed south and in particular to the beloved Salento, where design meets nature. An
approach that we recount by exploring three houses, a manifesto of the various ways
of conceiving design, between indoor and outdoor spaces. We visited, between
Carovigno and Ostuni, the stone and white plaster architecture by Luca Zanaroli
interacting with a garden of olive trees, an iconic Apulian plant. We went to Presicce,
guests of Giuliano Andrea dell’Uva, who showed us his holiday home, a historic palace
revamped with an unusual decor. And we concluded our Salento tour at the residence
of Christian Pizzinini and Antonio Lodovico Scolari in Sternatia, a house where the
charm of Lecce Baroque blends with new art languages. The journey continues in the
Mediterranean, on the island of Hydra, where Austrian artist Erwin Wurm chose to
spend the summer to unleash his creativity, preferably from the terrace with its
breathtaking view of the Aegean sea. The relationships between indoor and outdoor
spaces, between architecture and landscape, are the red thread of the stories
in this issue, with many ideas for enjoying the summer. Visiting open-air exhibitions,
designer beach clubs and places where attention to detail is key to hospitality.
Not to renounce design, not even on holiday.
17 ELLE DECOR
ELLE DECOR LIKES

The Ned Doha, the boutique

hotel designed by David Chipperfield
by Eleonora Grigoletto

[1]
The new rooftop of The Ned
Doha hotel, designed by
David Chipperfield Architects,
features a spa, a wellness
area, a gym and a club
lounge overlooking the city
skyline. The overhanging roof
beams act as sunshades and
define the entire building’s
outline. davidchipperfield.com

The iconic modernist building designed
in the 1970s by Lebanese architect Sednaoui, and
the former headquarters of Qatar’s Ministry of
Interior, has been turned into a new boutique hotel.
Architect David Chipperfield, awarded with the
Pritzker Prize 2023, and his team worked on the
interiors in collaboration with Soho House Design
to repurpose one of the country’s most celebrated
brutalist architectures. “Transforming the building
conservation. Ensuring transformation in the name
of continuity is fundamental for the place’s identity
and quality of life”. The four floors were renovated
during two years of works. In making the
necessary adaptations to accomplish a
contemporary hotel, the building’s key features
were carefully preserved, such as the geometric
façade and the bedrooms’ original concrete
ceilings. The materials selected are also valuable:
Photo Simon Menges

constructed during Doha’s first urban development
was rewarding”, Chipperfield explains. “We’re
excited to see how our project will demonstrate
the value of repurposing, and contribute to the
growing movement in architectural heritage
from green Tinos marble on the stairs, to Calacatta
white marble on interior walls, and the light
travertine at the entrance. High-end choices
defining indoor and outdoor spaces with
sophisticated minimalism. —

18 ELLE DECOR
ELLE DECOR LIKES
The new Topolino, between 1950s
revival and sustainable technology
by Piera Belloni
A funny video on Instagram tells the story:
agile in the lanes of Italian villages and perfect for
city transportation. The new Fiat Topolino
launches this month in two versions, both with the
same rim and interior designs and strategically
positioned luggage compartments, but with
different purposes. The closed model is a classic
city car, versatile and convenient in traffic; it travels
without any emissions, with a range of about 75km,
and taking less than four hours to recharge. The
Dolcevita version, which is open and features
nautical ropes instead of doors,
is a whole other story that speaks to sun, sea and
20 ELLE DECOR
[2]
The Topolino Dolcevita,
Fiat’s new electric quadricycle
concept, features the pastel
hue Verde Vita and exclusive
accessories. Diminutive in
size, it can be driven from 14
year of age. Available by pre-
ordering through the website,
with deliveries expected by
the end of the year. fiat.it
summer. It recalls an illustrious ancestor,
the 500 Spiaggina, the auto body that
technicians customised for bon viveurs. An uber-
cool vehicle (unsurprisingly Agnelli had one) that
let one to easily travel through the narrow,
winding streets of coastal resorts. The 2023 is a
small electric quadricycle, just 2.53m long, which
can be driven from the age of 14. It can be
Photo Alberto Cervetti
accessorised with an USB fan, Bluetooth speakers,
a matching thermos and seat covers that,
if need be, double as beach towels. Fun fact:
there’s even a shower for cooling off after
a day at the beach.
ELLE DECOR LIKES

From Taormina to St. Tropez, beach

clubs designed by Dolce & Gabbana
by Eleonora Grigoletto

[3]
The Blu Mediterraneo
print enhances the dreamy
atmosphere of a seaside
holiday: from custom
umbrellas to loungers and
pool accessories, every
detail has been designed
in the name of a timeless
Mediterranean aesthetic.
Pictured, poolside at
Taormina’s San Domenico
Palace, Four Season Hotel.
dolcegabbana.com

The latest summer trend is beaches dressed
up by prominent fashion brands. Among them,
Dolce & Gabbana take the Made in Italy and its
craftsmanship to Europe’s most exclusive beach
clubs, setting up the beaches in Capri,
Taormina, Marbella and St. Tropez employing
the colours and décors of the DG Resort project.
since being used as the filming location
for HBO’s ‘The White Lotus’ series. Originally
a 14th-century monastery occupied by monks from
wealthy aristocratic families, it enjoys breathtaking
views over Mount Etna and the Ionian Sea,
with magnificent Italian gardens and a cliffside
infinity pool. Once transformed into a hotel, its
Courtesy Dolce & Gabbana

The beach and swimming pool of the famous
San Domenico Palace resort in Taormina are thus
embellished with furniture and accessories defined
by the Blu Mediterraneo pattern, printed
on contrasting white surfaces. The hotel is an
iconic place that has become even more famous
courtyards, gardens and panoramic rooms
entered the history of world cinema, having hosted
numerous Hollywood stars. Owned by
Four Seasons and following a long restyling
project, its journey into glamour continues with the
Italian House’s takeover.

22 ELLE DECOR
ELLE DECOR LIKES
A new monograph
on Antonio Citterio’s design
by Porzia Bergamasco
If sofas have become modular and
lost their habitual formality to accommodate
different styles; if the kitchen occupies the centre of
the room to increase the living room’s conviviality
without dividing the rooms; and if the office has
become smart, emphasising the importance of
ergonomics for people and spaces, it’s largely due
to Antonio Citterio’s aesthetics and design vision.
Awarded with the Compasso d ‘Oro for his career
in 2022, now a valuable monograph,
underpinned by over 600 industrial projects,
retraces a 50-year history in design and
technological research. Arclinea, Axor, B&B Italia,
Flexform, Flos, Guzzini, Kartell, Knoll,
24 ELLE DECOR
[4]
Published by Silvana
Editoriale, with graphics by
Juma, the book ‘Antonio
Citterio Design’ contains 50
years in the award-winning
architect’s career, with
contributions by Andrea
Branzi, Francesco Bonami,
Stefano Casciani, Francesca
Picchi and Deyan Sudjic.
silvanaeditoriale.it
Technogym, Vitra… are part of the same story,
pointing at the nature of the bond that the
architect, born in Meda in 1950, has established
with the industrial world. But also the
importance of following the development of a
product from idea to manufacture, as a team,
which from the outset Citterio seized as an
opportunity for growth. Browsing through the
book’s seven chapters, objects and furniture
that have become part of everyday life and the
collective imagination appear and are
identified; these have marked the evolution
of a personal style and, simultaneously,
the cultural identity of design. —
ELLE DECOR LIKES

[5]
The Edoardo Camardella
hut, created to respect
and preserve a delicate
ecosystem. Situated on the
Glacier del Rutor in the Aosta
Valley, above 3,000 metres.
Those unable to climb to this
height may visit its wooden
twin structure in La Thuile.
bivaccoedoardocamardella.it

Architecture at high altitude: Massimo

Roj’s sustainable hut at 3,357 metres
by Piera Belloni

Beauty begets beauty: the masters of
architecture were aware of this, creating buildings
of high aesthetic value, in tune with the landscape.
Like mountain enthusiast Carlo Mollino’s cabins
and ski resorts in the Alps. And, more recently,
the new Hornbahn chairlift with a panoramic
tower designed by Snøhetta in Tyrol. Of much
smaller proportions, yet in the same in spirit, is the
Bivacco Edoardo Camardella, inaugurated on the
constructive solutions, with minimal work to be
carried out at high altitude, and high-performing
materials. The team of architects, engineers
and designers led by Roj created a building with
a lightweight aluminium and steel frame, sturdy
and energetically autonomous: two prefabricated
blocks produced in the factory were paired
and installed. With a window affording
a view of the Mont Blanc, the hut accommodates
Photo André Barailler

Glacier del Rutor, in La Thuile, at an altitude of
3,357 metres. The project by Massimo Roj,
CEO of Progetto CMR, stems from the architect’s
friendship with a young mountaineer after
whom it’s named. The focus was on seeking
up to six people and houses a weather station,
one of Europe’s highest. An always-active
webcam allows to monitor the situation
to plan the ascent and overnight stay: bivacco.
panomax.com.

26 ELLE DECOR
 Rachel Hayes, White Sands National
Park — Seven oversized scarves, hand-sewn
by the American designer, stand out against
the dunes of this natural park in New Mexico.
Created on the 20th anniversary of Angela
Missoni’s creative direction of the Milan
showroom, they were photographed as an art
installation. Hayes, who creates vibrant textile
projects that interact with the landscape, is now
working on a project that will launch next
summer at the deCordova Sculpture Park and
Museum in Massachusetts. rachelbhayes.com

28 ELLE DECOR
 CROSSING

In the sun

Spectacular, site-specific installations, runways

in Camargue’s salt flats, iconic architecture and
designer swimming pools. For a summer in the sun
by Marta Lavinia Carboni
Photo Rachel Hayes
CROSSING

Jacquemus, Le Papier — The young French

designer returns to his Camargue, in Arles, where for the
SS23 collection he has staged a fashion show through
the salt flats. White dresses sparkle in the sun; drapes,
transparencies and 3D applications of contrasting fabrics.
As well as references of objects typical of Southern France:
Provencal tablecloths, centrepieces, sheets and tulle curtains
pay homage to his heritage. jacquemus.com

Sabine Marcelis, Mirage — The Dutch

designer’s glass mirrors, an exclusive commission for
the Gallery Collectional in Dubai, capture the warm
sunshine on the desert sand and nature’s power,
while the colours dissolve and merge with the
surrounding landscape. Winner of our latest EDIDA,
as designer of the year, she has also designed
Renault’s new electric show-car by reinventing the
iconic Twingo. sabinemarcelis.com

Photos Gettyimages — Tatiana Uzlova — Rami Mansour

Sirene — The independent magazine about the sea was

founded in 2015 by Alberto Coretti and Floriana Cavallo. It’s
printed on large, rough and porous recycled paper made of
excess seaweed and marine flora, sourced from endangered
lagoon ecosystems, thus minimising the environmental footprint.
Aimed at “those who feel close to the sea even when it’s far
away”, the latest issue (Sirene #16) recounts the rhythms and
silences of a journey rowing across the Pacific, and of Amorgos,
an island in the Small Cyclades, alien to mass tourism.
sirenejournal.com

30 ELLE DECOR
 Jeff Koons, ‘Apollo Wind Spinner’,
2020-2022 — On the island of Hydra, in Greece,
the DESTE Foundation presents Dream Machines,
an exhibition curated by Daniel Birnbaum
and Massimiliano Gioni, which investigates the
impact of technology on the human imagination
through an extensive collection of pieces from the
early 20th century up to today. Open until 30/10,
it combines loans from the Dakis Joannou
Collection with historical works by authors
such as Duchamp and Wilhelm Reich, and
contemporary artists such as Jeff Koons.
Pictured, the Project Space Slaughterhouse with
‘Apollo Wind Spinner’, a giant weathervane.
Over nine metres wide, on one side it welcomes
those arriving in Hydra’s harbour and, on
the other, those walking towards the building
that houses the exhibition in the cavernous
Slaughterhouse. deste.gr, jeffkoons.com
Foto Giorgos Sfakianakis © Jeff Koons
 Eileen Gray, E-1027 —
An icon of modern architecture,
the villa in Roquebrune-Cap-Martin by
the Irish architect and designer is part
of the site named Cap Moderne,
where Le Corbusier’s Le Cabanon is
also situated. A perfect summer
destination for anyone planning a
cultural trip to the Côte d’Azur; the
building was conceived as a holiday
house, a refuge built on the side of a
cliff, which can be visited until 31/10,
between 9.30am and 5.30pm, with
four daily guided tours. Online
booking is mandatory. Access to Cap
Moderne is from the Promenade
Le Corbusier. capmoderne.
monuments-nationaux.fr
Photos © Stéphane Couturier / Centre des monuments nationaux 2023
 CROSSING

Pablo Picasso and Antonio Ruiz

Soler, La Danza Pool — The only swimming
pool in the world to feature an underwater
Picasso belongs to villa El Martinete, previously
owned by Antonio Ruiz Soler, aka El Bailarín,
a famous dancer and artistic director. Legend
has it that the painter from Malaga personally
gifted him the drawing after watching him
dance. Flattered, Ruiz Soler had it reproduced
at the bottom of the pool of his home, which
can be rented online for a unique Andalusian
holiday. elmartinetevilla.com

Loro Piana, La Réserve à la Plage —

To celebrate the summer, the brand of the LVMH
group has chosen one of the chicest corners of the
Côte d‘Azur. Pampelonne’s beach has been
customised for the entire season with the brand’s
unmistakably Italian style: simple, sophisticated
and understated elegance in a search for comfort.
Photos Diego Cuevas – Annemarieke Van Drimmelen

The cherry on the cake is the pop-up store where

one finds the Loro Piana Resort Collection;
meanwhile, the Suitcase Stripe distinguishes the
beach, towels, curtains and surfboards.
loropiana.com

Tine K Home, Carpet — The Danish brand’s jute

rugs are inspired by travel and nature, and unite natural colours
and craftsmanship. Hand-woven, they are made of 100% natural
fibres, combined to create geometric sections in different hues.
Available in different sizes, from the bedside version to the
over-sized ones, they add the sun’s natural warmth to the home.
tinekhome.com

33 ELLE DECOR
CROSSING
Art installations, design projects, architecture, fashion and summer
readings. To enjoy the warm season. From the Côte d ‘Azur to Qatar
In 1969, the Beatles celebrated our star in ‘Here Comes
the Sun’. Today, Xavier Rudd, an Australian multi-instrumentalist
sings ‘Follow the Sun’, inviting us to dream with care.
Even in summer — a time for slowing down, authentic rest,
dazzling colours and boundless landscapes — choosing the
perfect destination, identifying the ideal place to spend rare,
tailor-made moments to unwind, requires commitment. Following
the sun to discover projects that shelter us from the excessive
heat, identify Mediterranean architectures to visit, appreciate
artwork that interacts with the summer landscape, can be the
correct way of experiencing summer in the name of design,
culture and leisure. Rachel Hayes, an American textile designer,
has chosen the dazzling light of New Mexico to illuminate her
vibrant installations in the natural setting of the White Sands
National Park. The seven oversized scarves blowing in the wind
mix craftsmanship, sculpture, architecture and land art,
inviting one to seek new ways of interacting with the surrounding
landscape. Set against a desert backdrop, Dutch designer
Sabine Marcelis’ glass paintings, an exclusive commission
for the Gallery Collectional in Dubai, capture the warm light of
the sand as the amber palette dims like a camo effect in the
landscape. “It was the perfect opportunity to keep experimenting
with layering glass and mirrors; removing parts of the surface to
let the rays of light peek through”, says the author of the
installation, investigating the relationship between light
34 ELLE DECOR
Olafur Eliasson’s ‘Slow Solar
Event’ — is part of ‘The Curious
Desert’, the first exhibit conceived by
Olafur Eliasson in the Gulf region, in
Al Thakhira, Qatar (until 15/8). It’s
divided into twelve temporary
pavilions, which the Danish-Icelandic
artist has set up as an art workshop in
the desert. Many of the experiments
within utilise natural phenomena such
as wind, water and sunlight to create
works that materialise over the course
of a day or months, for the duration of
the exhibition. The pictured pavilion
has no curtains, but a radial frame that
supports coloured glass lenses. As the
sunlight shines through them, it ‘draws’
ever-changing shapes and colours
onto the sand. olafureliasson.net
and colour, themes dear to Marcelis. From exotic destinations
we return to Europe, to the Côte d’Azur, where between dips,
it’s always worth visiting a masterpiece of modern architecture:
villa E-1027 (Maison en Bord de Mer), designed by Eileen Gray
in Roquebrune-Cap-Martin, is a lovers’ getaway perched
on a cliff. Only during the warm season until October, when it’s
open to the public, is it possible to admire the strength and
modernity of the house, which so inspired and obsessed Le
Corbusier, that he ended up building Le Cabanon right behind it.
Another gem in the history of contemporary art lies hidden in a
villa in Malaga, Spain, once the property of Antonio Ruiz Soler
(aka El Bailarín), a famous 20th century dancer and artistic
director. The curious and the enthusiast will do well
to visit the residence (available for rent online), and take a dip in
the pool, the bottom of which is decorated by Pablo Picasso.
Playing with the sun is Danish-Icelandic artist, Olafur Eliasson,
who recently opened his first exhibition, ‘The Curious Desert’,
in Qatar. Among the artworks, twelve temporary pavilions built in
the desert draw suggestive patterns against the sand with
shadows and colours. These are lightweight mini-architectures,
Photo Anders Sune Berg
circular in shape, which through a hanging structure support
giant, coloured magnifying lenses in three different shades.
As the sun’s rays shine through and depending on the time and
orientation, they generate an assortment of light effects.
Always and strictly in the sun. —
DECORSCOUTING
Summer’s hit parade. With creative furnishings and objects to bring
on holidays, designer gardens and creations from the desert
by Murielle Bortolotto

A wink from the girl on the Ramatuelle inflatable. Could it be an invitation

to take a dip in the sea? Oversized (diameter 120cm), made of recycled PVC and
hand-painted in watercolours, manufactured by the French brand The Nice Fleet,
suppliers of colourful accessories for summer destinations. thenicefleet.com

37 ELLE DECOR
DECORSCOUTING

A limited edition of the USM

Haller container, made in
collaboration with the brand
The Skateroom, features artist Claudia
Comte’s black-and-white pattern.
The sales’ proceeds will go to Seven
Hills, a not-for-profit organisation
that will fund community project
in Jordan in support of the education
of young people in difficult
circumstances. usm.com

Fourteen colours
and five rectangles juxtaposed
over-and-over, for different
compositions, turn into décors
from the Fellow series. Soft,
woollen rugs created by architect
and designer Stephan Hürlemann
for the Swiss brand Ruckstuhl.
ruckstuhl.com

Inspired by body painting,

the modular vases ‘We are all
one’ are by Silvia Z. Pio and
Roberta Mari. Created for L’Arte
Nel Pozzo, they’re handmade
and consist of ceramic elements of
different shapes and colours,
which together generate creative
configurations. artenelpozzo.it
Photos Stefan Altenburger

Claire Choisne, creative director

at Boucheron, introduces the fine jewellery
collection Carte Blanche, More is More.
Ultra-modern, geometric and colourful, like the
titanium, turquoise, black-and-white resin ring,
pictured. boucheron.com

38 ELLE DECOR
DECORSCOUTING

Earthy shades for a selection of outdoor furniture. Below,

from left, Dress Code coffee tables by Gumdesign for Scab. To be used
individually or superimposed, they are made of painted metal
(scabdesign.com). The urn and the terracotta vase are part of the Magna
Graecia series designed by Antonio Aricò for Seletti (seletti.it).
On the right, Souvenir 555 chair by Eugeni Quittlet for Pedrali, in seven
colours (pedrali.com), and Apex pouf by Sacha Lakic for Roche Bobois,
upholstered in quilted fabric (roche-bobois.com).

Garden style. From an idea

of fashion brand Rovi Lucca, practical
and stylish garments for harmoniously
living with plants. Pictured, one
of the looks strictly made in Tuscany,
with a cotton jacket and hat with blue
and white stripes. rovilucca.com

Photos Claudia Zalla – Dariusz Jasak

In a private residence north of Treviso,

we discover a new garden designed by
landscaper Kristian Buziol. The lawn, the plane
trees, the Nyssa sylvatica, the grasses
and the extraordinary boxwood blooms become
one with the nearby Montello forest. A special
project that moves through all the seasons.
kristianbuziol.it

40 ELLE DECOR
DECORSCOUTING

A collaboration between Danish

furniture brand Gubi and the American
one, Noah (specialising in beachwear),
resulted in a limited edition of Mathias
Steen Rasmussen’s MR01 Outdoor
Lounge Chair. A chair to relax in and,
why not, even meditate; made of iroko
wood, in this new version it features
yellow, bright blue, navy or classic grey
nautical ropes. gubi.com

42 ELLE DECOR
DECORSCOUTING

From the United Arab Emirates, designer items and furnishings

made with sustainable materials by local artisans

From its base in Sharjah, a dynamic emirate known as the cultural hub
of the United Arab Emirates, the Irthi Contemporary Crafts Council has established
pioneering programmes with the aim of protecting and promoting local craftsmanship
and creativity internationally. At the latest Milan Design Week, together with the creative
consulting studio Mr. Lawrence, the exhibition Echoes of Alchemy was on show.
Materials such as palm sheath, sand, oyster shells, bricks and limestone tiles were used
in set design and to make designer pieces. Such as, pictured, the Sofra Collection (top left
and bottom right) by Studiopepe, which reinterprets the ancient clay amphorae used for
preserving food. Top right, the Thaya Collection, linen, leather and palm leaves chair
by Ghaya Bin Mesmar and Mermelada Estudio. Bottom left and centre, Bahri Collection,
a series of tableware (baskets and containers) by Eman Al Rahma. irthi.com

44 ELLE DECOR
DECORSCOUTING

To be slid over the face,

Lolita 2023 style, the natural braided
raffia hat by Marni x No Vacancy Inn.
Decorated with cut-out details and
colourful contrasts, recalling the shape
of sunglasses. marni.com

Imaginary trajectories,
inspired by the boating world,
define the cover of the Vela sofa,
by Zanellato/Bortotto for Saba.
Quilted and removable,
it has a wide, ultra-comfortable
seat. sabaitalia.com

To be matched by comfortable
armchairs or sofas, the hand-crafted Diamante
coffee table by Jacopo Foggini for Edra.
The original tabletop is made of pure,
transparent polycarbonate threads in a
Photos Mattia Balsamini

delicate shade of green glass. Available

in three heights, it has a metal base
with a palladium, gold or ruthenium finish.
edra.com

46 ELLE DECOR
DECORSCOUTING
Symmetrical views, an enviable
range of pastel colours, a cast of
Hollywood stars (Scarlett Johansson,
Tilda Swinton, Tom Hanks, Maya
Hawke, Matt Dillon and Willem Dafoe,
among others) and signature retro
vibes. Wes Anderson’s key narrative
style continues with ‘Asteroid City’. The
48 ELLE DECOR
Courtesy of Pop. 87 Productions / FocusFeatures
film takes us back to 1955, to the small
town of Asteroid City in Monument
Valley, where visitors experience an
incredible close encounter of the third
kind. Everything that happens next is
left to the imagination. For fans of the
American director, the appointment at
the cinema is from 14 September.
 Ideal landscapes
The art installations and fit outs that
Agostino Iacurci creates in fashion and design are evocative
and surreal settings. The author tells us about them
by Germano D’Acquisto — photos by Lea Anouchinsky and Andrea Pisapia

Photo Andrea Pisapia

52 ELLE DECOR

Portrait by Lea Anouchinsky
Agostino Iacurci portrayed in his
installation, ‘Dry Days, Tropical
Nights’, in largo Treves in during
the latest Fuorisalone. The starting
point was the work of two
climatologists who suggested Italy
ART DESIGN
having desert and tropical
landscapes caused by the climate
crisis; opposite page, a detail of
‘Four Landscapes Plus One’ on
display at the Hermès boutique, in
Via Montenapoleone 12, Milan.
53 ELLE DECOR
54
ELLE DECOR
Photo Andrea Pisapia
 ART DESIGN

The cacti in the piece ‘Dry Days,

Tropical Nights’ peep out from
the imposing tower designed by
Arrigo Arrighetti in Largo Treves,
Milan. Opposite page, the
Apulian artist’s hybrid figures
take over the windows at Hermès,
Photo Lea Anouchinsky

welcoming the House’s

accessories among bright
shapes and colours.

55 ELLE DECOR
ART DESIGN
“I give shape to my personal, mental scenarios, be they paintings,
sculptures, environments or sounds”
Another glimpse of the light
installation on display inside
the tower in Largo Treves, in
Milan’s centre, during the latest
Design Week. Agostino Iacurci
prompted viewers to consider
the future of our planet and
humanity. agostinoiacurci.com
56 ELLE DECOR
Agostino Iacurci
Cacti, trees and bright corals mix to create surreal
compositions; anthropomorphic figures immersed in dreamlike
landscapes; tropical mirages that stray into graphic shapes.
And more: heads, clouds, hands and threadlike creatures
interacting with the most diverse architectural forms.
Until 23/9, Agostino Iacurci’s visionary universe takes over
the Hermès boutique at Via Montenapoleone 12. The Milanese
shop thus turns into the ideal setting for the installation ‘Four
Landscapes Plus One’, where strange plant-like elements
showcase the House’s valuable objects. “I envisioned creating
four window displays acting as individual landscapes, sculpted
from wood, iron and resin, and enlivened by anthropomorphic
and zoomorphic lights transforming the vegetation into hybrid
creatures”, explains the artist. “I also devised a path across the
interiors, with a fifth sculpture in the large internal stairwell.
Finally, I applied some window decals to decorate the row
of windows on the façade and project light patterns into the
store”. A painstaking job that is kind of his trademark. Born in
1986 and originally from Foggia, Iacurci was one of the
protagonists of Milan’s latest Fuorisalone with a majestic
installation set up inside the tower in Largo Treves. At the end
of June, during the Masciarelli Art Project, he launched the
site-specific ‘Vite’ among the vineyards of the Castello di
Semivicoli. From 21/9, he’ll star in a painting exhibition at the
Pacific Design Center Gallery in LA’s West Hollywood.
His art is hard to categorise; inspired by the work of Lucy
McKenzie, Nathalie Du Pasquier and Camille Henrot, it’s
capable of transitioning from painting to graphics and from
design to architecture. He considers himself a “landscape artist”.
“With this term I encompass the environment, architecture and all
the domains of life”, he tells us. “Gilles Clément states that
landscape is what we keep in our memory once we stop looking,
and more generally, by exercising our senses inside a space.
This way, I give shape to my personal, mental scenarios, be they
paintings, sculptures, environments or sounds”. Places inhabited
by strange figures that vary constantly. “A repertoire that
transforms over the years”, he says. “It arises from my curiosity
about the world around us, from observation and intuition.
Usually, I’m passionate about specific themes for long periods of
time, developing cycles of work. For example, I was thinking of
the decorative and architectural elements that interested me when
I made murals. Then, reading a lot about the plant world,
Photo Lea Anouchinsky
I fell in love with garden painting. I always retain something from
every moment, which I transfer to the next stage”. Hence, it’s a
continuous flow in which the elements connect with one another.
Almost a paradigm of everyday life, in which things only have
meaning if revealed as a whole. —
 LAND&ART

Dolomites, SMACH 2023. The Biennial of Public Art

2023 presents 10 new works, located in the
Puez-Odle and Fanes-Senes-Braies National Parks.
Pictured, ‘Head in the clouds’, in Fanes,
by W. Gruber, H. Pichler, A. Stucki, J. Trebo.
Until 10/9. smach.it/art-park

Inspired by nature
Sculptures, installations and mini-architectures
leave museums and interact with the landscape.
In 10 parks to visit this summer
by Piera Belloni
Photo Gustav Willeit

59 ELLE DECOR
LAND&ART

‘Vivere Pontis’ by Offset

Rome, Festival de Cabanes. Home to the French

Academy in Rome, founded by Louis XIV,
Villa Medici hosts the creations of 7 design
studios in its Renaissance gardens. They are
micro-architectures made of recycled materials
or with an eco-responsible approach, inviting us
to rethink our relationship with nature. Above,
‘Vivere Pontis’ by Offset: a system to connect
two garden areas by means of a multi-level
walkway that offers visitors various views
on the landscape and, thanks to its many uses,
including screens and seating, new ways of
experiencing green spaces. Left, ‘Tutto Sesto’
by Aurel Design Urbain: a curvilinear design,
inspired by classic Renaissance mouldings,
partly to limit the wandering of people in the
garden and partly to invite them to take a break
in the shade of the trees. Below, ‘Timidité des
cimes’ by Atelier Poem: the structure,
comprising 15 modules with simple geometries,
represents a portion of woodland, inspired by
the shape of the pine trees typical of the
Roman landscape. Until 1/10.
villamedici.it/fr/festival-des-cabanes/
‘Tutto Sesto’ by Aurel Design Urbain

© Daniele Molajoli

‘Timidité des cimes’ by Atelier Poem

60 ELLE DECOR
LAND&ART

Yorkshire Sculpture Park. For his first major

exhibition in the UK, ‘Trap of the Truth’,
Austrian artist Erwin Wurm showcases 55
indoor sculptures and 19 placed in the
large park surrounding the institution, some
of them site-specific. Pictured, ‘Trip’ and
‘Dance’, 2021. Until 24/10. ysp.org.uk

Photo © Jonty Wilde. Courtesy of Erwin Wurm

62 ELLE DECOR
LAND&ART
Passion for nature and its preservation meets that for art.
Becoming a cultural project of great value
Castropignano (CB), ‘Una Boccata d’Arte’
The event offers exhibitions, projects and
site-specific installations in 20 Italian villages.
Pictured, one of the permanent works: ‘Il
pomeriggio della vita’ (The afternoon of life)
by Tommaso Spazzini Villa, 2022. Until
24/9. unaboccatadarte.it
64 ELLE DECOR
Can art serve as an intermediary between man and nature?
Many artists dealt with this issue, leading to the creation of
foundations and associations, which in turn created parks that
host contemporary art exhibitions, with the aim of promoting this
fruitful relationship. To be enjoyed especially in fine weather. The
brief itinerary presented in these pages also tells how passion for
nature, and for its safeguard, can become a valuable cultural tool
and proposal. The sixth edition of SMACH, Biennial of Public Art
of the Dolomites has opened on 8 July: it will display,
until 10/9, ten winning works of the international competition,
located in Val Badia between the Puez-Odle and Fanes- Senes-
Braies national parks. The art pieces interact with the surrounding
mountains, so visitors will discover breath-taking landscapes.
The Val dl’Ert Park in San Martino in Badia, where twenty-three
permanent works are on show, is open all year round. Arte Sella
in Borgo Valsugana, also nested in the Alps, also worth a visit.
This experimental, open-air museum was launched in 1986, and
over the years has hosted three exhibitions centred on works by
artists and architects such as Giuliano Mauri, Michele De Lucchi,
Kengo Kuma and Nils Udo (artesella.it). Central Italy can also
boast a number of nature parks devoted to contemporary art.
The most recent is OCA, Oasy Contemporary Art, in San
Marcello Piteglio, Pistoia, which will be inaugurated on 5/8 in
the presence of the first two artists, Massimo Vitali and David
Svensson (ocacontemporaryart.com). In Lazio, the Italian region
with the most ancient parks combining nature and art, the
“Sacred Grove” of Bomarzo celebrates the 500th anniversary of
the birth of its founder Francesco Orsini, known as Vicino, with
the ‘In arte Vicino’ (Vicino: close to art) festival, in collaboration
with Niki de Saint Phalle’s Tarot Garden in Capalbio, Paolo
Portoghesi’s Garden of Wonders in Calcata, Viterbo, and Daniel
Spoerri’s Hic Terminus Haeret in Seggiano, Grosseto
(inartevicino.it). In the heart of Rome, Villa Medici is home to the
French Academy in Italy, which was founded to support cultural
and artistic activities. In summer, its Renaissance gardens,
which offer one of the most spectacular views of the city, host the
second edition of the Festival des Cabanes. Strolling through the
greenery, visitors will discover seven ad hoc architectural
projects, which this summer will be home to workshops, readings
and yoga courses. A scattered exhibition involving 20 villages in
20 Italian regions is instead ‘Una boccata d’Arte’ (A breath of
Photo Alessandro Pace. Courtesy Fondazione Elpis
art), a project promoted by the Fondazione Elpis in collaboration
with Galleria Continua and supported by Threes Prod.,
where artists explore the relationship between their languages
and the environment. These year, permanent installations will
interact with new pieces by Jacopo Benassi, Serena Vestrucci
and Judith Hopf, among others. What about the world? The
Yorkshire Sculpture Park, which, in addition to 100 spectacular
installations in its garden, hosts many exhibitions every year,
deserves a visit: Erwin Wurm (see his summer house at p. 146)
is currently on show with works encapsulating his 30-year career
and a series of site-specific installations. —
 DESIGN&RESEARCH

A table set at the annual forum

of LUMA Arles, a foundation
established by Maja Hoffmann,
Swiss art collector and patron.
The Cuisine Collaborative
research project, overseen by
the Atelier LUMA creative
campus, aims to involve the
community of the Griffeuille
district in Arles, France, in the
development of a restaurant,
food training courses and a
cooperative. To create new job
opportunities and social links.

An all-local project
© Victor & Simon/Victor Picon

A creative campus in the heart of Provence, Atelier LUMA

is a research centre deeply rooted in the land. With newly opened
headquarters and workshops for study and experimentation
by Marta Lavinia Carboni

67 ELLE DECOR
DESIGN&RESEARCH

Designer and architectural items are

conceived according to sustainable principles,
choosing locally sourced materials

Above, Le Magasin Électrique, Lot 8, is a former

industrial building in the Parc des Ateliers, inaugurated
in May. Refurbished by Atelier LUMA in collaboration
with the Belgian studio BC architects & studies
Photos Adrian Deweerdt

and the English multidisciplinary collective Assemble,

it’s a sustainable architecture made with locally
sourced materials. Below, right, The Algae Platform,
a project studying the potential of algae as an
alternative biomaterial. Next to it, samples of fired
clay and glazes produced on site.

68 ELLE DECOR
DESIGN&RESEARCH

The Laines Oubliées project

explores the wool industry as an
innovative resource, investigates
the characteristics and history of
the ancient breeding of Merino
sheep in Arles and creates a
network from breeders to
designers. Pictured, a blanket dyed
with natural pigments.

Photo Max Felix

70 ELLE DECOR
DESIGN&RESEARCH

Virtuous circles: invasive plants become

the material of the future and production
waste turns into eco-friendly bricks

Above, a room of the Magasin

Électrique, Lot 8, showing the
3D model of the renovated
building. Above right, UpRooted
Project, prototypes made from
invasive plants that become
sustainable materials for local
crafts and industry to promote
Photos Joseph Halligan - © Victor & Simon/ Joana Luz

circular economy. Next to it, Sol

Perdu is a project that reuses
production waste, mining
residues and polluted soils to
create new items. Pictured, the
Protobriques, tile prototypes
made with recycled clays.

72 ELLE DECOR
DESIGN&RESEARCH
Designers, engineers, researchers and technicians work together
to promote and rediscover local resources and know-how
Before being an Atelier, LUMA is a foundation established
in Zurich in 2004 by Maja Hoffmann, Swiss art collector and
patron of the arts, with the aim of promoting artistic creation in
the fields of visual arts, photography, publishing and media, also
helping to support and fund projects. Then comes LUMA Arles,
an interdisciplinary creative campus founded in 2013 where
through exhibitions, conferences and performances, architects,
designers, artists, researchers, sociologists, activists, farmers,
philosophers and scientists question the relationships between
culture, the environment and human rights. The headquarters of
LUMA Arles is the Parc des Ateliers, an 11-hectare former railway
site where the Tower designed by Frank Gehry (inaugurated in
2021) and seven former industrial factories interact. It is in this
context that Atelier LUMA was created: it’s a programme of
LUMA Arles that since 2017 has been implementing projects
connected to the culture and the land where it is based:
the Camargue, a region with a great wealth of natural resources
and ancient knowledge that Atelier LUMA chooses to identify
and enhance. “We explore the many facets of the bioregion”,
says Jan Boelen, artistic director of Atelier LUMA, “we bring
together elements of history, culture, environment, society and
economy, weaving them into projects”. From rice fields to mineral
extraction, from salt pans to sheep farms, without forgetting
historical ceramics and textiles, the centre produces works
74 ELLE DECOR
Two tapestries being made at
Labo Textile, a workshop based
on four key concepts: fibres,
colour, fabric construction and
finishing. Through design
research, it strives to enhance
and preserve local resources
and know-how. Equipped with
machinery and tools for dyeing,
printing, weaving and
assembling, it promotes applied
research, prototyping and
small-scale production.
that are deeply rooted in the land. “Materials are heavy to
transport, and it is not sustainable to do so, they have to stay
local; on the other hand, ideas are light, they are the ones that
have to travel”, Boelen continues. “Wherever we are, we already
have everything we need: Atelier LUMA’s method is based on
this principle”. Conceived as a research centre, Atelier LUMA’s
current challenge is to find solutions to the environmental crisis.
“Maybe it’s too late. However, we are those who designed this
system, so it’s up to us to try to create a new one”. To do so,
they started from their region but are now going global by taking
their ideas far afield, according to Boelen’s theory of lightness.
“The projects we are working on are in Asia, the United States
and the Middle East, and in each of these places we explore the
local culture, identify the resources available and apply the same
method we developed in Arles. We are also getting several
commissions from automotive and luxury companies, industries
that seemed far removed from us, but which are showing great
Photo Adrian Deweerdt
interest in our design approach, which aims to educate or
re-educate people on the use of materials, the land and human
synergies. It is no coincidence that Atelier LUMA is the offshoot
of a cultural centre, i.e. the LUMA Foundation: we want to lay the
foundations for a new wealth of knowledge”. —
Edward Barber and Jay Osgerby,
English designers who have
created important projects
for B&B Italia, Flos, Hermès,
Knoll, Venini, Vitra, among many
others, portrayed in the Studio
Casoli gallery in Filicudi, which
this summer (until 23/7) has
hosted is hosting their solo
exhibition ‘From Island to Island’.

Barber & Osgerby
On show in Filicudi, this summer the two British designers
present their most interesting projects, made with unusual
materials and approaches. It’s a cue to talk about good design
by Bianca Scotto — portrait by Daniele Molajoli
Successful partnerships with important design brands,
as well as fruitful collaborations with avant-garde galleries. Over
almost thirty years of experience, the British duo of
Edward Barber and Jay Osgerby have consolidated a highly
personal approach to design in which material, colour and
techniques are constantly tested and explored. This summer, the
newly opened Studio Casoli gallery in the ancient village of
Pecorini a Mare, Filicudi, is hosting an exhibit on their production,
displaying a selection of pieces characterised by refined
materials and unprecedented manufacturing processes.
We met up with them to find out more about it and take stock of
quality design.
‘From Island to Island’ is the title of the exhibition:
from the British island, where your studio is based, to
Filicudi, which is already popular with artists and
designers. How did you discover it?
We already visited the Aeolian Islands and about six years ago
we landed here: although it is very small, rocky, inhospitable,
we immediately felt a unique creative tension. We met the
legendary Milanese gallery owner Sergio Casoli, with whom we
became friends. And in the summer of 2022, he told us:
‘Next summer I want to host an exhibition of yours in my gallery’.
At first, we thought he was joking: he was an art collector,
not interested in designer pieces, but his new objective was to
showcase all forms of creativity.
A collection of twelve pieces, in special editions,
from among those made in the last twenty years, stands
out in the gallery. What criteria guided the selection? Are
these, in a way, summer projects?
We did not want to turn the gallery into a design showroom,
but we did not have enough time to design new products.
So, we decided to choose our most interesting pieces, more and
less recent, selected from among those that could interact with
such an unusual space. These projects are centred on
craftsmanship, they required very specific skills to make them.
They represent different aspects of our research, pushing the
choice of materials and production processes to the limits.
Among them, some were made ad hoc: a wooden bench, the
Largo table, presented at this year’s Design Week in Milan for
Marsotto Edizioni and here in a special version, made of lava
stone from Mount Etna; finally, a tapestry, designed by us and
produced by the weaver Laura de Cesare, from Pisa.
In your work, collaborations with galleries devoted
to collecting art coexist alongside partnerships with
product design brands. How does your way of designing
change with such different clients?
When we started our professional career, we did not collaborate
PEOPLE
much with galleries because we feared too elitist productions.
Over time, we realised that instead it could be a great
opportunity to experiment, using more sophisticated materials
or complex processes: a wealth of knowledge and know-how that
could then be transferred to mass production. The engineering
of the Iris table, designed in 2008 for Established & Sons
and produced in only five pieces, for example, allowed us to
experiment with the chromatic potential of anodising processes.
Marble, glass, wood, metal… Is it the material that
affects the shape of the item or vice versa?
We believe that there is no single answer. Very often
we start a project with a specific material because the company
specialising in a particular type of workmanship asks us
to do so. In the case of the On & On chair made for Emeco, the
material determined its shape: it is a recycled and recyclable
plastic, which influenced the design, the name and also
the way the seats are stacked. The aim was to use as little
material as possible in the most efficient form. Other pieces, on
the other hand, start with an idea and the material is chosen later,
to meet certain functions. If we think of the Tobi-Ishi table
for B&B Italia, in this case in a special edition made of two-tone
marble, the material has a strong symbolic value, which must
express a particular idea of sturdiness. Conversely, if we are
asked to design an office table, we will select materials that are
resistant, durable and easy to clean.
How do you deal with the issue of sustainability,
which is now an essential part of a project?
We believe it should concern the entire production chain: how an
object is produced, packaged, shipped and disposed of. As
designers, we always feel the urge to produce pieces that are
completely sustainable. But, if we are serious about
environmental impact, the real problem is overproduction.
You work with international and Italian companies.
What distinguishes Italian brands?
Our first experience dates to our meeting with Giulio Cappellini:
we were very young, he fell in love with one of our pieces
he saw at Design Week in London, the Loop table, and wanted
to produce it. Most of the brands we collaborate with are Italian,
an experience that has been going on for twenty-seven years.
Besides being pleasant, in Italy we found great open-mindedness
and very high-quality production. When we launch a design
challenge, the team members always smile. And it’s as if they
confirm: ‘Yes, we can do it!’ —
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LANDSCAPE DESIGN

Damien Roger, born in 1983 —

The landscaper portrayed at the Issa
nursery (belonging to the French
Association of Collectors’ Nurseries,
ASPECO) in southern France, specialising
in south African plants. Here, Roger
selects plants for a project focussing on
native flora in the Calanques of Cassis.
The garden will also feature African
greenery chosen due to the
Mediterranean’s similar climate.

Portrait by Luc Bertrand

78 ELLE DECOR
 Marais de Bourges — 135 hectares
of marshland at the centre of France, here
lies Damien Roger’s archipelago of
experimental plots, a large area consisting
of islets devoted to biodiversity and the
natural regeneration of sheltering plants for
nesting species. The marsh reeds, historically
used in straw roofs, are harvested once
a year and used to shield the plants.

Green oasis
Discovering a secret garden in the heart of France.
Photo Stéphane Ruchaud

We are welcomed by young garden designer Damien Roger,

who reveals us the crucial role of gardening
by Stefano Olivari — photos by Stéphane Ruchaud and Luc Bertrand
LANDSCAPE DESIGN

The garden of the new

Relais Troisgros’ headquarters,
in the Roanne countryside —
Inside a 17-hectare park housing
an institution in French cuisine,
awarded with three Michelin stars
since 1968, the Paludes studio
has designed an agricultural park
containing a lake, vegetable
gardens, orchards and enclosed
gardens. The large garden in the
central courtyard conjures historical
elements like the maze, comprised
of long corridors of Molinia grasses
and Calamagrostis, and a
boulingrin (a flat area for playing
lawn bowls), revamped by using
a coat of ground terracotta,
sourced from the discarded tiles of
agricultural outbuildings.

Damien Roger’s Paludes studio implements each project by following

the growth and health of the plants over time

Photos Stéphane Ruchaud and Luc Bertrand

Villa Noailles in Hyères — The famous design institution’s park houses

many different gardens. Including, on the left, the one designed in the 1930s
by Gabriel Guevrekian and inspired by the work of Sonia Delaunay.
Damien Roger’s studio was involved in its recent restoration, using rustic
carpeting plants that provide coloured and uniform surfaces. Atop the hill,
above, a wild garden was constructed in the shade of a large pine forest,
with new walkways and a rich layer of native shrubs. The plants never exceed
eye level, for an unobstructed view of the sea.

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LANDSCAPE DESIGN
Grand Magasin Printemps Homme —
Perruche’s rooftop restaurant, on the top level of the
Parisian department store. To frame the city views,
a Mediterranean garden was created, selecting plants
that evoke a forest setting.
Castle in the Nièvre — In this semi-public
property (the village church and cemetery lie within
its perimeter), every two months for the past four
years Damien Roger and his collaborator, Robin
Weicherding, have gardened and trained a team of
three gardeners working on site. Among the projects
are the garden-terrace with flowering Iris orientalis,
Buddleja, clary sage and Kniphofia. paludes.com
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“Owning a garden, transforming it,
caring for it is the best landscaping school”
Damien Roger
In the Marais de Bourges, a swampy area surrounding
the medieval city in central France, between Orléans and
Limoges, Damien Roger cares for a small archipelago
purchased in 2006 when he was still a student at the École de
Beaux Arts. “To preserve this artificial landscape one has to
empty the canals several times a year, so that the water can
flow into the network of secondary canals that surround the over
1,000 islets, which have been created since the 15th century for
the city’s crops”, he explains. With the summer heat, several
plants go to seed, slowing their growth and requiring less care.
That’s a good time to reshape the banks and take advantage of
the low seasonal water. The sedimented soil at the bottom of the
canals, created by the water’s perpetual action, is collected
with a special, elongated mud shovel (pelle à vase). This surreal
swamp, a kind of enchanted place evoking a horticultural
Venice, can only be accessed by boat. Here, Damien Roger
began to grow, experiment, transform and observe the
archipelago; initially as an artistic practice, then as a student of
the École du Paysage de Versailles, where he graduated in
2011 with real field training. Today, these islets have evolved
into a widespread project that accommodates a collection of
Petasites, a nursery of willow shrubs with over 150 different
varieties, and perennial herbaceous plants chosen amongst the
most vigorous and impressive, such as Persicaria polymorpha,
Telekia speciosa and elecampane. Thus, for Roger, landscape
design begins with gardening; his grandfather was a municipal
gardener in Saint Quentin, in Picardy, and his grandmother
worked for rose growers. “Owning a garden, transforming it,
caring for it is the best landscaping school”, says Roger.
Unsurprisingly, his references are those landscapers who come
from the world of nurseries and gardening, such as Beth Chatto,
Christopher Lloyd and Piet Oudolf. The Paludes studio
in Paris, which Roger founded in 2010 with a team of garden
designers, implements his projects following the growth and
health of the plants over time. As in Villa Noailles, the renowned
art centre in Hyères, where he’s been responsible for the
gardens, the pine forest and the temporary installations since
2010. The studio doesn’t subscribe to prompt delivery projects
and is against so-called instantaneous results; for Roger, a
garden’s time is comprised of seasons, mistakes, growth spurts
and settling in. Thus, the studio’s landscapers design and also
garden, working in the Marais nursery, growing specific plants
for individual projects and, in the regions in which they work,
collecting seeds and cuttings to propagate in their gardens.
“Ecology is the foundation of everything, we are followers of
Gilles Clément”, he says. “The most valuable lesson has been
Photos Paludes
practicing ecology in the field, which comes from recognising
and observing the dynamics of plants”. A lesson put into
practice every moment of his work. —
 Foto Alex Bramall

84
BOOK

ELLE DECOR
 Lifestyle on vacation
A book explores the allure and timeless myth
of holidaymaking. Through outstanding examples of Made
in Italy hospitality, between past, present and future
words by Paola Maraone

The breakfast terrace at Hotel

Cipriani in Venice. Built in 1958 by
Giuseppe Cipriani, the hotel is
spread across two hectares on the
tip of the Island of Giudecca, with
breathtaking 270-degree views over
the Lagoon and Doge’s Palace. This
and several other accommodations
are illustrated in the book
‘Villeggiatura — Italian Summer
Vacation’, Assouline.
BOOK

A private theatre box from which to admire St Mark’s Square below,

Hotel Cipriani’s Dogaressa suite (above) is a gem decorated with
original artworks and exquisite fabrics. The suite is located in
Palazzo Vendramin, a historic 15th century building separated from
the main body of the hotel by a path through the lush gardens where
Casanova used to stroll with his conquests. Its twin suite, Palladio,
boasts a 180-degree view of the Lagoon, elegant antique furnishings
and a private pool, ideal for reveries under the stars. Right, the
hotel’s legendary Olympic-sized swimming pool, the only saltwater
pool in Venice. Below, Riccardo Canella, executive chef of the
Cipriani’s restaurant, with his staff.

Photos by Helen Cathcart - Marco Valmarana - Per-Anders Jorgensen

86 ELLE DECOR
BOOK

The outdoor pool at Portofino’s

Hotel Splendido, 67 rooms and
suites with handcrafted
decorations dating back to the
mid-20th century, perched on a
luxuriant hillside offering
gorgeous views of the bay and of
the yachts in the tourist marina.

Photo by Helen Cathcart

88 ELLE DECOR
BOOK

A vintage sports car (right)

is the perfect way to travel through
the Tuscan hills along historic
cypress-lined avenues, in a land
famous for its stunning views.
We are a stone’s throw from the
Montagnola Senese and the
Castello di Casole hotel, one of the
largest private estates in Italy. 39
rooms and suites of different sizes
and styles housed in a charming,
centuries-old building surrounded
by quaint, renovated farms, all set
within a 1,700-hectare property.

The Arcade Bar at Ravello’s Caruso (left) offers

breathtaking views between sea and sky thanks to its
privileged position in the highest spot of the Amalfi Coast.
Just 3 km from the cathedral and perched above terraced
lemon and olive groves, it looks like it’s floating over the
sea. Below, one of the rooms in the hotel, housed in an
11th-century building that’s been attracting visitors
for over a thousand years. Here, elegance meets original
frescoes, vaulted ceilings, stone arched windows
and antique furniture.

Photos by Tyson Sadlo - Mattia Aquila

90 ELLE DECOR
BOOK
The book is a kaleidoscopic map of idyllic places and lifestyles,
embracing a different spirit compared to a mere ‘vacation’
The cover of the book ‘Villeggiatura —
Italian Summer Vacation’ (above), published
by Assouline, with over 200 images and
texts by Cesare Cunaccia: the volume
explores the vast history and culture
of holidaymaking on a journey through
Belmond Hotels across Italy, from Venice
to Florence and from the Sienese hills
to the Amalfi Coast.
92 ELLE DECOR
Not so much a celebration of the adventure of travelling
(‘Sì, viaggiare’, evoking a famous Italian song) as the graceful
layers of elegant rhythms and rituals in a mosaic recalling the
glories of the past. ‘Villeggiatura — Italian Summer Vacation’,
published by Assouline, is the perfect summer salute — through
words and images — to the spectacular show of a holiday
between “luxury, peace and pleasure”, as Baudelaire put it.
Whether embraced by the relaxing sound of the waves, set in a
romantic landscape or lazily lost among the alleyways of an
ancient town’s historic centre, a summer vacation deserving of its
name is “a lengthy stay in a one-of-a-kind place with recreation
as its main goal”, explains Cesare Cunaccia, author of the texts.
Here, he lingers delightedly on the evocative tale of seaside
resorts, countryside villas and cultural cities, and of a series of
Belmond Hotel properties in Italy. From inland Tuscany to
Taormina, from the iconic Portofino and Ravello coastlines to the
historic heritage of Venice and Florence, these pages — with over
200 images — take us on a journey inspired by the amazing
places in Italy chosen as holiday destinations by the international
jet set: tycoons, artists and movie stars looking to get away from
the stress of everyday life “by embracing a completely different
spirit compared to a normal ‘vacation’, a more generic term
which, however, also refers to the process of moving from one
place to another”. Sunshine, sea and la dolce vita… The book,
immersed in a lighthearted atmosphere, finds its ideal fulfilment in
the places symbolising hospitality par excellence: from Venice’s
Hotel Cipriani, a temple devoted to worshiping relaxed style and
vintage allure, to Portofino’s Hotel Splendido, which captures the
effortless sophistication of the Ligurian Riviera; from Florence’s
boutique hotel Villa San Michele to the vast spaces of the
Castello di Casole, 40 km from Siena; from Amalfi’s Caruso
dominating the coast to the Grand Hotel Timeo, to experience
typical Sicilian glamour a stone’s throw from Taormina and
Mount Etna, all the way down to the nearby Villa Sant’Andrea
with its subtropical gardens overlooking the Mediterranean Sea.
A treasure trove of stories on travel, art and design, a
kaleidoscopic map of different places and styles, for physical and
mental regeneration. Because “while our bodies may be required
to remain motionless in one place for a long time”, Cunaccia
writes, “our souls are free to wander. And to take their time”.
Such is the true luxury of the contemporary world, “with no forced
stages. Making for a magnificent catharsis”. And where should
this catharsis take place? It’s a personal choice independent of
the aspirational tips shared by these pages: “any place that
represents an extension, a reflection of our inner self is fine”. A
spiritual refuge, a place we feel like we belong. Lady Diana used
to say she felt at home among the antiques and Fortuny fabrics in
the suites overlooking the Venetian Lagoon we find in these very
pages. But luxury isn’t a must to achieve a state of happiness; all
you need is the ability to recognise (and cultivate) the allure of
the timeless myth of Italian summer vacations. —
 LIFESTYLE
Photos Giulio Ghirardi

101 ELLE DECOR

 LIFESTYLE

Summer
hospitality
Holiday homes, designer
hotels, prominent architecture.
Five newly launched destinations,
where hospitality really counts
by Eleonora Grigoletto

Courtesy of Design Hotels™/ Saltresorts

95 ELLE DECOR
 2 Pnoes Tinos design hotel,
Greece — This group of individual villas,
with private gardens and pools, is the first
designer tourist destination on the island
of Tinos, in the Cyclades. The minimalist
architecture was conceived as an update
of traditional Mediterranean buildings.
The underground bedrooms are dug out
of the ground, while abstract and all-white
cubic shapes ‘emerge’ from the body of
water. Inside, the living and lounge rooms
are closely connected to the outdoor
spaces. The designers, from the Greek
Aristides Dallas Architects’ studio, have
called the building “a play of pure volumes
under the sun, reflecting onto the water”.
designhotels.com, aristidesdallas.gr

Courtesy of Design Hotels™

96 ELLE DECOR
 LIFESTYLE

3 Hotel La Palma, Capri —

The iconic hotel, inaugurated on the blue
island over 200 years ago, reopens after
a renovation by Francis Sultana, the
designer from Malta who carried out his
first hotel project. Driven by an obsessive
attention to detail, he designed every
element, from the interior décor to the
tapware and the embellishments,
featuring a recurring braid motif.
Skilfully capturing Capri’s freshness and
charm, he added a touch of flair and
fantasy in honour of the 1950s’ jet-set era.
The hotel foyer is an artistic statement
inspired by the Hotel La Palma’s original
vocation, a place where artists once
stayed and paid their bills by donating
their works. The frescoes on the wall and
ceiling are by painter Roberto Ruspoli.
Pictured, a detail of the reception and the
breakfast room. francissultana.com,
oetkercollection.com
Photos Giulio Ghirardi

97 ELLE DECOR
98
Photo John Pawson per Sabina

ELLE DECOR
 LIFESTYLE

4 Sabina Villas, Ibiza — The famous

British architect John Pawson designed
two villas for Sabina Ibiza, a private
estate comprising about 50 single-family
villas created by renowned architects and
conceived as an exclusive
accommodation. Designed by Pawson,
the two villas Can Adelfa and Can
Almendro (1,000 sqm, comprising seven
rooms, a home theatre, a cellar and a
25-metre swimming pool), are nestled
between the sea and the hill, enjoying a
unique view of the sunset. The use of local
limestone and white lime integrates the
architecture into the Mediterranean
landscape, perfectly unifying nature
and artifice. sabinaIbiza.com

99 ELLE DECOR
 5 Cap d’Antibes Beach Hotel —
Secluded from the bays of the Côte d’
Azur, the five-star boutique hotel opens a
new chapter in its history, following a
complete overhaul undertaken by Belgian
architect Bernard Dubois. Its clean
architectural lines sharply contrast with
the beach; the 35 rooms and suites
overlook the sea and the surrounding
parkland. “The Beach Hotel is raw and
fascinating, at once a tribute to modernist
architecture and Mediterranean beach
houses”, says Bernard Dubois. A
characteristic of the interiors are the
orange-peel texture on walls and the
1970s-inspired bespoke, dark timber
furniture (above). The private, fully
equipped beach area in shades of pink
(left), with the outdoor ‘Baba’ bar
(opposite page), evokes the atmosphere
of Tel Aviv. To complete the offer, there’s
‘Les pecheurs’, an award-winning
restaurant. capdantibes-beachhotel.com,
bernarddubois.com

100 ELLE DECOR

 LIFESTYLE
Photos Giulio Ghirardi

101 ELLE DECOR

 VIEW [July/August 2023]

104 NAPLES AT THE HEART OF SALENTO. The rebirth of a historic palace in the city
centre, reinterpreted by Giuliano Andrea dell’Uva. A refurbishment combining traditional
decor with a new, unprecedented language. 118 A DIVE INTO THE GREENERY. Nestled
among centuries-old olive trees, an architecture designed by Luca Zanaroli considerately
merges into the Apulian landscape. Bonding with the region. 132 A DANCE FOR TWO.
In the small village of Sternatia, the Salento residence of a couple of ‘contemporary
nomads’. A place in the making for art and design. 146 LIGHT, PEACE AND CREATIVITY.
Modernist furniture and works characterise the home of Austrian sculptor Erwin Wurm
on the Greek island of Hydra. Where, on holiday, the artist turns to painting.

103 ELLE DECOR

N A PLES
AT T H E H E A RT
O F SA LE N TO
by Francesca Benedetto — photos by Max Zambelli
In the patio of Giuliano Andrea dell ‘Uva
and Andrea Sorrentino Mangini’s residence
in Presicce (Lecce), handmade majolica flooring
by Ceramica Francesco De Maio. The vine
leaves painted onto the geometric pattern
appear to have been blown there by the wind.
Vintage Tripolina chairs and bamboo daybed
by Tito Agnoli. Alanda coffee table by Paolo
Piva, chairs and bespoke table by Ethimo.
Beneath the porch, vintage settee and pots
by Antica Manifattura Stingo, Naples.

105 ELLE DECOR

The entrance to Palazzo Napoli, the Uva family’s
summer house, with the staircase leading to the
sleeping quarters. On the walls, clad in original
Marmorino, bespoke brass and coloured glass
wall lamps. Opposite page, in the dining room,
bamboo table and chairs by Gabriella Crespi with
Pierre Frey upholstery. Vintage armchair,
reading lamp by Hans-Agne Jakobsson.
107 ELLE DECOR
 “Living in a period home,
even on vacation, affords ample
space with stories to tell”
Giuliano Andrea dell’Uva

108 ELLE DECOR

In the foreground, in the living room
that once housed Presicce’s pharmacy,
1960s Continuum armchair by Gio Ponti for
Bonacina 1889, upholstered in a cotton
bouclé fabric by Christian Fischbacher. On the
vintage coffee table by Finn Juhl, vessel by
Paola C., Daybed by Paola Navone for
Gervasoni, and pendant lamp by Hans-Agne
Jakobsson. On the wall, artwork by
David Tremlett, Galleria Alfonso Artiaco.
A glimpse of the courtyard with the
custom-made majolica flooring by Ceramica
Francesco De Maio. Bespoke iron and
aluminium table, Ethimo chairs. Upstairs, the
balcony with the iron pergola and vines follows
in the tradition of many of Presicce’s historic
homes. Opposite page, the kitchen as seen from
the portico, with the masonry island clad in
ceramic tiles. Integrated hob by Pitt,
Gople pendant lamp by Artemide.
 “My wife Andrea and I have been visiting Salento
for over ten years. It’s where we spend our summer
vacations and where we got married”. Thus begins the
story of architect Giuliano Andrea dell’Uva while we walk
along the paved lanes of Presicce, the town in the province
of Lecce reputed to be among Italy’s most beautiful. Being
a true Neapolitan, he doesn’t forgo stopping for a good
coffee at Palazzo Ducale’s hanging gardens, which is also
a charming and lively spot for an apéritif. Along Via
Michele Arditi, we admire the palace that — Giuliano tells
us — owes its name to the Marquis of Castelvetere, the
great archaeologist and superintendent of the excavations
in Pompeii and Herculaneum at the end of the 1700s.
“It’s a village with great architectural appeal, in which the
elegance of tradition survives in the ancient manor houses.
Many mansions conceal beautiful gardens within, which
are open to the public once a year, in August”. But let’s
get back to the history of this house, which was discovered
thanks to the intuition of Giuliano’s wife, Andrea
Sorrentino Mangini, who between the couple has an
uncontested talent for spotting unique locations. “Presicce
awaited us and on a hot summer’s afternoon, we came
across this old manor along the main avenue. The oldest
floorplan dates back to the 18th century, but the actual
building was constructed between the mid-19th and the
early 20th century, as attested by the Liberty frescoes on
the first floor, now carefully restored. The interior layout
seemed perfect for our needs, with so many rooms for our “At the entrance, the room that once housed a pharmacy
children and guests arranged on two levels. The garden is now a small living room. Here, we discovered and
was very big, with the grounds reaching under the arches, restored the frescoes concealed under layers of paint and,
so we transformed the area adjacent to the portico into a with the help of a skilled local craftsman, we created the
kind of Neapolitan terrace, decorated with handmade Cocciopesto flooring”. Giuliano and Andrea didn’t resist
majolica”. Andrea was on site for an entire month to the urge to add collectible designer pieces, one of their
personally supervise the laying of the tiles in a design that shared passions. The bamboo table and chairs by
replicates an ancient graphic, with vine leaves that appear Gabriella Crespi, the armchair designed by Gio Ponti,
to be blown by the wind. “The use of colour and and the back-to-back washbasins decorated by Antonia
Campania tiles was actually already a feature in Campi, in the elegant bathroom, stand out among others.
aristocratic villas in this part of Apulia”, continues “We endeavoured to uphold the residence’s historical
dell’Uva. “An area that is linked to our region through its identity, reconsidering the spaces from a contemporary
history, thanks to the many families who, since the 1700s, perspective and freeing them of clutter. Minimising the
moved here from Naples. Thus, this strong connection presence of furniture and trinkets to maximise the value of
became the project’s main theme”. Besides the patio, the vintage décor and the refined materials”. By alternating
most important renovations concerned the ground floor intimate and breathable rooms, between interiors and
rooms, which over the years had different uses; the kitchen, exterior, the homeowners’ convivial spirit easily comes
once the manor’s shed and later used as a fruit shop, was across. With the arrival of summer, the decorated patio
re-annexed to the house. A spectacular, five-metre high is transformed into a large outdoor living room, the ideal
window grants access to natural light, reflecting venue for dinners with friends and many droppers-in.
onto the ceramic covered volumes: seating, cabinet Meanwhile, little Elettra and Tancredi are more interested
and countertops that reinterpret old masonry kitchens. in an evening dip in the pool. —

111 ELLE DECOR

112 ELLE DECOR
The body of water created by SYS Piscine is
raised slightly above the garden level,
and features Lecce stone edges. Sand loungers
made of natural teak, Classic beach umbrella
by Ethimo. Opposite page, the large iron
window installed in the kitchen connects to the
garden. Masonry volumes covered in tiles
accommodate the hob, countertops and marble
sink. Leggera chairs by Gio Ponti.
114 ELLE DECOR
In the bathroom, formerly one of the upper
floor living rooms, the early 1900s frescos are
eye-catching. At the centre are a pair of
washbasins by Antonia Campi for Richard
Ginori and bespoke mirrors. Natural brass
tapware by Tara Dornbracht, vintage iron
stools, and Cocciopesto floor. Opposite page,
in Tancredi’s room, walls and ceilings feature
original décors, Vanessa iron beds designed by
Afra and Tobia Scarpa for Gavina, sheets by
Tessitura Calabrese. Pendant lamps by Rodney
Kinsman for Bieffeplast.
116 ELLE DECOR
On the balcony upstairs, majolica
floor designed by dell’Uva, created
by Ceramica Francesco De Maio.
In the greenhouse, the ensuite with
the washbasin from the Gardena
series by Antonia Campi for Richard
Ginori. Handmade terracotta pots by
Giampiero Indino. Opposite page,
in the main bedroom, walls painted
with faux ashlars and ceiling with a
bamboo railing effect. Vintage L171
bed by Osvaldo Borsani, Society
Limonta bedlinen.
The country villa designed by
architect Luca Zanaroli, between
Carovigno and Ostuni, is
comprised of simple, linear
volumes winding through the olive
grove and adapting to the natural
environment. The garden project
was developed in collaboration
with Studio Paz.

118 ELLE DECOR

A DIVE INTO
THE GREENERY

Nestled among centuries-old olive trees, an

architecture designed by Luca Zanaroli considerately merges
into the Apulian landscape. Bonding with the region
by Francesca Benedetto — photos by Nathalie Krag
120 ELLE DECOR
The wall separating the kitchen from
the amenities is clad in oak panels.
Next to the bespoke table with an
iron base, Wishbone chairs by Carl
Hansen & Søn. Pendant lamps by
Peter Zumthor for Viabizzuno and in
the living room, at the back, 265
lamp by Paolo Rizzatto and Taccia
dei Castiglioni, both from Flos. Next
to the fireplace, Hungarian vase and,
on the coffee table in the living room,
1960s German ceramics. Opposite
page, the entrance looks like a
telescope pointed at the olive trees.
The cosy, custom-made masonry
sofa transforms the living room
into an island to relax in during
the winter months, when
temperatures prompt one to light
the floating fireplace by Focus;
wall lamp 265 by Paolo Rizzatto
and Taccia dei Castiglioni, all
from Flos. On the chestnut coffee
table by Fioroni, 1960s vases.
Floor made of polished and
waxed industrial concrete,
armchair by Ferm Living.
Opposite page, the pool reflects
the fronds of the olive trees and
the tufts of grass, helping to
merge the architecture with the
natural landscape. In the
background, one glimpses the
custom outdoor copper shower.
122 ELLE DECOR
The countryside of the upper Salento is characterised by
rolling hills and magnificent, millenary olive trees, many
of which are of considerable size. This is the context in which
architect Luca Zanaroli designed a residence for a Milanese
couple: a plot of land between Carovigno and Ostuni, delimited by
dry stone walls and peppered by trees with large canopies
that filter the sharp southern light against the red earth of Puglia.
“That was all, but certainly enough to consider it the ideal place for
the homeowners who, for some time, had been searching for an
ideal location for a retreat surrounded by nature”, explains
Zanaroli as soon as we reach the front gate. We follow
the path winding through the lush garden as the architect recounts:
“The customers’ wishes were very straight forward and just as
specific: an intimate retreat in which to recuperate in, but also in
which to work remotely. To feel at one with the surrounding
environment. Hence, the idea of creating a kind of spread-out home
with fluid, undefined spaces, opening up to the landscape, where
the gaze could always catch the greenery surrounding
the villa. I always thought that building in such a context was
‘violent’ towards nature, like a wound that needs tending. With this
in mind, the construction prioritised the location by not uprooting a
single tree, and considering the trees not just non-negotiable
obstacles, but integral elements of the project. Actually, the olive
trees protect the building from the wind and the summer sun,
providing needed shade to prevent the surfaces from overheating,
and filtering the light, allowing the air to circulate freely”.
The volumes are simple, recalling the rudimentary and compact
shapes of Apulian dwellings, yet they’re arranged in a way that
follows the shadows and voids defined by the tree arrangement.
The living areas are minimalist and comfortable: the all-white living
room is designed as an indoor relaxation area with a view defined
by the spectacular floating fireplace, perfect for winter evenings.
The use of pigmented lime mortar, applied by hand, with a tactile
effect on the walls, absorbs the light without refracting it,
thus reducing the glare of the sun’s rays entering in the afternoon.
The kitchen, sheltered by a slight vault, is characterised by the use
of wood for the dining table and on the wall that separates the room
from the other areas. Most of the home’s furnishings, from the
sociable sofa to the beds in the mini suites, are made of masonry
and crafted by local artisans. The materials employed are
traditional: lime plaster and dry stone walls, sourced from the
excavation carried out during construction. The natural concrete
exterior floor is in a light hazelnut colour, polished and waxed;
while the area adjacent to the pool is paved in white, sandblasted
stone to avoid the build-up of heat during the summer. “The large,
south-facing glass walls are sheltered by the fronds of the olive
trees, while those exposed to the sun’s rays are very thick
and made of stone, making the most of passive geothermal power;
accumulating heat during the day and releasing it slowly overnight”,
continues Zanaroli. “This design approach allows, to some extent, a
truce with the natural environment, but also addresses the
homeowners’ brief of a self-sufficient house. Thus, the energy used
for their daily requirements is renewable power provided by the
hidden photovoltaic panels on the roof, while the rainwater
collected and stored in a tank is utilised to water the garden”.
From the glazed living room, the other stone and white plaster
architectural volumes evolve; defined by oblique outlines, they add
character to the overall design. Stepping outside, we discover a
series of outdoor rooms conceived for living in the open air all-year
round. “We designed a masonry living room facing a fireplace cut
into the stone wall, but also a relaxation area in a secret nook
between agaves and prickly pears. For evenings with friends there’s
a kitchen obtained from the old animal enclosure and a dining area
with a concrete table in the shade of the almond trees”. These
spaces are an integral part of the architecture and landscape; like
the garden project carried out alongside landscape designer
Giuseppe Tricarico, from Studio Paz, which contributes to totally
merging inside and outside. At sundown when the shadows
lengthen, the scented Helichrysums reflect against the surface of the
swimming pool, which seamlessly fits into the surroundings thanks to
the bottom of the pool’s dark colour. While the game of reflections
underscores a renewed relationship between nature and artifice. —
Reflections against the windows
defining the villa. One can
glimpse the kitchen with the
bespoke table, the chairs by Carl
Hansen & Søn, and the pendant
lamps from Viabizzuno. Opposite
page, the outdoor dining area is
a welcoming space in the shade
of almonds and olive trees.
Bespoke concrete table, fabric
and wooden chairs, TeTaTeT table
lamps by Davide Groppi. The
project is based on the key
concept of merging architecture
and landscape.
125 ELLE DECOR
 “The construction prioritised the
location by not uprooting a single
tree, and considering the trees not
just non-negotiable obstacles, but
integral elements of the project”
Luca Zanaroli

126 ELLE DECOR

Clockwise from the top, the
custom-made outdoor copper
shower adjacent to the pool area;
a glimpse of the tactile kitchen with
the bespoke table, the Viabizzuno
pendant lamps and the chairs by
Carl Hansen & Søn, and 19th-
century ceramic vases; a detail of
the architecture as seen from the
staircase leading to the terraced
roof, between shadow and light,
fullness and void, nature and
artifice. Opposite page, two Desert
Lounge Chairs by Ferm Living
make for perfect poolside
relaxation; a portrait of architect
Luca Zanaroli, who implemented
the project; the outdoor living area
with the bespoke sofa and coffee
tables by Zeus Noto.
The guest rooms with the ensuites
were obtained from the eastward-
facing volume. Beside the
masonry bed, with linen sheets by
Borgo delle Tovaglie, Roy wall
lamp by Viabizzuno. Corten steel
fixtures. The light grey walls,
coated with pigmented lime
mortar, applied by hand, reduce
the glare of the sun. Opposite
page, the white lime façade of the
section housing the sleeping
quarters, with the small awnings.
129 ELLE DECOR
The architecture designed by Luca
Zanaroli fits in with the olive trees
in the garden through a game of
volumes. With their thick
canopies, the trees contribute to
keeping the indoor environment
cool while providing shaded
areas outside. The dry-stone walls
at one end of the perimeter
originate from the excavation site
with a green approach. The
selection of plant species
surrounding the pool was curated
by Studio Paz, who preferred wild
plants, typical of the
Mediterranean basin.
131 ELLE DECOR
 A DANCE FOR T WO
In the small village of Sternatia, the Salento
residence of a couple of ‘contemporary nomads’.
A place in the making for art and design
by Francesca Benedetto — photos by Andrea Ferrari

132 ELLE DECOR

Christian Pizzinini and Antonio
Lodovico Scolari, portrayed riding
their mountain bikes, in the imposing
courtyard of Palazzo Granafei, in
Sternatia. Opposite page, the play of
perspective of the sequence of
rooms, characterised by 18th-century
frescoes. Left, work by South
Tyrolean artist Aron Demetz; right,
vintage floor lamp by Stilnovo.
134 ELLE DECOR
In the dining room, travertine and
lacquered wood table, designed
by Progetto Nomade Gallery,
made by the craftsmen of Serafini
Arredamenti and Nuova Marmo
Arredo, in Galatina, and Leggera
chairs by Gio Ponti for Cassina.
Vase by Ettore Sottsass for Bitossi
and ceramics by Giovanni
Lamorgese. Opposite page, a
view of the charming garden of
Palazzo Granafei, in Sternatia.
 In the fireplace room, from left,
vintage Brazilian chair, floor lamp
by Joe Colombo and P40
armchair by Osvaldo Borsani for
Tecno. Left, on the wall, work by
Marco Andrea Magni. Next to
the Berber rug, cement pieces by
artist Raffaele Quida. Right,
Imbuto floor lamp by Luigi Caccia
Dominioni for Azucena.

136 ELLE DECOR

 Sternatia is a village of 2,000 inhabitants in the heart
of Salentine Greece, south-east of Lecce. At the end of the
15th century it became the headquarters of the militia under
the command of Alfonso of Aragon, the future king of Naples:
it was from here that he launched the campaign to liberate
Otranto from Turks, who were sieging the city. One of its
monuments is Palazzo Granafei, the residence of the family
of the same name that held Sternatia as a fief from 1733.
The building, attributed to architect Mauro Manieri, was
constructed in the Lecce Baroque style on the remains of an
earlier Byzantine and then Aragonese castle. The main
façade, overlooking the square, is characterised by an
imposing entrance portal, surmounted by the coat of arms
and a top balustrade that runs all along the building’s front.
On the second floor of the rear side, distinguished by its
13th-century basement and more austere appearance, are the
guest quarters, turned into the Apulian home of Christian
Pizzinini and Antonio Lodovico Scolari. The owners, founders
of a communications agency in the luxury travel and hotel
industry, have long been linked to the region. “After having
sold Palazzo Mongiò dell’Elefante in Galatina to a couple of
Danish friends, we lived for two years in a smaller house in the
historical centre of Copertino”, Christian tells us as we walk
through the magnificent, ancient garden with its old-style
charm. “Visiting the flat for sale inside Palazzo Granafei, we
immediately fell in love with this decorated gem, very unusual
for Salento”. The house, inhabited until last December by the
noblewoman Mariateresa with her husband, had retained
most of its original elements: a row of rooms characterised by
arches, ancient earthenware floors, wall decorations and
wood panelling. “We intervened with a sort of light make-up
just to clean up the frescoes and highlight the strong points”,
continues Antonio. “The beauty of the architecture, the historic
building, the southern light flooding the rooms and the terrace
overlooking the greenery and rooftops removed all doubt”.
Today, the residence has a dual character: a place of peace
and relaxation, which the couple inhabits at various times of
the year, working between Northern and Southern Italy, but
also a space open to selected friends and guests. Furnishing
the rooms are some collectors’ pieces, such as the sideboard
by Ettore Sottsass, the lamps designed by Joe Colombo and
Luigi Caccia Dominioni, and the more ‘democratic’, mass-
produced lamps by Sabine Marcelis; in addition to them, a
travertine table designed by the homeowner together with
local craftsmen, and a sculptural console table, a tribute to
Carlo Scarpa. Some works are site-specific, such as those by
Raffaele Quida and Roberto Visani. “Thanks to Progetto
Nomade Gallery, this house will be a sort of container,
where new ideas will flow and exclusive exhibitions linked to
our passions will be hosted, ranging from contemporary art,
mostly conceptual, to avant-garde design”, Christian and
Antonio conclude. “Because the relationship between these
two realms, made of resonances, aesthetics and affection,
leads artworks and items on a continuous journey that always
brings them back home”. —
 The staircase on the terrace leads to the large flat roof that, from
above, dominates the small and picturesque centre of Sternatia

138 ELLE DECOR

On the marble console table by
Hannes Peer, Y28 vase Yantra
series by Ettore Sottsass, from
Galleria Luciano Colantonio, and
wall work by Ettore Spalletti,
Galleria Massimo Minini, Brescia.
Carlo Hauner’s rug for Minorca
Tessuti dates to the 1960s.
Opposite page, the homeowners
engage in gardening (landscape
design by Gabriele Fanuli).
 “The artworks we love,
collectible designer pieces and
our favourite items find a place
in our homes, in a nomadic
path. Hence the idea of a
gallery-container where all our
passions come together”
Christian Pizzinini and Antonio Lodovico Scolari

140 ELLE DECOR

From above, 1970s chairs by
Carlo Scarpa for Gavina and the
view from the terrace over the
centuries-old park of Palazzo
Granafei. The dining room with
the travertine and lacquered
wood table designed by Serafini
Arredamenti and Nuova Marmo
Arredo, Galatina. Leggera chairs
by Gio Ponti for Cassina, vase
by Ettore Sottsass for Bitossi,
ceramics by Giovanni
Lamorgese. On the wall, work by
Roberto Visani. Opposite page,
from above, the frescoed
hallway of Palazzo Granafei, the
‘gallery room’ with artworks by
Enrico Benetta, Roseline Granet
and Claudio Gallo; floor lamp
by Joe Colombo, upholstery by
Progetto Nomade Gallery.
Below, in the corridor, Medea
chair by Vittorio Nobili and
‘Sud’ light installation by
Antonio Lodovico Scolari for
Progetto Nomade Gallery.
The outdoor relaxation area on the
terrace on the top floor, adjacent to
the dining room. Seating by Jasper
Morrison for Cappellini, wall-
mounted pendant lamps by Progetto
Nomade Gallery. Opposite page,
the guest room with the iron bed by
ALdesign. In the background,
sideboard by Ettore Sottsass from
Raimondo Garau Gallery, Apulian
baroque heads and artwork by
Roberto Visani. Right, 1930s wall
sconce from an old cinema.
143 ELLE DECOR
144 ELLE DECOR
From the terrace, a striking
black-and-white view of the parish
church of Santa Maria Assunta in
Sternatia. Opposite page, paso
doble for the pair of 1970s chairs
by Kazuhide Takahama for
Gavina. In the background,
site-specific work ‘12470
Altrove’ by Raffaele Quida. In the
foreground, a work by
Progetto Nomade Gallery.
The relaxation area of Erwin Wurm’s
house in Hydra. Sofas by Pierre
Jeanneret, Tabouret Méribel stool by
Charlotte Perriand, coffee table by
artist Carl Auböck. Between the
windows, a small painting by Wurm.
During the refurbishment, the
traditional ceilings were preserved.
The lamp was bought in Marrakesh.
Opposite page, the artist at work.
LIGHT

PEACE

CREATIVITY

Modernist furniture and works characterise the home

of Austrian sculptor Erwin Wurm on the Greek island
of Hydra. Where, on holiday, the artist turns to painting
words by Germano D’Acquisto — photos by Martien Mulder

147 ELLE DECOR

148 ELLE DECOR
The spacious living room seen from
another angle. In the foreground, sofas
by Pierre Jeanneret. In the background,
Erwin Wurm at work on the Flavigny
desk designed by Jean Prouvé in 1945.
On the right, wooden sideboard by
Charlotte Perriand. Several canvases,
created by the Austrian artist during his
summer holidays, stand out on the
all-white walls, a tribute to the
Mediterranean style.

149 ELLE DECOR

 Above, the entrance to the living room.
Left, a Tout Bois wooden chair by
Jean Prouvé (1941). On the floor,
the rug is an 18th-century kilim. In the
background, an armchair by Pierre
Jeanneret can be glimpsed. Pictured on
the right, the artist from Bruck an der
Mur sits at Prouvé’s Flavigny table next
to his daughter. Opposite page,
overlooking the sea, the swimming pool
on a rock floor. Beside it, Erwin Wurm’s
‘Cucumber’ sculpture has been
transformed into a fountain.

150 ELLE DECOR

 Someone wrote that landing in Hydra is a bit like feeling
human again. Because visiting this island, located off the coast of
the Peloponnese, in the heart of the Aegean Sea, is almost a
journey back to the origins. There are no cars, time is dilated and
everything exudes beauty and peace. This is why Austrian
contemporary art star Erwin Wurm chose it as a buen retiro for
himself and his family. Famous the world over for his paradoxical,
absurd and twisted sculptures, the artist has decided to live in a
minimalist house, built in stone from an old 19th century structure.
“It is located in a protected area”, he explains. “We have
completely refurbished it, preserving some original elements such
as the wooden ceilings and the floor, but adding more
contemporary and usable new pieces”. Wurm lives there two or
three months a year. He was thunderstruck after spending
a few days there, invited by his gallerist Thaddaeus Ropac. “It
was love at first sight”, he says. “Because here it is pure peace.
Everything is preserved, everything is untouched. When you
arrive, you see no billboards, no plastic chairs, and satellite
dishes don’t sprout here and there from the roofs. Besides, this
place encourages creativity. Artists like Leonard Cohen,
Fischli and Weiss, Brice Marden have lived here”. Wurm recounts
how he has always been fascinated by old architecture in need of
renovation, which he furnishes by mixing traditional and
contemporary pieces. In addition to the villa in Hydra,
he also owns a castle-house in Lindberg (where he also has his
studio) and a loft in Vienna’s Leopoldstadt district
(Elle Decor 3/2023). Each residence is influenced by a typically
modernist style, the same that can be found in the bright rooms
of the villa overlooking the Saronic Gulf. “I love Pierre Jeanneret
and Jean Prouvè”, he confesses. “I like how their creations
interact with my works, generating visually appealing short
circuits”. Every single piece was chosen by the artist and his wife
Elise, who followed the entire renovation work step by step,
commuting every month from Austria to Greece. The various
rooms accommodate sofas by Pierre Jeanneret, chairs by
Jean Prouvé, sideboards by Charlotte Perriand and even coffee
tables by Austrian designer and painter Carl Auböck.
“We didn’t need an interior designer”, the artist explains.
“We did everything ourselves, giving free rein to our artistic
sensitivity”. A sensitivity that here is fed all the time. Thanks to the
light of the Mediterranean, which prompted Wurm — with works
on show, until 24/4/2024, in the exhibition ‘Trap of the Truth’
at the Yorkshire Sculpture Park, Wakefield — to start a new
chapter in his spectacular artistic career: always associated with
sculpture, in Hydra the artist also turned to painting. “It happened
almost out of the blue”, he tells us. “I found canvases and colours
in a workshop down in the village and started painting. It is
difficult for me to really take a break; I need to keep my mind
active all the time. But here I finally found the ideal compromise
between commitment and relaxation”. —
151 ELLE DECOR
152 ELLE DECOR
A glimpse of the terrace overlooking
the sea, with a view of the Peloponnese
coastline. Erwin Wurm enjoys the sunset
while lying on the masonry-framed sofa
that borders the roof. Standing on the
upholstery and the Indian day bed, in
the foreground, is a series of paintings
inspired by the colours of Greece,
painted by the homeowner. The three
pink ceramic coffee tables are part
of the Mila series, designed by
Sebastian Herkner for Pulpo.

153 ELLE DECOR

 INSIDEDESIGN
Outdoor and indoor kitchens for entertainment time.
The latest tableware and bespoke projects
by Tamara Bianchini and Murielle Bortolotto

Summer night. Designed by Andrea Bassanello and Carlo

Presotto for Modulnova, the Skill Gres project features a clean
Photo Quattrocerzi Studio

shape that defines the central island, which is distinguished by

a stoneware finish, Sahara Noir Raw, an environmentally
friendly, hygienic and resistant material. The countertop
houses the sink and stove. The 6mm-thick functional
components complete the system. modulnova.it

155 ELLE DECOR

INSIDE DESIGN/ KITCHEN

[1]

1. The minimalist monoliths of the Elementi kitchen by Snaidero and the

sculptural profile of the Groove doors comprise a system with clean
geometries. The central island with Piasentina Stone finish features worktops
and an integrated sink. snaidero.com 2. The new shade, Elements Pearl
Grey, of the Asko appliances distributed by BSD, is inspired by volcanic
stone and Scandinavian fjords. An elegant and neutral colour that
highlights the design and technology of the appliances. bsdspa.it
3. Andalusia is a collection of tumblers, goblets and a carafe designed
by Mario Trimarchi for Ichendorf Milano. Made of borosilicate glass,
their nuances draw inspiration from the traditional colours of the Spanish
region. ichendorfmilano.com 4. The cotton sateen and multicoloured Bottles
tablecloth by Mirabello is part of the Tablò Sateen Bio textile line,
from an eco-friendly brand. mirabellocarrara.it

[2]

[3]

[4]
Photos Alberto Strada

156 ELLE DECOR

Created to integrate seamlessly
into any design solution is the Keplan
pergola by KE Outdoor. It has an
innovative flat roof, a retractable cover
and height-adjustable posts. Available
as free-standing or wall-attached,
it can be illuminated with dimmable
LED strips inserted into the rafters
to create evocative settings aimed at
relaxation. keoutdoordesign.com

157 ELLE DECOR

 For the wellness area: a multifunctional shower
system and lightweight lines on tiles

[1]

1. The Haka collection by Newform

borrows the name of the Maori dance to
identify the products’ sturdiness and
durability. Pictured, the shower area with
brass controls, shower heads, jets and
handheld shower, available in four finishes:
chrome, sulky, white and matte black.
newform.it 2. The Fili by Ceramica Bardelli.
The 1984 line is now reinterpreted in
porcelain stoneware with a satin finish and
a glossy, digital print motif. For indoor/
outdoor flooring and cladding. bardelli.com
3. The illustration in watercolours depicts
the Outline Pyjama sleepwear line, in
sorbet hues, designed by Tilde Bjerregaard
for Hay. Made of organic cotton with a soft
and silky feel, in the sizes S/M, M/L and
in the bright shades of emerald, rose, blue
and yellow. hay.dk

[2]

[3]
 INSIDE DESIGN/PROJECTS

Ceramic surfaces draw inspiration from the colours of the Lagoon.

On/off switches in sophisticated monochrome tones

[1]

[2]

1. The colours of the Lagoon have

transferred to the surface of Unicom
Starker’s Venice series. Ceramic
floor tiles in different formats,
including mosaic and hexagonal. In
the variations: Rialto, Canalgrande,
Giudecca, San Marco, Murano and
La Fenice. unicomstarker.com
2. Prima is an indoor/outdoor tile by
Caesar, in shades of clay. Available
in six sizes, in the colours: concrete,
ecru, lead, chalk, clay, sienna,
powder and avio. caesar.it
3. The Linea collection by Vimar
meets the need for customised
solutions. That’s because it’s possible
to paint the controls and functions in
the same colours as the plates.
Made of technopolymer in the tones
of silver, clay and metal, for a
seamless result. vimar.com

[3]

159 ELLE DECOR

 INSIDE DESIGN/PROJECTS

A selection of doors in unexpected timbers and shades.

In Australia, a total look project to be imitated

[1]

1. Forest by ADL is a screen designed

to create tailor-made spaces within
the same room. Consisting of a
sliding panel without glass, with
spaced aluminium crossbars and an
aluminium frame. adldesign.it
2. Graphic lines, horizontal and
alternating, define the Plissè Vario
door by Ferrerolegno. Hinged or
sliding, in glossy or ultra-opaque
paint. ferrerolegno.com
3. With a single hinge or double
hinged, foldable or sliding, Feel 2
designed by Dierre. Cut from
bleached, veined oak, or in grey
timber, wenge wood or in the colours
of the RAL palette. dierre.com
4. Rasomuro 55s by Lualdi. Hinged
door flush to the wall, with anodised
aluminium frame. Wooden door
available in glossy painted shades or
natural timber. lualdiporte.com

[2] [3] [4]

160 ELLE DECOR

 The architectural firm F2 has designed this private
residence in Chatsworth Ave., Australia. Among the
project’s key strengths: the total look designed by
Garofoli, which besides doors, storage and wood
panelling, delivered the kitchen, the wardrobes and the
parquet flooring; all made to measure. garofoli.com
Photos Diago Brissos

161 ELLE DECOR

 DESIGNBOOK
In the Salento region, five designer projects inspire the mood of summer.
With indoor and outdoor pieces, it’s vacation time
by Murielle Bortolotto

The former fortified farmhouse

redesigned by architect Luca
Bombassei in the vicinity of
Nardò, in Salento, features
many alterations undertaken
at different times. The
restoration was minimal,
revealing textures and the
marks of time in the façade.
The niche, a refuge from the
oppressive heat, welcomes a
relaxing oasis of pillows in
various shapes and sizes, and
a painted wood African mask.
lucabombassei.com
Photo Andrea Ferrari

163 ELLE DECOR

DESIGN BOOK/ SUMMER HOME

[1]

[2]

1. Bloom by Kris Van Puyvelde for Royal

Botania. The large umbrella is available
in two round versions (330cm or 380cm
diameter) or square (275cm or 330cm),
in aluminium and steel. royalbotania.com
2. Irregular fringes on only one side
define the Nisida outdoor rug by
Giorgetti. Made of polypropylene, it’s
complemented by cushions.
giorgettimeda.com 3. Outdoor shower
CD021.1 designed by Formafantasma
for Quadro Design. Stainless steel AISI
316L, freestanding, shower head with a
spray jet. quadrodesign.it 4. Nautical
ropes and a sturdy and lightweight
aluminium frame for the Panama
Rocking Chair by Ludovica + Roberto
Palomba. A project designed for
relaxing, by Talenti. talentispa.com
5. Surrounding a trullo in Salento,
is a contemporary home designed by
architect Luca Zanaroli. Spacious, pure
volumes and a swimming pool blend into
the surrounding landscape.
lucazanaroli.com 6. Designer Nendo
has created Toori Nest outdoor for
Minotti. A collection of seating with
curved lines, woven backrest in a wide
mesh. minotti.com 7. Lava stone
tabletops for the Sen Outdoor tables
by Kensaku Oshiro, designed for
De Padova. Available in red, yellow
and green. depadova.com

[3]

[4]

164 ELLE DECOR

 Surrounding a trullo, a traditional courtyard is redesigned in a fluid
and organic style. Interacting with the new architectural spaces

[5]

[6]
words by Rosaria Zucconi — photos by Max Zambelli

[7]

165 ELLE DECOR

 For summer dinners, elegant stackable chairs
to match the designer table. The kitchen
is modular and the lamp represents superior
Italian craftsmanship

[1]

1. Braided rattan and black raffia

[2] define the Antonym lamp by Silvia
Stella Osella for Bottega Intreccio,
featuring a black brass frame.
bottegaintreccio.it 2. Land Kitchen for
outdoors, by Poliform in collaboration
with CAP. Wall mounted or
freestanding, it comprises a series of
modules hooked onto longitudinal
beams that make it look as if it’s
floating. polyform.it 3. Sled base
chair GT01, made of aluminium and
oak, with fully recyclable materials
and stackable, by Gio Tirotto for
Infiniti. infinitidesign.it 4. The
sculptural table by Foster + Partners
for Molteni&C moves outside with a
totally concrete finish. Dimensions:
150cm diameter x 73.5cm h. molteni.it
5. Abby by Archirivolto is a 100%
recycled polypropylene stackable
chair in six colours, part of the
Connubia collection. connubia.co

[4]

[3] [5]

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 DESIGN BOOK/ SUMMER HOME
words by Rosaria Zucconi, photos by Max Zambelli

A former oil mill renovated by

Palomba Serafini Associati in Sogliano
Cavour (Lecce) is the ideal setting for
dinner parties. Pictured, table by Exteta;
on it, a ceramic piece by Emilia Palomba,
vintage chairs by Driade and Flos wall
lamp. palombaserafini.com

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DESIGN BOOK/ SUMMER HOME

1. Handmade with natural fibres,

Chicas plant holders by Sebastian
Herkner for Ames. Available in four
colours and three sizes. amesliving.de
2. Simone Fanciullacci from Liguria,
born in 1982, is the creator of Parterre,
an outdoor armchair made for Nilufar,
which features a metal frame. nilufar.com
3. From the meeting between designer
Lorena Antoniazzi and Emu comes a
chevron version of the Rio R50 chair
(covered in fine yarn), designed
by Cristell-Gargan. emu.it,
lorenaantoniazzi.com 4. Kilt sunbed,
available as a single or a double, is a
project by Marcello Ziliani for Ethimo.
Made of FSC certified teak and natural
rope. ethimo.com 5. A glimpse of the
‘tumara’, the internal courtyard of the
former farmhouse designed by Luca
Bombassei at the heart of the Salento,
which accommodates four vintage
Carlotta armchairs by Afra & Tobia
Scarpa, currently manufactured by
Cassina. lucabombassei.com
6. Soleil coffee table by Reflexi, with
a ceramic tabletop delimited by an
elegant nautical cord, in six colours
with a metal rod and white or graphite
base. riflessi.it 7. Ukiyo is a teak wooden
lounger with a reclining backrest,
designed by Monica Armani
for Tribù. tribu.com

[1]

[2]

[3]

[4]

168 ELLE DECOR

 In the sun’s rays or in the shade, furnishings made
with natural fibres and fine yarns

[5]

[6]
photos Andrea Ferrari

[7]

169 ELLE DECOR

 [2]

[1]

[3]

1. It’s called Roma Model 1 the light designed by

Nassi Lamps, with a red travertine base, nickel-plated
brass details and hand-sewn linen lampshade in lemon.
nassilamps.com 2. From the series Les Arcs, the Noir
Blanc rug by cc-tapis is created from an original design
by Charlotte Perriand. Hand-knotted wool and made in
Nepal. Available in three sizes. cc-tapis.com 3. Tresca,
four-poster bed by Odo Fioravanti/Luca Cancelli for
Lispi. Wrought iron tubular frame with a perforated
sheet metal headboard. lispi.it 4. Braided rattan
characterises Eben, a natural ash wood armchair with
a curved high or low backrest, designed by Matteo
Thun & Antonio Rodriguez for Désirée. desiree.com

Photos Federico Fiorani

[4]

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 DESIGN BOOK/ SUMMER HOME

In Gagliano del Capo, a designer hotel fluctuating between

past and present. The roof has a twist: the owner’s home

Palazzo Daniele, besides being

a designer hotel, it’s an ancient
family home that, perched on the
roof, houses the residence of
Francesco Petrucci, its owner.
It’s a pure, all-black volume filled
with plants, designed by Palomba
Serafini, who also restyled the
building. palazzodaniele.com
words by Rosaria Zucconi, photo Alberto Strada

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 ARTSHOW
July/August – Exhibitions, events
and openings. The best of contemporary art
and of new expressions in Italy and the world
by Piera Belloni
Photo Claudio Cerasoli. Courtesy Fondazione MAXXI

Generations face-to-face. At MAXXI, L’Aquila ‘Visibileinvisibile’ establishes a

dialogue between two great masters of art, the Italian Marisa Merz, born in
1926, and the Indian Shilpa Gupta, born in 1976 (pictured, ‘I Will Die’, 2012).
Over 50 works are featured in an interlacing of worlds, stories and different
eras for discovering surprising associations. Until 1/10. maxxilaquila.art

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Designer pieces
Konstantin Grcic is on show with ‘Transformers’ at the
Galerie Kreo, in Paris. No intergalactic robots, just an
Alexandra de Cossette – Collection Fondation Cartier, © Luiz Zerbini, © Pat Kilgore – Courtesy Piero Atchugarry Gallery and Lucio Fontana © Staatliche Museen zu Berlin,
exhibit about modularity resulting from the designer’s past
four years of research on industrial materials: a square
section of perforated aluminium extrusion, which his
creativity has translated into strictly minimalist furnishings
and lighting objects, with a neo-brutalist allure.
Until 26/8. galeriekreo.com
Hamburger Bahnhof – Nationalgalerie der Gegenwart, photo Thomas Bruns, The Estate of Absalon
Modern and contemporary art
In ‘Unveiled – Cutting Wrapping Carving Straining’,
the Piero Atchugarry gallery in Cernobbio showcases the
work of four designers: Lucio Fontana (pictured, ‘Corrida’,
1950), Christo and Jeanne-Claude, Pablo Atchugarry,
Arcangelo Sassolino. Differing in ages, styles and media,
yet united by the desire to go beyond the limits of their
respective artistic practices to explore the subject matter’s
opportunities. Until 10/9. pieroatchugarry.com
ART SHOW
Naturalistic vocation
Open until 29/10 at the Triennale Milano, in partnership
with the Fondation Cartier, is ‘Siamoforesta’, a conversation
about the need to reconsider the role of humans in the
universe of the living. With the presence of 27 authors, mostly
South Americans belonging to indigenous communities, and
almost all already part of the Parisian foundation’s collection.
Set design by artist Luiz Zerbini, author of ‘Monstera
deliciosa’, 2016 (pictured). triennale.org
Re-exhibiting a collection
The Berlin museum Hamburger Bahnhof presents a new
format for the permanent collection based on three
interconnected programmes. ‘Nationalgalerie: A Collection
for the 21st century’, examines the art scene of Berlin since
the wall was torn down (pictured, ‘Cellule No. 2’ by
Absalon, 1992); ‘Forum Hamburger Bahnhof’, about
the place’s history; and ‘Endless Exhibition’, a new creation
by Judith Hopf. smb.museum/home/
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