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BILL BAILEY

key: C (which was influenced by Rev.


Capo: none Davis). In this the melody is first
tuning: normal implied and by the end of the verse
it is played directly.
What can be said about this song!
It is probably the widest known
ragtime tune ever written. I play it
in the key of C combining ragtime
techniques of Rev. Gary Davis and
Big Bill Broonzy. I have transcribed
the first verse. I was always
fascinated by the feel of this verse

FIRST VERSE
c I I I I
- I
c ;(.I 0 Zl
I
I I I

c G
o\
t II 41
I
oliu a-41
%1
01 21 Zl 0\ 'I
- 31
01 2
I
\
31 I I\ 3j
01 II
I I
201
I
"I
I I I I I I
1-
2-
3-
4- Ul Ul Jl I (J IJI
g: I

I I I I l I I

I I I I I
1-
2-
3-
4-
g:
I I I l
I l

c
l
j:1-1
g: -\
t
ol=s I z
_ _ al I
\ o\
tI
I
Ill !\ I 1\ a>!
r\ tl 1;: S\
,\ td
S{
I
c
,\
t 21
a-4\ ! ;
\
41
'\ '\
4< I G7 I _l I I

3-
4-
5-
6- I I
I I l
c
2-
3-
4-
5-
6-

BARD HEARTED HANNAH


key: D melody of a song. The dropped D
capo: second [ret tuning used is another convenient
tuning_· dropped D-DADGBE tuning for playing ragtime pieces.
We will use this once again in our
This is another popular ragtime version of Powder Rag on this LP.
song. I have transcribed only the
chorus. I arranged this with the
patient help of a piano player from
Kalamazoo, Michigan. This
arrangement shows how chords can
be used to introduce a counter-
point line as well as present the

1 2. 3 87 4- E5 6

II ill! 11 •1 .J It m, I ,1' 1
1
d tl 'l P

tI\ Ill I f I
A

sl ol sl sl !rl 'I 'I ,j ,a


7

r. ol "I
&

!\ ,:l
.! 0 11 1 ol

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