Professional Documents
Culture Documents
JatakaTales 10151066
JatakaTales 10151066
JatakaTales 10151066
SEL E C T ED A N D ED I T ED W I T H I N T RO D U C T I O N
A ND N OT ES
H . T . F R A N C I S, M A . .
,
S O M ET IME FELL OW OF G O NV I LL E A ND C A I US C O LL EG E
H O N O RA R Y U N DER -
L I B RA R I A N , U N I VERS I T Y L I B RA R Y , C A M B R I DG E
A ND
J . T H O M A S, M A . .
,
EM M A N U EL C O LL EG E
C a mb ridg e
at t he U n iv e rsi t y P re ss
’
YO RK
‘
h i vv
PUBLIC LI BRARY
AS T OR
, LEN OX A ND
O
T ILDEN F U N DA T I ON S .
CONTENTS
PA GE
I LLU S TR A TI O N S
I N TR OD U C TI O N
AB B R EV I A TI ON S
TH E L I TTL E G I L DMAS T ER ( GU L LAKAS ETTH I J ATA KA 4) -
I
,
A y g m p i c k p
ou nd d m se w hic h h
an se ll s d w k s p his s u a ea ou e ,
an or u
A ki g ef es t o e g ise hi
n rby ch c m ; t he m t he
us r co n s son a an e a ou r o r
t h ow s t h chil d i t t he i
r p yi g t h t if h b
e t t h ki g
n o he a r, ra n a ,
e e no e n s son ,
m y b e kill d b y hi f ll Th ch il d
a et i mid i d t h ki g
s cg i
a . e re s s n -
a r, a n e n re o n se s
K ING M AKH AD EV A S
’
G R E Y H A I RS (MAKH AD EVA -
J AT AKA , 9)
A kin g fi ,
n di n g a g re y h i i hi he d
a r n c hi s a ,
re n ou n es s t hron e t o pre pa re
as a he rmit for de a t h . H e is re -
b orn as a ki n g a n d a g a in e b co mes a h er mit .
TH E C O D L HALF OF T HE M O N T H (mAL U T A -
J AT AKA ,
1 7)
A t ig e r a n d a li on dispu t e whe t he r it is t he da rk or t he light h lf a of t he
mon t hwhi his c c ol d .
TH E M O N KE Y S AND TH E
Thirst y mon k e ys c ome t o p ool h a im t é l by
’ ’
g
o
,
h
t irst .
TH E G U I LT Y
G S (KU KKU EA J H AKA DO -
C i g t p h vi g b e
a rr a -
g awe d é
e s ra b y p l ce d g
s ki g d
a ll
n en n a a o s, a n or e rs a
t h d g t b kill d Th 1 d r f a p a c k of d g v l th t th by '
’ ’
o er o s o e e . e e o o s re ea s e ru
c iga us n m t ic t b ppli
an e t t he e y l d g o e a o ro a o s .
TH E D I S C O N T E N T E D o x ( M U NI K A J ATAKA 3 0 ) -
,
A y g ei g oun l z y pig b i g f t t
ox , d i di c t t d wit h hi
se n a a e n a en e ,
s s on en e s
h rd f
a A th a re e pl i
. t h t t h pig i b i g f t t
no e r ox dt b t x a ns a e s e n a ene o e e a e n,
an d t h di c t t d e cc pt hi p it i
s on e n e ox a e s s os on .
I P 511 c i p
1 n c d ch i ch ch kh t h t
s i i kh
ron ou n p th k e as n ur e c a s n n orn , o oo t , t h,
c d wit h t h t ip f t h t g f t h b c k i t h m t h t h
.
, ,
1 db
( , p ,
n a re ron ou n e e o e on ue ur er a n e on an t, etc ;
i b t ; th v w l i It li
.
a as u n u o er o e s as n a an .
vi CONTENT S
WO O I N G ( 32)
’
T H E PEAOOOK S N A ccA J ATA x A ,
h
The da u g t e r of t he G ol de n Ma l a rd, in g of b irds, l k ch oos e s t he pe a coc k
for he r hu s b a n d I n da n in g for joy t he pe a o
. ex c c ck pose s hims e l f and is
jc
re e t e d
Q il c
ua s a ug ht i h th t
n a n e t ri se u p in a b ody wi t e ne an d c pe e v r l
es a s e a
t im esAft. t im t h y q er a l d c ght e e u a rre an a re au .
A p t i dg m k y
ar r d l ph t d c id t
e, a on e ,
an an e e an e e o o e e e es
th me T p v
. oi ity a ch g iv hi
ro e se n or li t c ll t i e es s e ar es re o ec on .
T H E C R A N E A ND T H E C R A B ( B Ax A J AT AKA 3 8 ) -
A c p t di g t h t h w
ra n e , t ki g t h m t
re e n b ig l k d v r ll
n a e as a n e o a a e, e ou s a
th fi h f p d
e s oA wi a c b ip t h b i d h d ff
on . se ra n s e r
’
s ea o .
T HE H A U G H T Y S L A V E (N A N D A J ATAKA 3 9 ) -
,
A l v m d t t ll wh
s a e 18 hi m t
a f th
e h d b i d hi h d
o e e re s a s e rs
’
a er a ur e s oa r .
T H E P I GE O N AN D TH E C R O W ( KA P OT A J ATAKA -
ki t ch wit h g dy c w w h ich t t ck t h
,
pig l iv i e on es n a en a re e ro , a a s e
vict l I t t ort e d t o d t hb y t he c k d t h pig fl i w y
ua s . Is ur ea oo , an e e on es a a .
T H E F OOL I S H F R I E N D ( MA x A S A J ATAKA 4 4 ) -
A m q it ttl m h d T kil l it hi f li h t ik th
’
os u o se e s on a an s ea . o s oo s s on s r es e
m an sh d wi t h
’
ea d kil l him an ax e an s .
M k y mpl y d t w t
on e s e pl c p ll p th t
o e t j dg
o a er a e a sa u n e u u e ree s o u e
b y th z f t h t h w m ch w t t giv Th t
e si e o e roo s di o u a er o e . e re es e .
C pt ad by bb
u re b h mi m k t
ro i f m t h ky
e rs a ra n a es re a su re ra n ro e s ,
d b
on d kill him b c an he c n ot e pe t : t h mi l
s M t le a u se a n
‘
r a e rac e u ua
l y t w I Ob E wi t ht he ma ure O
.
l g ht l v pi t he t h
‘
’ e ’
s au er ea e s on o O Is s ne o son s o e rs
f d
oo d h im lf l i b y hi s fel l w
an Is se s a n o .
P i c Fiv w p
rn fig h t wit h t h gr H i y g ip
e e -
ea on s s e o e a r -
r , and t h ou g h
d f t d
e ea e bd hi m t h sugh f l ues rou e a r e ssn e ss .
T H E B R A H MI N s S P E LL (A NDA B H U TA J AT AKA 6 2)
’
-
A gi l i b d p m g w mr s l y wi t h t v
re u i g a on o en on ,
ou e e r se e n an y ma n b u t
h h b d H
er us i c c g iv hi m l ck i g mi g Th
an . er nno en e es u n a n . e s t ory of her
i t ig
n r wit h l v
ue d f h t ic k t t h
a d l t t t h i
o er an o er r a e or e a o es er nno en c c e .
CONTENT S vii
P AG E
TH E V A LU E OF A B _
R OTH E R (U C C HANG A -
J AT AKA , 67 )
A woma n s hus b a n d, son , a n d b rot he r a re on de mn e d t o de a t h
’
c . S he
c v
hoose s a n d sa e s he r b rot he r, a n d g i e s he r re a s on v .
The i g r t it d nf p i c a d t he g t it d
u f e o ke r t d p rr t
a rn e, an ra u e o a sn a ,
a ,
an a o .
TH E G R EA T D R EA M S ( M AH AS U P I N A J AT AKA 7 7 ) -
,
A ki g d e m n i t d mr a d t h b h mi s y he m t off
s x e en re a s, an e ra ns sa us er
sa c i fic t v t t h vi l H i q
r es o a dvi
er him t c e e l t B ddh wh
. s u een a se s o on su u a o
s h w t h t t h vil will t b e i t h ki g t im
e s a e e no n e n
’
s e .
TH E C O N V E R T E D M I S E R ( I L L I S A J ATAKA 78) -
,
A mi i c d b y hi f t h r pp
se r s i gu ree th d di t rib t i g t he
s a er ea ear n on ar an s u n
s on s w l t hi t he
’
ea ct e mb l ce f t he
n ex a s an o s on .
A dw f m ke arlli c wit h hg w v
a wh g e t t he c e dit of t he
s an a an e a u e ea e r, o s r
dw f ar s achi v m t
’
t il hi c w dic i di c v
e e d
e n s, u n s o ar e s s o e re .
T H E S TO L E N J E WE L S ( M A H As ARA J AT AKA 9 2 ) -
,
A q j wl ue en s t l
’
d ve r l i c t p e
e e s a re c f to t h
s o e n, a n se a nno en rson s on e ss e
t h ft
e M k y
. e p onv d t b e t he l c l p it
e s ar d th j w l
ro e e o re a u r s, an e e e s ar
r c v
e d
o e re .
A t d t rira t c h t hi p t
er d p t hi f t h
es o i holl w t re
ea s a r n e r, a n u s s a er n a o e
t p k t he t
o s ea p it
as d d c id t h di p t The f t h i b r t
re e s r e an t e e e s u e . a er s u n ou
an d ex p ose d .
TH E LO Q U A C I O U S
~
B RAH M I N ( S ALI TTA K A J AT -
AKA , 10 7 )
A ski lfu l ma rkma n re du e s a c lk v
t a a t i e b ra hmin t o l ce
si e n by fl icki n g
pe lle t s of g oa t
’
s dun g down t he l a t t e rs t h
’
roa t .
TH E T HR EE FI S H E S ( MI TA CI NTI -
J AT AKA , 1 14)
Of t hre e fi he s t wo t hrou ghfoll y a re
s ca ug ht in a n et ; t he t hird a n d Wis e r
fishre s c ues t he m .
TH E LU C K Y S N EE Z E ( A S I L AK KH ANA J ATAKA 1 2 6 ) -
,
, t he ot he r
won a prin c e ss for he r lov e r .
TH E H Y P OC R I T I C A L J A C KA L ( B I L AR A -
J AT AKA ,
1 28)
A j a ck a l , u n de r g ui s e of sa in t li n e s s, e a t s t he ra t s of a t roop wi t hw i h c hh e
c on sort s . His t re a ch e ry is di c v s o e re d a n d a v e n ge d .
Th f t h f f mily di
e a di b
er o b i d wi t hg ld pl m g
a a e s, a n s re -
orn a s a r o en u a e .
Fi di g hi f mil y p
n n h g d g iv
s th m
a f th t t im t
oor ll e oe s a n es e a ea er a a e o se .
Th wid w i g
e d p l ck
o ll t h f t h n t d th y g w g i
re e pl iu s a e ea e rs ou ,
an e ro a a n as a n
w hit e on e s .
viii CONTENTS
TH E G R AT E F UL M O U S E ( B A B EU J ATAKA 1 3 7 ) -
,
A m c g ht b y cc iv c t b y t h m ff b y d il y r t i
ou se au su e ss f e a s u s e o a a on s o
m t ea I t p t ct
. s g iv it
ro e c y t l wit hi which it
or d fy t h c t
es a r s a ,
n ca n e e a s .
T H E T R EA C H E R O U S C H AM E L E O N ( G OD H A J AT AKA 1 4 1 ) ,
A ch m l a b tr y
e e on t ib f li z d t
e h ta wh b
s a th m
r t
e o ar s o a u n e r, o u rn s e ou
o f t h i dw lli g
e 1 e n .
T H E C UNN I N G J A C KA L ( S I G AL A J AT AKA 1 42 ) -
,
I d t c t h j ck l
n or e r o m a cp t d t o b d d The j ck l t g
a a a a an re e n s e ea . a a u s
t th m tick d fi d hi g rip t ig h t
’
a e an s s an n s s en .
T H E F O OLH A R D Y J A C KA L ( V I R OC A NA J ATAKA 1 43 ) -
,
A j c k l f ll wi g
a a ,
li i t h ch im g i t h t h
o o n a onkill q y n e as e , a nes a e ca n a ua rr
as w ll e t h li
as H t i t kill
e on . l ph t di c
e h d t d th
res o an e e an , a n s rus e o ea .
c w t yt b l t
,
A h c w h vi g b
en ro d w d a th n th ee n ro n e In e se a, o er ro s r o a e ou
t he wit h t h i b k
se a e r ea s .
T HE G R EE D Y J A C KA L C A U G H T ( S I G AL A J ATAKA 1 4 8 ) -
,
Aj k l t s hi w y i t d d l ph t c c dc
’
ac a ea s a t g t
n o a t ea e e an s a r a ss a n anno e ou .
TH E R A S H M AG I C I A N ( S ANJ I V A J ATAKA 1 5 0 ) -
it
,
A y t h wh h l r t t h ch m f
ou , o ast o i g t h d d t lif t i
ea n e ar or re s rn e ea o e, res
on a t ig wi t h f t l
er l t t h im lf
a a re su s o se .
Tw ki g b t h wi
o n s,dg d m t i
o w w y
se a n d t h i d iv oo ,
ee n a n a rro a ,
an e r r e rs
di p t t wh i t g i v pl c E ch i g hi m t p i ’
s u e as o o s o e i a e . a s n s s as e rs ra se s, on e s
g d t t he g d
oo o d b d t th b d ; th
oo ,
an th py vil wit h g d
a o e a e o e r re a s e oo .
Th fi r t c k wl dg
e s a hi p i
n o d gi v
e ples s su e r or, a n es ac e .
T H E G R A T E F UL E L E P H A N T ( AL I NA C I TT A J AT AKA 1 56 ) -
C p t tr t
a r e n e rs e x th f m th f t f ac l ph t
a dh orn d hi ro e oo o an e e an , an e an s
y ou n g v t h m t f g t it d Th
on e s e r e i ld t th ki g ra o
h t il h t y v t h ki g d m
e g ou o u e . e ou n on e s so e n ,
d t h ki g d t h
’
an on e tn s ea rou s a os e os an( sa es e n o .
A m k p p t l ph t which t
an ee s a g i t him
e e e d t mpl anhim ,
u rn s a a ns an ra es
t d th
o ea .
T H E M O N G O OS E A ND T H E S N AKE ( N AK UL A J ATAKA 1 6 5) -
,
A m g on d k oose m d f i d b t t il l di t
an sn a te h th
a re a e r en s, u s s ru s e ac o e r,
un t il t h B dhi t t
e c cil t h m
o sa a re on es e .
T H E J A C KA L B ET R A Y E D B Y H I S H OWL ( D AD D A RA J ATAKA 1 7 2 ) -
,
1 43
Aj k l b ac g h t p m g li
a rou i b t y d b y hi t o g
u a on on s s e ra e s n ue .
A m k y th w on w y e h df l f p t fi d
ro s a a a an u o e as o n on e .
CONTENT S
PA GE
A m b ec m ki g t h g h m g ic r z
an o es e mil k b wl n rou a a a or a x -
,
-
o ,
and dru m .
A t h r ki g p il t h fl v
no e n f hi m g
s o s e a ou r o s an oe s .
TH E As s I N T H E L I O N S S K I N ( S I H A C AMMA J AT AKA
’
-
,
The i t h li ki ’
as s n e on s s n.
TH E P R I E S T I N H O R S E TR A P P I N G S ( RU H AK A J AT AKA - -
,
TH E G OB L I N C I T Y (V AL AH AS S A J ATAKA -
,
1 9 6)
Shipw ck d m i r c pe f m cit y
re e ar n e s e s a ro a of g ob lin s by a id of a fl yin g
horse .
T HE T E LL TA L E P A RROT ( R AD HA J ATAKA 1 9 8 )
- -
A b hmi l v ra tw p t t w t h hi wi f i hi b
n ea es c e She kill o a rro s o a c s e n s a se n . s
on e f t h m which
o e hly p v h Th t h pr d t ly k e p
ra s ile t re ro e s er . e o er u en e s s n ,
TH E C H OI C E OF A HUS B A N D ( s AD H U S I LA -
J AT AKA ,
200 )
How a fa t he r hose c a hu s b a n d for his fou r da u g ht e rs .
T H E F OO LH A R D Y C R OW ( v i R A K A -
J AT AKA , 2 0 4)
A cc t chfi hf him lf d i d w e d
row t rie s t o a s or se , an s ro n .
J ATAKA 2 0 6 ) ,
A w dp c k d t rt i e e c
oo e t he ir f i e d t he
er an t l pe f om t r p
a o o s r s ue r n an e o r a a .
TH E C R OC OD I L E A ND TH E MO N KE Y ( S U MS U MARA J ATAKA -
,
20 8 )
A c c dil
ro o wa n t s t he
e h e a rt of a m k y whon c p b y p t di
e ,
o es a es re e n ng t ha t
It is h a n g in g on a fig t re e -
.
TH E TO R TO I S E A N D T H E GEE S E
( KAC CH AP A J ATAKA 2 1 5) -
A t t i e i c v y d b y ge
or o s th g hst h i b
onit i g wi t h hi
e e e se rou e a r, n s t eeth
up t ic k
on a s H w t t
. d f ll e ans e rs a aun an a s .
x CONTENT S
b ee n eaten by ra t s . By a cl v e er de i v ce h e 18 e x pose d .
TH E H E R O S TA S K S ( D H AMMAD D H AJ A
’
J AT AKA 22 0)
S kk
,
TH E J A C KA L S ’
SP E LL (S AB BA D ATH A -
J AT AKA , 24 1 )
A j ck l l t he spe ll Of du in g t he w ld c ct my of
”
a a e a rn s su b or ,
an d oll e s an ar
l
Wi d b e a s t s, b u t is dis comfit e d .
Four l a ds se e a t re e , an dq l b c
u a rre chd c ib it diff t l y e a use e a es r es e re n .
2 5 7)
A pri ce n is ma de kin g b e in g t e ste d in g 1 v1 n g wis e
a ft e r j u dg me n t s .
TH E C R A B A ND TH E E L E P H A N T ( HAKKATA J AT AKA -
,
267 )
An e l e p h a n t g oe s t o c a t ch a g re a t c ra b a n d s cc e e ds wit h u t he h lpe of his
ma t e .
TH E O WL A s K I N G ( ULUKA -
J AT AKA ,
270)
The owl is propose d a s kin g of b irds, b u t b e c a us e of his s ou r oo s l k is n ot
ta ke n .
H w l ck c m f t i g t h fl h f c t i b i d
o u a e o ea n e es o er a n r s .
T H E WI S H I N G C U P ( B H AD RA G H AT A J ATAKA 2 9 1
-
) -
A p dt h ift h
s en Wi h i g p g iv
r t him H b as a k it d b c m
s n -
cu en o e re a s an e o es
c m
.
p oor on e ore .
T H E J A C KA L A N D T H E C R O W (J AM B U KH AD A KA J AT AKA 2 9 4) -
,
A j ck l fl t ta c w d g t f it
a a e rs a ro an e s ru .
TH E WO L F S S A B B A T H ( V AKA J AT AKA 3 0 0 )
’
A w l f b i g wi t h t f d d cid t k p
o e n b b th b t ou i g g t
oo e es o ee sa a ,
u on s e e n a oa
p f
re e rst k p b b th o eeth d y sa a ano er a .
T H E K I N G A ND TH E F RU I T G I RL
( S U J AT A J ATAKA 3 0 6 ) -
A ki g m i n p j j b l l wh b c m t p d t c g i
a rr e s a oor u u e se e r, o e o es oo rou o re o n se
t he fru it , a n d n e a rl y l ose s he r p osit ion .
CONTENT S X1
PA GE
TH E WOODP EC KE R A ND T H E L I O N ( J AVAS A KU NA -
J AT AKA ,
3 0 8) 22 3
A w ood e p ck
e r e x t ra t s c a b on e from t he t hroa t of a li on , who a ft e rwa rds
re fu se s t he b ird a b oon .
TH E H A R E S S E L F S A C R I F I C E (S A S A J ATAK A 3 1 6 )
’
-
ed ,
by
ha vin g it s sh a p e impre s se d on t he moon .
,
.
, 3 22 )
The t imid h
fl ight of t he b e a st s
a re a n d t he .
T H E C O N C E I T E D M E N D I C A N T ( C AM MAs AT AK A J ATAKA 3 24 ) -
TH E I M P E R MA N E N C E OF WO RL D LY JO YS ( ANANU S OC I YA -
J AT AKA ,
a2s)
A hol y ma n n ds a wife b y fi me a n s of a g ol de n I ma g e , a n d on he r de a t hhe
'
n e it he r fa s t s n or w e e s p .
A K I N G S L I F E S AV E D B Y S P E LL S ( TH U S A J ATAKA 3 38 )
’
-
g hr p e t i g p l l a t
,
A ki g v d f om b i g kil l d b y hi
n I s sa e th r e n e s son , rou e a n s e s
c it ic l m m t
r a o en s .
T H E H E R O N S R E V E N GE
( KU NTA NI J ATAKA 3 4 3 )
’
-
,
A h e kill d b y ki g d i r v g he
’ ’
y e ron s
g oun on e s ar e a n s son s, a n n e en e s
b ri g
n b t t he i d t h
s a ou r ea .
A j c k l b y l de o
a a w rd b i g b t
s an f t l q rre l b t we e a lio
r us o s rn s a ou a a a ua e n n
an d b ll a u .
T H E Q U A I L S F R I E N D S ( L A TU KI KA J AT AKA 3 57
’
) ,
A q il wi t h t h h l p f
ua c w fl y d f g de st y e e l ph t o a ro ,
a ,
an a ro ,
ro s a n e e an
t h t h d k ill d h y
a a g e er ou n on e s .
Q U EE N S US S O ND I ( S US S O ND I J AT AKA 3 6 0 ) ,
A g d c i ff a ki g wi f b t t wi t t d b y mi t r l
’
aI u a b i g
a rr e s o n s e, u on e n ou e a ns e
l v b ri g h b ck
o e r, n s er a .
T H E B E T R A Y E R B E T R A Y E D ( C U L L AD HA NU GG A H A J AT AKA -
, 2 53
A w m kill h h b d d g
o an ff wit h
s bb er wh b d us an an oe s o a ro e r, o ro s a n
d e sert h S kk p t h t h m d c v rt h
s er . a a u s er o s a e an on e s er .
xii CONTENT S
T H E C AT A ND TH E C OOK ( KU KKU T A J AT -
AKA , 383)
A ca t fl a t t e rs a c ck
o , b u t fai ls t o de c ive e it .
TH E L AN G U AGE OF A N I MA L S ( KH AR AP U TT A -
J AT AKA ,
TH E T H E FT OF A SM E LL ( B H I S AP U PP H A J ATAKA -
, 3 92)
A b ra hmi n is a ccus e d of st e a li n g t he s me l l of a fl owe r .
TH E L I O N I N B AD C OMP AN Y (M A N OJ A J ATAKA 3 9 7 ) -
,
,
267
Two ot t e rs, who ha d c g h t fi h ch t d t f it b y j ck l
au a s ,
a re ea e ou o a a a as
j u dg e .
T H E B R A HM I N S R E V E N GE O N T H E M O N KEY S KA P I J ATAKA 40 4) 27 7
’
( -
M k y f t i p c ib d
on e
’
sc f l ph t b y p i t wh t f
a s re s r e as a u re or e e an s a r es o ou o
rev g wi h t h m k y t b d t y d
en e s es e on e s o e e s ro e .
T H E M O N KE Y S H E R O I C S E L F S A C R I F I C E ( M AR AKA P I J ATAKA 4 0 7 ) 27 9
’
- -
A m k y t k hi f ll w
on e v t h G g t t h c t f hi w l if
a es s o o e rs o e r e an es a e os o s o n e .
T H E A D V E N TUR E S O F T H E P R I N C E A N D H I S B R OT H ER ( P A R A N
TA P A J ATAKA 4 1 6 ) -
d t h pe e ch f im l Hi f t h m d d b y
,
A p i c d
rn t e un e rs a n s e s o an a s . s a er Is u r e re
v t d th m d
a se r a n ,
an v g d b y t h p i c y g b th
e ur er Is a en e e rn
’
e S ou n er ro er .
T H E P A N T H E R A N D T H E GO A T ( D I P I J ATAKA 426
) -
A p th f l ly
an c g t i
er d t h v
a se c f kil li g it
ac u ses a oa n or e r o a e an e x use or n
T H E G R A T E F UL P A RR OT ( M A H AS U K A J AT AKA 4 29 ) ,
S kk t t t p t Wi t h p it t b t t h b i d t f g a ti t d
a a o es a a rro e rs u s re e , u e r ou o r u e
f s
re u e s t l v it o ea e .
T H E G OB L I N S G I F T
( P A D A KU S AL AMANAV A J ATAKA 43 2 )
’
A b y c iv f m hi g b li m t h t h p w f t r c i g f t t p
o re e es ro s o n o er e o er o a n oo s e s,
an d b y t hi m ki g c i t d f t h ft d p t t d t h
s eans a n 18 on v c e o e an u o ea .
T H E WI S E G O A T A N D TH E J A C KA L
( P UTI MAMS A J ATAKA 4 3 7 ) -
, 306
A wi h g t t wit
se s j c k l t h t w pl t t i g t kil l h
e -
oa ou s a a a a as o n o er .
CONTENT S
PA GE
TH E UN G R A TE F UL S ON ( T A K KA L A J AT -
AKA , 4 46 )
An u n g ra t e ful son pla n s to mu rde r his f tha b u t whe n his own s on
e r,
h
o e r e a ri n g he ws him ob e j ct l of hi s own u g in e ss , h l
e is pu t t o
g
s an -
e ss on
s a me .
R AM A A ND s i TA ( D A S ARATH A J AT -
AKA ,
46 1)
Two pri c e s a n d t he ir sist e r a re
n for t we l e y e a rs t rou g h t he ir se n t a wa y v h
st e p h j
mot e r s e a l ousy A t t e ir fa t he r s de a t t e ir st e b rot e r g oe s t o
-
’ ’
. h h h p -
h
h ck
b rin g t e m b a , b u t t he y re fus e t o re t u rn u n t il t he t we l e y e a rs a re u p I n v .
h
t he me a n t ime t he s oe s of R a ma t he e de st rul e t he i n g dom l k .
TH E WI C KE D ST EP -
MOTH E R ( M AH APA D U M A J ATAKA -
, 472)
A q u een p p
t e m t s he r s t e s on t o s in , a n d on b e in g re fu s e d re t e n ds t a t
-
p h
he wi s h e d t o for e h er c
H e is sa e d b y t he de it y of t he hi down whi h he
. v ll c
c
is as t , a n d re on il e d t o h c c
is fa t he r .
TH E L OS T C H A R M ( A MB A -
J AT AKA ,
4 7 4)
A b ra hmi n l e a rn s a ch arm from a l ow c as t e sa g e , a n d -
l ose s it a g a in
be c a u se he pre t e n ds t h a t a world fa me d t e a c he r g a v e it him
-
.
TH E P RI NC E S ’
WOO I N G AN D TH E T HR O N E OF TH E B UD D H AS
( KAL I NG AB O D H I J AT -
AKA ,
4 7 9)
A prin c e fa ll s in lv
o e wit h a l a dy b y fi n din g awre a t hwhi h she dro pe d c p
in t o a ri ve r . H e ma rrie s he r, b e c o me s k in g , a n d dis o e rs t he owe r of t he cv p
B u ddha s .
y ou n g ma de c e iv e d b y a c ou rt e sa n (2 ) a b ird kill e d b y t w o fig ht i g ra ms
n ,
n ,
(3 ) fo r m e n
u k ill e d i n sa vi n g a n ot h e r (4 ) a g oa t t h a t fi n ds t he kn ife t h a t wa s ,
THE P R I N C E WH O UL D N OT L A U G H ( S U R U C I J ATAKA 4 8 9 )
CO -
,
T hy e a re chil dl bu
e ss t he re fu se s ot h e r wiv e s S a kk a a t t he Wife s pra ye r .
’
Ki g S ivi v w t g iv
n yt hi g t h t o s o e an n a is as ke d of him . S kka a ass u me s
rm f b li d b h mi
o d k f
a n ra n an as s or hi s e ye s . S ivi ma k e s an A ct of
Tru t ha n d his e y e s a re re st ore d .
TH E E VI LS OF S T R ON G
R I N K ( K UM B H A J ATAKA 5 1 2 ) D -
,
TH E WH I TE SIx -
T U S KED E LE P H A N T (C H ADDANTA J ATAKA -
, 3 95
A fe ma l e e l e ant ph
on e i e s a g ru dg e a g a in st he r h c c v
us b a n d S he in e s . p
a wa y, di e s, a n d I s re b orn a s a q u e e n Re me mb e rin g he r g ru dg e s he orde rs
-
.
t he e l e ph
a n t s t us s t o b e b rou g t t o h
’
er k
A hun t e r il s t he e l e an t an d h . k l ph
k q
b rin g s t he t u s s t o t he u e e n , b u t s he on e a rin g of his de a t h is l e d wit h fil h
re morse a n d di e s .
TH E T HR EE WI S E B I R D S ( TES A KU NA J ATAKA 5 2 1 ) ,
A K I N G F I N DS H I S F R I E N D T HR O U G H A S O N G ( SO NA K A J ATAKA -
5 29 )
A pri c e n fa mil y rie st a re b rou g t u p t og e t he r The
and t he s on of a p h .
prin e is cose n ch of B e n a re s b y t h k
e fe s t a l ca r, a n d h
in g is fri e n d b e ome s c
an as eti c c
Fort y ye a rs a ft e rw a rds t he kin g re me mb e rs his frie n d, a n d n ds
. fi
him a ga in b y me a n s of a s on g w i he a u s e s t o b e su n g h ch c .
TH E U G LY R I D EG R OOM B (K US A J AT AKA , 53 1)
A ch il dl e ss ki g a t l e gt h b e st ow e d on him b y a
n n a, on e ha s t w o son s S kk
h
of w om Is u g l y The u g l y son on s e n t s t o ma rry, if a l a dy ca n b e fou n d lik e
. c
a g ol de n I ma g e w i h ch
he ma e s H is Wife w e n fou n d I s n ot al l ow e d t o s e e k . h
cv
hi m, b u t on di s o e rin g how u g l y he is, she re t u rns t o he r pa re n t s H e .
v
foll ows, a n d in a riou s wa ys t rie s t o Win he r a fl e ct ion s, b u t fa i s u n t i he
'
l l
c
re s u e s h h
e r from se e n ost il e k in g s v .
TH E N I N ET EE N P R O B L E M S ( FR OM J AT AKA
1 Th pi c
. f m t e 2 Th c t t l
e 3 eTh o ea . . e a e . . e ne c kl c a e of th re a d .
4 Th c t t
. th
e d o 5 Th 6 Th b l c k b
on re a . . e s on . . e a a ll . 7 . The ch a ri ot .
8 Th p l
. 9 Th h d
e o e 1 0 Th
. k 1 1 Th
. e ea . . e sn a e . . e cook . 1 2 The g e m . .
13 .Th c l v i g e14 Th b il d i c
a n 15 Th
. . e o e r e . . e sa n d . 16 The t a n
. k .
1 7 Th p k 1 8 Th 1 9 Th j w l i c w ’
. e ar . . e a ss . . e e e n a ro s n e st .
A DD E N D A
INDEX
ILLUS TRATIONS
K I NG MAKH ADEVA F I N D S A GR EY H AI R
(J dt a lca 9, p . 18 )
TH E S T UP I D MO N KE YS
(J a ta k a 4 6 , p 4 5) .
TH E C RAB A ND T H E EL EP H A N T
(J dt a lca 2 6 7, p . 2 11)
TH E C O N C E ITE D E N D IC A N T M
(J dt l 3 2 4 t wo c e e pp 2 33 2 3 4)
a ca , s n s, .
,
V . TH E Q U A I L A ND H E R F R I E N DS
(J dt l 3 5 7 t h e e c e
a ca ,
pp 2 4 8 2 49 )
r s n e s, .
,
TH E C AT A ND T H E C OC K
(J dt a lca 3 8 3, p 2 58 ) .
TH E OTT E RS A ND T H E J A C KA L
(J at a k a 400 , t wo c
s e n e s, p . 2 67)
VI I I . TH E M O N KE Y S S E L F S A C R I F I C E
’
-
(J a t a k a 40 7 t hre e sc e n e s pp 2 8 1
, , .
,
2 82 )
I N TR O D U C T I O N
’
of the tale k n ow n as the Hero s Tasks whi ch exists amo n g ,
”
t ales . The i n vestigators are not yet ev e n agreed upo n a
s cien tifi c method .
l
2 INTRODUCTION
His work was done before the J a taka the great collectio n ,
i n stan ce wi l l be foun d in J a t 2 0 6 p 1 7 3 .
,
. .
tio n.
“
Whoever shal l do n othi n g but good works will
re ceive n othi n g but ex ce l le n t future rewards The aim .
”
P a ra l l e l e n l
. He has Shewn by the detailed exami n atio n
of a n umber of paral lel tales as well as of verses common ,
fables with their titles Twenty eight have been iden ti fied
.
-
,
“
a s can ty contributio n to the Aesopic questio n made it
obsolete They proved the existen ce of a great body of
.
“
Mr Jacobs has said it is idle to talk of a body of ,
i n I n di a , L on don , 1 9 0 1 .
6 INTRODUCTION
from an other [ the J a taka] runn in g also to 3 0 0 when they ,
1 ”
have o n ly a dozen items in commo n .
, ,
o a e, . .
2
Se e n ot e on The N in e t e e n P rob l e ms .
INTRODUCTION 7
1
bibli cal Judgme n t of Solomon for which S a l z b e rg e r had ,
Babylo n (B a b il u ) .
1
D i e S a l om o S a g e ,
-
p 4 , B e rl in , 1 9 0 7
.
—8 5
.
2
Ge rma n t ra n s a t ion b y A Wun s e , B i b l iot he ca R a bbi n ie a , Le i
l _
. ch pz ig ,
1 880 .
8 I NTRODUCTION
Aesop (Halm 2 7 6 ,
O n Esther iii 6 a bird w hi ch .
, ,
bui lds its n est on the sea Shore that was threate n ed by the
-
, , .
The foal i n quires of its mother why the idle sow Should be
so fed The ass replies the hour will soon come whe n
.
,
y o u a n n n ,
youn ger brother take the place of the ass a n d foal But .
“ ”
priority or rather i n depen den ce of Greek fable m a y
be co n sidered certai n but if in the case of a few it is
,
-
, ,
( 1 4 1 ,2 0 6 2 0 8 a n,
d a n umber of si
,
n gle tales A .
twen ty fiv e tales of a ,
-
”
vampire was of buddhist origi n It is true that a version
, .
J a t 5 2 7 ( Ve t
. and possibly a much moralised version
.
of No 2 in J a t 2 0 0
. . .
’
Fo n tai n e s fables These tales ca n be proved t o have
.
f
a n d in E n glish as the F a b l e s o B i dpa i From these a n d .
,
1871 )
The presen t selectio n has been made with the purpose
of bri n gi n g together the J a taka stories of most i n terest ,
Cambridge 1 8 9 5— 1 9 0 7
, .
E J T
. . .
F e b ru a ry 19 16 .
12 ABBREVIATION S
Schmidt hDsa II s b l u n [Dsa n g l u n ] ode r de r We ise un d de r Thor a us de m Ti b e t isch e n
'
- -
.
I J Sch mi dt S t P e t e rsb u rg , 1 84 3
. . . .
1 88 4 .
Wort h a m . L on don , 1 9 1 1 .
(Compl e t e G e rma n tr . b y R Sch midt
. . Kie l ,
Tib T. . Tib e t a n Ta l e s de ri v ed from I n dia n c
sou r e s . Tra n sl a t e d from t he Tib e t a n
of t he Ka hgyu r b y F A
-
. . von Schie fn e r . Don e in t o En g l is hb y W . R . S . Ra lt
s on .
L on don , 1 882 .
z
Le ip i g , 1 88 4 .
J A TA K A TA L ES
,
1
, ,
“
That s a man who has always got a reason for what he
’
”
says . A n d a cco rdi n gly he picked up the mouse which he ,
Th g il dm t ( tthi ) b l g d t t h cl f h h ld
1
e as er se He w t
e on e o e a ss o ou s e o e rs . as no an
fli i l f t h ki g c t t h g h h h d ffic i l l t i wit ht h ki g Cf Fi c k
’
o c a o e n s ou r ,
ou e a o a re a on s e n . .
,
Di s G li d g im d t I di B ddh Z i t p 1 6 6 K i l 18 9 7
’
e oc . e e ru n n er -
oa . n en c u u a s e . . e .
, ,
14 THE LITTLE G I LD MA S T ER
the lot off his han ds The sale of his wood brought in .
”
I l l tell you when I wan t your aid said he ; a n d as he we n t
’
s e a trader
-
Said the former to him To morrow there will
.
,
-
”
come to to wn a horse dealer with 5 0 0 horses t o sel l
-
On .
“
heari n g this piece of n ews he said to the mowers I wan t , ,
”
se l l your own grass till mi n e is sold Certai n ly said they .
”
, ,
to get grass for his horses elsewhere the dealer pur chased ,
later his sea tradi n g frien d brought him n ews of the arrival
-
hired for eight pen ce a well appoin ted carriage whi ch plied
for hire by the hour a n d we n t in great style down to the
,
THE LITTLE G I LD MA S TE R 15
”
three su ccessive ushers i n to my prese n ce Heari n g that .
Th m t l i S m VI (i
e sa e a e I K D (A b ) X III it f m p t f t h t y
n o . . . n . . ra V . or s ar o e s or
of Th k i g d hi C mp i Of t h f i h b dm wh
’
e S n s on a n s o an on s . e se ou r on e s a us an an, o
m y b y c rryi g w d i t h fir t p t f t h j a t k A th m ch t ’
e a rn s on e a n oo ,
as n e s ar o e a a . no e r, a er an s
wi t h ship c g i th l tt p t Th dv t f t h ki g
’
s on ,t d ra es a s a r o, a s n e a er ar . e a en u re s o e n
’
s
son f m or pi d i J a t 445 52 9 5 39
an e so e n .
, , .
THE KING AND THE STICK GATHERER -
”
to me .
When the woman s time was come she bore the Bodhi
’
”
What proof of this is there mother ? My s on the ki n g ,
”
me to my father mother ? ,
S i re
.
,
”
No r is thi s my Sign et ri n g
”
recogn i se that Then said .
“ -
.
truth
Y ou r s on I , g re a t mon a rch ; re a r me , S i re !
a m
The k i n g re a rs ot he rs , b u t mu ch m ore hi s chil d .
”
nurture you ! A thousan d han ds were stretched ou t t o
re ceive the B o dhisa t t a but it was i n to the arms of the
ki n g a n d of no other that he des cen ded seati n g himself ,
—
K a ttha va ha n a the faggot bearer a n d after rulin g his — -
deserts .
Th t y f S k t l a M b h I h 7 0 —
e s or o 7 4 i which t h ki g
a un af t r c g i,
. . c s .
,
n e n re us e s o e o n se
S k t la
a un a t il , v ic f m h v t ll him t d
un a o Th ki g e y t h t hi
ro ea en e s o o so . e n sa s a s
r f l w d t h t t h p pl mig ht b c vi c d f t h t t h f t h w m ’
e usa i as n or e r a e eo e e on n e o e ru o e o an s
t y by div i Ka l ida d m th i g i l t c v df m ’
s or a S ig I ne n . d n sa s ra a e rn s os an re o e re ro a
fi h wh
s , p t h ki g m m y which h d b
e re u on e d t y d by n g c’
s i e or ,
a e en e s ro e a sa e s
’
u rs e , s
t
re s ore d B ddh g h h
. x
u f ll w t h j a t k cl
a ly A v i t cc r i J a t
os a x . o o s e a a os e . ar an o u s n .
H Li d i Wi di h F t h ift p 22 8 if S J W (H m
' ‘
4 87 ,
se e . i e rs n r n sc es sc r ,
. . . . a rre n er . xx x .
4 7 8 ) fi d t h g m f Ka lida t y i th l t i g Th i i j t t he f t
’
n s e er o s a s s or n e os rn . s s us e a u re
wh ich d t c
oe s n o i t h l d f m i t h M b h Th i c id t f fi di g
o cu r n l t e o er or n e . e n en o n n a os
tre a s u re i fi h cc n a i t h q i t diff
s t t ry f J a t 2 88
o u rs Cf Cl t ni 39 8 e u e e re n s o o . . . ou s on , .
,
The R in g an d t he F i sh .
F & T
. .
KING MA K H A D E VA S GREY HA I R S ’
barber a ccordin gly plu cked the hair out with his golden
to n gs a n d laid it in the ki n g s han d The ki n g had at
,
’
that time sti ll eighty four tho u san d years more to live ;
-
hairs have come upo n you before you have been able to
A n d as he thought a n d
”
rid yourself of the depravities .
“ ”
This very day thought he I must re n oun ce the world
, ,
“
”
your becomi n g a hermit ?
Taki n g the grey hair in his han d the ki n g repeated ,
My l ife .
’
Ti s t i me I t u rn e d f rom w or dl y t hi n g s , l
A n d i n t he he rmi t ’
s p a t h s ou g ht sa vin g p e a ce .
l
fu l y . The kin g his son , g ra n ds on , a n d g re a t g ra n dson , who is Nimi a ll re t ire from
,
-
,
l
t he w or d on se e in g a g re y ha ir The a re e r of Nimi is g i e n in t he N i m i J a t 54 1 ,
. c v -
.
in whi ch S
he is t a k e n b y a kka t o s e e t he a riou s he a e n s a n d he ll s, a s Ar u n a i s v v j
t a k e n in M b h I II ch 4 2
. . . . c
The s e n e of fi n din g t he g re y ha ir is il l us t ra t e d on t he
h h S
B a r u t t u p a, pl LV X III
2 , a n d in s rib e d M a g h
. a de vi y a fl a t a k a m
. c
I n t he Vi s hn u
'
P u ra na , Iv c
5, Nimi is on de mn e d t o e x is t wit ou t his b ody for a i n g de pri e d
. h hv v
v
Va sis htha of t he p ri il e g e of p e rformin g a sa ri e Cf D e a t hs M e sse n g e rs b y c fic . .
’
R Morris in J ou rn P a l i Te x t S oc 1 885, p 6 2 . . . .
THE COLD HALF OF THE MONTH
l
D ot h b ow, t i s co d
’
l
F or co d i s ca u s e d b y Wi n d
. l .
A n d, t he re fore , I de ci de y ou b o t h a re ri g ht .
S J at 2 48 p 1 9 6
ee di p t
. d t imp f c t k wl dg
, .
,
on s u es ue o er e n o e e .
, .
”
“
Very good said they a n d down to the river they
, ,
“ ” “
voice. Frie n d goat said the youn g brahmin s
, your ,
killin g that Si n gle goat I have had my head cut off five
,
“
pas sion for you that I wept Fear n ot goat said the .
, ,
”
b rahmin ? said the goat Whether you kill me or not .
“
,
”
disciples Let us n ot all ow an yo n e to kill this goat
,
an i mal closely about The mome n t the goat was set free .
,
from ki l li n g in h
”
i s sweet voice he taught them the Truth
,
in this stan za
I f fol k b u t k n e w t he t ru t h t ha t t he i r e x i s t e n ce
I S p a i n t he n li v i n g t hi n g s w oul d ce a s e
,
F rom t a k i n g l if e S t e rn i s t he S l a y e r s doom .
’
.
him were S O terrified at the fear of hell that they left off
,
the go ds .
Th i c id t f l g h i g
e n d c yi g g ivi g i
en o t
au i q i yn t th c
an r n ,
n r se o an n u r as o e a us e ,
oc c i v l t l f V t 1 3 2 2 d 2 3 MS f d i t h H i di v i B it l
u rs n se e ra a es o e , , ,
an . .
,
an n e n er
s on a a
P hi i 1 9 Th C h dd t ja t h 5 1 4 i t l d
ac s , . e th
a cc i f f m l
a n a z ic a a , ,
s o on e o a s on o a e a e n ov e
rem mb i g t h t i
e er n f m i t c h w t h Wif f t h B dhi t t Th
a n a or er e x s en e s e as e e o e o sa a . en
rem mb i g t h t h l
e er n c d hi d t h h w p
a s e a so a us e s ea s e ee s .
THE MONKEY S AND THE OGRE
In past times we are told there was a thick forest on
, ,
1
this spot A n d in the lake here dwelt a water ogre who
.
-
this forest there are trees that are poison ous a n d lakes
that are haun ted by ogres Min d to ask me first before .
”
or dri n k of a n y water where you have n ot dru n k before .
”
Certai n ly said they readily
, .
their day s wan deri n gs they came on this lake But they
’
, .
”
do n t you dri n k ?
’
prin ts rou n d with the result that he foun d that all the
,
”
Without doubt thought he to himself this is the hau n t
, ,
“
”
of a n ogre S o he said to his fol l owers You are quite “
.
,
”
lake is haun ted by a n ogre .
Th v ill g f N l k pa1
R dw t e a e o a a a n a, ee -
a er .
24 THE MONKEYS AND THE OGRE
mon ster wi th a blue belly a white face a n d bright red , ,
-
”
down i n to thi s water ? Yes I do ; from smal l birds “
,
” ”
n ot let you eat us Just dri n k the water Yes we “ “
.
.
,
“
H o w do you propose to dri n k the water the n ? Ah “
,
Wi t h re e ds we ’
ll dri n k ; y ou sha ll n ot t a k e my li fe .
1
him he recited them in a solem n asseveratio n a n d blew
, ,
l ly m d th t I f t hi i d wi t h i t mi cl i t t l y
1 “
L it t
e ra a e ati ru -
ac . s s on e n en on , a ra e n s an
’
ki n g s dogs came down from the upper chambers a n d
gn awed the leather work a n d straps Next day they told .
”
asked he of yo u r assemb l i n g in such n umbers ?
,
“
They
“
said The ki n g is s o e n raged at the report that the
,
”
be lifted to throw stick o r sto n e at me A ccordin gly .
,
The kin g s servan ts tried to get him ou t ; but his maj esty
’
”
mischief ? No I do n ot
“
But your maj esty if y ou do
,
.
“
, ,
”
you are performin g a n d he taught the Truth to the ,
ki n g in this stan za :
T he dog s t ha t i n t he roy a l p a l a ce g row ,
, ,
N ot t he s e , b u t on ly w e , a re doome d t o di e .
H e re ’
s no im p a rt i a l s e n t e n ce me t e d ou t
li k e ; t is s l a u g ht e r of t he p oor
To a ll a
’
.
“
said D O you in your wisdom kn ow who it a ctually was
,
“ ”
Who was it ? The thorough bred dogs that live in
“
-
”
they who gn awed the leather ? I wil l prove it to y ou .
“
Do s o sage , The n sen d for your dogs a n d have a
.
,
did so .
1
No 52 1
. .
THE DI S CONTENTED OX 29
’
At the close of the Great Being s words the ki n g ,
deserts .
Ti b T x x x rx Th G il t y D g
. . I .J a t 5 4 6 p r b ] 2 t h t h ft f c t t l i
e u o s . n .
,
o .
,
e e o a e s
di c v d b y th
s o e re m m I Ti b T VIII ( v ri t f J a t 54 6 )
e sa e ean s . n g i . . . a a an o . a ro u e s
c v ict d i t he m m
on e n t sa P b l m 2 f Th N i t
e P bl m
a n n e r, se e n o e on ro e o e n e ee n ro e s .
THE DI S CONTENTED OX
O n ce on a time when B ra hma da t t a was reign i n g in ,
of the girl with a View to furn ishin g dai n ty fare for the
,
for the pig eats the food of death I t is but to furn ish .
’
a relish fe r the guests at their daughter s weddin g that ,
the family are feedi n g up the pig Wait but a littl e time .
He e at s Con t e n t e d m u n ch y ou r f ru g a l cha fi
.
,
— The p l e dg e a n d g u a ra n t e e of l e n g t h of da y s .
”
brother ? I have i n deed see n brother the outcome of
“
, ,
”
that ou r lives will n ot be cu t short .
V i t f Jat 2 86
ar a n o d cl.
p ll l t t h Mid
an a h t y giv i t heI t
os e a ra e o e ra s s or en n n ro
d ct i
u on ,p 8 Cf B f E i l p 2 2 9 J c b 6 9
. . . en . n . .
,
a o s .
1
lard Now the Ki n g Golde n Mal lard had a lovely youn g
.
1
Cf No 2 7 0, p 2 1 3
. . . .
’
THE PEACOC K S WOOING 31
claimed U n til this day you have n ever see n how a ctive
,
“
A p l e a s i n g n ot e i s y ou rs a l ov e l y b a ck
, ,
A n e ck i n hu e l i k e l a p i s l a z ul i ;
A f a t hom s l e n g t h y ou r ou t s t re t che d f e a t he rs re a ch
’
.
hi s dwelli n g place -
.
the hair of your head fell O ff Now s your time ; lift away ’
.
”
away .
J l i 4 1 i cl t t t h j a t k Th h t f l l w t h b i d fl yi g w y wi t h
u en s os e s o e a a . e un er o o s e r s n a a
th t
e ne t il ig h t f ll w h
un t h y l ig h t i diff
n t di c t i
a ,
en e a n e re n re on s .
F m ra t y f P I L H it p I S m L XI (ii
e s or o K D (Sy ) I L (A b )
.
,
b t i o o . . . . n ,
ra VI L, u n
thi th b i d
s e t f by
r s a re se m w hi ch g w th t B b 10 7 b l
re e d a ou se na s e ne a r .
,
ou s e a n
L i on i n net ) .
In M bh . XII . 1 3 8, S om . XXX II
mou se fre e s a ca t
I . 100 (i . K D . .
( Sy n ) ch . v .
,
a ,
h
b u t w a it s u n t il t he u n t e r is n e a r so t a t t he ca t ha s n o t ime t o do a rm I n t he
,
h h .
v a ri a n t P ( T ) . I 1 1 (B ) 1
. II
u ppl .
, ,
S
t he b irds e s a pe b y fe ign in g de a t B y t he v c h .
vc
sa me de i e a de e r e s a pe s in at 16 c
The re s t of t he fra me st ory of P ( row J . . . c ,
mou se , a n d a n t e l op e ) is J a t 2 0 6 , p 1 7 1 . . .
”
big was this ban yan whe n you remember it first ? Said
the elephan t Whe n I was a baby this ban yan was a
, ,
bush .
your coun sels Y ou for your part hen ceforth will please
.
m d a t ill
e s li wh th th w
e a r e r, fi t d d wi t h t en C G d i
e e ar as rs a orn e re e s . . ar n er n
F lk l
o J N 2 9 ff gi v
ore . M g li . t l f w lf
. d f wh fi d
es a S ki f on o an a e o a o an a ox , o n a n o
f t
a ,
d d ci d t h t t h
an e ld h ll t it Th w l f y t h t wh h w
e a e e er s a ea . e o sa s a en e as a
you ng t Mt S m
s er w b t cl t f t h i b g Th f w p b
u e ru as hu a o o e ar n a o . e ox ee s, e ca us e e
h d tw c b
a o d th y u g w j t t h g f t h w l f Cf C l t
s, a n e oun 9 0 ff er as us e a e o e o . . ou s on , I I .
,
C w ll Y Cy mm d
o e ,
1 88 2 p 1 6 9 H t h c mp
ro or,th A pic f b l f th , . . a u s ra o a re s e eso a e o e
c t d l k wh w l d t h
re s e ar ,
ll b i g o v t h t h t h d wh h
as o er an a e n s, e en an e e ar ,
an en er
f th
a di d h vi g
er e th , pl c fa g v
n b i d him i
no h w
o h d er a e or a ra e, ur e n er o n ea .
h
re fe re n ce t o t is g i e s a n I n dia n on e v
A n I n dia n k in g ha d t re e son s, t he t w o e l de r . h
h
of W om p e rse u t e t e ir pa re n t s c h
The pa re n t s fl e e w it t he y ou n g e s t s on , who a t . h
h h h
t e ir de a t b u ri e s t e m in i mse l f, u t t in g ope n his e a d Wit a s word h The S u n in c h h .
— which was p l e n tifu lly stocked with fish Cat chi n g sight .
”
Of what are y ou thi n ki n g my lord as you s it there ? , ,
,
THE CRANE AND THE CRAB 7
” “ ’
you while y ou trust me said the cran e If y ou do n t
,
.
the cran e the fish prese n ted t o him a great big fish (bli n d
,
The cran e took the fish off a n d put him in the pool ,
the n e w pool .
us a cross .
’ ’
Then back he we n t a n d said I ve thrown him in ; who s ,
“
”
the n ext ? A n d so he took the fish on e by on e a n d ate ,
“ ’
that said the crab ; I wo n t go with you
,
D on t be “ ’
.
—
be capital If he does n ot why I ll n ip his head off a n d ’
.
, ,
“ ’
ki l l him So he Spoke thus t o the cran e You d n ever be
.
,
”
tight a n d the n would go alo n g with y ou .
cran e gave his assen t With his cl aws the crab gripped .
No w y o u ca n start
”
a n d said , The cran e took him .
the tree .
The pool lies this way un cle said the crab ; but , ,
“
’
you re takin g me the other way Very mu ch your dear “
streami n g from his eyes the cra n e trembli n g for his life , , ,
in ,
said the crab The n the cran e turn ed ba ck a n d .
crab on the mud at the water edge But the crab before ,
-
.
,
P .
(T ) . I . 5 , S om L . X . 7 8 (ii . K D . .
(Syn ) I 5 (Ara b ) v
.
,
. A mu t il a t e d v e rs ion
in Jat . 236 . I n A e so p (H a l m 4 1 9 ,
Ba b r . 1 15 ) a n e a g l e t a k e s a t ort oise upto tea c hi t
t o fly . I n P ha e dr . II . 6 in orde r to kill it . Cf . J at . 2 1 5, p . 1 78 .
”
my mo n ey safe l y in the grou n d ?
So in the compan y of a household slave of his n amed
,
wood be sold .
40 THE HAUGHTY S LAVE
After givi n g this i n jun ction to his slave the old ma n ,
”
property of the family So on e day he said to Nan da .
,
”
U n cl e is there a n y treasure which my father buried ?
,
” ”
Yes my lord
,
Where is it buried ? . I n the forest“ “
,
”
my l ord Well the n l et us go there
. An d he took a
, , .
”
Nan da We l l un cl e where s the mo n ey ? But by the
,
“
, ,
’
’
abused his master sayi n g Y ou servan t of a slave we n ch s , ,
-
”
s on ! how sho ul d you have a n y mo n ey here ?
”
thi s i n sole n ce simp l y said Let us be goi n g the n a n d
, ,
“
,
, .
, ,
42 THE PIGEON AND THE CROW
even in g saw the B o dhisa t t a come home a n d go in to the
kit chen Ah ! thought he I ca n man age it through
.
“
,
“
the pigeo n .
B odhisa t t a said
”
Why do y ou keep with me frien d ? ,
“
,
”
My lord an swered the crow your demean our has
“
, ,
”
put to it if you atta ch yourself to me My l ord said .
“
,
t o o by your Side
, S o be it the n said the B o dhisa t t a ; , ,
”
eati n g ; ex cess therei n Should be shun n ed .
kit che n .
”
a n d cried Come alo n g frie n d crow the crow rep l ied
, , , ,
“
Go without me my lord ; for I have a pai n in my
,
’
the kit che n here Come n ow man s food will n ot agre e
.
,
said the crow Well your own co n duct will shew said
.
“
, ,
”
steadfast A n d with this exhortatio n away he flew to
.
,
’
mome n t o u t popped the crow s head from the basket .
”
shal l I choose min ced meat or a big lump ? Argui n g
that it takes a lo n g time to make a full meal of mi n ced
meat he resolved to take a large pie ce of fish a n d sit a n d
,
”
co l an der Click we n t the colan der
. .
”
“
What ca n that be ? said the cook run n i n g in on ,
of his pain .
“ ”
wretched plight of the crow Ah ! greedy crow he .
,
”
o wn greed has worked you woe So sayi n g he repeated .
,
this stan za
The he a ds t ron g ma n w ho, w he n ex hort e d , pa ys
N o he e d t o f ri e n ds w ho g i e, k i n dl y cou n s e l v
ha S ll
s u re y l p
e ri s h, i e t he g re e dy crow , lk
Who a u g he d t o s corn t he ig e on s w a rn i n g w ords
l p ’
.
V i t f Jat 2 7 4 3 7 5 3 9 5ar an o .
, ,
.
Said the carpen ter to his son who was seated hard by , ,
)
’
p e n t e r s shop .
“ ” “
Rid me of it said the father All right father ,
.
, ,
—
the mosquito he cleft his father s head in twai n S o ’
.
,
Se n se -
l a ck in g f ri e n ds a re w orse t ha n foe s wi t h se n s e ;
Wit n e ss t he s on t ha t s ou g ht t he g n a t t o s a y , l
Bu t l
c e ft ,
p oor l
f oo , hi s fa t he r s s u l i n t wa i n
’
k l .
kin sfolk .
A v a ria n t of Jat . 4 5, a v
ma idse r a n t st rike s he r mot he r s e a d wi t h a p e s t l e
Whe re ’
h .
I n P (B ) I , u pp l V
. . . S,
. III
s t ory 1 2 , a pe t mon ke y s t rike s a b e e from t h
. e e a d of t h e h
c
kin g wit ha sword I t is pre e de d b y a t a e il us t ra t in g t he su pe riorit y of a se n sib l e
. l l
e n e my, a s me n t ion e d in t h e e rse of t he a t a ka a n d P v
Cf a ob s 6 4 , C ou st on i 55 j . . Jc l ,
. .
The s a me mora l is g i e n in M b h X II v
1 3 8 , 45 . . ch . .
”
away ?
Oh ! yes said the mo n key ,
.
”
O n ly mi n d you do said the garde n er ; a n d off he ,
”
min d n ot to waste the water observed their k i n g ; as ,
“
get more .
“
To be sure said the other mo n keys a n d di d as he , ,
bade them .
“
Be cause such are our ki n g s comman ds an swered ’
the mo n keys .
THE S T UP I D M O N K EY S
(J a t a k a 4 6, p
. 4 5)
48 THE ROBBERS AND THE T REA S URE
the father to go for the ran som to free his s on ; if they
caught a mother a n d he r daughter they se n t the mother ,
his pupil it was the pupil they set free I n this case
,
.
,
”
ban d of robbers With this warn i n g to his master the
.
,
By repeati n g the charm I will cal l down the pre cious rai n ,
”
pay the robbers the ran som a n d go free S O he called ,
.
”
prison er ? To get a ran som revere n d S ir said they , , .
”
Well if that is all you wan t said the brahmi n make
, , ,
“ ” “
to the se co n d ban d For booty was the an swer
. If , .
” “
seized on the brahmi n cryin g Give u s ri ches too !
, It ,
“
” “
would give me great pleasure said the brahmi n ; but it ,
a s to wait till the n I will i n voke the pre cious Shower for
,
y o u .
“
Ras cally brahmin ! cried the an gry robbers y ou ,
made the other ban d rich off han d but wan t us to wait -
,
”
a whole year ! An d they cu t him in two with a sharp
sword a n d flun g his body in the middle of the road
, .
An d g re e d i s ve ri l y t he root of ru i n .
F. a T .
50 THE ROBBER S AND THE TREASURE
He who stopped by the treasure thought When my mate ,
“
”
the momen t he gets ba ck S O he drew his sword a n d sat .
whe n the other robber cut him in two with his s word a n d ,
left him but seei n g treasure strewn all rou n d about his
, ,
”
way . Alas ! he cried he is dead through n ot heedin g
“
,
robber lyi n g dead with his rice bowl overturn ed at his Side -
.
my coun sel my master in his self will has been the mean s -
Thi e v e s k i ll e d Ve da b b ha a n d t he m s e l i e s w e re s l a i n .
A impl f m f t hi t l
s er cc i T b T XIX wh 50 0 b b wit h b t y
or o s a e o u rs n i . . . e re ro e rs oo
fi d n c t l y kill d l ph t d 2 50 f t h m
a re en e t f e ew t an Th ,
p i
an o e a re se n or a er . e se o s on
th w t e th t th y b i g
a er d
a t th m i d e f t h l ph t wh ich t h t h
rn ,
an ea e re a n er o e e e an , e o e rs
hv pi
a ed A j ck l fi d t h m
o son e . d b gi to t a b w t i g w hic h
a n s p e , an e ns ea a o -
s rn ,
sn a s
an d kill him I t m t h v b
s . m ch impl v r i us t hi whi ch p
a e eend so e su s er e s on a s s as s e
4—2
52 GREAT KING GOODNE SS
in t o Eu rope an d be c a me C h c au e rs
’
P a rdon e r s
’
Ta l e . The imme di a t e sou r e c of
“
He shews a v ery bold fro n t in maki n g his assertio n ,
“
thought the ki n g ; I will test his coun sel wi thout delay .
“
asked them sayin g My children why have you killed
, , ,
my villagers ?
“
Because we could n ot make a livi n g said they , .
”
The n why did y ou n ot come to me ? said the ki n g .
this time in the heart of the kin gdom These too were .
—
elephan t whom the l aun ched thun derbolt of I n dra could
,
”
We wil l defeat a n d capture him Sire said they before , ,
“
”
“
No t so my childre n ,
said the ki n g No n e shall
, .
my ki n gdom .
”
death . They came on bol dl y ; even when the Shout wa s
again bei n g raised they did n ot turn tail O n they came
,
.
,
—
each si n gli n g out his prey the chief j ackal makin g for ,
, , ,
in g from side t o Side got his han ds free ! The n clut chi n g ,
’
“
We can t divide it ourselves said they ; but this ,
each share
ou r Certai n ly I will my frie n ds said the
.
, ,
”
the sword of state which lies by the usurper s pillow ’
.
side.
”
could do for him Set me by your magic power said
.
“
,
58 GREAT KING GOOD NE SS
he in the usurper s chamber a n d set each of my min isters
,
“ ’
”
back in his o wn house Certai n ly Sire said the gobli n s
.
, ,
him with the flat of the sword upo n the belly Waki n g .
”
han d a n d clad in robes of sple n dour ? The n the k i n g
told him in detail all the story of his escape The n the .
, ,
“
“
dom sayi n g Hen ceforth let it be my charge to deal
, , ,
u n remitti n gly with dau n tless hearts seei n g that the fruit ,
M y s e l f I se e , w ho, a l l m y w oe s o e rpa s t , ’
A m m a st e r of my he a rt s de s ire
’
.
V i t f J a t 2 82 3 0 3
ar a n o T w y (J. P hi l l XII 1 2 0 ) c mp
, . th
a cp ne ou rn . o . . o a re s e es a e
of S ig m d f m t h w l f i t h V b l
un ro
g S g ( Th S t y f t h V l
e o n t e su n a a a e or o e o su n s, r
g .
M g f
a d M i
n is s on an Th m l f t h t l i t h b ddh i t d c t i f
orr s, e ora o e a e s e u s o rne o n on
i t c t o il b t t h m l f p v c p
re s s a n e ev ,
u e d i th v ora pp o t e rse e ra n e ex re ss e n e e rs e s a e a rs o
b l g t
e on li b ddhi t ic v
o a n e a r e r n on i f th t l -
u s e rs on o e a e .
a n d study .
sil a in the Gan dh a ra coun try Here is his fee said the .
,
”
of the gob l in Hairy grip a n d he kills every on e he meets -
,
.
”
Whither away ? cried the mo n ster Halt ! y ou are my .
1
h
T is w as on e of t he fou r isl a n ds of h ch
w i t he e a rt h was p
s u p ose d to c on sis t ;
c
i t in l u de d I n di a , an d re pre s e n t e d t he in ha b it e d w orl d t o t he In di a n min d .
PR I NCE FIVE WEAPON S -
61
”
I will slay you where you stan d A n d with this defian ce .
,
arrows off so that they fell at his feet came at the Bod ,
han d ; but the han d stuck fast upo n the hair The n in .
,
turn with his left han d a n d with his right a n d left fee t
, ,
”
him How comes it that he is n ot frighte n ed ?
. Not
dari n g to devour the B odhisa t t a o ffhan d he said H ow , ,
A n d s o in fear of his
”
of such a hero I l l l et him go
’
. .
,
“
As for myse l f goblin an swered the B o dhis a t t a I
, , ,
“
’
the days of a man s life .
”
his own house F o r thought he
. I coul d n t man age to
, ,
’
was the girl s atte n dan t watched on e day for her comin g
’
, ,
and rushin g out of his shop fell at her feet claspin g her
, , ,
“
feet tightly with both han ds a n d blubberi n g out 0 my ,
”
mother ! where have y o u bee n all this lon g time ?
A n d his co n federates who stood by his side cried , , ,
lost her head Cryin g out that it must be her boy She
.
,
“
Where are you living mother ? ,
“ ’
Up at the priest s my s on He has a youn g wife
, .
”
A n d whither away n ow mother ?
“ ” “
waitin g woman -
. To ,
”
buy her perfumes a n d flowers Why go elsewhere for .
F . a T . 5
’
66 THE BRAHMIN S S PELL
brought home the girl asked why the brahmin was so
,
“
pleased with her that day Why do y ou say that my .
,
”
of thin gs y ou have brought home N o it is n t that the .
,
’
“ ”
Why do n t y ou te l l me my s on ?
’
Not eve n if I were ,
”
me whom are y ou to tell ?
, We ll the n mother my , ,
, .
”
If I wi n her I shal l live ; if n ot this wil l be my death bed
, ,
-
.
, ,
“
Alas ! here s my s on in love with y ou mere l y because
’
o u have my leave
y .
“
struck up fort hwith But I shall be too ashamed if
.
,
’
you re looki n g Let me hide your han dsome face first
.
”
with a cloth ; and then I will dan ce All right said .
,
“
So S he ”
’
he ; if you re t oo modest to dan ce otherwise .
’
Such was the force of the blow that the brahmi n s eyes ,
Ah ! it s a soft .
“
”
han d said he ; but it hits hard !
,
’
68 THE BRAHMIN S SPELL
Now as soo n as the scamp had str u ck the brahmi n he
, ,
hid ; a n d whe n he was hidde n the girl took the ban dage ,
1
drawn As the ki n g made his throw he san g his ol d cat ch
.
, ,
“
his priest Why except her ? Her virtue has given way
, .
you p l ayed the lute to her she let her paramour strike ,
”
Where the n is your exceptio n ? A n d so sayi n g the ki n g ,
A p a ra g on of v i rt u e u n de fil e d !
L e a rn he n ce t o ho d t he l se x i n fe a r .
1
h
T is w as c i cl d w
a rd t h pl y
e t ra n rou n e a e rs , ou of h ch t h y c
w i e oul d n ot g o wi t h
ou t in c i g
u rr n c t il t h d b t w
a u rse , u n ttl d e e s e re s e e . In J at 9 1 l i
. a os n g p v
l a ye r a oids
b re a k in g t h c i c l b y w l l wi g
e r e f t h di cs a o n on e o e e, an d t hus st o ppi ng t he g a me
’
THE BRAHMIN S S PELL 69
”
dear husban d who ca n have said such a thin g about me ?
,
, ,
’
n o ma n s hand has touched me but yours ; and so I will
”
make y ou believe me So be it said the brahmin
.
“
,
.
”
believe your own story brave these flames l ,
”
seize my han d j ust as I am about to go i n to the fire .
delude the brahmin the girl stan di n g there before all the ,
” “
n ot ? said the brahmi n Because she replied my .
“
, ,
—
husban ds what oaths will they ot take aye in the light
n
, ,
Wome n ,
u n s a t e d, y e a rn f or ma t e on ma t e .
T hi e i s h v an d cru e l as a S w e e t v oi ce d s n a
-
ke ,
The y k n ow a ll t ri ck s w he re wi t h t o g ul l ma n k in d .
Il l us t ra t e d on t he B h h
ar u t S t u pa pl x x vi 8 I Su k x v a t a l e of c ommo pl a c e
, . . . n . .
, n
orde a l lv
he r o e r se iz e s he r, a s an ,
n a rr g e d a d she t h e n ma k e s t he a s s e v e ra t io t h a t n
h c h
wi t t he e x e pt ion of he r u s b a n d a n d t is ma n n o ma n ha s e h v c er o me n ear he r . Cf .
l vc
t he simi a r de i e of Tri s tra m a n d Yson de in Cl ou st on , i 1 7 9 . .
g a t ha
S o me whe re for me a wi fe ma y b e ,
A s on , or e v en ot he r kin ;
B u t t he c ou n t ry I do n ot se e
Cf t he P e rs ian t a
. l e of t he wife of I n t a phe rn e s in E dt III
. . 1 1 8, 1 1 9 , who ma ke s
t he sa me c h ic S p h A
o e . o . n t 9 0 5 ff
. . Pische l (H e rme s, XX II VI . 4 6 5 ff ) . c on side rs it
prob a b ly t h l d t
e o mpl es ex a e of a n G re e k dre ss
In dia n tA writ e r in h ou g ht in a .
N ot e s and Q i N 17
u e r es, ov ,
1 8 6
. 6 ,
om a re s t he w ords ofc p
R ob e rt of Norma n dy w e n h
b e sie g in g H e n ry in Mon t S t Mi e l , W a t , s a ll I su ffe r my b rot e r t o die of
“
ch h h h
h
t irst ? Whe re s h lla h
w e fin d a n ot e r whe n he is g on e ? ( H u me ,
”
an d the ch .
b a ll a d in Sc ot t , A n t i q u a ry , x 1.
B u t min n ie [i e mot e r] n e e r a n it he r
. . h ’
.
abuse o r blows Like grit in the eye was this pri n ce to all
.
—
ogre s o dreaded a n d fel l was he
, .
”
me there a n d the n bri n g me back agai n
, So they took .
made their way ashore they were asked where the pri n ce ,
home ahead of us .
,
”
ki n g asked where his s on was We do n ot kn ow Sire .
“
, ,
1
because of his cravi n g for ri ches was re born as a rat at ,
-
the stream when they chan ced upo n the tree tru n k to
,
-
1
Cf J a t
. . 13 7 , p . 1 18 .
74 THE GRATEFUL AN IMAL S
”
beasts pre cede n ce over me A n d he co n ceived hatred
.
in gold
”
.Dig them up a n d take them all It is well .
,
”
rat lived a n d called ou t Rat
, An d the rat did as the
“
.
test the kin g in his turn the B odhis a t t a came to the royal ,
A l og p a y s b e t t e r s a lv a g e t ha n s om e m e n .
”
last the wise amo n g the bystan ders asked the hermit what
service he had re n dered to their ki n g The n the Bod .
”
I excl aim as you have heard .
“
brahmi n s a n d al l classes wi th o n e accord cried ou t This ,
”
Here my lord is your treasure ; take it
, , The n the ki n g .
”
proceedin g t o where the rat dwelt called Rat Out ,
“
.
a n d bowin g dow n
’
at the ki n g s feet asked wheth er it
should collect rice for his maj es t y We will n ot trouble .
” “
you said the ki n g till rice is n eeded Now let us be
, , .
”
goin g So with the seventy crores of gold a n d with the
.
,
’
a cage of gold for the parrot Every day too by the ki n g s .
a n d sce n ted rice for the rat A n d the king aboun ded .
78 THE GREAT DREAM S
in ha rity a n d all good works Thus in harmo n y a n d
c .
to the ir deserts .
A m ch m di fi d v u i f Th g ot ef l B e t d th
e rs on o g tf l M e P ra u ea s s a n e un ra e u a n, .
B
( ) I S pp l II .
K,
D ( Au b ) ch .X II w h
.
,
t h .
g. t f l ram i g .
l d m Vit h .
d e re e un ra e u an s a o s ,
an
t h g t it d
e f t h t ig
ra u d k i ki l f ll y m d t h m
e o e er an f vi g t h b h mi
sn a e s s u a e e e ans o sa n e ra n
an d b i gi g p i h m trn n th g t f
un sl m I Senm on ( 1e0 3 ) t
unh t l
ra e u i an . n o . LX V . II
. e a e s
a j at k a d th g t f
a, anl p w m e Ti
unb T XX
ra e u I i m c
e rson l l y a l t d o an . . . V . s ore ose re a e
t P th
o . t t h j at k an G t R m 1 19
o e Cf Cl
a a. t i 2 23 Th t h kf l
es a o . . ou s on , .
, e an u
B e a sts .
”
your han ds brahmi n s ? asked the ki n g Because Sire
, .
“
, ,
”
these are evil dreams What will come of them ? said .
”
80 THE GREAT DREAM S
the mo n astery saluted the Master a n d sat down
, What , .
“
,
”
pray bri n gs your maj esty here so early in the morn i n g ?
,
“ ”
asked the Master in his sweet to n es Sir said the ki n g .
, ,
“
j ust before daybreak I dreamed sixtee n wo n derfu l
dreams which so terrified me that I told them to the
,
the fear of death before their eyes But I pray you who .
,
“
True it is Sire that there is n o n e other save me who
, , ,
”
I will S ir said the ki n g a n d at o n ce began this list
, , , ,
B u l l s firs t a n d t re e s a n d cow s a n d ca l v e s
, , , ,
H orse di s h s he j a ck a l w a t e rp ot
, ,
-
, ,
A p on d ra w ri ce a n d s a n da l w ood
, ,
-
,
A n d g ou rds t ha t s a n k , a n d s t o n e s t ha t s w a m ,
Wit h frog s t ha t g ob b e d u p b a ck s n a k e s, l l
A crow w i t h g o d p u me d re t in u e ,l -
l
An d w o lve s in p a n i c fe a r -
of g oa t s !
”
of it ?
“
Sire that dream shall have n o issue in your days or
,
there shall fall n o rain from the heaven s the feet of the ,
for rain from the four quarters of the heave n s ; there shall
be haste first to carry i n doors the rice a n d crops that the
women have spread in the s u n to dry for fear the harvest ,
—
light n in g shall flash from the clouds but even as the ,
“
S ir said the king my seco n d dream was after this
, ,
“ ”
Sire said the Master this dream Shall have its
, ,
“
F . a T .
6
82 THE GREAT DREAM S
p a ssio n s shall be stro n g ; qui te youn g girls shall go to live
with m e n it Shall be with them after the man n er of women
, ,
drea m 0 great ki n g,
.
”
”
third dream What shal l come of it ? .
“
This dream too shal l have its fulfilme n t o n ly in days
to come whe n respect S hall cease to be paid to age For
, .
dream .
it down at his feet Un der his ben ch lay a hun gry she .
”
1
seven th dream What Shall come of it .
?
aye they shall poun d up the very seed corn that should
,
-
a ll these ways Shall they plu n der the store won by the
I1 f th p i ti g
n on e o f P l yg te i t h L ch
a n t D l ph
n i P
s o i ( 29) o n o us n e es e a e a us a n a s x .
d c ib
es r fig es f I d l
a c (Ok ) p t d pl it i g p wh ich h
u re o n o en e n os ,
re re se n e as a n a ro e, a s e
a ss f t iv l y
ur t f t
e h pl it it
ea s S F z
as d l
as wh m t i
as i e a s . ee ra er a oc ,. o en on s s x
i ti g
ex s p n t ti re f th bj ct i
re s e n ci t t
a on s o e su e n an en ar .
TH E GREAT DREAM S 85
the poor men s substan ce even as the hun gry j ackal u n der
’
”
your eighth dream .
“
This dream t oo shall n ot have its fulfilmen t u n til the
fu ture F or in days to come the world shall decay ; the
.
depths in the middl e were muddy but the water was clear ,
—
whil e the borders shal l teem with people eve n as the ,
”
Te l l me your te n th dream .
“
This dream too Shall n ot have its ful filmen t till the
fu ture For in days to come ki n gs shal l grow un righteous ;
.
, ,
”
water What shall come of it ?
.
“
This dream also S hal l n ot have its fu lfil men t till the
fu ture in the days of u n righteous ki n gs whe n the world is
, ,
”
upon the waters What Shall come of it ?
.
“
This dream also Shall not have its fulfil me n t before
such times as those of whi ch I have spoke n For in those .
’
these fellows are sayi n g ? S o t oo in the assemblies of
the Brethre n as afore said me n shall n ot deem worthy of
, ,
”
them up What shall come of this ?
.
t hralls of the very youn gest of their wives for the time
'
”
Royal Golden Mallards What shall come of it ? .
“
This dream too shall n ot have its fulfilme n t t ill the
future till the reign of weakl in g ki n gs I n days to come
, .
”
your sixtee n th dream .
“
Heretofore S ir it always used to be pan thers that
, ,
whilst at bare sight of the goats afar off; terror stri cke n -
shall come of it ?
This dream too Shall n ot have its fulfilmen t till the
future till the reign of un righteous ki n gs I n those days
, .
92 THE CONVERTED MISER
an dthe dreams were expoun ded by them Of Old time in
”
j ust the same man n er as they have n ow been expoun ded .
I K D (S y ) Ix (A b )
n . . cc t h t y f B il a d [B h t ] wh ich h
r .
,
ra X Iv .
,
o u rs e s or o a ra a ,
as a
t
s ron g ti b anhm ic l t d c y Th i w B f y chi f v id c f b ddhi t ic
-
ra an a en en . s as en e
’
s e e en e or a u s
or ig i f t h P ch t
n o t t l
e b t th an i p f t h t it i c
a a n ra c t d wit h t h m
a e s, u e re s no roo a s on n e e e
(B f B i l
en . Th
n . c ti f b h mi B f y t h g ht w
e ex e t u on o ra ns en e ou as no
or ig i l b t it
na ,
cc i t h Tib t B ddh i t f m (S hi f M hdk dtjaj
u o u rs n e e an u s or c e n e r, a a na
un d K ig T h d p dj t
on
‘
M m A c d S t P t XXII
s a n a W ra w h v th
o a ,
e . a e . . e no a e re e
b ddhi t v
u i s i J a t 7 7 (t h p
e rs on s t t l ) 3 14 nd 4 18 f w h ich
. b th e re se n a e ,
an ,
n on e o ca n e e
di c t
re ig i f th t y f K D
or n o Th t l i e s ort i ll y t h m i o ll A ki g . . e a e s e sse n a e sa e n a . n
th rou gh c t i m i p
er a n o d dt p f m c ific
en s B i g dvi d b y hi wif
s e rsu a e o e r or sa r es . e n a se s e
(or a mi i t ) h c n s er lt g wh i t p t t he m
on su d di d
s a sa him f m e, o n e r re s e o ens an s su a es ro
th e c i fic
sa r I K D th es . ig h t d n m q it di ff . t f m th
. i th
e re a re e re a s, u e e re n ro ose n e
j a t k I J a t 3 14 ( = B ddh g h
a a . n ) th m
. d tt d b y i h b it
u a osa x v . e o e n s a re sou n s u e re n a
t
an s o f h ll d i J a t 4 1 8 ig h t
e ,
an d m d by n im l d th. c t e i th s oun s a e an a s an o er re a u re s n e
p l c Th t y f t h p t i J a t 7 7 i m l y b l t p t h i t d c t y t y
a a e . e s or o e as n . s e re ui u on e n ro u or s or .
Th ki g i
e ll t h
n t i
n f th p
a t i t h ki g f K
re e l
s or e s odi pl c e re se n s e n o osa a, a n n on e a e
is ex p l y c ll d P
re ss di ( P ji
a t ) we h w c t m p
a se n a y f B d dh C f ra s e n a ,
o as a on e ora r o u a. .
B f Ei l
en . 2 25 O t h I di
n . d S l v ic v . i g iv by H W z l
er n an an a on e rs on s a re en . en e ,
J R A S 1 8 9 3 5 0 9 ff
, D G t gi v
,
R m i v i (J R A S 1 9 00 6 23 ) wh ich
. r as e r es a u an a n e rs on , ,
h p b b ly c m t h
as ro a g h t h Sl v ic f m t h B ddh i t M g l
o e rou e a on ro e u s on o s .
worth eighty crores a n d had all the defe cts whi ch fal l to ,
his house was like a pool haun ted by ogres Yet for .
,
”
expe n se S o he walked about keepi n g his thirst u n der
.
,
.
”
brew liquor e n ough for you he said If you make the , ,
“
Whe n the S l ave came back he made him go from the town ,
I t h i t d c t y t y t h Wif p p
1
n e n ro t c k c k u gh f th t w
or s or e e ro ose s o oo a e s e n ou or e o n .
H g d ll y d c t h m
e ra ua t t il h p mi
re t c k
u f him l
es e a ou n ,
un s e ro se s o oo on e or a on e .
94 THE CONVE RTED MISER
a thicket to drin k by himsel f Moved by the sight Sakka .
,
must have their cons eque n ces ; I wil l work his con versio n ,
m
”
”
said the ki n g So be it sire said the preten ded I l l is a
.
“
, , ,
“
wife Whe n she came he said with a smile My dear let
.
, ,
us be bou n tiful .
, ,
”
to see me righte d groan ed I l l i s a a n d betook himself to
,
“ “
the pala ce .Why oh why sire he cried have you
, , , ,
”
plun dered me like this ?
“
Nay it was n ot I my Lord g il dm a s t e r said the ki n g
, , , .
May it p l ease your maj esty to se n d for him who has given
my substa n ce away a n d to question hi m on the mat ter
, .
”
THE CONVERTED MISER 97
were the two that n either the ki n g n or his court could tell
which was the real g il dm a s t e r S aid the miser I ll i s a .
,
“
Who a n d what sire is this g il dma s t e r ? I am the gild
, , ,
master .
“
Well really I can t s a y which is the real I l l i sa said
,
’
” “
exami n e their heads The n look at both their heads
.
,
he couldn t for the life of him say which was the real man
’
.
Heari n g his last hOpe thus fail him the g il dma st e r fell ,
F. & T .
7
98 THE CONVERTED MI S ER
an d
risi n g in the air addressed the kin g the n ce in these
, ,
“
words : Not I l l i s a am I 0 ki n g but Sakka Then those , , .
”
o f all that thou hast a n d c l eave thy head with this thu n der ,
”
bolt of I n dra a n d thou shalt die ,
.
R p ct i g t hi
es et y n t ic l b y t h t
s s or l t [ S i R Ch l m ] i t h
, se e an ar e e ra n s a or r . a e rs n e
l J t h R y l A i t i S i ty f J
“
J ou rn a ( e o
y 1 89 2
a t it l d Th Li
s a c
g f th oc e or anuar ,
en e e nea e o e
‘
Prou d Cf G e s t a R om 5 9 , D e s upe rb i a
. . n i m ia , re t ol d b y Lon gf e l l ow, Ta l e s
o f a Wa y s ide I n n , K i n g R ob e r t of S icil y .
1 00 TH E VAL IANT DWARF
A ccordi n gly the B o dhis a t t a took the weaver with him
,
, .
the B odhis a t t a who did all his work for him Now in .
“
How could I call myself a n ar cher S ire if I could n t , ,
’
”
cat ch a tiger ? The ki n g gave him l argesse a n d se n t
him on the erran d A n d home to the B o dhis a t t a came .
”
away y ou go my frien d But are you n ot comi n g too ?
,
.
“ ”
,
’
P l ease .
“
” “
do my frie n d Wel l do n t you be rash a n d approach ’
.
, ,
’
the tiger s lair al o n e What y ou will do is to muster .
of the dead body of the brute you will burst out with ,
‘
Who has killed the tiger ? I mean t to lead it by a
creeper like a n ox to the ki n g a n d with this i n tent had
, , ,
“
Very good said B hima s e n a ; a n d off he wen t a n d
,
”
gifts .
You s w ore y ou w ou l d v a n q u i s h t he f oe !
B u t is it con s i st e n t ,
w he n f a ce d wi t h t he ir hos t ,
v e n t y ou r e mot ion s i r s o ?
To , ,
, .
day forward all I n dia was loud wi th the fame of the Sage
Little Bowman To B hi m a s e n a he gave largesse a n d se n t
.
,
Cf Grimm 2 0 , The
. va l ia n t Ta i l or, An m .
04 THE S TOLEN JEWEL S
1
rustic took to his heels in alarm There he goes cried .
“
,
”
j ewe l s ? asked the ki n g Y e s your maj esty Where .
“
, .
“
”
“
Yes sire was the an swer
,
Where is it the n ?
, I gave .
“
’ ”
it to your maj esty s family priest The n the priest was .
re ceived it .
,
“
this t o morrow -
So b e han ded the five over to hi s
.
“
were lost i n side the grou n ds whilst the rusti c wa s ,
the hope that he would get off if he could mix the pri est
up in the matter Further the priest must have said he
.
,
”
j ewel to me ? I o n ly said I did a n swered the priest
“
, ,
“
because I thought you would help to make the time
pass more ag reeably Lastly the courtesan said Oh
.
,
“
,
” ”
neckla ce as you sa y ? , Why be an gry my dear ? said “
,
i n to droppi n g it .
see n by the wat chers who promptly made her drop the ,
108 THE TOO CLEVE R MERCHANT -
“
But we both had a n equal i n terest in the stock in — trade -
”
Shares ? Because I am Wisest An d so they talked .
”
double portio n This arran ged he we n t to the Bodhi
.
,
”
in trade Decl are what share ea ch should receive
. .
the respo n se .
W is e ri g ht l y Wi se st w ron g ly g ot hi s n a me ;
,
T hrou g h W i s e st I m n i g h roa s t e d i n t he fl a m e ’
‘
, .
A m wh t m t il t d v
so e a i f D t b ddhi
u d A b ddhi (D h m b ddhi )
a e e rs on o us a u a n u a r a u
P ( T ) L 1 5 S m LX 2 1 1 (ii
. .
,
o K D (Sy ) I 1 3 ( A b ) v
. . . . . n .
,
ra .
THE LO QUACIOU S BRAHMIN
O n ce on a time when B ra hma da t t a was reign i n g in
Ben ares the B o dhis a t t a was on e of the ki n g s courtiers
’
.
,
,
‘
,
’ ‘
“
I have a very talkative priest Do y ou thi n k y ou could .
”
du n g said the cripple The n the ki n g had him take n
, .
“
Revere n d s ir s o talkative are y o u that you have
, ,
”
right agai n .
“
Well my ears are i n debted to the cripple for this
,
”
relief said the ki n g a n d bestowed on him four villages
, , ,
P ri z e s k ill ,
an d n ot e t he m a rk s ma n l a me ;
—
F ou r vi ll a g e s re w a rd hi s a i m .
THE LUCKY SNEE Z E
O n ce on a time when B ra hm a da t t a was reign in g in
Ben ares he had in his servi ce a brahmin who professed
,
he gave a pocketful of mo n ey .
Th b h mi i B ddh t im w wh t k b ib ’
1
e ra w dt t
n n uA di p a s e as a s or -
e s e r, o oo r es . sa
p i t d mit h b g h t w d d p t it i t t h h t h wit h m p pp Wh
o n e s rou a s or an u n o e s ea so e e er
. en
th b
e hmi iff d t t h w d d p t d d t t t it h
ra n sn e a z d d pl it
e s or an re e n e o es , e sn e e e an s
his n os e .
THE LUCKY SNEE Z E 113
would tell the kin g that his daughter was un der the
in flue n ce of witchcraft but that as the demo n had , ,
”
on this pretext I bri n g the pri n cess t o the cemetery ,
y o u o n which I will lay the pri n cess The n will come the .
time whe n you must sn iff at the pepper till you sn eeze
two or three times a n d whe n y ou s n eeze we will leave the
,
pri n cess must bathe all over a n d you must take her ,
” “
home with y ou Capital said the pri n ce ; a most
.
,
“
ex cellen t device .
to her .Whe n the day came the old woman told the ,
F . & T. 8
1 14 THE LUCKY SNEE Z E
ma n w ill sn eeze mark we l l that so soon as he has
. An d ,
s n eezed he wi l l
, come ou t from u n der the bed a n d seiz e
Next the cro n e led o ff the pri n cess a n d laid her upo n
the bed whisperi n g to her n ot t o be afraid At o n ce the
,
.
a y of them
n N o t a m a n stood his grou d
. n — O n e a n d all
”
“
Well thought the ki n g I a l ways i n te n ded her for
, ,
—Wha t b ri n g s on e we a l , m a y w ork a n ot he r w oe .
grew fewer a n d fewer till they n oti ced the gaps in their ,
— The ca t -
li ek n a t u re t he re w e se e .
, ,
Th g h t h f
ou g i g p l t te j ck l t h t z p k f t ( b il a )
ore o n ros e re a e s o a a a , e s an a s ea s o a ca ra ,
as d th v
oe s i i Tib T X Le I t h v i t J a t 1 2 9 t h j c k l wi
e rs on n c fid c . . . n e ar an . e a a ns on en e
th g h t h t ft f h i hi h d mb li g c t ic t wh ich w
’
rou e u o a r on ll s ea ,
re s e n an as e s o n su re , as a
t h h i h h d l ft ft
e a r c pi g f t fi Thi i t h m m t iv
e a e a Th b l
er es a n a ore s re . s s e sa e o e as e ue
J k l P ( T ) I 8 I J a t 3 8 4 t h h yp c it i
ac a ,
. . . c w w h ic h i c l t t t h v i
. n . e o r e s a ro ,
s ose s o e e rs on
o f M bh ch 4 1 Wh t h g g t i g
. II . . H t l c mp
,
P (T ) III 14
e re e e -
ea er s a oos e . er e o a re s . .
,
(B ) 2 i w h ich
11 1 .
p w n d h g t h yp c it ic l t t d cid di p t
a s a rro an a re o o a o r a ca o e e a s u e .
S m L XII 4 6 (ii
o . b t f J at 4 00 p 2 6 7
. . u o . .
, . .
THE GOLDEN GOO S E
O n ce upo n a time whe n B ra hma da t t a was reign i n g in
Be n ares the B odhisa t t a was born a brahmi n a n d growi n g
, ,
'
“ ”
You Shall have my feathers said he on e by on e
, ,
“
,
, .
’
Who s to say your father might n ot go away on e of these
days and n ever come ba ck agai n ? Let us use our time a n d
118 THE GR A TEFUL MOU S E
pluck him clean n ext time he comes so as to make sure of ,
Th i i m cl l y l t d t A p G wi t h t h g ld H l m 34 3
’
s s ore ose Eg g
re a e o e so s oos e e o en s, a ,
B b a 123 t hr
. th ,
I di v i t I P (B) II 5 b h mi f d
an a re o er n an ar an s . n . I . a ra n ee s a
sn a k d fi d d i ly
e, an di i t h b wl
n sHi a t g t t h wh l t
a nar t i n e o s son o e e o e re a s u re r es
t k ill t h
o k b t i b it t
e sn a d k ill d The, k t ll t h b h mi t h t h c m
u s en an e . e sn a e e s e ra n a e o es
f m g
ro d d f t h v
re e ,
an y m t d wit h him
re u se s I G t R m 14 1 (1 3 3)
o a e an ore o o . n es a o .
it i t h f t h
s wh t i
e ta kil l t her k H oth h w v
res c ct t hi wit h
o e sn a e . a us ra ,
o e e r, on n e s s
Th C t ym
e d S
ou n rk H lm 97 B b an 167 I P ( B ) III 1 3
a n f wl
na ct he, a , a r . . n . . a o er a c es
a b i d wh r c m t t t g l d d g iv it t t h k i g H f t b l i v
os e e x re en s u rn o o ,
an es o e n . e re us e s o e e e
t h f wle d ot th b i d f
er an S t h gip y v i t i t h
se s e t t J a t 2 84
r re e . ee e s ar a n n e no e o .
,
p 2 1 8 Cf J c b 6 7 Cl t i 1 2 3 fi
. . . a o s ,
ous on , .
'
TH E GRATEFUL MOUSE
O n ce on a time whe n B ra hma da t t a was reign in g in
Be n ares the B odhis a t t a was born a sto n e cutter a n d grow
,
-
cou n t ry there dwelt a very rich mer chan t who had amassed
forty crores in go l d A n d whe n his wife died s o stro n g .
,
died i n cl udi n g the mer chan t himself Likewise the Vill age
, .
asked the reaso n The n the mouse told him al l that had
.
befalle n her .
”
“
Why didn t y o tell me all this before
u
’
? said the
B o dhisa t t a Cheer up I ll help y ou ou t of your troubles
“ ’
,
. .
”
there said he a n d do n t fail to fier cely threate n a n d
, ,
“ ’
B ddh g h
u X I I wh t h B dhi t t i c v t i g t t mpl d m k
a os a V I ,
e re e o sa a s ex a a n a s on e e e, an a es
a sm l l h l i t h t mpl wh
a o e n th e t e b f f m th c t
e, S f
e re c e ra ca n e sa e ro e a s . ee re e re n es
t th g t f l b
o e ra e u t Jat 7 3 p 7 8 d f
e a s s on b i t h i t h p l c wh r w l t h i
.
, .
,
an or re -
r n e a e e e ea s
h d d J a t 3 9 p 4 1 J at 7 3 p 7 3
oa r e , ,
.
,
. .
THE TREACHEROU S CHAMELEON
for his youn g s on a n d said that such frie n dship was mis
placed for chameleo n s were low creatures a n d that if the
, ,
these moun tai n ous embraces of the you n g gian t grew pain
ful in deed the chameleo n foresaw that they would be the
,
”
“
Now said the chame l eo n put your fuel in there a n d
, ,
“
”
Slain . So sayi n g the trea cherous chame l eo n withdrew to
,
”
wi cked chameleo n has proved the ban e of all these lizards .
Throu g h f ri e n dshi p w i t h on e l
so e cha m e e on l
The t ri b e of li z a rds me t t he i r e n d .
I n t he fra me st ory of P . II
I . t he owl s a re de s t roye d b y t he c row s t h rou g h t he
sa me me a n s a s in t he a b o e a t a ka , u l ie n 5 v j J
a t u al s t ory is t oo
. ch
The t e a in g of t he c
u n b u ddh j
ist ic for it t o b e a dopt e d a s a a t a ka , b u t t he e n mit y of t he rows a n d owl s c
j
is re fe rre d t o in t he a t a ka s , cf a t 2 7 0 , p 2 1 3 J
I n 2 2 6 a n owl t a t ome s ou t a t a n
. . . . h c
u n se a s on a b l e t ime is kil l e d b y rows c .
1 24 THE F OOLHARDY JAC K AL
Fin din g that he was discovered the rogue spran g to ,
, ,
had come .
“
it to the lio n a n d falli n g at his feet say Shi n e forth in
, , ,
Glutted with his meal the j ackal would then retire to his ,
de n a n d sleep .
’
might Lord , I ll make the lio n call ou t to me Shi n e
.
’
,
‘
, ,
’
lio n s corn er in Gold D e n whilst the lio n was to climb the
moun tai n to look ou t for a n elephan t The quarry foun d .
,
“
lion n ot to grudge him this much Said the lio n Ja ckal .
, ,
”
the cave he said Shi n e fort h in thy might j a ckal
, ,
“
, .
, .
Y ou r ma n g l e d cor s e , p y ou r b ra i n s m a s he d i n t o c a y , l
P ro ve how y ou ’
ve s hon e fort h i n y ou r m i g ht t o da y -
.
S J at 2 0 4 p 1 6 9 d p l l l g iv t h
ee .
,
. J at 335 i v i t v i
,
an a ra e s en e re . . s a ar an e rs on .
“ ’
like bitin g a p l ough han dle There s n o eati n g here
-
.
,
”
right pla ce a n d ate his way right i n to the belly where he
, ,
made a ple n teous meal off the kid n eys heart a n d the rest , ,
“
came i n to the j ackal s min d This carcass is both meat ’
, ,
“
Ah ! he exclaimed this misfortun e ha s befalle n me
”
,
“
O n ce b it t e n t wi ce S hy A h g re a t w a s my fe a r ! ,
.
,
O f e l e p ha n t s i n w a rds he n ce fort h I l l s t e e r cl e a r
’ ’
.
agai n .
H t l m k
er e f f t ch d c mp i
a es a wi t h t h f b l i
ar -
e P (B ) I 2 wh
e o a r s on e a e n . .
,
e re a
j ck l b k p
a a re a d ms o d fi d it mpt y
en a f b l wh ich l
ru cc i K D
an n s e ,
a a e a so o u rs n . .
( Sy ) I 2 (A b )
r .
,
S m L X 56 (ii
ra v .
,
o . . .
F . a T .
9
1 80 THE RASH MAG I C I AN
fame a n d had five hu n dred youn g brahmin s as pupils .
”
Y ou can t said they
’
.
,
”
Well if you ca n do s o said they a n d climbed up a
, , , ,
tree forthwith .
A n d, l i k e t ha t t i g e r w hich S a fiji v a ra i s e d
T o l i f e , he s t ra i g ht de ou rs y ou f or y our v p a in s .
P .
(B ) v . 4 , The L i on -
ma ke rs , Ve t . 21 . h
T is t a l e an d Jat . 5 2 7 , Ve t . 1 6, a re t he
on l y j at ak as in c mmon wit
o h Ve t , ex c e pt a dou b t ful pa ral l e l in J a t . 2 00 , p . 1 68 .
132 THE TWO GOOD KINGS
say n o ill of me but o n l y good a n d so he we n t about t o ,
try those who were outside his walls But with these it .
who bel o n ged t o the suburbs at the four city gates Stil l .
”
N o n o driver said he ou t of the way with yours !
, , ,
“
“
No t so dri ver ! replied the other
, I n this carriage ,
o f ou r ki n g !
THE T WO GO OD K ING S 133
’
Why here s a ki n g t oo thought the driver of the
, ,
, , ,
’
which he set forth his mo n arch s faults as though they
were so man y virtues
R ou g h t o t he rou g h k i n g M a ll i k a t he mil d wi t h m i l dn e s s s wa y s
, “
,
Give p l p
a ce , g i v e l a ce , 0 dri ve r ! s u ch a re t hi s m on a rch s w a y s !
’
the other If these are his Virtues what must his Vices
.
,
”
be ! Vices be it then quoth he if you will ; but let
“
, , ,
“
’
us hear what your ki n g s virtues may be like ! Listen “
”
then rej oi n ed the first a n d repeated the seco n d verse
, ,
H e con q u e rs w ra t h b y m i l dn e ss t he b a d w i t h g oodn e s s sw a y s , ,
B y g i ft s t he m i s e r v a n qu i she s a n d l i e s w i t h t ru t h re p a y s .
G i v e p l a ce g i ve p l a ce 0 dri v e r ! s u ch a re t hi s m on a rch s w a y s l !
, ,
’
D h mm p d 1
v 223
a a a a ,
e rs e .
1 34 THE GRATEFUL ELEPHANT
Ben ares The n the ki n g of Be n ares gave good admo n itio n
.
A imil sc t t f t w mi t l cc i t h K l l (C wf d t l t i
ar on e s o o n s re s o u rs n e a e ca a ra or
’
s ra n s a on ,
Th y g fi c l y d iv i t t h l d wh Th S h l d t g iv m
“
i
. e ou n yer e r ll es n o e o ,
o sa s, ou ou s e e a
t h h ig h w y f
e I m t h ld
a ,
Wh t m t t
or ath t ? y th th e; l t th
o er .
” “
a a e rs a
”
sa s e o er
“
e e
g i v pl c Th th y t ch i g hi l g d b y w y f
”
l
e ast wi se e d d
a e . e re e s an an ea s n s s e en s a o
d c idi g t h m t t
e n (D R e ) Th j a t k it l f i
a er . v i t f th t y f th
r ou s e . e a a se s a ar an o e s or o e
ki g Na d d Siv i i M b h III ch 1 9 4
n s ra a an n . . . .
the water 1
So this E l ephan t did n othi n g of the kin d
.
half dry cake of his dun g was carried i n to the river This
-
.
H dt i 1 3 8 : (t he P e rsia n s ) 6 s n o ra n b v OG o ffr e
’ ’ ’
en l v cic
‘
o v pe l v
‘
q
-
ov . . .
( Dr Rou s e .
)
THE GRATEFUL ELEPHANT 137
, ,
“
Sire if woodwork is wan ted what n eed to come here ?
, ,
, , ,
budge .
”
What do you wan t me to do gossip Elephan t ? asked ,
t he ki n g .
“
Order the carpen ters t o be paid for what they have
s pen t on me Sire , .
”
ki n g s death
’
Surely the lan d is at my mer cy thought
.
“
,
.
, ,
“
Yes do so said the Quee n So s he dressed up her
, , .
son ,
a n d laid him in a fin e li n e n cloth ; after whi ch S h e
“
E l ephan t s feet sayi n g Master your comrade is dead
’
, , , ,
B o dhisa t t a
”
you ll live to repe n t it
,
’
.
“ ’
to this b u t ! thought he I ll smash the water j ar ! I ll ,
-
’
, S o he sped i n to the
j un gle a n d waited watchi n g for their return
,
.
His master came first l aden with food for his pet As , .
wit h hi ig l ”
O l g
1
ti g
r, s us u a re e n ,
or s na .
THE MONGOO S E AND THE SNAKE 1 41
1 11 v i rt u e , w i s dom , l e a rn in g k
l i e t o t he e ,
Choo se s u ch a n on e t o b e t hy own t ru e fri e n d ;
G ood f ri e n ds an l
d b e s s i n g g o i n com pa n y .
I J at 43
n c t ic k p t m ip i b mb t b I t i g l ct d f
. an as e ee s a a e V er n a a oo u e . s ne e e or
sev l d y d wh t k
e ra a s, a n t b it d kil l him
en Cf A
a p C t ym
en oud es an s . . e so ,
ou n r an an
f S
roz e n k H lm 97 B b
n a e, 1 67 a H t h c mp
,
P (B ) III 5 Th G ld
a r. . a u sra o a re s . .
,
e o
gi i g S
e k
n S n a J at 1 3 6 p 1 1 8
e . e e on .
,
. .
”
your quarrelli n g a n d live together at on e .
e n d of the walk lay with his head out of the hole in his
, , ,
Why s l e e p y ou t he re w i t h t e e t h a l l b a re D of w ha t a re y ou a f ra id ?
“
Father said the Mo n g oose n ever despise a former
, ,
seco n d stan za
N e v e r de s p i s e a n e n e m y n or e v e r t ru st a f ri e n d
A f e a r t ha t S p ri n g s f rom u n f e a re d t hi n g s u p root s an d ma k e s a n en d .
Th d c t i e f th m g
o rne i th m o th t t g h t i Th C w
e on d th
oose s e sa e as a au n e ro s an e
Ow l t h f m
s, t y f P
e ra Cf J a t 1 4 1 p 1 2 1
e s or Th j a t k
o pp t
. b II I . . .
,
. . e a a a e a rs o e a
f lk t l m difi d t c
o a e t
o c t ch m li t y
e o ou n e ra su ora .
1
Lit . O vivip a rous on e .
T HE PENN Y WISE MONKEY -
the tree he came to hun t for the lost pea But that pea
,
.
sat still very glum looki n g l ike some on e who had lost a
, ,
”
do ; they spe n d a pou n d to win a pen n y ; a n d he we n t
on to repeat the first sta n za
A f ool i sh m on k e y l i v i n g i n t he t re e s
, ,
0 k i n g w he n b ot h hi s ha n ds w e re f u ll of p e a s
, ,
H a s t hrow n t he m a l l a w a y t o l oo k for on e
The re i s n o wi s dom S i re i n s u ch a s t he se
, , .
L os i n g mu ch t o g a i n a li t t l e l i k e t he m on k e y a n d t he pe a
, .
THE I NCOMPARABLE ARCHER 1 45
the kin g had set forth from his capital to make mincemeat
o f his e n emies hurried away from the borders , .
K D (Sy ) IX 2 (A b ) I V wh
. . it i i
r t d i t h t y f B il a d (v i t
.
,
ra X .
,
e re s n se r e n e s or o ar an
of J a t 7 7,
. p .
,
-
.
While the youn ger brother rul ed Peerl ess lived in all ,
F . a T . 10
1 46 THE I NCOMPARABLE ARCHER
B ra hma da t t abelieved them a n d al lowed himself to be ,
”
A re y o u the archer ? asked the ki n g Y e s Sire Very .
“
,
.
mu ch they grumbled
,
.
”
of man go fruit I t i s too high to cl imb for thought he ;
.
,
But your maj esty has see n ou r S kil l often e n ough The .
”
you might make him bri n g dow n the fruit .
”
positio n What positio n do you wan t ?
.
”
The p l a ce
”
where your couch stan ds The ki n g had the cou ch re .
”
that it does n ot fall on the earth Down came the arro w .
,
“
Shoul d n o t fal l upon the groun d We n ever saw such a .
”
thi n g before ! cried the o n lookers at this marvel How ,
.
”
n eighbouri n g ki n g was the reply I f my dear brother “
.
,
1
scratched a message upo n a n arrow to this e ffect : 1 ,
”
for life make their escape This he shot so that it fell .
heave n .
H dy M ar l f B ddhi m 1 14
,
Th l t t
a n ua o p t f t h t y i g iv v y
u s ,
.
!
e a er ar o e s or s en er
b i fl y i M hd J at k I t i fig — h h h
r e nt 2 82 3
g a ks p va s u . d t , B t
a ra e a na a a . s u re on e ar u
St p
u C i gh m p 7 0
a, s e e d pl t XX II 1 3 ;
un n n a dp,
ib l y
. th S ,
chi T p
an a e V . an os s on e an o e,
se eF g T dS p t W
e r u sson , hip pl XXV I p 1 8 1 (D R
re e a n er ) en ors ,
. . . . r ous e .
they l ived .
1
I n t he M a hdva s t u it is wra pt rou n d it (2 p 82 1 4 , pa rie e thi t va ) ;
. . . so in H a rdy .
1 50 THE MAG I C TREASU RES
wan t Sakka gave him a razor axe (A razor axe is so
.
-
.
-
”
fire .
”
ca n I serve y ou Sir ? Now there was a n elephan t tra ck
,
”
you beat upo n this Side Sir he exp l ai n ed your e n emies
, , ,
“
he departed .
” ’
bri n g the gem to me ! O ff flew the axe clove the hermit s ,
before made the axe cleave the own er s skull Aft er this .
’ ”
ki n g s head ! cried he ; away we n t the axe a n d came ,
righteously .
the sto n e plan ted in his park a n d watered with milk water ,
-
.
G reat was the worship paid to this tree ; milk water was -
1
poured about it ; perfumed garlan ds with five Sprays
were hun g upon it ; wreaths were festoo n ed about it ; a
lamp was kept burn i n g a n d fed with scen ted oil ; a n d all ,
”
him the ki n g asked You are a garde n er ?
,
Yes Sire ,
“
, ,
1
The me a n in g of ya n dha pa nca ng u l i k a m is un c e rt a in . P e rha ps a g a rl a n d in
h ch
w i s prou t s or t wi g s w e re a rra n g e d ra dia t in g lik e t he fi n g e rs of a h an d . Se e
M orris in J P TS , . 1 88 4, p . 84 . The s pre a d h a d is in ma n y pl a
n c e s a sy mb ol use d to
a v e rt t he e vil e y e . In some vill ga e s of I n dia k
it is ma r e d on t he h ou s e wa ll s (N ort h
Ind N . . an d Q ,
i . it i c v
s a r e d on Ph oe n i ci an t omb st on e s (se e t h ose in t he
B ib liot e hq ue Na t ion al e in P a ris ) ; an d I hv a e se e n it i n a ll pa rt s of Sy ria , on t he
hous e s of J e w s, Christ ia n s, an d M osl e ms .
(Dr Rou se ) .
1 54 THE MAG I C TREASURES
said the ma n a n d began to soun d hi s own praises
,
Very .
“
”
keeper S o after that these used both to look after the
.
royal groun ds .
bra n ch these were all e n tan gled with the man go tree
,
.
Thu s this tree with its sweet fruit grew bitter as the
, ,
”
What s the mea i g o it a n d aski n g this questio n he
’
n n f ?
,
Wha t ha s ca u se d t hi s b it t e r fl a v ou r ? f or w e t e n d it a s of ol d .
Rou n d a b ou t en an d root
roo t ,
S e e t he b i t t e r cre e p e r cl i mb i n g ; t ha t i s w ha t ha s s p oil t y ou r f ru i t ;
S o y ou se e b ad co mp a n y w il l m a k e t he b e t t e r f oll ow s u i t .
1 56 THE PRIEST I N HORSE TRAPPINGS -
stan za :
N or i on l n or t ig e r I se e ,
N ot e ve n a p a n t he r i s he
don k e y — t he wre t che d ha ck !
’
But a ol d
v hi s b a ck ! W it h a l io n s k i n o er
secon d stan za
T he don key ,
i f he ha d b e e n wi s e ,
M i g ht l on g t he g re e n b a r e y ha e e a t e n l v
A l i on s k i n w a s hi s di s g u i s e
v a he e ha w a n d g ot b e a t e n !
B u t he g a e -
,
I P (T ) III 1 t h ki i
n .
p th . di. vi d c f t h K h mi i
e s ig i
n s a an
’
e r s, a n s e en e or e as r an or n
o f t hi c i I
s re P (R ) 7 it i ch g d wi t h t h l c l it y t
e n s on . n t ig .ki IV . s an e e o a o a er s -
n,
m f mili
ore f th a th A t c ar f th ur li v i i e r s ou i th fi t t z . ra e o e ear er e rs on s se e n n e rs s an a
o f t h j at k wh
e p th i
a f a, d t I A
e re p (B b a1 39 H l m an er s re e rre o . n e so a r .
,
a as
P f Rh y D v id
ro . t t sl fa th f t h ki i t g iv
n o e s , a n a u ra S m re a s on or e u se o e s n s no en . o .
L X I 1 8 (ii 6 5 ) f l l w P
I . Th
. li t f
o c t t h f b l i G k lit t
o s . e ear es re e re n e o e a e n re e e ra u re
i L ci
s P i
u t c 32 t h
an ,
pp d f sca c i Pl t C t 4 1 1 b i g t t h
. .
, e su ose re e re n e n a o, ra . A, e n o e
li f H c l i th c c i H S t I 6 22
’
on s ski n o il y y f
e r u e s , n or s e re ne e s sa r an re e re n e n or . a . . .
,
II 1 6 4 Of H
. . t h J c b 57
. . a us ra ,
a o s .
”
were loud in its praise : S ee that fin e horse ! they cried ;
“
what a beauty !
Whe n he came home agai n he wen t in to his man sio n ,
“
Ah husban d you do n ot k n ow wherei n lies the beauty
, ,
”
goes a fin e professor ! said they all A n d the kin g cried .
”
bile gon e wrong ? Are y ou crazy ? At this the brahmi n
thought that he must have behaved amiss a n d he was ,
A n ot he r wi fe I w il rocu re ; l p
I v e ha d e n ou g h of t hi s on e , s u re
’
.
P .
(B .
)W 6 . . k e s him a e his e a d s a e d, a n d t e k g s
The min is t e r s wi fe ma
’
h i n
’
hv h hv
v
wife dri e s he r us b a n d wi t h
a b ridl e W e n t he ki n g a s k s his min ist e r why he is
h . h
hv
s a en at th e w ron g t ime , t he mi n is t e r re t ort s on t he ki n g s foll y
’
T i s l a t t e r p oin t . h
w a s prob a b l y omit t e d in t he ja t a k a i n orde r t o fit it in t o t he b odhisa t t a t e ory Cf h . .
Be n f Ew t
. . 187 .
s on On h
. i s n ame day they called him Pri n ce Paduma -
, ,
the Lotus Pri n ce After him came six youn ger brothers . .
, .
bespake them .
in it .
thus dwelt together the woman fell in love with the fellow
, ,
pay my ofl e rin g !
Very good said the B odhis a t t a n o t kn owi n g her
, ,
said t o him ,
gods ! The n in your hon our first of all I will o ffer wild
INGRATITUDE PUNI S HED ‘
“
the precipice The n she cried in her j oy I have seen
.
,
the hill so there he sat amo n g the bran ches eatin g the
, ,
the hill from the foot of it a n d would eat the fruit of this ,
fig tree
-
That day he saw the B odhisa t t a a n d took t o
.
.
,
”
“
How did y ou get to this place ? he asked ; a n d the
B odhi s a t t a told him how .
’
“
Well do n t b e afraid said the lizard ; a n d taki n g
, ,
retur n ed to t he forest .
F . a T . 11
162 INGRATITUDE PUNI S HED
m idst of the city , an d on e before the palace ; and every
day he distributed in g ifts six hu n dred thousa n d pieces
o f mo n ey .
then ceforward they gave her more food than ever Some .
basket of osiers .
1
The P a n ch a t a n t ra sa y s his ki n sfol k pe rse cu t e d him ,
w i h chg iv e s a re a s on for
t he st a t e he wa s se e n in .
(Dr Rous e ) .
1 64 THE GOBL I N CITY
W it h a g re a t cl u b b e a t ou t t he s cou n dre l s l i fe ’
Who li e s i n w a it t o s t e a l hi s n e ig hb ou r s wife ’
.
The n t a k e t he f a i t hf u l ha rl ot b y a n d b y ,
Th v i i S m
e (ii 1 0 1 ) i
e rs on j at k n d cl l y f ll w t h i
o . Th v . . s a a a an ose o o s s . e
w m d t ff d t hi m t h v b th di g f
’
o a n s n os e an e a rs a reli cu o ,
an s us a e e en e e a r er e n n o
th p e t t l i impl i d b y t h v
re s e n Thi f t
a e , as i mit t d i T i b T
s e e e rs e s . s e a u re s o e n . . x x 1 .
I P (R )
n 5 th h
. b d v h l if b y givi g h h l f hi w Sh ft w d
IV . e us an sa es er e n er a s o n e a er ar s
p h us him i t es
w ll d g t t h c i t y wi t h t h c i ppl
n o a wh
e th ki g ( t h
an oe s o e e r e, e re e n no er
h b d) giv t h m pp t Wh h h b d di c v h h cc
us an es e su him or . en er us an s o e rs e r, s e a u se s
o f b i g h e n my H d m d b c k w h t h h g iv
er en e h . h gi v it hime e an s a a e as en e r, s e es
( t h l if )
. e . d f ll d d
er I S me ,
xv (i 9 8 ) t h b
an hmi R
a s th v th
ea . n o . x . . e ra n u ru u s sa es e
li f f hi b t t h d wh w
e o b it t
s by
e ro k Cf G imm 1 6 A m
e , o as en a sn a e . . r ,
n .
THE GOBL I N C I TY 1
Th m g ic l V l a h h
1
i f th ki g
e v ta f Empi
a i a a orse s on e o e n
’
s se en re a su re s o re n
J at 479 d . f t h ch i t —
h f Vi h
,
ani t h M h ab h a t on e o e ar o ors e s o s nu n e a ra a.
THE GOBLIN CITY 165
”
shi pwrecked here they reply Very good n oble sirs
, .
, ,
“
the others make an swer ; tis three years ago si n ce our ’
, ,
place where they dwell they scour the coast as far as the ,
1
river Kalya n i on on e side a n d the islan d of N a g a dipa on
the other This is their way
. .
chief m a n a n d the others took the rest till five hun dre d
, ,
them The others did the same When the eldest gobli n
. .
return e d from eatin g men s flesh her body was cold The ’
, .
“
was a goblin All the five hun dred of them must be
.
”
goblins ! he thought to himself : we must make ou r “
escape !
S o in the early morn i n g whe n he we n t to wash his ,
1
The mode rn Kae l a n i g a ng a (J -
ou rn . o f t he P a l i Te wt S oc , 1 888, p .
166 THE GOBLIN CI TY
face he bespake the other merchants in these words
, .
“
These are goblin s a n d n ot human bei n gs ! As s oo n as ,
The n the chief trader with two hun dred a n d fifty who ,
”
home master ! j oi n i n g their han ds a n d raisi n g them
, ,
even those who stood still saluti n g him a n d con veyed all ,
of them eve n two hun dred a n d fifty to their own cou n try
, , ,
place slew those two hun dred a n d fifty who were left a n d
, ,
devoured them .
D i y d dd
v 524 K d
t a z d y d h 52 B l R m L g 3 3 2
na ,
ra z Tib t v i by
a v a ,
ea ,
o . e .
,
a e an e rs on
W z l J R A S 1 88 8 50 3 Th m gi c h
en e , ,
w h ich i t h P a li i
,
.
p vi i c
e a ors e , n e s a re ou s n a rn a
ti f B ddh i
on o l u pi d i t h t l f S p iy (D i y d
a, s a so a n e d i th
so e n e a e o u r a v v
. an s e re
i c ti f M it y d i t h Ka d y fih f A v l kit v W z l
’
an n a rn a on o a re a, an n e ra n av a o a o e s a ra . en e
16 8 THE CHO I CE OF A HU S BAND
What ! you preach to me ! y ou do n t kn ow your mea ’
oven .
a t in g the se co n d coup l et
p e
F or w ha t he s a i d he n ow l i e s de a d b u rn t u p b e n e a t h t he a s he s t he re ,
I t i s n ot w e ll t he t ru t h t o t e ll l e s t P ot t ha pad a s fa t e I s ha re
’
, .
to the woods .
A h t s v i t i J a t 1 4 5 Thi i t h f m t y f S l d f t h P i
or e r ar an n . . s s e ra e s or o a t ,
an o e e rs a n
an d T ki h d iv t iv
ur sTa l i a m h Th P a l i f m i c l
er a es t th l tt th
-
n e . e or s os e r o e se a er an
t th S
o e k i t A i th P i th
an s r . s tw bi dn f w h ic h i k ill d
e e rs a n e re a re o r s, on e o s e
th rou g h hi h d t h wif i p t t d t h
s ra s n e ss , a n I th S k it t h i e e s u o ea . n e an s r e re s on e
b i d w h ich i gi v
r ,
t th m s t c him f hi vi l c
en o ed th i g wi f i
an o u re o s e ou rs e s, a n e e rr n e s
fi ll y p d d G t R m 6 8 Ot h v i t i Cl t ii 1 9 6 if A J i
na a r on e , es a o . . er ar an s n ou s on , . . a n
v i i g iv i J J M y H i d T l 3 0 2 L d 1 9 0 9
e rs on s en n . . e ers
’
n u a es , . on on , .
T HE CHO I CE OF A HUSBAND
O n ce upo n a time when B ra hma da t t a ruled in Ben ares ,
”
“
I will en quire of the teacher he thought a n d then he , ,
“
couplet
On e i s g ood a n d on e i s n ob l e ; on e ha s b e a u t y on e ha s y e a rs
, ,
.
A n s we r me t hi s q u e st ion b ra hmi n ; of t he f ou r w hi ch b e s t a pp e a rs ?
, ,
couplet
G ood i s b t o t he a g e d s he w re s e ct , for t hi s i s ri g ht
eau ty : p
G ood i s n ob e b i rt h; b u t v i rt u e — v i rt u e , t ha t i s m y de i g ht
l l .
P ib l yossm ch m l i d v i af V t 2 wh e f
u w di put e f t h ora se e rs on o e .
,
er ou r ooe rs s or e
h d f b h mi d g ht Th i cc i S m L w (ii t h H i di
’
an o a ra n s au er . s o u rs n o . xx . . e n
and P re ce de n t s o .
St J h in F ol hl J
o n . ou rn . vii . 3 0 9 if ), whe re t h e re a re on l y t hre e wooe rs .
S trong .
l 1
i t h i t d c t y t y i wh ich B ddh i c
a n e n l t d b y b hmi wh
ro u or s or ,
n u a s on su e a ra n os e
d g ht
au w d by f
e rs a re it h d m
ooe ld f g d f mily d
ou r su ors, on e an so e , on e o ,
on e o oo a , an
on e g ood .
1 70 THE F OOLHARDY CROW
A certai n crow n amed S a vit t ha k a who lived at Ben ares , ,
took with him his lady crow a n d wen t to the place wher e
V ira k a lived maki n g his abode beside the same pool
, .
”
of that crow thought he plen ty of fish are to be got
, ,
.
“ ”
What is it S ir ? asked V i ra k a ,
.
his wife .
A n d of t he hu n t e r I ll t a k e ca re a n d k e e p hi m oif f rom y ou
’
, .
“
Some bird of ill omen has struck me ! though t the
hun ter ; he turn ed back a n d lay down for a litt l e while
, .
sat him down behi n d the house The hun ter too reaso n ed .
, ,
a n d so
”
s a w a bad ome n n ow will I go o u t by the ba ck !
,
”
let me go ! a n d turn i n g back he lay down un til sun rise ,
”
Here comes the hu n ter ! he cried By this time the .
that they had come far away gave him the slip a n d re ,
They did so .
seco n d stan za
The T ort oi se w e n t i n t o t he p on d t he D e e r i n t o t he w ood
, ,
to their deeds .
Th l t t
e p t f t h f m t y f P II (c w m
a er ar o d t l p ) Cf e ra e s or o . . ro ,
ou s e , an an e o e .
.
J a t 33 p 32 Fig r d t h B h h t St p pl v 9
.
, . . u e on e ar u u a, . x x n
. .
THE CROCOD I LE AND THE MON K EY
O n ce upon a time while B ra hm a da t t a was ki n g of ,
in a forest hau n t .
, .
”
, , ,
”
heart to eat .
n ear a n d said
,
“
Sir Mo n key why do you live on bad fruits in this ol d
,
”
you over .
A t c p L h ( Chil d ) 1
r o ar us a cu c a e rs .
1 76 THE BRAHM I N AND THE ACROBAT
The
Crocodi le feelin g as s a d a n d miserable as if he had ,
a t 5 7 , 3 4 2 , C a ri g d P i t I II 7 , M a hd i (i s m
J 1 0 8 , O Con n or, F ol k t a le s II ’
V a ria n t s in
-
. . . .
f rom T i b e t 2 0 ,
G rifli s , J a pa n es e F a i ry W or l d, No 1 7 ,
B e a l , R om a n t i c L eg e n d, .
2 3 1, K D . .
(Syr ) III . B e n fe y c o mpa re s A e s op ( H a l m M on ke y an d
D olphi n . In J at mon k e y ha s t o l e a p on a ro k w i
. 5 7 t he is o u pie d b y t he c h ch cc
c c ro odi l e . The mon k e y a ddre ss e s t he ro k , a n d t he ro odi l e re e a l s imse lf b y c c c v h
re pl yi n g . h c
T i s in ide n t i s pa ra ll e l t o P (T ) II I , A n a n g I I I , ( B ) m 1 4, The F ox a n d
. . h . . .
t he spe a k i n g H ol e . h
T i s fa b l e is fi rst fou n d in G re e k i n P l a t o, A l ci b . I . 123 A . In
Jat 2 1 . a n a n t e l ope spe a ks t o a t re e in w hi ch h e s u s pe ct s a h un ter . Dr R ou s e g i e s v
a J wi h e s form g i Ne st or v
n u rma n n , who
en b y Mr I . Sch h e a rd it from his
n u rs e (a b ou t n e u pon a t ime , t h e K in g of t h O c
e Fis e s w as w a n t in g in h
v
wi sdom H is a d i se rs t ol d him t a t on e he ou l d g e t t he e a rt of t he fox , he w ou l d h c c h
c
b e ome wi s e S o he se n t a de pu t a t ion , on sist in g of t he gre a t ma g n a t e s of t he
. c
h
se a, w a l e s a n d ot e rs
‘
h
Ou r ki n g w a n t s y ou r a d i e on some s t a t e a fl a irs
.
’
The vc '
fox , fl a t t e re d, on se n t e d c
A w a l e t ook him on h is b a k h
On t he wa y t he w a e s
. c . v
b e a t u pon him ; a t l a st he a sk e d w a t t e y re a ll y w a n t e d T e y s a id, w a t t e ir h h . h h h
kin g re a ll y w a n t e d w a s t o e a t his e a rt , b y w i he ope d t o b e ome l e e r H e h h ch h c c v .
sa i d
‘
Why didn t y ou t e ll me t a t b e fore I w ou l d g l a dl y sa cri e my l ife for su c
,
’
h fic h
a w ort y ob e t h jc
B u t w e fox e s al w a y s l e a e ou r e a rt s a t
. ome Ta k e me b a k v h h . c
f t ch it Ot h Im h him
’
y ou r kin g wil l b e a n g ry So t
’
d I ll e rwi s e t ook
’
an e . su re . ey
fool s ! Ha v e v h
y ou e e r e a rd of a n a n ima l n ot c a rryi n g his h e a rt wi t h him ? a n d
’
“
Up my ma n is comi n g ! a n d she made her lover g o
,
”
the cold rice that was left by the other she t urned ou t
some hot rice a n d set it before him He put his han d ,
.
H ot a t t op a n d col d a t b ot t o m n ot a li k e i t s e e ms t o b e
, ,
of the house : the wife says n othi n g for fear that her deed ,
I a m a t u mb l e r, S ir : I ca me on b e g g i n g he re i n t e n t ;
H e t ha t y ou se e k is hi di n g i n t he s t ore room , w he re he w e n t !
-
Cf O ld b g Th A k hy a
. Typ end t h J dt l
er J P TS 1 9 1 0—
,
e 1 2 ( =N h n a e a n e a a s, . ac
i ht
r c denk G ll d Wi G tti g
er . f di c
es e . i f t hi er ss . z u o n en , or a s us s on o s as a
t ypic l f m f j a t k
a or o a a .
S e e t hou S pe a k wi se y , s e e t hou l S pe a k in s e a s on .
To de a t h t he T ort oi se f e : ll
l k e d t oo mu ch t ha t w a s t he re a s on
He t a : .
a ma n of few words .
P (T ) I 1 1 (B ) I 1 3 S m Lx 1 6 8 (ii
. . .
,
K D (S y ) I l l ( A b )
. . J l i 14 ,
o . . . . . r .
,
ra v .
,
u en ,
D d II 1 1 Th T t i
o s . . d tw D
,
k Cf B b
e 1 1 5 H lm 4 19 t h f b l
or o se a n f o uc s . . a r .
,
a , e a e o
th t t i
e t h t wi h
or o s e t l t fly d i t k
a pb y g l w h d p him
s es o e a rn o ,
an s a en u an e a e, o ro s
on th ck d kill him I Ph d II 6 t h g l
e ro s an th dvi c f th
s v n ae r . . e ea e on e a e o e ra en
i t d t kill him
n en s J c b 60
o . a o s .
Lord Justi ce .
with the town sman five hun dred ploughshares The other .
Th i g g w d b y mic
1
n st w l c ky ; p J a t 8 7 ( l
na e p T ijj e or ra s e re u n u c . . vo . 1 . . ev a
S t t M hd i l i (t
u a ia B ddhi t S t t
s a ni
'
p Th m h ra n s . n u s u a s, . e an e re
goe sf t h t h hur d if t h m
er i c h d b t
an ib b l d t h p l g
e nee h h p h p h e e a u n e e ou s a re s er a s e
THE S TOLEN PLOUGH S HARES 1 81
”
Well well so be it replied the other
,
what ca n be
, ,
, , ,
’
havi n g washed himself he we n t to his frien d s house .
“
Where is my s on ? asked the cheat .
left him on the river side ; and whe n I was gon e down -
”
let go .
“
Lies ! cried the rogue No osprey could carry off .
”
a boy !
“
Let be dear frie n d : if thin gs happen that should n ot
, ,
h
mig t t hrow t h e m a wa y — We ma l
a so ha ve a re fe re n c e t o an ol d prov e rb fou n d
y ,
or n o Judge my cause
.
—
fight the tri ckster with his own weapo n s Well devised
said he a n d the n he uttered these two verses
,
We l l pl a n n e d i n de e d ! T he b it e r b i t ,
The t ri ck st e r t ri c e d— a k p re t t y hi t !
If m i ce ca n eat a p l ou g hs ha re ,
w hy ,
O s p re y s a wa y w i t h b oy s ca n fly !
A rog u e ou t rog u e d -
wi t h t i t f or t a t !
Gi ve b ac k t he p l ou g h ,
an d ha t
a ft e r t
P e rha p s t he ma n w ho l ost t he p l ou g h
M a y g i v e y ou r s on b ac k t o y ou n ow ! 1
P (T ) L 1 7 (B ) I 2 1 S m
. .
,
2 3 7 (ii . S l . r Th ,i c f io . Lx . . u a . x x x x . e re s on us on
th gh
rou t th t y ou t th e mb s or f t h pl g h h
as Th i g l
o wh ich
e nu er o e ou s a re s . e s n u a r,
occ i t h t z i p b b l y igi l Th c f i m y h v i t h g h
u rs n e s an a, s ro a or na . e on u s on a a e ar sen rou
an pex i d t i
re ss on
g t h w ig h t I
eno P i t i n b l c w ig h i g 1 00 p
e d e . n . s a a an e e n ou n s .
Th i
e re imil c f i b t w h wk d p y i J a t 3 3 0 p 2 3 8
s a s ar on u s on e een a s an os re s as n .
,
. .
1
A l ik e re pa rt e e is fou n d in N ort h I n d N
Q iii 2 1 4 ( The J u dg e m e n t of t he . . a n d . .
J a ck a l ) ; S w yn n e rt on , I n d N ig ht s E n t e rt a i n m e n t , p 1 4 2 ( The T ra ve l l e r a n d t he Oil
’
. .
won his co n se n t .
”
covets your ki n gdom ! But the kin g would n ot believe ;
a n d bade him say n ot s o .
will see that he has got the whole city i n to his own
han ds .
“ ”
My lord he must be put t o death
, .
”
There is a way said the other
“
, .
”
What way ?
Tell him t o do what is impossible a n d if he can not , ,
“
But what is impossible to him ?
My lord ki n g replied he i t takes two years or twice
, ,
M ake us a garde n
”
If you can n ot make it y ou must di e ,
.
”
If I ca n he said to the kin g O mighty ki n g I will see
, , ,
”
to it An d he we n t home
. After a good meal he lay .
1 ’
upon his bed thin ki n g S akka s palace grew hot Sakka
,
. .
”
I am S akka .
pit y st op s t he ra in
”
(Dr Rou s e ) . .
s t ifl
'
. Se e L A . ll an G oss in We -
t ha n da y a ,
B u ddhi s t L e g e n d, p 9 3, R a n g oon ,
- -
a .
1 89 5 . The re is a c u rious p
a ra e l in t h ll
e st ory of S t Ma rt in of Tou rs, g i e n b y v
S u l pi ci S v
us e e rus in his D i a l og u e s n 5, w e re S t Ma rt in isit s t he e m e ror Va e n
. h v p l
t in ia n , who doe s n ot wis h
mpe ror b u rst s in t o fl a me s ,
to se e him . The se a t of t he e
and h e is c
ompe ll e d t o g e t u p a n d lis t e n t o t he s a in t Ne q u a q u a m a ds u rg e re e st .
c
dig n a t u s a dst a n t i, don e re gi a m s e l l a m ig n is ope rire t , ipsu mq u e re g e m e a p a rt e
corporis q u a se de b a t , a dfl a re t in e n diu m c
I t a e s olio su o su pe rb u s e x cu t it u r e t .
M a rt in o in vit u s a dsu rg it ”
The Dia l og u e s on t a in t a l e s of Egyp t ia n mon ks whi h
. c c
hv
a e a b u dd is t i ol ou rin g h
In cc
a t 5 2 7 t he in ide n t of S t Ma rt in di vidin g h
. J is . c
cl k i
oa s h h vi
pa ra ll e l e d, w e re a g irl , a n g wor e d for t re e y e a rs t o e a rn a s a r e t k h c l
rob e , v v
di ide s it , a n d gi e s ha l f t o a n a s e t i , who ha d b e e n rob b e d of his l ot he s c c c .
1 86 THE HERO S TA S KS ’
“
Wise Sir do n ot trouble : I will make you a garden
,
”
garden is ready : go to your sport !
The ki n g came t o the place a n d beheld a garde n girt ,
”
biddi n g said he to K a laka
, n ow what are we t o do ?
dom ?
“
Well what are we to do ?
,
”
make it you Shall n ot live !
,
”
I will make it if I ca n .
Nan dan a .
THE HERO S TASKS
’
1 88
You l oo k a s t hou g h y ou r li fe m u s t ha pp y b e ;
Ye t t o t he w i l d w oods y ou w o u l d home l e s s g o ,
sitti n g here ?
”
here I sit .
”
dowed with the four virtues ?
“ ”
Who told y ou so ? asked the other .
”
Why did he tell you ? He recoun ted all and told ,
“
Is it true as I hear the king asked him that y ou
, , ,
”
have four virtues ?
“
Yes mighty king , .
”
What are they ? he asked .
I e n vy n ot ,
and dri n k no wi n e ;
No s t ron g de sire , no wra t h i s mi n e ,
said he .
no e n vy ?
Yes O ki n g I hav e n o en vy
, , .
1
he felt n o e n vy in the followi n g lin es :
I th v
1
n h f
e t h i vi t
e rse s c t i wh h w ki g i J a t 1 2 0
e re e rs o s r u ou s a on en e as n n . .
f gi v
or hi q
es wh h d b
s th cue en S t o Th Wi k d S t pm t h r
a e en e a use . e e n o e on e c e e o e .
’
190 THE HERO S TA S KS
A cha p la in on ce i n b on ds I t hre w
W hi ch t hin g a w om a n ma de me do ;
He b u il t me up i n ho y l l ore ;
v e r e n v i e d more
S i n ce w he n I ne .
My own s on s fl e s h u p on m y p l a t e ;
’
S wore n e ve r t o t ou ch dri n k a g a i n .
2
words °
K in g K i t a v a sa w a s m y n a me ;
A m i g ht y k in g w a s I ;
M y b oy a B u ddha s b a s i n b rok e
’
A n d s o he ha d t o di e .
I p ra ct i se d cha ri t y ;
v e n a g e s dw e l t
A n d t he n for se
I n B ra hm a s he a v e n on hi g h ’
.
1 The c h h h
mme n t a ry e x pl a in s t a t t is a ppe n e d in his b irt a s kin g of B e n a re s
o h .
2
cc h
The b oy b rok e t he b a sin of a p a e k a b u dd a , a n d a s his S in b ore fru it a t on
-
c e
he b u rst in t o fl a me a n d pe ris e dh .
192 DEFEAT I NG THE KING OF DEATH
an dscatterin g parched corn a n d flowers they sat them ,
aroun d their ki n g .
W a s he t he y e ll ow e y e d s o v e ry de a r ?
,
-
Or, P ort e r, w hy do y ou st a n d we e p in g he re ?
blows over the head with his fis t like the blows of a black ,
wi —
the people ll cry H e is too cruel for us a n d will se n d
him up agai n An d I fear he will co me a n d deal fist icu ffs
.
”
on my head agai n a n d that is why I weep
, To explai n .
Wha t if he b e a t t he k i n g of D e a t h , and t he n
T he ki n g of D e a t h s hou l d se n d hi m b ac k a g a in ?
to his deserts .
’
TH E JAC KAL S S PE LL
meditatio n ) .
F &T
. . 13
194 THE JA C K AL ’
S S PELL
previous exi ste n ce had bee n some brahmi n who had learn t
the charm Of subduin g the World .
’
”
saying Sure l y I have that spell by heart n ow Then .
—
mischief cat ch him catch him ! But the j ackal got
,
”
n ip upo n the body What is it master ? she asked
“
. .
,
”
“
Do y ou kn ow me he asked o r do you n ot ?
, I do ,
“
”
“
Give up yo u r ki n gdom or fight for it The citizen s of
,
.
stayed withi n .
19 6 THE JUDAS TREE -
, ,
to him ,
1
K imsu k a = B u t e a f ron dosa .
THE JUDAS TREE -
19 7
the time when the buds were j ust sprouting from the stem .
it was bearin g fr u it .
”
1
And the third Like a piece of meat !
“
An d the fourth said Like the acacia ! ,
’
They were vexed at each other s answers and ran to ,
“ ” “
find their father My lord they asked what sort of a
.
, ,
’
‘
What is the tree like at such a time ? or at such an other
time ? You made n o di stin ctio n s and that is the reason
’
,
Al l ha v e se e n t he J u da s -
t re e
Wha t is y ou r p e rp e x i t y ? l
No on e a s k e d t he cha ri ot e e r
Of t he dispu t e
. of t he li on an d t ig e r, J a t 1 7 (p . .
d I L 3 Th C m l i
Do s (tw
.
, e a e on o
t ra v ll
e e rs di spu t e as t o it s cl o ou r) . In J
u l ie n ( 8 ) ki g A d é m k h (Ada m k h
n ar a u a sa u a
Uda n a vi . 4 . Cf Rh Da
. . v id D i l
s, a .
f t he B u ddha i
o , . 187 .
1
I t ha s pin k fl owe rs .
THE JUDGMENT S OF KING MIRROR FACE -
,
-
.
’
old The courtiers performed the ki n g s obsequies with
.
grea t pomp and made the o fferi n gs for the dead ; and on
,
”
My lord said they in the time of the ki n g your
, ,
“
’
help there was a place chose n for the kin g s house ; let the
”
ki n g provi de for him a n d give him a post ,
.
2 00 THE J U D G MENTS OF KING MIRROR FACE -
“
Tis a wi se pri n ce ; he will be able to rul e a n d they
’
of ki n g M irror face ! -
An ox ,
a l a d, a hors e , a b a s k e t k n ig ht , -
A s qu i re ,
a li g ht o l ov e , a n d a y ou n g da me ,
’ - -
A sn a ke , a de e r, a p a rt ridg e a n d
,
a s p ri t e ,
A sn a k e ,
a s ce t i cs , a y ou n g p ri e s t I na me .
,
.
I ll m ake “ ’
that they had been stole n away by thieves .
went .
“
I say return me my oxen ! cried he
,
.
”
pun ished S o when G a man i heard the word ofli ce r he
.
“
,
we n t alo n g .
G a ma n i s
’
S aid he to the other
.
,
“ ’
I say I m very hu n gry Wait here til l I go in a n d
, .
”
get me somethi n g to eat ! and he en tered his frie n d s ’
hous e .
“
S ir there is n othin g cooked Wait but a momen t ;
, .
haste she fel l to the groun d An d as she was seven mon ths .
between .
’ ’ ’
Oh you ve broken my horse s leg ! Here s a ki n g s
,
’
”
officer for you ! a n d he laid hold of him .
, ,
,
.
G a ma n i g ot up a n d stood stil l , .
”
Ah you villain ! you ve murdered my father ! cried
“
,
’
”
the youn ger basket maker ; here s the kin g s o ffi cer !
’ ’
-
,
.
’ ”
What s this ? asked the others .
middle .
It i w th t i g t h t t hi t m f ff c t i m m th b th
1 ’
s or no n a s er o a e on ean s a o er s ro er
.
204 THE JUDGMENT S OF KING MIRROR FACE -
an swer .
” “
the reaso n A n d agai n a partridge said
. When I sit at ,
, ,
”
it prettily ; but n owhere else Ask the ki n g why An d . .
Whither away Ca n da ?
“
,
”
To the ki n g .
, .
”
a han dfu l of twigs A sk the ki n g what the reason is
. .
To the ki n g says Ca n da ,
.
reaso n is .
THE JUDGMENT S OF KING MIRRO R FACE -
2 05
”
Ca n da said he where have you been livi n g all this
, ,
“
”
Here my lord ,
.
”
Why ?
He refuses to give back my p air of oxen !
Is this so Can d a ? ,
”
s a id b e en terin g the stall ?
,
“
”
me ki n g Mirror fa ce Speak ou t ho n estly -
. .
lie Therefore you with your own han ds shall pluck his
.
”
a n d take these t o o ! a n d he gave him other pieces a n d ,
ra n away .
asked the ki n g .
Now ca n y ou
, to the other ca n you heal the mis
-
”
carriage which he has caused ?
N 0 my lord I can n ot
, , .
, ,
,
’
a n d made ofl .
hi m ba ck ?
No my lord I did n ot
, But on bei n g pressed he
, .
,
“
This m a n said the kin g has told a dire ct lie in
, , ,
20 8 THE JUDGMENTS OF KING MIRROR FACE -
”
Thus it is that whatever they learn they soo n forget
, , .
1
alms Th i s is why this fruit does n ot grow sweet If
. .
S m t yi g t h m w hil t h b g f ll t v t b l
1
o e s a n a o e, e o e rs e or a ,
o sa e rou e .
THE JUD GMENT S OF K ING MIRROR FACE -
209
treasure hi s body sti cks fast ; but after he has fed his ,
” “
keep it The n he replied to the eighth questio n Betwee n
.
,
days with her lover Whe n she has been at home a few .
”
the ki n g will cause her to be seized a n d she Shall die , .
F . &T . 14
THE JUDGMENTS O F K I NG M I RROR FACE
'
210 -
there are kin gs in the lan d Tell him that he must use .
hi m go
’
Can da we n t ou t of the city a n d told the kin g s
.
,
the place where the part ridge sat a n d from the tree ,
n ess a n d fi n al l y after h
, i s death attai n ed to heave n .
Tib T . . III
. A da rsa mu k ha , w h th e re e re a re se v
prob l e ms, on l y fiv e of w i
en h ch
h v
a e a c orre spon de n c wi t h t h j a t k
e e a a The sa me s t ory in
. Sch
midt , 3 4 0 if , u ot e d q
b y B e n f Ein l . . 16 6 . Of The N i n e t e en P rob l e ms , a n d C l ou s t on , i 6 1— 6 4 , G ri mm 2 9 ,
. .
Ta rn b re d, hai rl e s s ,
-
c adl i n b on y s he l l ,
A ll f ou r qu a rt e rs of t he e a rt h ca n s he w
N on e so de a r as y ou ha v e b e e n of y ore .
In
this way she e n couraged him ; a n d sayin g Nobl e ,
Of al l t he cra b s t ha t i n t he se a ,
G a n g e s, or N e rb u dda b e ,
You a re b e st an d chi e f, I k n ow
He a r m e — l e t m y hu s b a n d go!
1
S i ng i me a n s e it he r horn e d
‘ ’
or
‘
l ’
ch
g o d, a n d t he s ol ia st g i e s b ot v hi t p
n e r re
b ot h in En g li s h .
(Dr Rouse ) .
P L A TE I I I
a k a 26 7, p 21 1)
( J a t .
2 14 THE OWL AS KING
the m a fish called A n a n da The n all the birds in the .
place !
They searched about for su ch a bird a n d chose the ,
a n d cried ou t ,
speak
Y ou ha v e ou r l e a v e S ir s o i t b e g ood a n d ri g ht
, ,
F or ot he r b i rds a re y ou n g , and wi s e , an d b ri g ht .
I li k e n ot (w i t h a ll de fe re n ce b e i t s a id )
T o ha v e t he Ow l a n oi n t e d as ou r He a d .
L oo k hi s fa ce ! if t hi s g ood hu mou r b e ,
at
”
it ! I do n t like it !
’
The Owl rose a n d pursued him .
THE ELEPHANT TRAINE R S LUCK -
ki n g a n d dispersed
, .
P .
(T ) m
. . 2 , S om . mm . 3 4 (ii . K D . .
(Syn ) v1 . 1,(Ara b ) VIII . I n J u lie n 7 t he
p a rrot ob e j ct s t o t he ow l a n d is ch os e n him s e l f. In A e s op ( H a l m 39 8 ) t he p e a c oc k
is ch ose n , a n d t he j kd w
ac a s a y s,
“
I f y ou a re ki n g, a n d t he l
eag e at ta ck s us, how will
”
you de fe n d us ?
Attai n men ts .
“
droppin g on the back o f a bird below Who dropt that .
”
An d
”
on me ? cried this on e I did cried the first “ “
. .
,
216 THE ELEPH AN T TRAINER S LUCK -
”
cryi n g What power have y ou ? what power have y ou ?
At last the lower on e said An ybody who kil ls me a n d ,
“
,
”
become the ki n g s favourite ! ’
lord eat .
, , .
”
here ? said he a n d picked it up , It s fowl a n d rice my .
“ ’
,
218 THE W IS H I NG CUP -
“
who was to be made kin g Said they While our ki n g .
,
was yet alive he put his royal robes upon the elephan t ,
”
To him the ki n gdom shall be give n ! A n d they con s e
crated h i m ki n g a n d his wife they made the chief quee n ,
.
N .
p 2 5) gi
. v es a t ale of t he g ipsie s of Bu kowin aA poor ma n wi t t re e son s b u y s h h
a he n w h ich l a ys a dia mon d, an d a se c on d a n d t ird, on t h h
e l a s t of w i is writ t e n , h ch
“
he who eats t heh e a d of t he he n wil l b e c ome mpe ror, he who
e e a ts t he he a rt will
hv a e 1 00 0 g ol d pi c e es un de r his h e ad e v h
e ry n ig t , a n d he who e a ts t he fe e t will
be a prop h et .
”
The l u ck f ll a s t o t he t h re e s on s . Cf . Jat . 1 3 6, p . 1 1 7, C l ou s t on , i 93 fl
. .
,
squan dered all his treasure of four hun dred millio n s all ,
he return ed t o heave n .
. h ’
Cf U l a n d s b a ll a d of t he Lu ck of Ede n h a ll (t ra n sl a t e d b y Lon g fe ll ow )
,
ch
whi
him b y Rit s on s F a i ry Ta l e s, x rx The sha t t e rin g of t he
’
wa s su gg e st e d to .
a ccide n t a ll y dropp e d it , b u t t ha t t he b u t le r c a u g h t i t i n a n a pk in S e e E S H a rt . . .
An d e v e r s it s s t ill i n he r p a ce l .
’
2 20 THE WOLF S S ABBATH
The Crow , in his praise respon ded with the second ,
H e t ha t i s n ob e l i n b re e di n g and b i rt h
Ca n p ra i s e ot he rs
’
b re e di n g , k n ow s w ha t t he y a re w ort h .
L ike y ou n g t i g e r t hou se e m e st t o b e
a
Come , e a t w ha t I g i v e , S i r, t o t he e !
third stan za
L i a rs , f ore g a t he r, I v e ry we ll k n ow .
H e re , f or e x a m p le ,
a ca rri on C row ,
An d p
cor s e e a t i n g-
J ac al, k w it h p u e ri l e cl a t t e r
P roce e d on e a n ot he r to fla t t e r !
After repeati n g this stan za the tree spirit assumi n g a ,
-
Cf A
.
p Th Fe so d t h Cr w B b
, 7 7 H l m 2 0 4 Ph d I 1 3
e ox a n It w e o ,
a r .
,
a ,
ae r . . . as
k w t H c S t 11 5 56 Ep I 1 7 50 A P 4 3 7 I J a t 2 9 5 c w
no n o ora e, a . . .
,
. . .
,
. . . n . a ro on a
t
re e fl tt j ck l i d t h t h fl h t h t h i t i g J c b 6 5 I t i
a e rs a a a n or e r o s a re e es a e s ea n . a o s . s
t h j ck l t h t
e a a l ly t ka t h pl c i I di
us u a f bl f th f fA
a p es e a e n n an a es o e ox o e so .
who ll
’
cryin g Juj ubes ripe j uj ubes
,
“
buy my j uj ubes
, ,
?
I n a g ol d di s h s e t b e f ore t he e ? P ra y t e ll m e w he re t he y g re w ,
.
T o fil l t hy l a p wi t h t he ju ju b e f ru i t , an d n ow t hou dos t a sk it s na me ;
Thou a rt e a t e n u p w i t h p ride , my qu e e n ,
t hou fin de s t no p l e a su re in li fe ,
an d t he b e gg a r ma id ( P e r y s R e l i
-
c ’
. . 1 8 9, e d 1 87 6 ) . a pp e a rs to ha ve b e e n k n own t o
Sh k p
a s e re , cf . L L L. . . I . 9 0, 3 1 1 and Iv . 1 66
. . It c on t a in s t he s a me fe a t u re a s t he
j at k
a a :
S he ha d f org ot he r g own e of g ra y ,
Which she di d we a re of la t e .
The p ri e s t whe n he b e g i n s hi s ma ss e
, ,
F org e t s t ha t e ve r cl e rk e he w a s .
save my life .
A n d to preve n t hi s closi n g
”
this fellow will be about ?
his mouth it fixed a sti ck between hi s upper a n d lower
,
.
,
On i n t u rn , w e hu m b l y
us ra y , p
D o t hou a t ri fli n g b oon b e s t ow .
I s t o k e n e n ou g h of m y g ood w i ll .
B u t ha s t e t he p re s e n ce of t he wre t ch t o s hu n .
Tib T . . x x vuJ dt a k a md ld
.
,
x xx rv, A e sop ,
The Wolf a n d the Cra n e , B a b r 9 4,
.
H al m 2 7 6, P ha e dr 8 Cf a
. I
. . . Jc ob s 55 .
226 THE HARE S S ELF SACR I FICE ’
-
,
-
.
, ,
S ELF S ACRIFICE -
227
O b ra hm in , eat t hy fill , I p ra y ,
a n d st a y wi t hi n t hi s w ood .
stan za
A l i z a rd a n d a ja r of cu rds t he k e e p e r s e v e n i n g me a l ’
, ,
T wo s p i t s of roa s t e d fl e sh Wi t ha l I wron g f ul l y di d s t e a l
S u ch a s I ha v e I g i v e t o t he e O b ra hmin e a t I p ra y : , , ,
”
to it by a n d by Then he wen t to the mo n key a n d
.
,
stan za
An i cy s t re a m a ma n g o ri p e a n d p l e a s a n t g re e n wood sha de
, , ,
a boo n that I have n ever gran ted before but you shall ,
15— 2
’
228 THE HARE S S ELF SACRIFICE -
o f live coals But the flame fai l ed eve n to heat the pores
.
, ,
M on k e y , in v i rt u e t o ex ce l ,
do t hou t hy ut most s t ri ve ,
An d s a fe from wi n t ry b l a st t o dw e l l , g o, b ut of le a ve s con t ri e v .
”
I wi l l n ot su ffer him to rest quietly in this n est A ccord .
self off .
P .
(B ) . I . 18 . The b ird, w i h ch in t he P a n ch a t a n t ra is an ex a mpl e of t he foll y of
mispl a c ed ad vic h e, e re be c me s
o an in c a rn a t ion of t he Al l -
e n l ig ht en ed On e . In
P u rn a b ha dra
’
c
s re e n sion of P . it i s N . 9 . I t doe s n ot cc
o ur in T , b u t . a v a ria n t
h v
t is e rs ion .
mixed with vilva trees A certai n hare lived here ben eath .
“
At the soun d of it the hare thought : This solid earth is
,
”
collapsi n g a n d starti n g u p he fled without so much as
, ,
”
pan i c fli ght Pray do n t ask me he said The other
.
,
’
,
.
”
hare cried Pray Sir what is it ? and kept run n i n g after
, , ,
”
in g back said The earth here is breakin g up
,
“
An d at .
“
The earth is collapsin g they an swered , .
”
He asked the elephan ts We do n t k n ow they said .
’
, ,
’
the lion s kn ow But the lio n s said We do n t know
.
,
“
,
232 THE FLIGHT OF THE BEASTS
the tigers kn ow The tigers said The rhin o ceros es .
,
”
The wi ld oxen the buffaloes The buffal oes the elks ,
.
“
.
,
.
”
said This on e told us
,
“
.
”
is breakin g up ?
”
“
Yes Sir I saw it said the hare
, , , .
Where he asked ,
were you livi n g whe n you ,
“
,
”
s a w it ?
“
Near the ocean Sir in a grove of palms mixed , ,
”
about it S o he reassured the herd of an imal s a n d said
.
, ,
T H E C O N C EI T ED M END I C AX T
(J a t a k a 3 2 4 , fU O
‘
s ce n e s
, pp
. 23 3, 234)
THE CON C E I TE D MEN D I C A NT 233
stan za :
F rom t he s p ot w he re I di d dw e ll
I s s u e d f ort h a f e a rf u l ‘
t hu d ’
Wha t i t w a s I cou d l n ot te ll ,
N or w ha t ca u s e d it un de rs t ood .
After heari n g what the hare said the lio n wen t to the ,
the ripe vilva fruit that fell o n the palm leaf a n d havi n g ,
’
Then he told them the whole story a n d said Don t , ,
“
Ti b . T. x x n . The F l ig ht o f t he B ea s ts .
“
self retire .I n the whole worl d he thought this ram ,
”
,
B ra hm i n , b e n ot so ra sh t hi s b e a s t t o t ru s t ,
E l se ll
he ha st e t o l a y t he e in t he du st ,
wi
F or t hi s t he ra m f a l l s b a ck ,
To g a i n a n i mp e t u s for hi s a t t a ck .
While this wise mer chan t was still speaki n g the ram ,
H i s da m a g e d fort u n e he w i ll s ore re g re t .
L e t hi m n ot w e e p w i t h ou t s t re t che d a rm s i n v a i n ,
H a s t e t o t he re s cu e , e re t he p rie s t is sl a in .
S ha re t he s a me f a t e t ha t I ha e m e t t o da y ; v -
P ron e i n t he du s t b y b u t t i n g ra m a id l ow l
To f oo i sh l
fi de n ce my de a t h I ow e
con .
Il l t t d t h B h h t S t p pl
u s ra e on m 1 d3
e ar u u a, . x . an .
of a n as ceti c .
236 THE I MPERMANENCE OF WORLDLY JOYS
By a n d by the father a n d mother of the B odhisa t t a
died He performed their fun eral rites a n d cal lin g t o
.
”
hold life I shal l be come a n asceti c
. .
”
Sir she an swered if you be come a n ascetic I will
, ,
“
,
“ ”
Reveren d Sir what was this female as cetic to you ?
,
THE IMPERMANENCE OF WORLDLY JOYS 237
The B o dhis a t t a said While she was alive she belo n ged , ,
W hy shoul d I she d t e a rs f or t he e ,
F a i r S a mm il l a b ha s i n i ?
P a s se d t o de a t h s ’
m a j ori t y
Thou a rt l ost t o m e
he n ce fort h .
W he re fore shou l d f ra i l m a n l a m e n t
W ha t t o hi m i s on l y l e n t ?
H e t oo dra w s hi s m ort a l b re a t h
F orfe i t e v e ry hou r t o de a t h .
B e he st a n di n g , sit t i n g st i ll ,
M ov i n g , re s t in g , w ha t he w i ll ,
I n t he t wi n k l i n g of a n e y e ,
I n a m ome n t de a t h i s n ig h .
L i f e I cou n t a t hi n g u n st a b le ,
L os s of fri e n ds i n e v i t a b le .
Che ri sh all t ha t a re a l iv e ,
v
The a ria n t in Ti b T . . Ix . is c v on e rt e d in t o a s t ory c on t e mpora ry wit h B u dd h a,
and th h e e ro be c o h
me s t he b u dd ist e l de r Ma ha k a s sa pa . The in ide n t c of t he g ol de n
im g a cce o u rs a l so in J
a t 5 3 1, The Ug l y B ri deg room
. .
THE TEST I NG OF VIRTUE
Thi s wa s t y t ld b y t h M t
a s or o wh t J t b t e as er en a e a va n a, a ou b ra min who
a h
wa s e v pro n
er vi g hi vi t
s r ue Tw imil
o s t i hv b t ld b
a r s or e s
. a e een o e fore 1 I n t is
. h
c as e t he B odhisa t t a w a s t he fa mi l y prie st of t he ki n g of B e n a re s .
said
P ow e r on e a rt h b e y on d com p a re ,
P u t t in g on a v irt u ou s a ir
T he de a dl y sn a ke e sca pe s a ll ha rm .
se co n d stanza
W hil e t he b i rd ha d a u g ht to eat ,
O s p re y s p e ck e d
hi m f u l l s ore , at
W he n p e rf orce he dropp e d t he m e a t ,
T he n t he y pe e k e d a t hi m n o m ore .
1
J at 8 6 d 290
. Th b v p
an g i v y b i f mpl f S t y f t h
. e a o e a ssa e s a er re ex a e o a or o e
P t ; f
re s e n th mpl
or o pp 7 8 2 4 3
er e x a e s se e .
,
.
2 40 A KI NG S LIFE SAVED BY SPELLS ’
h
c s . 1 74 , 1 7 8 .
s pe a k s of a h wka . K D . .
(Ara b ) Iv . a ls o ha s a h wka . Of t he s imil a r c on fus ion in
.
J at . 2 1 8, p 1 80 . .
A K I NG S L I FE S AVED BY SPELLS ’
,
A KING S LIFE S AVED BY S PELLS ’
2 41
Wi t h se n s e so n i ce ,
t he hu s k s f rom ri ce
R a t s k e e n a re t o di s cri m i n a t e :
The y ca re d n ot m u ch t he hu s k s t o t ou ch,
B u t g ra in b y g ra in t he ri ce t he y ate
’
shall I kill hi m ? ”
From this day forth they lay con cealed
in the garde n a n d co n sultin g together in wh ispers s aid
, ,
“
There is still on e expedien t When it is time to atten d the .
, ,
Tha t t oo I he a r .
24 2 A KING S LIFE SAVED BY S PELLS
’
”
e n emy a n d ra n away a n d to l d his atte n dan ts After the
, .
fourth stan za :
T hy ca u t iou s cre e i n g w a y s p
k
L i e on e e y e d g oa t i n m u s t a rd
-
e d t ha t fi l s t ra y s ,
A n d w ho t hou a rt t ha t l u rk e st he re b e l ow ,
This t oo I k n ow .
,
“
, ,
”
made off . The Master came a n d i n quired what i t was
the Brethren were discussi n g a n d said Not n ow on ly ,
“
,
Brethren but formerly also did she bri n g about the death
,
”
of those who kil l ed her you n g o n es A n d herewith he .
But the special poi n t here is that in this case the bird ,
little way off said My lord it was through your carelessn ess
, ,
lon ger l ive here A n d utteri n g the first stan za she said
.
L on g I he l d t hi s hou s e as mi n e ,
H on ou r g re a t I di d re ce i v e ,
I t i s du e t o a ct of t hi n e
I am n ow com p e ll e d to le a v e .
The n hi s an g er s hou l d ab at e
S o, g ood he ron , p ri t he e st a y .
As of ol d b e m a de at on e :
N ou g ht , 0 ki n g m e he re ,
ca n ke e p
L o ! from he n ce fort h I a m g on e .
THE LION AND THE BULL 2 45
L i v e i n p e a ce a n d ha rm on y
S o g ood he ron p rit he e s t a y
, , , .
K D (Sy ) vi
. .
(A b ) XII Th k i g
n d th b i d P
i .
,
h M b h x i ch 1 39
ra . e n an e r ane a . . i . .
,
Th b i d P uj i Th w d t l t d h i wh ich i g iv
’
i k ‘
'
e r an . t e or ra n s a e e ron s un a n , s en as a
sy ym f h ft
n on h oi t h A b hi dha
e e d pp dipik d 6 4 1 ; b t it i p b b l y
‘
e ron
’
n e na a u s ro a a
corrupt i f P uj i f t h M b h
on o ch g wh ich i p ib l l y i Kh t hi c ipt
an o e .
,
a an e s oss e on n a ros s r
(F k ) d impl i
ra n e ,
N W I di
an l c l it y f t h j a t k H t l fi d di t t
es a . . n an o a or e a a . er e n s a s an
r mb l c i P (T ) I 4 (B ) I 6 wh
e se an e n c wt k
. v g. . k th t t
,
. .
,
e re a ro a e s re en e on a sn a e a ea s
by t li g d h g i g it v th k dw l li g ’
it y
s ou n
g g ld b
on e s d s ea n a o an an an n o er e sn a e s e n .
Th w e o c m f it d kil l t h k
n e rs o e or an e sn a e .
”
a n y u n usual marvel in the forest ? he made an swer ,
246 THE LION AND THE BULL
I saw n othi n g else that was wo n derfu l my lord but I did , ,
Now when the forester had left for Ben ares a j a ckal ,
”
third an i mal has tur n ed up What is it ? said the ki n g
.
”
.
“
A j ackal my lord
, Said t he ki n g He will cause them
.
”
,
”
them dead when we arrive An d s o say i n g he mou n ted
.
,
the bull The ki n g when he saw that they were both dead
.
,
N ou g ht i n comm on ha d t hi s p a ir
,
N e i t he r wi ve s n or food did s ha re ;
I a m b ut a p un y b ird,
T hou a l e a de r of t he he rd ;
Wit h my win g s I homa g e pa y ,
S p a re my l i t t l e on e s I p ra y ,
.
The e O f ore s t k in g I ha il
, , ,
A n d w it h w in g s m y homa g e pa y .
I a m b ut a wre t che d qu a i l ,
S p a re my t e n de r b rood t o sl a y .
stan za
I wi ll s l a y t hy y ou n g on e s , uai ; q l
W ha t ca n t hy p
oor he l a va i ? p l
M y l e ft foot ca n cru s h w i t h e a se
M a n y t hou s a n d b i rds l i k e t he se .
TH E Q UA I L H ER F RI EN DS
(J a t a k a 3 5 7 , t hre e s ce n e s , pp 2 48 , 2 4 9 )
.
2 50 QUEEN S U S S O ND I
that the elephan t was dead she said I have see n the , ,
“
to her deeds .
P B ) I 1 5 wh
. . . th f i d
,
f th b i d
e re w dp c k
e f g
r en d fl y w h ich
s o e r a re a oo e e r, ro ,
an
h m pl
u s t ly i t h
e asa n l ph t n w hil t h w dp c k
e e e p k hi y
an
’
t I
s ca r, e e oo e er ee s s e e s ou . n
K D (A b ) I t h fl y d
. . ra t cc
. e oe s n o o ur .
QUEEN S U S S O ND I
stan d amon gst the atte n dan ts She fixed her gaze on the ,
in g off the quee n with him in the air he made his way to ,
“
mortal they said make music there will be n o excite
, , ,
”
men t on the part of the fish Play to u s The n do n ot . .
“
wan deri n g on the edge of the shore she saw a n d recogn ised ,
“ ”
said Do n ot be afraid a n d embraci n g him in her arms
, , ,
2 52 QUEEN S U S S O ND I
couch Thus did she wat ch over him a n d when ever the
.
,
from that time some mer chan ts who dwe l t at Ben ares , ,
lan ded at the foot of the ban ya n tree i n this islan d to get ,
I s ce n t t he f ra g ra n ce of t he t i mi ra g ro e , v
I he a r t he m oa n i n g of t he w e a ry s e a
T a mb a , I a m t orm e n t e d wi t h m y l ove ,
F or f a i r S u s s on di dwe l ls a fa r f rom m e .
H ow di ds t t hou , S agg a , t el l me , p ra y ,
To f a i r S u s s on di wi n t hy w a y ?
My shi p w a s wre ck e d b y m on s t e rs o f t he se a ;
I on a l
p l a n k did s a fe y g a in t he s t ra n d,
Whe n a n a n oi n t ed qu e e n w it h g e n t le ha n d
U p b ore me t e n de rl y u p on he r kn ee ,
As t hou g h to he r a t ru e s on I mi g ht be .
Wi t h l ove l orn -
e y e s hu n g o e r my cou ch a l l da y
’
.
K n ow , Ta mb a, ll
w e ; t hi s w ord i s s oot h I s a y .
254 THE BETRAYER BETRAYED
the ven iso n close to the road The robbers seei n g him .
,
, ,
’
”
we n t a n d said Give me a spit of meat ,
“
The robber .
”
chief said He is a n oble fe l low a n d bade them give it
,
“
,
the robbers for O fferi n g him raw meat The robbers said .
,
“
What ! is he the o n ly ma n a n d are we merely women ? ,
”
wou n ded the elephan t a n d with the rest the fifty robbers ,
sitti n g on his chest bade his wife bri n g him his sword in
her han d to cu t Off his head At that very mome n t she .
”
daughter she said ,
of a w orld famed professor at
,
“ -
T a k k a s il a .
”
How did he get you for his wife ? he said .
THE BETRAYER BETRAYED 2 55
she will treat me too after the same sort I must get rid .
o f her .
“
My lord she said take all the orn amen ts I wear
, ,
“
,
carry them to the further side of the river and then come ,
”
back a n d take me a cross .
”
Very well he said a n d took all her adorn me n ts
, , ,
first stan za :
S in ce t hou ha s t g a in e d t he ot he r side ,
W i t h a l l my g oods i n b u n dl e t i e d
Re t u rn as q u ic kl
y a s ma y b e
An d ca rry me a cros s wi t h t he e .
Thy f a n cy , l a dy , e ve r rov e s
l
F rom we l t ri e d f a i t h t o -
l ig ht e r l ove s ,
M e t oo t hou w oul ds t e re l on g b e t ra y ,
S houl d I n ot he n ce fl e e f a r a wa y .
256 THE BETRAYER BETRAYED
But when the robber said I will go further hen ce ,
“
with all her adorn me n ts Such was the fate that overtook .
fell before the j ackal The j ackal droppi n g the piece of.
H i ch i t r d
1
g dh v s aro ee an a an a r a.
THE CAT AND THE C O OK
“
This co ck is very crafty but he k n ows n ot that I am ,
”
i n to my power She we n t to the root Of the tree where
.
B ird wi t h w in g s t ha t fla s h so g ai y, l cre s t t ha t g ra ce fu l y ,
droo ps so l
I w ill b e y ou r w if e for n ot hin g , lea ve t he b ou g h a n d come t o me .
L a dy fa ir w in n i n g , y o u ha
and ve f ou r fe e t , I ha e on l y t w ov
B e a st s a n d b i rds s hou d n e v e r l m a rry : f or so me ot he r hu sb a n d su e .
whe n she was asked Why are you come ? she said , ,
broke n on n —
the dais his mo l asses cart a d cake cart are -
, , , ,
”
o n the ki n g s b a ck
’
The ki n g heari n g the voice laughed
.
“
again The queen thought agai n What has he see n that
.
,
”
he laughs ? Again when the k in g was eati n g his supper ,
”
is n o n e to eat it The king heari n g this laughed again
. .
, , ,
”
have y ou to do with why I laugh ? but bein g asked again
a n d agai n he told her The n she said Give me your “
.
,
”
spell of kn owledge He said It can n ot be give n : but.
,
“
”
the power of woman k in d sayi n g Very wel l co n sen ted , ,
“
,
on ,
this thi n g that should be do n e in se cret a n d in a
private place a n d are n ot ashamed : what we have heard
,
”
b efore agrees with thi s that we s e e : a n d s o he spoke the
first stan za :
G oa t s a re st u p id s a y t he s a g e s a n d t he w ord s a re s u re l y t ru e
”
, ,
T hi s on e k n ow s n ot he s p a ra di n g w ha t i n s e cre t he S hou l d do
’
.
W i t h a b it y ou r m ou t h i s w re n che d, y ou r he ad i s t w i s t e d w i t h t he re i n .
Whe n y ou ’
re l oose d , y ou don t
’
e s ca pe ,
s i r, t ha t
’
s a st u pid ha b it t oo
An d t ha t S e n a k a y ou ll t ha n y ou
ca rry , he ’
s m ore st u p id st i .
W e l l S ir k in g of g oa t s y ou f u ll y k n ow m y g re a t s t u p i di t y
, ,
B u t how S e n a k a i s st u p i d p rit he e
,
do ex p l a in to me .
C a n n ot k e e p he r f a i t hf u l e v e r a n d hi s l i f e he m u st b e t ra y .
A n d y e t re n o u n ce d i t i f hi s l ife s t he cos t ’
:
L if e i s t he chi e f t hi n g : w ha t ca n ma n se e k
hig he r ?
If l i fe ’
s s e cu re d , de s i re s n eed n e er
’
be cros s ed .
264 THE THEFT OF A S MELL
was in a hollow in a trun k of a tree alarmin g him spoke
the first stan za
You w e re n e ve r g i v e n t ha t fl ow e r y ou s me l l t hou g h i t s on l y a s in g l e ,
b l oom ;
’
Tis a s p e ci e s of l a rce n y re v e re n d s i r y ou a re s t e a l i n g i t s pe rfu me
, , .
I ca nn ot t e ll on w ha t p re t e n ce y ou s a y I s t e a l p e rf u me .
I ha v e no s p e e ch wi t h me n k
l i e hi m , b ut I de i g n t o s pe a k t o t he e .
A s in lik e a ha i r t ip she w s
-
on hi m l i k e a da rk cl ou d i n t he sk y .
I f y ou s e e me do t he li k e offe n ce p ra y s p e a k t o me a g a in , .
F i n d, B rot he r, f or y ou rs e l f t he pa t h t o re a ch fe l i ci t y .
t hi b
ea s d t id
s c k h p t t h m ll f th
re a ou s t m t
e a d th c k
oo -
s o o e s e o e roas ea ,
an e oo
d m d p ym t
e an Th di p t i d c id d b y S ig y J
s a en . t h f l wh m k
e th
s u e s e e e n oa n , e oo ,
o a es e
p t ri g c i v l t im
or e r n th c a t d th
o n d cl
se th t th
e ra k i e s on e ou n e r, a n en e a re s a e coc s
p id wit h t h
a d f th m y Li b ch t (Z
e V lk k
s ou n d 503 ) gi v
o e v y on e . e re ur o s un e, es a er
m ic i
us f hi i g i g b t w h
an t h t im f
or p ym t c m
s s n nh y,
Y u g v en e e or a en o e s, e sa s, ou a e
a h rt l iv d pl
s o -
t my b y pl yi g
e t h ly
e a s u re d I g v o h t li v d e a rs a n on e re , a n a e a s or e
pl y ( J li
t y
e a su re b y p mi i g y
o m =
ou r e a rs 25 L P mes i
ro t s n ou on e
”
u en ,
a ro se e a n e e
le va i n S on ) .
“ ”
I wish to wait on y ou my lord Well do s o S O he
“
'
. .
, ,
for horses made i n side the town : but the lio n stil l came
a n d took them The kin g had a stable made a n d had
.
,
over the wall a n d took the horses eve n from the stable .
”
whe n he comes did n o t shoot him but whe n he was goi n g
, ,
”
The lion yelled I am shot The archer after shootin g
“
.
him twan ged his bow like thun der The j a ckal heari n g .
A la s ,
I se e k t he w oods as b e st I ma y
S u ch frie n ds a re n a u g ht ; ot he rs st a y mu s t b e m y .
,
.
, ,
26 8 THE OTTERS AND THE JACKAL
The n the two together took out the rohita fish laid ,
A s t ri fe a ros e b e t we e n u s, m a rk ! 0 t hou
g ra s sy hu e , of
Le t ou r con t e n t i on , hon ou re d s i r, b e s e t t e d f a ir b y y ou l .
stre n gth
I ’
ve a rb i t ra t e d ma n y a ca s e an d don e i t p e a ce fu l l y
L e t y ou r con t e n t i on , hon ou re d s irs , be se t l
t e d fa ir b y me .
SO
havi n g divided the fish he sai d You eat head a n d , ,
T H E OTT ER S AN D T H E J A C KAL
(J a t a k a 40 0 , t wo s ce n e s , p 26 7 )
.
2 70 THE BRAHMIN AND THE SNAKE
of virt ue T hroughout the ki n gdom it was as it were the
.
, ,
with the coun cil n or the bel iever with servi n g the church
, ,
”
l ay dow n Whe n he said How is it wi fe ? she an s wered
.
, , ,
“
Brahmi n I can n ot do the work of your house get me a
, ,
B th Si t l ym 1
d l yw m
re re n , s e rs , a en an a o en .
THE BRAHMIN AND THE S NAKE 271
her ? ”
Seek for mo n ey by beggin g for alms a n d s o get
her .
’
The n wife ge t ready somethin g for my j ourn ey
, ,
.
“
O brahmi n t o day wise S e n a k a preaches the law with
,
-
Ope n in g his eyes gracious with the five gra ces surveyed ,
stan za
T hou a rt con fu se d i n t hou g ht , di s t u rb e d i n se n se
T e a rs s t re a min g f rom v
t hi n e e y e s a re e ide n ce
Wha t ha st t hou l ost , or w ha t dos t w i s h t o g a i n
B y comi n g hi t he r ? G i v e m e a n sw e r p l a in .
The B o dhis a t t a
hearin g the brahmi n s words spread ’
, ,
third stan za
F irs t wi t h ma n y a d ou b t I dea l ,
N ow my t o n g u e t he t ru t h de c l a re s ;
B ra hm i n , i n y ou r b a g of m e a l
A s n a k e ha s e n t e re d u n a w a re s .
”
that sa ck of yours ? There is O sage Did you eat , .
”
“
Where were you sitti g n ? I n a wood at the root of a
“
,
tree .
”
When you ate the meal a n d we n t to dri n k water , ,
’
did you faste n the sack s mouth or n ot ? I did n ot O ,
Ta k e a s t ic k and b e a t t he sa c k ,
D u mb l
dou b e t on g u e d i s he ;
and -
Ce a s e y ou r m in d w i t h dou b t s t o ra c k
Ope t he sa c k ,
t he sn a ke y ou l
’
l se e .
, ,
o f the sack whe n his hood was stru ck with the stick a n d ,
for the s n ake caught him a n d let him loose in the forest
, .
THE BRAHMIN AND THE S NA K E 2 75
We ll w on i s J a n a k a t he k in g ’
s g re a t g a in ,
T ha t he wi s e S e n a k a dot h se e .
The se se ve n hu n dre d p ie ce s ,
se e ,
T a k e t he m g i v e t he m t he e ;
a ll , I
’
Ti s t o t he e I owe my i fe , l
A n d t he w e f a re l of m y w ife .
Ra t he r l e t us g iv e t o t he e ,
Ere t hou t a k e t he home wa rd st a g e .
“
to be given to the brahmi n a n d asked him By whom , ,
” ”
“
Is your wife Ol d or youn g ? Youn g O sage The n , .
“
leavin g the pie ces outside the town at the root of a tree
o r somewhere s o he se n t him away He comi n g n ear .
,
the vil l age left his pieces at the root of a tree a n d came
, ,
“ ”
Wife . She recogn i sed his voice a n d puttin g ou t the ,
1 8— 2
2 76 THE BRAHMIN AND THE SNA K E
li ght open e d t he door : whe n the brahmin came in she ,
took the other a n d put him at the door : then com in g back
a n d n o t seei n g an ythin g in the sack s he asked Brahm in ,
“
,
,
.
’
“
Yes O sage
, The n the Great Be in g caused seve n days
.
the brahmin your wife asks on the seve n th day has come
every time tell me , The brahmin di d s o a n d told the .
,
an othe r ? ”
Let me keep her O sage The B odhisa t t a , .
”
2 78 THE BRAHMIN S REVENGE ON THE MONKEYS ’
”
to cure them ; do y ou kn ow a n y remedy ? I do great “
,
”
ki n g . What is it ?
“
Mon key s fat great kin g H ow
“ ’
,
.
A f oo ls ’
a f oe t o a ll w ho t ru st hi s w ord
On e m on k e y b rou g ht di st re s s on all t he he rd .
A f oo i sh l chi e f, w i s e i n hi s own co n ce i t ,
C ome s e v e r li k e
, t hi s mon k e y , t o de fe a t .
THE MONKEY S HEROIC S ELF SACRIFICE ’
-
2 79
On e d w i se i s g ood t he he rd t o g u a rd,
s t ron g an
k
L i e I n dra t o t he G ods , hi s i n s re wa rd
’
k .
H i s de e ds hi ms e f l a n d ot he r me n wi ll b l e ss .
Ti b .
,
T . X L III
mon ke ys ooke d in b a rl e y me a l a re pre s rib e d b y t he
. whe re c -
c
c
do t or I n P (R )
. . v
1 0 mon k e y s a re sl a u g ht e re d for t he sa me re a son , a n d t he
.
l c
mon ke y e a de r in a rryi n g ou t his re e n g e g oe s t o a n og re a u n t e d p ool , a n d
-
v -
h
c
e s a pe s T is e pisode is a
. h
a ria n t of a t 2 0 ( se e p 2 3 ) a n d 5 5 v
I n t he a ria n t J . . . v
vc c
J a t 1 4 0 t he i t ims a re row s, a n d rows fa t is pre s rib e d for t he e l e p a n t s
.
’
In c c h .
Tib T . . v
a b ra min p re s rib e s t h
. h
e fa t of a s u p e rh c
u ma n b e in g a s p a rt of a a rm, ch
in orde r t o b rin g a b ou t t he de a t h of t he p rin e s wife , w ho is a fa iry
’
The in ide n t c . c
of t h e g oa t a n d rin g of t h fi
e st a b e i s t he s u b e t of ul ie n 3 3 l j c J .
’
THE MONKEY S HEROIC S E LF S ACRIFI CE -
like a moun tai n top Its s weet fruits of divi n e fra g ran ce -
.
,
, ,
“ ”
What is th i s fruit ? We do n ot kn ow sire Who , .
Y ou l
y ou rs e f a b ri dg e f or t he m t o a s s in sa f e t y t hrou g h
ma d e p
W ha t a re y ou t he n t o t he m, m on e y , a n d w ha t a re t he y t o y ou ? k
Heari n g him the B o dhis a t t a i n structi n g the ki n g
,
I l e a p t a hu n dre d t i me s t he l e n g t h of b ow ou t s t re t che d t ha t l i e s ,
Whe n I ha d b ou n d a b a mb oo shoot -
firml y a rou n d my t hi g hs
I re a che d t he t re e li k e t hu n de r cl ou d -
s pe d b y t he t e m e st s b a st ; p ’
l
I l ost my s t re n g t h, b u t re a che d a b ou g h : w i t h ha n ds I he d i t f a s t l .
An d I hu n g e x t e n de d t he re he d f a s t b y shoot a n d b ou g h,
as l
k p
My m on e y s a s se d a cros s m y b a c a n d a re i n s a fe t y n ow k .
T he re fore I f e a r no p a in of de a t h, b on ds do n ot g i e mev a in , p
T he ha pp in e s s of t hos e w a s w on o er
’
w hom I u s e d t o re i g n .
A p a ra b l e for t he e 0 k in g , ,
if t hou t he t ru t h w ou l d s t ’
re a d
The ha pp i n e s s o f ki n g dom an d of a r my an d of s t e e d
An d ci t y mu s t b e de a r t o t hee , i f t hou w ou l d s t ru l
’
e i n de e d .
P L A TE VI I I
T H E M O N K EY
’
S S EL F S A C RI FI C E
-
(J a t a k a 4 0 7, t hre e sce n e s , pp . 2 8 1 , 2 8 2)
2 84 TH E PRIN CE AN D HIS BR OTHER
a ll an i ma l s i
cr e s . Af t e r du l y t o his t e a cher he
lis t e n in g ,
w ou l d him
n ot e v e n se e .
A he — ja ck a l wi t h t w o cub s en t e re d t he ci t y a t n i ght
s
b y a se w er w he n m e n w e re re t i re d t o re st
,
I n t he
B odh is a t t a s pa l a ce n e ar hi s b e droom t here wa s a
’
, ,
ch a mb e r where a s gl e t ra v e ll e r who ha d ta ke n hi s
'
t ha t cha m b e r w h o ha s t a k e n hi s sh oe s o ff a n d l a i d the m
on t he flo o r : he 1 5 lyin g on a p l an k b u t is n ot as l e ep yet ,
B v t he po w er of t he s pe ll t he B odhis a t t a un de r
”
foo d .
st o o d h e r ca ll a n d l e a v in g h is b edroom he o pe n e d a
,
Who is t he re ?
“
a t ra l
vel re W he r e a re
.
”
vour s h e s
“
o ? O n t he fl oo r
"
“
.
”
a n d w a s dr ow n e d He po ss e s s ed t he t w o g a rmen ts he
.
a n d t he mo t h
“
er sa id B e q u i e t de a rs : t here is a de a d , ,
t o ea t .
, ,
G O a n d t a ke t he cl o t h e s t he t hous a n d pieces
“
"
I ,
lot us -
tan k mak e t he bo d y sin k so t ha t it ca n n 0 t ris e
, an d
o u t of t he w a t er The m a n did so The j a ck a l w a s a ng ry
. .
t he shoe s ; t od a y y o u pre ve n t t h e m ea t i n g t he de a d m a n .
. . .
,
Wha t i s v o u r life or de a t h t o me ! Go
0‘
The ( re a t . T
w hich he ha d Ope n ed A s he w en t t he wh ol e ci t y
.
The ki n g t hou g h t Mv vi ce r ov ha s e m p t i e d t he ci t v a n d
.
“
n a me d P a ra n t a w i t h t he m he fl e d in dix g u is e b y n i h t
p a : g
a n d e n t ere d a w o od H e a rin g of his fl i ght t he B odhisa t t a
. .
t o ok t he ki n g do m H is fa t h e r m a d e a b u t of l e a v e s on
.
a ri v er b a nk a n d liv e d t h e re on w il d fru i t s H e a n d t he
fa mi l y pri e st u s e d t o g o l ooki n g for w i ld fru i t s : t he
s er v a nt P a ra n t a pa s t a y e d wi t h t he qu e e n in t he hu t .
c on s t a nt l y wi t h P a ra n t a a
p s he s i n n e d wi t h h im On e , .
2 86 THE PR I NCE AND H IS BROT HER
day s he said to him I f the ki n g k n ows n either you n or
, ,
”
I woul d live : kill him I n what way ? He makes
.
”
off his head a n d chop his body t o pie ces with the sword
kill him whe n off his guard seized him by the n eck a n d ,
,
“
,
covered the pla ce with bran ches : the n washi n g the sword
a n d bathi n g he we n t ba ck t o the hut of leaves
, He to l d .
S e e Fra ze r ,
The L a n g ua g e f A n i ma l s in A rcha e ol
o . Rev
. I . 80 fi
'
.
THE PA NTHER AND THE GOAT
“
wishes to kil l a n d eat me she thought ; if I turn a n d ,
ru n,
my life is lost ; I must play the m a n a n d so she ,
”
the pan ther failed to catch her this time but o n ce before ,
, .
F a T
. . 19
290 THE P AN THER AND THE GOAT
After dwellin g lo n g in the Himalaya he came to Raja g a ha ,
door thi n ki n g to eat her When she saw him she thought
, .
, ,
H ow f a re s i t wi t h y ou u n cl e ? a n d i s i t w e ll w i t h y ou ?
,
M y m ot he r se n d s he r k in d re g a rds : an d I ’
m y ou r fri e n d s o t ru e .
s tan za
, , ,
I f a ce d y ou as I ca me , g ood S i r, y ou f a ce m e a s y ou S i t
l
Y ou r t a i i s a ll b e hi n d y ou : how cou l d I t re a d on i t ?
”
a n y place where my ta il might n o t be ? a n d s o he spoke
,
This , ,
Y ou r v i ll a i n s t a i l i s l on g I k n ow for I ha d w a rn i n g f a ir
’
, ,
P a re n t s a n d b rot he rs t ol d m e s o b u t I fl e w t hrou g h t he a i r
: .
292 T HE GRATEFUL PARROT
Sakka n oti ced how very co n te n ted the parrot was a n d ,
A fl ock of hu n g ry b i rds i s f ou n d
B u t shou l d t he t re e s a l l w i t he re d b e ,
Aw a y a t on ce t he b irds wil l fl e e .
An d
after these words to drive the parrot the n ce ,
”
gratitude I forsake n ot this tree a n d he repeated t wo
, ,
stan zas :
The y w ho ha v e b e e n cl ose f ri e n ds from y ou t h ,
M in dfu l of g oodn e s s a n d of t ru t h ,
I n l i fe a n d de a t h i n w e a l a n d w oe
,
I t oo wou l d fa i n b e k i n d a n d g ood
To on e t ha t l on g my fri e n d ha s s t ood ;
I wi sh t o l i v e b u t ha ve n o he a rt
,
F rom t hi s ol d t re e , t hou g h de a d, t o p a rt .
t wo stan zas
1
S kk
a
’
a s wi fe .
THE GRATEFUL PARROT 293
I k n ow t hy f ri e n dshi p an d t hy g ra t e fu ov e , l l
Vi rt u e s t ha t w i s e me n l
s u re y mu st a pp rov e .
I o e r t he e w ha t e e r t hou w i t f or
ff ’
l choi ce ;
G ra n t t ha t t he t re e I l ove , g a in
a ma y ive l .
L e t it on ce m ore w it h i t s ol d v i g ou r shoot ,
G a t he r f re sh s we e t n e ss an d b e a r g ood y f ru i t l .
W e ll fi t t e d for t hy dwe ll in g p l a ce t o b e -
.
Le t it on ce m ore wi t h i t s ol d vi g ou r s hoot ,
G a t he r fre sh s w e e t n e s s an d b e a r g oodl y f ru i t .
the n i n th stan za
M a y S a k k a a n d a l l l ov e d b y S a kk a b l e s s ed b e ,
A s I t o da y a m b l e st t hi s g oodl y s i g ht t o se e !
-
Mb h m ch 5 Th
. x . i . di c t
. l ti h ip b t w t h i d t h j a t k
e re s no re re a on s e e en s an e a a,
an d noc i b tw
on n e x th v
on e (F k )een e e rse s ra n e .
THE GOBLIN S GIFT ’
rushed upo n him a n d his atten dan ts all fled With the
,
.
ever she we n t away for fear of his escapi n g she closed the
, ,
mu ch my s on
,
After the lapse of two or three days
.
,
”
A n d wi ll y ou n ot return ? N 0 mother Then if ,
.
her child she gave him the charm The B o dhis a t t a sti l l
,
.
,
,
THE GOBLIN S GIFT 29 7
’
s on
,
I can n ot live a n d s he smote upo n her breast a n d
, ,
”
footsteps is stan din g at the door An d whe n the ki n g .
“
bade him e n ter he came in a n d saluted the ki n g
, My .
” “
frie n d he said do you k n ow a n y craft ?
,
“
My lord ,
”
shall serve me . A n d the ki n g had him paid a tho u san d
pieces of mon ey daily Now on e day the family priest
.
“
said t o the ki n g My lord because this youth does
, ,
”
he has a n y skill or n ot : we will n e w test him The ki n g .
in this pla ce from the wall I see footsteps in the air : bri n g
me a ladder A n d havi n g had a ladder placed for him
.
”
ti n ctio n : by this way they climbed up i n to the palace .
steps k n ows the place where the thieves put the treasure ,
”
but the thieves he can n ot cat ch The n he said You at .
,
“
O P a t a l a b y G a n g e s s we p t a w a y
, ,
F a m ou s i n da n ce a n d s k i ll e d i n rou n de l a y ,
P a t a l a a ll ha i l ! a s t hou a rt b orn e a l on g
, ,
S i n g m e I p ra y s ome l i t t le s n a t ch of son g
, , .
stan z a
W he re wi t h a re s p ri n k l e d f a i n t in g s ou l s i n p a in ,
I s t ra i g ht a m k i l l e d My re f u g e p ro v e d my b a n e
. .
‘
Frien d I u n derstan d n ot a hidden story like this Catch
, .
“
My lord formerly in a vi llage outside the city gates
,
threw down the side of the pit a n d the man s head was
’
T ha t b y w hi ch s e e ds do g row , m a n t o s u st a i n ,
H a s cru she d my he a d M y re f u g e ro e d m y b
. p v ane .
of , ,
’
THE GOBLIN S GIFT 301
world rises up and plays the thi ef who shall avert the
, ,
dan ger ? C a n you sire recogn ise the thief hidde n u n der
, ,
”
the guise of this story ? Frie n d we do n ot wan t a n y “
,
”
a n d han d him over t o me .
’
I n thi s very city sire a certai n man s house was on fire
, , .
a n d was bri n gi n g o u t his goods the door was shut Bli n ded ,
.
C on su me s m y l i mb s M y re f u g e p rov e s my b a n e . .
” ”
the thief .Frie n d j ust brin g me the thi ef Without
“
, .
story .
W in d t ha t i n J une wi s e m e n b y p ra y e r w ou l d g a in ,
l i mb s dot h b re a k My
My . re f u g e p rov e d m y b a n e .
Thus sire did dan ger arise from his refu ge U n der
, , .
”
stan d this story Frien d bri n g me the thief To make
.
“
, .
“
O n ce upo n a time sire on the side of the Himalayas , ,
F l a me i s su e s f rom t he t re e w he re w e ha v e l a i n
S ca t t e r y e b i rds Ou r re fu g e p ro v e s ou r b a n e
. .
”
thief who shall avert the dan ger ? Take n ote of this sire
, ,
.
“
Frie n d o n ly bri n g me the thief
,
Then he to l d the kin g .
At first she shewed a ffe ctio n for her mother ih law but - -
”
Then the cro codi l es will make a n e n d of her An d .
“
3 04 THE GOBLIN S GIFT ’
H ow is this to be be l ieved ?
”
“
Place your to n gue on my “
,
”
“
This is certai n ly a Yakkha a n d he cried al oud a n d fled ,
,
“
, ,
”
”
dear mother ca n I too get t his ? , I f you be come l ike
”
me y ou w ill
,
So without sayi n g a word to her husban d
.
,
A ma ide n fa ir, wi t h w re a t h u p on he r he a d,
F ra g ra n t w i t h sa n da l oi l , byme w a s l e d
A ha pp y b ride w i t hi n my home t o re i g n
S he dro ve m e f ort h . My re f u g e p rov e d my b ane .
, ,
- -
”
then ce what ca n on e do ? take n ote of this sire
,
Frien d ,
.
“
,
”
can n ot do a n y work : y ou must g o from he n ce a n d he ,
stan za
H e for w ho se b irt h I l on g e d n or l on g e d i n v a in , ,
”
thief or you yourself must be the thief
, Thus did the .
” “
Y e s frie n d Then I will proclaim it in the midst of
“
.
,
”
allow me t o shield him : I will n ow catch the thie f An d .
L o ! w a t e r i s a b la z e F rom s a f e t y com e t h f e a r
. .
The p l u n de re d re a l m m a y w e l l of k i n g a n d p ri e s t com p l a i n ;
H e n ce fort h p rot e ct y ou rs e l v e s Y ou r re f u g e p rov e s y ou r b a n e
. .
F . T . 20
306 THE WI S E GOAT AND THE JACKAL
S o they rose up with sticks a n d clubs in their han ds a n d ,
Th t y f t h f m l y kk h f m
e s or o pi d i T i b T
e ed t h b gi i g
a e a a or s an e so e n . . x ii . an ,
e e nn n
of E mplx a r i Si d
e x Cf Cl x t I 2 1 5 F i y hi d F t h t w t l f
. n n . . ous on , . a r n s . or e o a es o
fil i l i g t it d pp 302 —305 f t h f c
a n ra u e, p 3 14
.
,
c . e re e re n e s on . .
goats were destroye d Amon gst them was a wise she goat -
O u r forme r f ri e n ds hi p g oa t on ce more re v i v e , , ,
A n d com e w i t h w e ll fil l e d b ow l t o u s I p ra y -
, ,
W it h k i n dl y g re e t i n g v i s i t hi m t o da y -
.
”
to deceive her a n d she spoke the sixth stan z a
,
O u r f orme r f ri e n dshi p t o re v i v e ,
A w e ll fil l e d b ow l I g l a dl y g i v e
-
W i t h a b ig e s cort I s ha ll come ;
T o f e a s t u s w e ll g o ha s t e n hom e ,
.
To u s, I p ra y y ou , t rul y t e l l .
H ou n ds 1 G re y F ou r e y e d t oo,
an d Ta n , and -
W it h J a mb u k form my e s cort t ru e :
G o hu rry home , a n d u i ck p re p a re q
F or a ll a b u n da n ce of g ood f a re .
D on t l e a v e y ou r hou s e or e l s e I fe a r ’
,
Y ou r g oods w il l a l l soon di sa pp e a r :
I ll t a k e y ou r g re e t i n g t o my l ord ;
’
a n ot he r word !
’
D on t st ir : n a y , n ot
and taki n g her lord with her fled away An d they n ever , .
Th i j a t k is f th m t yp
a P I
a 2 Th A
s o w ith t H t dE r i
e sa e e as . V .
,
e ss ou ea r an a s, n
w h i ch j c k l t wi c t mpt
a a i t th p
a c f ick li wh fi l l y kil l
e e s an a ss n o e re s e n e o a s on , o na s
it. S m ch f b l t h i pp t h v b t he b i f t h j at k Th m l
o e su a e as s a e a rs o a e een as s o e a a . e ora
g iv i b th c k p g d v th v e f th “ ”
en n io a se s s, ee uar o er e a enu s o e s e n se s .
THE UNGRATEFUL S ON
Once upo n a time when B ra hma da t t a was ki n g of ,
?
father as has bee n des cribed in the i n troduction But
1
Maliya an d P in g iya prob a b l y re fe r t o t he c ol ou r of t he dog s ; Ca t u ra k sha , fou r
‘
e y e d,
’
is on e of Ya ma
’
s dog s in t he Rig v e da x . 1 4, 1 0 J a mb u k a is a s pirit in t he t ra in
of Sk an da .
2
c
I n t he in t rodu t ory s t ory t he fa t he r provide s his s on wi t h a wife , who pre t e n ds
t o b e fon d of he r fa t h e r in - -
l a w, b u t se t s him a t v a ria n c e wi t hhe r h us b a n d.
310 THE UNGRATEFUL SON
there is this differen ce Whe n the woman said Look .
‘
,
“
’
there ! that is your father s doi n g ! I am co n stan t l y
beggi n g him n ot to do this a n d that a n d he o n ly gets ,
”
upo n him a n d leave him there , At last by di n t of this .
,
tell him very l oud that all may hear that a debtor of his
, ,
say that you will both drive there together in the morn i n g .
”
robbed woun d a n d wash your head a n d return
, Yes ,
.
“
,
“
gested by the wife prepared the cart Come father let
,
.
, ,
utteran ce
I am ha rsh, my fa t he r, n or u n k in d
n ot
N a y , I re g a rd t he e wi t h a f ri e n dl y m in d
B u t t hi s t hou dos t , t hi s a ct of si n , t hy son
W ill ha v e n o st re n g t h t o u n do a g a i n , on ce don e .
W hos o ,
Va si tt ha , hu rt s w i t h il l i n t e n t
H i s m ot he r or hi s f a t he r, i n n oce n t ,
H e , w he n t he b ody i s di ssol ve d ,
s ha l l be
I n he l l f or hi s nex t l if e un dou b t e dl y .
Whoso wi t h m e a t a n d drin k , Va s i t t ha , s ha ll
H i s mot he r or hi s f a t he r fe e d Wi t ha l ,
H e , w he n t he b ody i s di s s olv e d, sha ll b e
I n he a v e n f or hi s n e x t l ife u n dou b t e dl y .
But k in dl y
he a rt e d, O my son , t o m e ;
-
’
T w a s i n ob e die n ce t o t hy mot he r s w ord
’
L e st s he w ork ot he r w oe on t he e as we ll .
V a sit t ha k a a n d sayi n g
,
Let u s go my s on ! b e seated
, ,
”
he is back with ol d ill luck agai n ! thought she much in
,
-
,
“
,
“
Wret ch what is that you say ?
, He gave her a soun d
drubbi n g a n d bu n dl ed her head over heels ou t of doors
, ,
’
s o he did The women in the n eighbo u r s family told
.
”
husban d has go n e to get an other wife in su ch a place ?
Ah then I am un do n e ! quoth she a n d there is n o
, ,
“
”
place for me left ! But she would e n quire of her s on ; s o
quickly she came to him a n d fell at his feet cryi n g Save , ,
T ha t w i f e of y ou rs , t ha t ill con di t i on e d da me , -
, ,
, ,
Th i i v i t f fm
s s a t y k
ar an w th H
o a P ti
a S Cl
ous t s or ,
n o n as e ou s s e ar e . ee ous on ,
II 3 7 2 Th g t f l S
. e un J cq d Vit y E mpl (F l k L S
ra e u on a u es e r
’
s x e a o ore oc .
,
no 2 8 8 wi t h b ib l i g ph ic l
.
,
t p 2 60
o ra (D R ) a no e on . . r ous e .
I Jat 4 17 n wif
. t h h b d
a d m th i l w t v i
e se s c Th m t h
er us an an o er -
n -
a a ar an e e o er
i l w i d iv
n -
a sf m h m b t h ch il d
r en ro c t d b y S kk
o e, d t k h
u er re n a re on v e r e a a, an a e er
b ck Of t h t w t l f fi li l i g t it d i Th g bl i
’
a . . e o a es o G if t pp 3 0 2 3 0 4
a n ra u e n e o n s ,
.
,
.
born of this gir l will on e day destroy the coun try a n d the
li n eage of Kamsa The kin g was t o o fo n d of the girl to .
that there woul d be a n out cry were they to put their sister
to death s o reso l ved to give her in marriage to n o n e but
, ,
,
.
316 THE TEN S LAVE BRETHREN -
”
They told the brothers of the birt h S on or daughter ?
“
.
Brethren .
, ,
“ ’
”
T e n Brethre n are plun deri n g the lan d !
, So the ki n g
summo n ed An dha k a v e n hu a n d rebuked him for per ,
”
we will catch them a n d put them to death S o they .
mat ch .
, ,
”
“
Wrestler or n o wrest l er it is all on e to me a n d dashin g , ,
the are n a .
1
A ki n d of w e a pon , e s pe ci l l y t h
a e we a pon of V is h nu h
in B ra min my t h ol ogy .
2
I . e . t he k in g an d his b ro th er .
320 THE TEN SLAVE BRETHREN -
”
A nj an a So Let us make eleve n shares of it said they
.
,
.
in t rade .
’
their pare n ts died At that period they s a y that a man s .
,
ou t ,
Give me a hare Give me a hare I Al l the city was
excited : G ha t a pa n dit a has go n e mad ! they said Just
“
.
h — s e e , t he w i n ds a w a y hi s wi t do b e a r,
Thi n e own b orn b ro e
t r
A w a y hi s wi s dom ! G ha t a ra ve s ,
t hou of t he l on g b l a ck ha ir !
Th c mm t t
1
y t
e hi i toh f mil y m f
en t h ki =
g ( Sk t K ri hn )
a or s a s s s e a na e o e n . s a .
Va d v i c d y m m i g d c d t fV dv ‘ ’
su e a s a se on ar na e, ea n n , es en an o a su e a
THE TEN S LAVE BRETH REN -
321
1
the third stan za :
In ma n i a c f a s hi on , why do y ou p a ce D v a ra k a all t hrou g h,
S a y , who i s t he re ha s t a k e n ha re from
“
An d cry , H a re , ha re ! ”
a
y ou ?
Or b ra s s or s il v e r a s y ou m a y in cl i n e , , ,
S he ll st on e or cora l I de cl a re , , ,
I ll’
ma k e a ha re .
An d ma n y ot he r ha re s t he re b e , t ha t ra n g e t he w oodl a n d wi de ,
The y s ha ll be b rou g ht , I ll ha v e t he m ca u g ht : sa y , w hi ch do y ou
’
de cide ?
0 b ri n g hi m down , 0 R e s a v a ! I a sk n o ot he r b oon !
seve n th stan za :
In s oot h, my b rot he r, y ou w il l di e , i f y ou ma k e s u ch a p ra y e r,
An d a sk f or w ha t no ma n p
ma y ra y , t he m oon s ce l e s t i a l ha re
’
.
G ha t a pa n dit a
’
heari n g the ki n g s an swer stood
, on ,
I f K a nha t hi s y ou k n ow a n d ca n con s ol e a n ot he r s w oe
, , ,
’
,
1
A st a n z a ve rsifyin g t he pre iou s v se n t e n c e an d n ot pa rt of t he t a l e is o mit t e d .
2
Se e n ot e , p 229
. .
F & T
. .
322 TH E TEN S LAVE BRETHREN -
N or my st i c cha rm , n or ma g ic he rb s , n or m on e y s p e n t ,
root s , n or
C a n b ri n g t o l i f e a g a in t ha t g hos t w hom , K a n ha , y ou l a me n t .
B u t how ha t h G ha t a pa ndi t a p
o en ed t hi s da y m in e e ye s !
B la z in g wa s I, as w he n a ma n p ou rs oil u p on a fire ;
T hou dids t b ri n g w a t e r, a n d dids t qu e n ch t he p a i n of my de s ire .
G ri e f f or my s on , a cru e l s ha f t w a s l odg e d w i t hi n my he a rt ;
Thou ha s t con s o e d l me f or my g ri e f , an d ta ken ou t t he da rt .
T ha t da rt e x t ra ct e d , fre e f rom p a in ,
t ra n qu i l ,
an d ca l m I ke e p ;
H e a ri n g , 0 y ou t h, t hy w ords of t ru t h, no more I g ri e e v n or we e p .
”
us put him to the test So they procured a yo un g lad .
,
1
sir wi l l this girl give birth ?
,
The as cetic perceived that
the time was come for the destructio n of the t e n royal
1
brothers ; then l ooki n g to s e e what the term o f his own
,
1
I . e . b y his mira c lo vi i
u us s on .
324 THE TEN SLAVE BRETHREN -
, , ,
”
for a fight ? s n appin g his fi n gers the while B a l a de v a .
,
threw a spear a n d pier ced his feet , Who has wou n ded .
' ”
“
U n cle come here do n t be a fi a id
, Whe n he came ,
’
”
Who are y ou ? asked Va sudeva My n ame is J a ra .
,
immediately .
on e it is said , .
A v i f t h t l which b c m t h l g d f Vi h
e rs on o ig ht h v t
e a e e a e e e en o s nu s e
’
a a ar a s
K i h rs g iv m t f ll y i t h B hag
n a, t P
en dn 24 S
os l Vi h u n e a va a ur a 1x . . ee a so s nu
P a n Iv 1 5 d mm y i D w Cl D i t f H i d M y th l L d
’
ur a .
,
an a su ar n o s on s a ss . e . o n u o on on ,
,
1 87 9 I t h b h mi v
. i nth h b d f D v ki ( = D
e ra
g b b ha ) i V n d v e rs on e us an o e a e va a s a su e a:
an d hi K i h ( K nh ) h t h pit h t Va d v
=s son rs i t h j at k
na K m a a as e e e su e a as n e a a . a sa
i th c
s i f D v ki
e dl
ou s n oi g t h t h will l hi l if t he gh a h kil l
,
an e a rn n a e os e s e rou a s on e s
a ll h ch il d er t il t h v t h B l am ( = B l d v ) d K i h t h ig h t h
re n , u n e se en a a r -
a a a -
e a an rs na e e
mi c l v d Th mb y f K i h i t f d t Y da wif ’
a re ly p ra u ou s re se r e . e e r o o rs na s ra n s e rre o a so ,
e
o f N d t h c wh d (N d g pa ) b t K m
an a e d ov y v ig er i f t t b an a o ,
u a sa or e rs e er orou s n an o e
p t t d th
u N d fl
o d ea K i h . Th i h ban c mp d wi t h
a ees an re a rs rs na . s as een o a re
H d
e ro l g ht f th i
’
s s au c t Th w t l i g —m t ch f K i h
er o d hi b t he nno en s . e re s n a o r s na an s ro er
wit h C a nu d M st ik i g v t l gth i Vi h P v 20 O f K i h ’
ra a n u a s i en a en n s n u ur . . . ne o r s na s
son s w P dy m =
( P jj
as b th
ra i t h j at k )
u Th m t
na l d t ct i a una, a ro er n e a a . e u ua e s ru on
o f t h ch i f c e d b y th k pl t i t h j a t k i d i t h H i d l g d t
e s, a u se e e ra a an n e a a, s ue n e n u e en o
K i h p h ib it i f wi H p mit it t b d k f d y d d k
’
rs na s ro on o ne . e er s o e ru n or on e a ,
an a ru n en
b wlra i w h i ch m t f t h m p i h Th i v
e n su e s n i i f d t i J at 5 12 os o e er s . s e rs on s re e rre o n .
,
p 393
. Th d t h f K i h. i th m i b th t l
e ea I B dd h g h h
o rs na s e sa e n o a es . n u a os a x x v1 .
th l g d i w k d i t t h hi t y f B ddh f mil y Th i c f i i th
’
e e en s or e n o e s or o u a s a . e re s on us on n e
na m A dh k e nh It c n p d t A dh ri hni f t h P
a a ve u wh
. it i orre s on s o n av s o e u ra n a s , e re s a
f K i h d c d t f A dh ( A dh k ) d Vri hni t w c t ”
t it l e o rs n a, es en f an o n a or n a a an s ,
o an e s ors o
K i h rs cc di g t hi
na l b i t h F t h b gi i g f t h t y D R
a or n o s re a r . or e e nn n o e s or r ou se
c mpo th t y f Da re s e s or o anae .
1
a n d the daughter s n ame was the Lady S i t a
’
.
Th m m
1 f w h w e c ll d cc di g t b hmi l g d
na e eans a urro s e a s so a e ,
a or n o ra n e en ,
b c e h p g f m
a u se f w wh ich ki g J
s k m d i pl g h i g f
e s ra n ro a urro n ana a a e n ou n or a
sac ific t b t i p g y Th t l i
r e d bt l b
o o ti f m p imit iv
a n ro e n . e a e s no ou an e a ora on o a ore r e
i de a .
326 R AMA AND S I TA
In ourse of time the quee n con sort died At her
c ,
-
.
set an other in her place as queen con sort She was dear -
.
al l due atte n tio n havin g bee n g iven her she brought forth ,
o ffer but put it off for the time When the lad was seven
, .
n ow ?
”
Choose lady said he
“
My lord quoth she
, , .
,
”
,
“
give my s on the ki n gdom The ki n g s n a pt his fi n gers .
”
at her ; Out vile j ade ! said he a n gri l y my other two
, ,
“
'
,
”
a n d i n herit the ki n gdom whi ch bel o n gs to your family .
l imits of his own l ife They told him he would l ive yet .
“
These t w o are yo u n g : al l comprehe n sive wisdom like -
a half stan za
-
L e t L a k k ha n a a n d S i t a b ot h i n t o t ha t p on d de s ce n d .
B ha ra t a s a y s k i n g D a s a ra t ha s li fe i s a t a n e n d
,
’
.
whe n eve n a third time they fai n ted away the courtiers ,
”
grieves n ot ? I will ask Then he repeated the seco n d
.
S a y b y w ha t p ow e r t hou g ri e ve s t n ot , R a ma , w he n g ri e f s hou d b l e ?
Thou g h i t i s s a i d t hy s ire i s de a d g ri e f ov e rwhe ms n ot t he e ! l
The n R a ma pan dita explai n ed the reaso n of his not
-
grievi n g by sayi n g ,
As s u re as f or t he ri pe n e d f ru i t t he re co me s t he f e a r of f a l l ,
So s u re l y com e s t he f e a r of de a t h t o mort a l s on e an d a ll .
W ho i n t he m orn i n g l i g ht a re se e n b y e ve n in g of t a re g on e ,
An d se e n at e v e n in g t i me , i s g on e b y m orn in g m a n y a on e .
If to a f oo l i n fa t u a t e a b l e s si n g cou ld a ccru e
Whe n he t orm e n t s hi m s e l f wi t h t e a rs , t he wi s e t hi s sa me w ou l d do .
B y t hi s t orm e n t i n g hi ms e l f he w a x e s t hin a n d p a l e ;
of
Thi s ca n n ot b ri n g t he de a d t o l ife , a n d n ot hi n g t e a rs a va il .
E ve n as a b l a z in g
hou s e m a y b e pu t ou t w i t h w a t e r, so
T he s t ron g , t he wi s e , t he i n t e ll i g e n t , w ho w e ll t he s cri p t u re s k n ow,
S ca t t e r t he ir g ri e f l i k e cot t on whe n t he st ormy wi n ds do b l ow .
On e mort a l di e s —t o
k in dre d t i e s horn i s a n ot he r st ra ig ht
E a ch cre a t u re s b l i s s de p e n de n t i s on t i e s a s soci a t e
’
.
K e e n con t e m p l a t i n g t hi s w orl d a n d t he n e x t
-
,
K n owi n g t he i r n a t u re , n ot by
g ri e f , any
H ow e v e r g re a t , i n min d a n d he a rt i s v e x t .
So t o my k in dre d I wil l l
g i v e , t he m wil I k e e p a n d fe e d,
A l l t ha t re ma in I wi ll m a in t a i n : s u ch i s t he wi se ma n s de e d
’
.
pan dita beggi n g him to receive the kin gdom of Ben ares
, .
”
you take it Bro t her my father comman ded me to
.
,
330 RAMA AND SI TA
receive the ki n gdom at the e n d of twelve years If I g o .
”
al l that time ? You do it I w ill n ot Then u n til .
“
of followers .
park The pri n ces heari n g of his arri val pro ceeded with
.
of heave n .
Th t y f t h R m y
e s or i wh ich
o p i mit iv f t
e a pp a t b p vd
a n a, n a r e e a u re a e a rs o e re se r e
i th
n e l ti f Ra m
re a d Si t a
on s o b th d i t wi t h t h
a an l b ddh i t as ro er an s s e r, e us u a u s
m difi c t i
o af m ki g
on ch c to B dhi t ta I t h pic t h t h
n on e t y wi t h
a ra er a o sa a . n e e e re e s a
th e g V a l mi k i
sa e d d i g th il Si t a i c
,
i d ff t C yl
an ur n b y Rav e ex e s a rr e o o e on a n a,
an d c v d b y R a m Cf H J c b i D R a may
re o e re p 84 (B
a . . . a o ,
as ana ,
. on n ,
S yl v i Levi gi v C hi
a n b ddh i t v i es a(A l b m K n e se d m wh t u s e rs on u e rn an a ssu e s, a
i l y v y imp b b l t h t t h B ddh i t t f m d S i t f m wi f t i t
“
s s u re er ro a e, a e u s s ra n s or e e: ro e o s s er .
In t h Ch ie v i h i pp n e se d O t h i c id t
e rs on f th
s l ippe f
s su re ss e . n e n en o e s e rs c .
332 THE WICKED S TEP MOTHE R -
”
sayin g Lie on my cou ch !
,
“
Why ? he asked Just “ ”
.
“
”
bliss of love ! Mother my mother y ou are a n d y ou , ,
”
with you ? Twi ce a n d thrice she besought him a n d ,
her body ; givi n g orders to her atten dan ts that when the ,
”
her n ot he asked Where is the quee n ?
, ,
“
She is i ll “
,
”
a n d bi n d Pri n ce Paduma a n d bri n g him to m e ! They
wen t to his house swarm i n g as it were through the city
, ,
his back put about his n eck the garlan d of red flowers
, ,
, ,
”
great n oise Y ou have n ot deserved this my lord !
,
“
,
him the kin g could n ot restrain what was in his heart and
, ,
“
cried ou t This fellow is n o ki n g but he plays the ki n g
, ,
Away with him down with him over the thieves cliff ,
’
”
make a n e n d of him ! But the pri n ce said t o his father ,
“
No such crime lies at my door father Do n ot kill me , .
’ ”
o n a woman s word The ki n g would n ot listen to him
. .
“
My lord ! the pri n ce is a m an of good n ess a n d virtuous
life observes the traditio n s of his race heir to the ki n gdom !
, ,
334 THE W I C K ED STEP MOTHER -
”
A ki n g s duty it is t o a ct with all circumspectio n
’
So .
N o k in g shoul d p u n i sh a n offe n ce a n d he a r n o p l e a s a t a l l , ,
N ot t h rou g hl y s i f t i n g i t hi m s e l f in a l l p oi n t s g re a t a n d s ma ll , ,
Is li e k a ma n b orn b l i n d, w ho e a t s hi s food a ll b on e s an d fl ie s .
W h o p u n i she s t he g u i l t l e s s ,
a n d l e t s g o t he g u il t y , k n ow s
N o more t ha n on e w ho b l i n d u p on a ru g g e d hi g hw a y g oe s .
He w ho a ll t hi s e x a m in e s we ll ,
i n t hi n g s b
g re a t ot h an d s ma ll ,
An d so a d mi n i st e rs , de s e rve s t o b e t he he a d of a ll .
He t ha t w ou d l se t hi ms e l f on hi g h m us t n ot a l l g e n t l e b e -
N or a l l s e v e re - : b u t b ot h t he se t hi n g s p ra ct i s e i n com p a n y .
C on t e mp t t he all -
gent e l w in s, and he t ha t ’
s a l l se -
v e re ha s w ra t h
So of t he p a ir b e w e ll a w a re , a n d ke e p a m i ddl e pa t h .
Mu ch ca n t he a n g ry ma n , 0 ki n g ,
an m u ch t he k n a v e ca n s a y
d
w om a n s sa k e t hy s on t hou m u s t n ot s l a y
’
An d t he re fore for a .
n ay ,
the ki n g bli n d foo l said
,
A w ay ! dow n with him over
,
”
the thieves cl i ff ! repeati n g the eighth stan za
’
On e s i de t h e w h ol e w or l d s t a n d s m y q u e e n on t he ot he r a ll a l on e ; ,
Ye t h e r I cl e a v e t o ca s t h i m d own t he cli ff a n d g e t y ou g on e !
: ,
tio n s The
.
ki n g said Let these but try to
, prevent
“
the
throwin g of thi s fellow over the cli ff ! a n d amidst his
fo ll owers though ,
the c rowd wailed arou n d he caused the .
“
Then said the ki n g My s on by me y ou were cast down , ,
A s i n t o he ll mou t h y ou w e re ca s t ov e r a b e e t l in g hi ll
-
, ,
by the ki n g .
C a u g ht m e wi t hi n hi s coil s ; a n d s o he re s a fe from de a t h I s t a n d .
L o ! I w i ll t a k e y ou b a ck 0 p ri n ce t o my ow n home a g a i n
An d t he re —wha t i s t he w ood t o y ou —w i t h b l e ss i n g y ou s ha ll re ig n
, ,
D ra wn f ort h i s ha pp y so I s e e i n m e t hi s b l i s s a n d g ood
,
: .
In , .
wi f d p pil f b h mi
e an u ch o v a I di v i t th L g d
ra n tea er Dr Rou s e gi . e s as n an ar an s e e en
of P M l (MS w i t t
u ra n b y R am G h ib Sh ma Chat
a . id rc ll c t d b y
en ar ar , u rv a y a, o e e
W C k ) dL g d f R p d B
. roo e ,
an t S l d B
e ent I b th f th
o a an a sa n or l an a sa n . n o o e se
th qe f ll i l v wit h h
ueen a t p
s Ja t 12 0 i cl
n t th t y f J
o e
p h er s e -
s on . . s ose r o e s or o os e .
A q c mmit d l t y wit h i t y f f t m
ueen o s a d f il wit h t h f mil y p i t
u er s x -
ou r oo en, an a s e a r es .
1
by malarial fever O n e s on o n ly broke through the wall .
divi n e they drop from the tree ! The Great Bei n g chooses
,
.
,
1
S o in J a t 1 7 8 . . I t is n ot e w ort hy t h
he re t he sa me me a n s is u se d t o ou t wit
at
F . & T .
338 THE LO S T CHARM
grown Thi s ma n ca n tea ch me a charm whi ch has n o
.
’
he we n t to the Great Bei n g s house at the time whe n he
was n o t yet return ed from the forest a n d maki n g as ,
,
”
“
Where is the Teacher ? Quoth she Go n e to the ,
“
”
woods He stood waitin g un til he s a w him come the n
.
,
thi s youth has come t o get the charm ; but n o charm will
stay with him for n o good m a n is he But the youth
, .
the cooki n g brought all that was n eeded for washi n g the
,
other way kept the Great Tea cher s feet on his own thigh
’
Bei n g —
Husban d this lad well born though he is for , , ,
’
this fashio n : My s on tis a priceless charm ; a n d you
“
,
kin g or his great mi ni ster shall ask you who was your
, ,
,
3 40 THE LO S T CHARM
fruit in the man n er above des cribed : a shower of man goes
fell a very stor m ; the compan y shewed great delight
, ,
foot from the tree set about repeati n g the charm ; but
,
ll I b rin g y ou ma n g oe s p l e n t e ou sly
The n w i .
” “
What is this the kin g wo n dered ,
The fellow said .
”
n othi n g of pla n etary co n j u n ctio n s before ! To resolve
which questio n s he repeated t wo stan zas ,
Of p l a n e t a ry j u n ct ion s he re t ofore :
But m a n g oe s, fra g ra n t , de l i ca t e i n t a st e ,
Of co ou r l fi n e , y ou b rou g ht i n p l e n t e ou s st ore .
Afore t i me , b ra h mi n , y ou p rodu ce d so we ll
F rui t on t he t re e b y mu t t e ri n g of y ou r s p e ll
To -
da y y ou ca n n ot , m u t t e r a s y ou ma y .
S a y i n g , I f y ou a re a s k e d my n a me a n d b irt h,
“
H i de n ot hi n g , or t he cha rm wi ll come t o n ou g ht ”
.
A s k e d b y t he L ord of M e n , t hou g h w e l l I kn ew ,
Ye t i n de ce i t I sa i d wha t w a s n ot t ru e
“
A b ra hmin ’
s s p e ll s ,
”
I ly i n g s a id ; an d n ow,
S u dd a C a n dl a a P u k k u s a — s ee m s chi e fe s t i n hi s s i g ht l
.
, ,
1 Th th m
e se a re f i c t
e na K h t iy B ahm
es o s x V isy Sud th f
as e s : s a r a, r an, a a, ra , e ou r
H e n ce ha e l
hi m b y t he t hroa t wi t hou t de l a y ,
W ho ha vi n g g a in e d a t re a su re wi t h g re a t t oil ,
Throw s i t wi t h o v e rw e e n i n g p ri de a w a y !
, ,
“
See lady there comes that scou n drel agai n with his
, , ,
d
”
utterly r ed a u i n n u do e
n n ! The n he re cited his tran s
re ss ion in a stan za aski n g again fo r the charms
g ,
A n ot he r t re a d s w ha t se e ms a cord, a je t -
b l ac k sn a ke t o fin d
A n ot he r st e ps i n t o t he fire b e ca u s e hi s e y e s a re b l in d
S o I ha ve s i n n e d, a n d l os t my p ll ;
s e b ut y ou , 0 t e a che r w i se ,
F org i e ! v and let me on ce a g a in fin d fa v o u r i n y ou r e y e s !
c t
as e s and m ch d pi d M ub t th c tes d t h B ddh i t y t m
se . ore a ou e se a s e s, a n e u s s s e a s con
t d wi t h t h B h mi ic l m y b i R Fic k S i l G l i d g im N 0
’
t
ra s e e ra n a ,
a e se e n n . s oc a e e e ru n . .
B ddh Fi c k d i t h t t h S dd v
’
I di
n en e u Z it K i l 1 8 9 7
u a s e w , l e , . en es a e u as e re e e r a re a
c t (p
as e F
. C n da l p 203 f P kk or p 2 06 b t h i hi
a api i ,
se e . or u us a ,
. o ,
n s o n on ,
n on A y
-
r an b j ct f lm t
su e Th d f t h li t i v
ra ce s, se r s a h ld os . e or e r o e s n ou r e rs e s ou
be t ic d
no Th J a t k
e g iv
. t h Kh t t iy e W i ap c d c v th
a es e a a s, or a rr ors, re e en e o er e
B h mi
ra (D R
ns ). r ous e .
3 44 THE PRINCE S WO OI NG ’
1
The n he said By these toke n s y ou shal l kn ow my s on
,
“
,
pi ck up .
1
The t ok e n s a re a fa milia r fe a t u re of fol k t a l e s
-
. We ma y c o mpa re t he s t ory of
T h e s e us , w it h hi s fa t h ’
e r s s w ord a n d sa n da l s : P a usa n ia s, i 2 7 8
. . .
( Dr Rou s e
2
A n ot h
fa mil ia r e pis ode in fol t a l e s , b u t of P rot e a n form
er k
I t is ommon l y a
-
. c
h a ir of t he l a dy s
’
e a d t a t fal l s h h
S e e Cl ou s t on , P opu l a r Ta l e s a n d F ict i on s,
. 24 1 I .
(I n dia ) ,
251 (Egypt ) ; N ort h I n di a n N ot es a nd Q u e rie s ,
IL 7 0 4 ; La l B e h a ri Da y,
F ol k Ta l e s of B e n g a l No 4 (Dr R ous e )
,
. . .
AND THE THRONE OF THE BUDDHAS 3 45
, ,
1
precious wife reti n ue a n d pri n ce made their appearan ce
, ,
.
s ix a n d—
-
thirty l eagues a n d moun ted upo n a n elephan t ,
coul d n o t .
1
F cc t f t h C kh t t i ( iv l m ch ) d t h mi cl t hi
or a n a ou n o e a a va un e rs a on a r ,
an e ra es a s
a pp i
ear n g c l t H dy,
M l 1 2
on su6 ff S l R h y D vidar t h Q ’
ti s a n ua ,
. ee a so s a s on e u es on s
of M li il I
na a p 5
’
9 ( h d,
vo t h l
.
t t w t .
d .
d i ) d e re n e rs e as o re a s u re r an a v se r ,
an
B u d dhi s t S u i t e s, p 2 5 7 . .
(Dr R ou se .
)
3 48 THE FOLLY OF GARRULITY
stan di n g in hi s own humble place he extolled the ,
, ,
h
T is t a l e is s a id to hv a h h
b e e n t ol d b y t he B u dd a w e n An a n da a us e d a fru it of
e c
t he g re a t b o t re e t o b e
-
pl a n t e d a t t he J e t a v a n a mon a s t e ry , s o t a t t he pe o pl e wh
'
o h
h v
wi s e d t o re e re n e t he B u dd c h mig h t pl c
a a e t h e ir offe rin gs th e re w h en he w as
a b se n t .
”
a lucky con j un ctio n of the stars S o do the n said .
, ,
the ki n g .
”
we must do sacrifice a n d set up the n e w gate Well my “
,
”
1
your city Very well my tea cher have such a brahmi n
.
“
, ,
”
slai n a n d s e t up the gate upo n him
, .
, ,
“
”
shall see the ba ck of my e n emy ! Full of e n ergy he
return ed t o his home but could n ot keep a still to n gue ,
H m 1
c ific t t h f di g f b il di g t h l ik m t h v b c mm
u a n sa r e a e ou n n o a u n ,
or e e, us a e een o on
i
n ci t t im
an
p i t t
en t h t dit i b t it
e s, s o F I di C
e rs s e n k a re e ra on s a ou . or n a , se e roo e,
I t t P pR l
n r . d 17 L f N I di p 2 3 7
o o . dI d
e . Wh t h H g hl y B idg
a n .
-
. o . n a , . an n ex . en e oo r e
w b il t i C l c t t
as u I m mb n h w it w c mm l y id b y t h
a u a, t ivreth t th e er o as o on sa e na es a e
b il d
u h d imm d m y y
e rs a
g ch il d i th f d ti u re F G c it i an ou n re n n e ou n a on s . or re e e s
a tt t d b y m d
es e f lk g ch t h B idg f A t (P w C m P p G r
o e rn o -
son s su as e r e o r a a s so ,
ar . o . .
no . d wh i ch I l t l y w t d w i C
an on e f m l t dit i (p b li h d i a e ro e o n n os ro ora ra on u s e n
F ll L
e f s
-
Th
ore c ific i m t t p pit i t t h Spi it di t b d b y t h
or e sa r e s ea n o ro a e e r s s ur e e
”
the city they searched but foun d n o n e Search qui ckly !
,
.
“
”
said the ki n g My lord they replied except your
.
“
, ,
“
”
famil y priest there is n o such other A priest quoth .
“
,
”
he can n ot be killed
,
“
What do you s a y my l ord ? .
“
,
the city will be in dan ger Whe n the priest exp l ain ed .
“
We ll stay here quoth the other a n d I wi l l speak to
, ,
”
,
I n deed she “ ”
do you n ot give him somethin g to wear ? ,
five hu n dred were for the woman five hun dred were the ,
”
n ot keep watch over my lips ! To make this clear the ,
—
the goat herds two rams fell a fig ht in g on a pasture at
-
”
polls a n d perish ; I must restrain them S o he tried to .
”
Fight the n but kill me first ! a n d placed himself
, ,
Thou g h i n t he fra y he ha d no p a rt n or s ha re .
The t wo ra ms he a ds di d
’
cru s h hi m t he n an d t he re .
H e in his fa t e wa s v e ry l i k e t o y ou !
“ ”
the other A sn ake is climbi n g the tree ! a n d he in terror
,
The y a ll fe ll de a d, e a ch w i t h a b rok e n pa t e .
T he s e me n we re v e ry l i k e t o y ou , I t row .
Next day on their way to kill her they forgot the chopper
, , .
”
chopper said they we can n ot eat the beast eve n if
, , ,
killed by her own act the Great Bein g recited the sixth ,
stan za
A g oa t , i n a b a mb oo t hi c e t b ou n d,
s he -
k
k
F ri s i n g a b ou t , he rs e f a n ife ha d fou n d l k .
Wi t h t ha t s a me k n ife t he y cu t t he cre a t u re ’
s t hroa t .
I t s t ri k e s me y ou a re ve ry l i k e t ha t g oa t .
3 56 THE FOLLY OF GARRULITY
The ki n g pleased with the fairy at o n ce recited a
, ,
stanza
S he t ha t ha t h s p ok e n ,
l e t he r g o, t ha t she
The H i mal aya hil l a g a in ma y se e ,
But l e t t he m t a ke and k il l t he ot he r on e ,
An d f or t o -
morrow ’
s b re a k fa st ha v e hi m don e .
The ki n e de p e n d u p on t he cl ou ds a n d m e n u p on t he k i n e 1
, ,
An d I , 0 k in g ! de p e n d on t he e , on me t hi s w i f e of; min e .
Le t on e , b e f ore he se e k t he hil ls , t he ot he r s
’
f a t e divi n e .
O mon a rch ! ot he r p e op l e s ot he r w a y s ,
:
T i s v e ry ha rd t o k e e p y ou cl e a r of b l a m e
’
.
The t hi n g w hi ch f or t he on e w i n s ra i s e ,
v e ry p
fi
A n ot he r n ds re roo f for u s t t he sa me p j .
S il e n t t he y w e re t he fa iry a n d hi s ma t e ,
A n d he w ho n ow di d u t te r S p e e ch for f e ar,
U n hu rt , f re e , ha pp y , l e t hi m g o hi s g a i t .
1
Be c a u se t he ir food (g ra s s e tc .
) de pe n ds on ra in .
THE HAW KS AND THEIR FRIEND S 3 57
“
The Great Bei n g added S ee my teacher ! In this , ,
speaki n g at the right time were set free for their well
speakin g ; but y ou by your ill speaki n g have come to
”
great mis ery Then after Shewi n g him this parallel he
.
,
“
your life I S there i n deed a way
. asked the other , ,
” “
how you ca n save me ? He replied It is n ot yet the ,
”
a dead goat G o whe n you wil l brahmi n a n d live said
“
.
, , ,
did sa crifice with the flesh of the goat a n d set up the gate ,
u
po n it
The se c on d st ory is a v a ria n t of P .
(T ) . I . 3 b , whe re a j ck l h pi g fo fl e sh
a a O n r
c ome s b e t we e n t wo fig h t i n g ra ms an d is kil le d . K D . .
( Sy n ) I 3 b (A b ) v Cf t he
.
,
ra . .
l
g a t has of t he t a e in J ul ie n 3 3 ( a ria n t o f J a t v .
“
Lors q d b éli l t t t
ue eux e rs u en
e n se mb l e , l e s mou ch
e s e t l e s fou rmi s éris se n t p au mili e u d e u x , ’ ”
an d J G rimm
. on
Ce n t I 27
. .
,
as a n e x pl a a t ion of t h
n e pro e rb v a ls rr
lv
‘
pdx a cpa v . A g oa t b e in g
sa r c ific d b y t h C i
e e or n t hi a n s t o Acra e a n H e ra i k cks a n d re ve als t he k n ife , whi hha d c
b e en mi l id Ss a Pi . ee sche l in Z D M G LV . X II . 86 .
”
N o madam he replied
, We must have some on e who
,
.
“ ’ ”
youn g o n es uttered a cry Tis the cry of birds ! said .
here hun gry but before we lie down we will have a meal
,
a stan z a
G ood he l p t he g ood t he n e ce ss a ry de e d :
O u r y ou n g a re sa fe , t hou li vi n g
ha v e a ca re
:
Of t hy own se lf ,
n or a ll t hy s t re n g t h ou t w e a r .
I ca re n ot if I l ose m y li fe for t he e :
S o u s e t he g ood t hu s f ri e n d wi ll do f or f ri e n d
:
Ye a e v e n i f he p e ri sh a t t he e n d
, .
”
is your erran d frie n d ? asked the Tortoise
, S u ch a n d .
”
very weary ; that is why I have come to y ou With these .
My y ou n g i n da n g e r, s t ra i g ht I fl y t o t he e
O dwe ll e r in t he l a k e , come , s u ccou r me !
On heari n g this the Tortoise repeated an other stan za
The w i se ma n to a m a n w ho i s hi s f ri e n d,
B ot h f ood an d g oods , e e n v l i fe i t s e l f , w ill le n d .
F or t he e , O H a w k ! I wi ll p e rf orm t hi s de e d
The g ood mu st he l p e a ch ot he r a t t he ir n eed .
, an
the n i n th stan za
H e re a t t hy e a s e re ma i n , O fa t he r mi n e ,
A n d I t hy s on w il l do t hi s t a s k of t hi n e .
A s on s hou ld s e rv e a f a t he r, so
’
t is b e st ;
ll s a ve t he H a w k hi s y ou n g on e s i n
I ’
t he n e st .
Ye t t he y ma y l e a ve t he H a w k ’
y ou n g b rood a on e ,
s l
l
P e rcha n ce , if t he y se e me s o ful y g row n .
“
flame a n d lay still The n the coun trymen cried Why
,
.
,
“ “
a bellyfu l of water Just look said they :
. half the ,
Mi g ht ie st o f al l t he b e a st s , b ot h b e a s t s and me n
F l y t o t he st ron g e s t w he n b e se t wi t h f e a r .
My y ou n g on e s a re i n da n g e r ; he lp me t he n
Thou a rt ou r ki n g ,
and t he re f ore I a m he re .
Ye s I w i ll do t hi s s e rvi ce H a w k f or t hee
, , ,
C ome l e t u s g o a n d s l a y t hi s g a n g of foe s !
,
P rot e ct or of a fri e n d mu st t ry t o b e .
”
to death : The Osprey they cried put out our fire
“
, ,
“
”
us at o n ce They ra n this way a n d that : whe n the Lio n
.
”
through frie n ds have my youn g bee n give n ba ck to me !
a n d as she rej oiced she spoke to her mate a n d recited , ,
G e t a g re a t f ri e n d a b l e s s in g he ll b e f ou n d
’
:
Va i n s t ri k e t he a rrow s on a coa t of ma i l .
A n d w e re j oi ce ou r y ou n g l i n g s s a fe a n d s ou n d
,
.
364 THE PRINCE WHO COULD NOT LAUGH
an d we n t both together to the teacher They paid the .
“
frien dship ali ve they made a compact together : If
I have a s on a n d you a daughter or if you have a son ,
”
thousan d wome n at the least But Pri n ce S u ru ci .
,
by sprin kli n g .
” “
asked . Fault we have n o other to find said they but
“
, ,
“
what was said The kin g refu ses to choose him other
.
”
wives for his truth s sake thought she well I will fin d
’
, ,
”
him some on e Playin g the part of mother a n d wife
.
”
“
My lord comman d your wome n to pray for a s on
,
.
“
should have on e But I can n ot give her this or that .
Th ig h t i l a i
1
e e g i t t k i g s l if tnh ft i mp rit y l yi g i t ic t i g l iq
: a a ns a n e, e ,
u ,
n ,
n ox a n u ors ,
e ti g
a t f b idd
n a h or w l dl y m en m t g t
ou rs , d o m t Th fi t
or a use e n s, u n u en s an rn a en s . e rs
fi ve l w y b i di g
a re a l y di c ipl
a s nTh t h n m d
on th f t d y a -
s es . e o e rs a re as su e on e as -
a s.
O 2
wh h ne t t i d tho lig h t m t f B ddh b t d
as a a ne t p ch e en en en o a u a, u oe s n o re a .
368 THE PRINCE WHO COULD NOT LAUGH
chan ted To whom shall I give the blessi n g of a s on who
, ,
”
a n d co n versatio n ? They drew dow n their uplifted
han ds sayin g, I f y ou woul d reward virtue go seek
,
“
,
S u m e dha
”
He wen t his ways through the air a n d stayed
.
,
”
blessi g of a son to a virtuous woma
n n ? It is a n d s o ,
”
I do . Then gran t it t o me
“
What is your virtue .
“
,
”
tell me ; a n d if y ou please me I gran t you the boo n ,
.
I a m ki n g Ru e i s con s ort qu e e n t he fi rs t he e v e r we d
’
-
,
Wi t h S u ru ci t e n t hou s a n d y e a rs my w e dde d l if e I l e d .
S u rn oi k i n g of M it hil a , Vi de ha s chi e fe s t p l a ce ,’
I n e v e r l i g ht l y he l d hi s wi sh, n or de e m e d hi m me a n or b a se ,
I n de e d or t hou g ht or w ord, b e hi n d hi s b a ck , n or t o hi s f a ce .
I f t hi s bt ru e , 0 ho y on e , so m a y t ha t s on b e g iv e n
e l
lp p k
B u t i f my i s a re s e a i n g i e s , t he n b u rs t my he a d i n se v e n l .
The p a re n t s of my hu sb a n d de a r, so l on g as t he y he d swa y , l
An d w hi e t he y l live d ,
w ou l d e ve r g i ve me t ra in i n g i n t he Wa y .
My p a ssi on w a s t o hu rt no li fe ,
and l
wi ll i n g y do ri g ht
I s e rve d t he m w i t h e x t re me st ca re u n we a ri e d da y a n d n i g ht .
I f t hi s b e t ru e , e t c .
No le ss t ha n s i x t e e n t hou sa n d da m e s my fe ll ow wi v e s
-
ha v e b e e n
Ye t , b ra hmi n , ne v e r j e a l ou sy n or a n g e r ca me b e t we e n .
At t he ir g ood fort u n e I re j oi ce ; e a ch on e of t he m i s de a r ;
M y he a rt i s s oft to all t he s e w i v e s as t hou g h my s e l f i t w e re .
I f t hi s b e t ru e , e t c .
THE PRINCE WHO COULD NOT LAUGH 369
S l a ve s ,
me s se n g e rs , a n d s e rv a n t s a ll ,
a n d a ll a b ou t t he p l a ce ,
I g iv e t he m food, I t re a t t he m w e l , w i t h che e rf u l l p le a sa n t f a ce .
I f t hi s b e t ru e , etc .
A sce t i cs , b ra hm i n s, m a n who b e g g i n g he re i s se e n ,
any
I f t hi s b e t ru e , e t c .
A n d t he es p e cia l fa st I ke e p ,
l
I w a k in ho y w a y s l .
I f t hi s b t ru e , 0 ho y on e ,
e l so ma y t ha t b e g ive n
son
l
B u t i f m y i p s a re s p e a k in g l ie s ,
t he n b u rst my he a d i n se v e n .
All t he se g re a t vi rt u e s g l oriou s da m e O da u g ht e r of a k i n g
, , ,
Thou s p e a k e st in a l l
ov e y v oi ce t ha t p ri ck s me t o t he he a rt .
f ou n d,
Tru e wi v e s , t o hu sb a n d ’
s mot he r k in d e ve n as i n du t y b ou n d,
24
3 70 THE PR I NCE WHO COULD NOT LAUGH
So l a dy ,
t hou , t hrou g h w ort hy li fe ,
t hrou g h s t ore of g oo d de e ds
don e ,
A p rin ce s s b orn , a ll ha pp in e s s t he he a rt ca n wi sh, has t w on .
0 w ise , O b l e s se d ! so li ve on , p re se rv e t hy con du ct ri g ht
N ow I t o he a v e n mu s t re t u rn ,
de l i g ht e d wi t h t hy S ig ht .
advice he depart ed .
state 1
At the e n d of ten mo n ths she brought forth
.
“
My lor d we bri n g this for the boy s milk mo n ey a n d
,
’
-
,
”
”
for his keep .
z
the lucky place for a b u il di n g a n d said t o them : My ,
“
1
Se e Ja t . 15 1, p 13 1. . T h e re wa s a c e re mon y c alle d g a rb ha ra k sa n a w hi pro ch
c
te t e d ag a in s t a b ort ion (B ii hl e r, R i t u a l L i t t e ra t u r, in
-
G ru n dris s de r i n do— a ris ch .
P hil ol og ie , p .
(Dr Rous e ) .
1
Cf J a t 2 5 7 ,
. . p . 19 8 .
3 72 THE PRINCE WHO COULD NOT LAUGH
an d dan ced ; but they could n ot make the pri n ce laugh .
Of course he that had seen the dan cin g of dan cers divin e
could n ot care for su ch dan cers as these Then came .
, ,
”
the prin ce laugh Bha n du ka n n a made a great man go
.
-
1
A n d the slaves of
’
they say is V e ss a v a n a s man go .
1
The j u g g li n g t ri k c he re de scrib e d is s poke n of b y me dia e v al t ra v ll
e e rs . Se e
Yu l e
’
s M a rco P ol o ,
v ol . I .
p 3 08 .
(e d .
(Dr Rous e .
)
A LO S T FRIEND FOUND BY A S ONG 3 73
G re a t P a n a da , m ig ht y k in g ,
l Wi t h hi s p a l a ce all of g o d,
1
must be explain ed in the Mah a pan a da Birth -
.
, an d at his
life s end we n t to the world of gods
’
.
Cf G rimm 4 , An m , On e w ho w e n t
. . ou t t o l e a rn w ha t f e a r w a s . S kka
’
a s l
in a b i i t y
t o gi v e a son u n c on l
dit ion a l y re se mb l es t he b e g in n in g of T ib T Ix He . . . a pp e a ls t o
B ra h ma ,
b u t a l l he ca n do is t o in du c e a g od, wh os e l ife is omin g t o a n c e n d, t o go
and b e b orn , as he doe s al so in t he Ku sa -
J at k p 4 2 9 Simil ly
a a, . . ar in J a t 22 0
.
S kk
a a is un a b e l t o ma ke a ma n wit h a ll fou r vi t e (p
r u s .
Great Bei n g was born An other person was born the son .
’
other a family priest s These we n t forth to make merry .
Th i i m r l y h t mm ry 1 s s e e a s or su a .
3 74 A LO S T FRIEND F OUND BY A SONG
girls asked Who are these ? C a n da l a s they were
“
,
”
this misery has come upo n us they thought because , ,
“
h u ta n ot so .
”
self a n d bri n g home what there is for me Accordi n gl y .
.
,
S a mb hu t a s wits were
’
s e t the bowls in fro n t of them .
3 76 A LO S T F RIEND FOUND BY A S ONG
s on of the kin g of U t t a ra pa n ca l a From their n ame days .
-
Whe n they heard this the royal wives a n d the musi cians ,
”
others I s there a n y on e who ca n si n g a refrai n to the
.
-
“
”
ki n g s hymn ?
’
N o sir Could you ? Yes if I am
,
.
,
A LO S T FRIEND FOUND BY A SONG 3 77
”
verses you si n g this by way of a third a n d he recited
, ,
”
a hym n Now said he go a n d si n g this before the
.
“
, ,
“
”
a refrain to his hym n The king said Let him approach .
, .
” “
my hymn ? Yes my lord said he bring in the whole “
, , ,
”
mine The ki n g repeated a pair of stan zas :
.
I s e e S a mb hfi t a mig ht y
g row n a n d g re a t ,
T hu s do hi s v i rt u e s b e a r hi m fru i t a g a i n .
Who kn ow s if Ci t t a l
a so ma y
b e g re a t ,
An d l ik e my s e l f, hi s he a rt ha v e b rou g ht him g a i n ?
At the end of this hymn the lad chan ted the th ird ,
sta n za
E v e ry g ood de e d b e a rs frui t or s oon or a t e , l
N o de e d wi t hou t re su t , a n d n ot hin g v a in l .
B e ho d, l my l ord , se e C it t a at t hy g a t e ,
l l
An d i k e t hy se f , hi s he a rt ha s b rou g ht hi m g a in .
F rom hi m, or di d s om e ot he r ma k e t he e k n ow ?
Thy hy mn i s v e ry s we e t : I ha v e no f e a r;
A vi ll a g e and a b ou n t y 1 I b e s t ow .
e d (pie c e s of mon e y ) :
hu n dr c h li v ll
1
Lit . a or ( wi t ht he s o a st ) A hu n dre d i a ge s I
”
do b e s t ow .
3 78 A LO S T FRIEND FOUND BY A S ONG
The n the lad repeated the fift h stan za
I am n ot Ci t t a , b u t I he a rd t he t hin g .
I t wa s a sa g e l a id on m e t hi s comma n d
Go an d re ci t e an a n sw e r t o t he k in g ,
An d b e re w a rde d b y hi s g ra t e fu l ha n d .
F or t o t ha t he rmi t a g e I w il l a wa y ,
To se e t he sa g e t ha t sit s wi t hi n , t hi s da y .
stanza
A p re ciou s
hy mn i t w a s I sa n g so sw e e t
Whi l e t hron g in g m u l t i t u de s a rou n d me p re s se d ;
F or n ow t hi s hol y s a g e I come t o g re e t
An d all is joy an d g l a dn e s s i n my b re a s t .
A cce p t a se a t ,
an d f or y ou r f e e t f re sh w a t e r : i t i s ri g ht
To offe r g i ft s of f ood t o g u e st s : a cce t , a s w e in v i t e p .
L e t t he m m a k e g l a d t he p l a ce w he re t hou sha l t dw e l l
L e t t hron g s of w a it in g w ome n w a i t on t he e ;
0 let me s he w t he e t ha t v
I l o e t he e w e l l ,
An d l e t us b ot h k in g s he re t og e t he r b e .
3 80 A LO S T FRIEND FOUND BY A S ONG
The ki n g rej oi ced as the Great Bei n g spoke
repeated three stan z as
T ru e i s t ha t w ord, 0 B rot he r ! w hich y ou sa y
l
Y ou l i k e a ho y sa i n t y ou r w ords d i ct a t e
B u t my de s i re s a re ha rd t o ca s t a w a y
B y su ch as I a m ; t he y a re v e ry g re a t .
As l pha n t s de e p su n k e n in t he m ire
e e
Ca n n ot cl i mb ou t a l t hou g h t he y s e e t he l a n d
,
S o s u n k e n i n t he S l ou g h of s t ron g de s ire
,
U p on t he B re t hre n ’
s Path I ca n n ot st a n d .
A s f a t he r or a s m ot he r w ou l d t he ir s on
E qu a l a n d ri g ht e ou s rul i n g l e t t he m fin d .
Se n d m e ss e n g e rs t o n ort h, sou t h, e a s t , a n d we s t
The b ra hmi n s a n d a s ce t i cs t o i n v i t e
P rovi de t he m f ood a n d dri n k , a p l a ce t o re s t
Cl ot he s , a n d a l l e l se t ha t m a y b e re q u i s i t e .
B u t i f, s u rrou n de d b y t hy w om a n k i n d
T hou f e e l t hy p a ss ion an d de s i re t oo s t ron g,
Thi s v e rs e of p oe t ry t he n b e a r i n mi n d
An d si n g i t i n t he m idst of a l l . t he t hron g
’
Such was the Great Bei n g s advice The n he said .
,
’
Brahma s world .
S L m
ee i Vi eu Or J v 1 1 1 ff wh di c
an n n th J i v r io I t
en n a . . .
,
o s u sse s re e a n e s ns .
i
s t i ll y
e s se n f l kt la f tw f i d wh di c v
a o ch t h b y m
a e o f o r en s, o s o er ea o er e ans o a
f i dm y
re ra n , a n c h v t d i v dic p a n it iha
a on e D m y t i imil ly
a e s oo n a e ur a or sa . a a an s ar
se nd t m
s ou g wh p t ve i d t di c v r h l t h b d N l
e ss e n e rs o re ea a rse n or e r o s o e e r os us an a a,
M b h 11 ch 53 —7 9
. 1 . d ki g A i d m i J a t 52 9 p 4 2 0 Cf t h le g d f B l d l
.
,
an n rn a a n .
,
. . . e en o on e ,
t he c t l e f D
as te i o u rre n s n .
KING S IVI
O n ce u pon a time when the mighty K i n g S ivi reigned ,
'
, ,
the fou r gates in the midst of the city and at his own , ,
—
name what is part o mysel f if he should men tion my
f
ve ry heart I will cut ope n my breast with a spear a n d as
, ,
, ,
I f t he re b e a n y hu m a n g i ft t ha t I ha v e n e v e r m a de ,
B e i t my e y e s I ll g i v e i t n ow a l l firm a n d u n a fra i d
’
, , .
”
Take out my eye he the n said , .
Now all the city ran g with the n ews that the ki n g ,
Then the comman der in chief a n d all the other ofli cia l s - -
, ,
G i v e m on e y pe a rl s a n d cora l g i v e a n d ma n y a p re ci ou s t hi n g
, ,
0 k i n g dri v e u p t he e l e p ha n t s a l l fin e w i t h cl ot h of g ol d
,
T he s ou l w hi ch, ha v i n g s w orn v
t o g i e , i s t he n u n fa i t hf u l fou n d,
M ore f u l i s t ha n a n d he t o Y a m a s hou se i s b ou n d
’
s in s in , .
“
Then the courtiers asked What do , y ou desire in
”
givi n g your eyes ? repeatin g a stan za
L i fe , b ea u ty , joy or st re n g t h— w ha t i s t he p riz e ,
0 k in g w hi ch mot ive f or y ou r de e d s u pp li e s ?
,
Why shoul d t he k i n g of S i vi l a n d s u p re me -
F or t he n e x t w orl d s s a k e t hu s b e s t ow hi s e y e s ?
’
in a stan za
A fri e n d a n d co mrad e , S iv a k a , a rt t hou
Do as I b id t he e —t hou ha st Sk i ll e n ow
T a k e ou t my e y e s, f or t hi s i s my d e s i re ,
A n d i n t he b e g g a r s ha n ds b e st ow t he m ’
n ow .
“
But S i v a k a said Bethi n k y ou my lord ! t o give o n e s
, ,
’
“
thought It is not fitti n g that a skilful surgeon like me
,
”
should pierce a ki n g s eyes with the lan cet so he pou n ded ’
” ”
it all right Go on friend n o delay please
. Again , , , .
the eye started from the socket the pai n was worse than ,
”
before Reflect my ki n g I ca n still restore it
.
, Be , .
“
his feet cryin g My lord do n ot sacrifice your eyes !
, , ,
” ”
a n d said My frien d be quick Very well my lord
“ “
.
, , , ,
his left eye at the right and enduri n g the pai n sai d , ,
F . a T . 25
3 86 KING S IVI
Brahmi n come here ,When the brahmin came n ear .
,
When the Great Bei n g with his left eye s a w that eye in
his head he cried— Ah how good is this my gift of a n
,
“
,
, ,
the cavity ; they were like a doll s eyes but the pai n
’
a ho l y m a n ”
He summo n ed his court iers a n d told them
.
,
O n e m a n said he
”
what he in ten ded to do shall be .
“
, ,
“
U n t o t ha t b ra hmi n m e n di ca n t t he p a ir of t he m I g a v e .
l
I f t he s e my s o e mn words b e t ru e , b e t he ot he r e y e re st ore d !
H a v e g a i n e d for t he e a s b ou n t y fre e t hi s p a i r of e y e s di v i n e .
the multitude with a last coun sel to the Great Bei n g that
,
p a lace called Gan daka the Pea cock s Eye The n ews
’
.
, .
that he had got his eyes agai n spread abroad all through
the Ki n gdom of Sivi Al l the people gathered together
.
“
tude is come together thought the Great Bei n g I shall
, ,
”
praise my gift that I gave He caused a great pavi l io n
.
“
city to collect all the trade guilds The n he said O
, .
,
”
n ever eat food without givi n g somethi n g away ! a n d he
Who ,
if he ’
s as ked t o g iv e , w oul d a n s w e r n o,
l
A t hou g h i t b e his b e s t a n d choi ce st p ri z e ?
P e op le of S i vi t hron g e d i n con co u rse , ho !
Come hi t he r, se e t he g ift of G od, my eyes !
T hrou g h roc k and wa ll , o er
’
hill an l
d da e , w ha t e e r b v ar ma y b e,
A hu n dre d le a g u e s on e v e ry s i de t he s e e y e s of mi n e ca n se e .
Self -
sa cri fi ce in a l l me n mort a l li v i n g ,
Of all t hi n g s i s mos t fi n e
I s a cri fi ce d a mort a l eye ; and g i vi n g ,
R e ce i v e d a n e y e di v i n e .
S e e , pe Opl e ! s e e , g iv e e re y e e a t , l e t ot he rs ha v e a sha re .
attai n ed t o heave n .
Th f m f t h t l
e or f S ivi i wh i c h t h k i g g i v
o e hi fl ht
a e o v dv f m ,
n e n es s es o sa e a o e ro
I d
n ra(S kk ) di g i d a h wk cc
a i P (T ) II I 7 M b h I ch 1 3 9 1 3 1
s u se as a a ,
o u rs n . . .
,
. II . .
, ,
S m
o I 88 (i
. VI . Schmidt p 1 7 A b ddhi t igi f it F k y i it h
. . . u s or n o ,
as ra n e sa s, s ne er
p v bl
ro a p b bl S m h
e n or v ri t f b ddhi t f m ( j a t k ) Th h ly
ro a e . o . as a a an o u s or a a a ,
e o
L XXII (ii I t h J a t k m a l a II d A dd t h Iv 4
B oa r . .
g n d e a a . an sa na -
a a a . e .
F t h ki g
e e r, fte h vi g di t i b t d ll hi w l t h h
n ,
a er t h i g t o gi v t
a n m ll s 1 u e a s ea ,
as n o n e o s a
ce t l h
r a u re s, so s as hi b dy d p it t t h m q it
es S kk t h pp
s o an ex os e s o e os u oe s . a a en a e a rs
as a v lt u d t h ki g ff
u re , a n hi b dy Th p S kk b c m b hmi d
e n o e rs s o . e re u on a a e o es a ra n an
d m d t h ki g Th t l f th k i g cc i t hi j a t k i
’ ’
e an s y e n
y s e es . e a e o e n s e es o u rs , a s n s a a, n
C ar P it
. III d i f d t i t h Q t i f M il i d Iv 1 4 2 (t p
. V .
,
an s re e rre o n e u es on s o n a . . r. .
A J i v i i g iv i J J M y Hi d T l 30 1 L d
’
a n e rs on s en 1 909 nIt i . . e ers n u a es ,
on on , . s
ill t t d
u s ra e t h B h h t S t p pL X L III 2
on Il l t t i
e f b th t l
ar u w f d u a, V . . u s ra on s o o a es e re ou n
b th P
y ei T f p dit i ( 1 90 6 — 7) i t h c v f
ru s s a n ur a n e x ck t mpl e on s n e a es o a ro e e .
THE EVIL S OF S TRONG DRINK
arti cles of merchan dise There was a cert ain tree there .
a pepper shrub a n d the ripe fru its from thes e when they ,
was some self sown paddy The parrots woul d plu ck the
-
.
while they were eati n g the paddy a n d the husked rice fell
,
two days in the same spot Now n ot far from here lived .
the stro n g dri n k that flowed from the i n side of the j ars ,
, , .
,
“
”
have di ed from drin ki n g the l iquor The ki n g said .
,
.
,
“
If it were poiso n they wo u ld have died ; it must be
,
”
mead ; we will d ri n k it So he had the city de corated
.
,
the gods said Who are there that in the duty of se rvice
, ,
“
ki n g a n d cried
, Buy this j ar buy this j ar
,
“
Ki n g ,
.
L i k e l e v i n fl a sh a t hw a rt t he sk y ,
Or moon i l l u m i n g da rk e s t n i g ht ?
To ri de t he p a t hl e s s a i r u p on ,
T o mo v e or s t a n d i n s i l e n t s p a ce
Re a l i s t he p ow e r t ha t t hou ha s t won ,
A n d p ro v e s t hou a rt of g odl ik e ra ce .
The n , b ra h m in , w ho t hou a rt d e c a re , l
A n d w ha t wi t hi n t hy ja r ma y b e,
Tha t t hu s a pp e a ri n g i n m i d a i r,
l s e ll t hy w a re s t o me
T hou f a i n w ou dst
N o hon e y or mol a s s e s he re ,
B u t v i ce s m ore t ha n ca n b e t ol d
A re s t ore d w i t hi n i t s rou n de d S p he re .
I n t o s om e hol e or pi t i mp u re ,
Or he a dl on g s i n k i n l oa t hs ome p ool
A n d e a t w ha t he w ou l d f a i n a b j u re .
B u y t he n , 0 k in g , t hi s ja r of min e ,
F ul l t o t he b ri m of s t ron g e s t wi n e 1
An d a ft e r dri n k i n g t hi s , I w e e n ,
A n dha k a v e n hu ’
s mi g ht y ra ce ,
R oa mi n g l
a on g t he s hore , w e re se e n
T o fa ll , e a ch b y hi s k i n sm a n ’
s m a ce .
B u y t he n e t c .
T he A s u ra s m a de dru n k wi t h w i n e
Fe ll f rom e t e rn a l he a v e n , 0 k in g ,
Wi t h a ll t he i r ma g i c p owe r di vi n e :
B u y, p rit he e ,
b uy m y ja r, 0 k in g .
1
19 st a n z as de s c ib i
r ng t he e vil e ffe ct s of st ron g drin k a re mit t e d
o .
394 THE EVIL S OF S TRONG DRINK
On
heari n g this the king recogn i zin g the misery ,
A se e ker
t he H i g he s t Tru t h al w a y ;
of
T he re fore I w i ll
ob e y t hy w ords t o da y -
.
L o ! fiv e choi ce v il l a g e s I own a re t hi n e ,
Twi ce fif t y ha n dma i ds , s e e n hu n dre d k i n e , v
A n d t he se t e n ca rs w i t h s t e e ds of p u re s t b ood, l
F or t hou ha s t cou n s e ll e d me to m in e own g ood .
A n d e k e t he v il l a g e s a n d he rds of k i n e ;
N o cha ri ot s y o k e d t o hi g h b re d s t e e ds I cl a im ; -
E n joy t hy g he e , ri ce , m il k an d s odde n me a t ,
S
t il l b e con t e n t t hy hon e y ca ke s t o eat .
Thu s , k in g l
de i g ht i n g i n t he T ru t hs I v e
,
’
p re a che d ,
P u rs u e t hy b l a m e l e s s a t h, t i H e a e n is p ll v re a che d .
drin k . h
Lik e t is t a l e it re t a in s t he pu ra n i c v i e rs on of t he de st ru t ion c of t he
s on s of A n dha k a v e n hu (t he te n sl a v e b re t h re n ) b y st ron g drin k , a s a g a in st t he form
of t he s t 0 1y in J at . 454 , p 323. .
396 THE WHITE S IX TU S KED ELEPHANT -
Little Bla ck Mou n tai n n ext Great Bla ck Moun tai n then
, ,
This was seve n leagues in height risi n g all roun d the l ake ,
fel l upo n the water grew a big ban yan tree Its trun k
, .
”
I shall kn ow what to do ! An d she co n ceived a grudge
agai n st the G reat Bein g A n other day the ki n g elephan t
.
.
,
U n t o my w ords I p ra y g i v e e a r , ,
D re a mi n g m e t hou g ht a n e l e p ha n t I sa w
, ,
S ix t u s k e d 1
-
an d w hi t e wi t hou t a fl aw
H is t u s k s Iv e a n d fa in w ou l d ha v e ; cra
N ou g ht e l se a v a i l s m y li f e t o s a v e .
Ne ’
er di d ou r s i re s i n t ime s of ol d
A s ix -
k l p
t u s e d e e ha n t b e ho d l :
Te ll us k i n d of
w ha t b e a st m ig ht b e
T ha t w hi ch a pp e a re d in dre a ms t o t he e .
F ou r i n t e rme di a t e a re t o t he s e ,
N a di r and ze ni t h a dd, a n d t he n
Sa y at poi n t of a l l t he
w hi ch t en
Thi s roy a l e l e p ha n t m i g ht b e ,
Tha t i n a dre a m a pp e a re d t o t he e .
h b b a n na vis a n a , six
o u - -
c
ol ou re d t u s s , pe r k hp
a s more c ompl e t e l y t o ide n t ify t he he ro
Du e n ort h, b e y on d s e ve n mou n t a i n s va st
On e come s t o G o de n C iff l l at la s t ,
A he i g ht b y g ob l in forms p os s e s s e d
fl
A n d b ri g ht wi t h owe rs from f oot t o cre st .
B e n e a t h t hi s g ob l i n pe a k is se e n
A l
c ou d s ha -
pe d mas s da rk e s t g re e n ,
of
W i n d swif t a re t he y t o g u a rd or s t ri k e
-
.
P a n t in g g ri m t he y s t a n d a n d g a re ,
an d l
l
P rov ok e d b y s i g ht e s t b re a t h of a i r,
I f t he y on e b orn of ma n s hou d se e , l
The ir wra t h co n s u me s hi m u t te r ly .
Wi t h m a n y a go d l a dorn me n t , qu e e n ,
In hou s e s ma y b e s e e n
roy a l .
G ra n t me , O
hun t e r, w ha t I cra v e ,
A n d fiv e choi ce ha m l e t s t hou s ha l t ha v e .
F . & T .
40 2 THE WHITE SIX TUSKED ELEPHANT -
“
words a n d said So be it lady ; but first make
, ,
A de e p a n d g oodl y p ool i t i s ,
The re b e e s do s w a rm a n d fl ow e rs a b ou n d ,
A n d t he re t hi s roy a l b e a s t i s f ou n d .
N ow l ot u s crown e d f re s h f ro m hi s b a t h
-
, ,
H e g l a dl y t a k e s hi s home w a rd p a t h ,
A s li l y w hi t e a n d t a ll he m o v e s
-
B e hi n d t he q u e e n he fon dl y l o v e s .
S on u t t a ra
heari n g this agreed sayi n g Well lady
on , ,
“
, ,
”
set ou t thither and dismissin g him she summo n ed smiths
,
, ,
a n iro n three pro n ged fork ; make them with all speed
-
this way he moun ted to the top o f the first moun tai n a n d
the n comme n ci n g his desce n t on the other side havi n g ,
( o w i
words the hu n ter sallied forth from the city a n d traversed
seve n tee n di ffere n t tra cts till he rea ched a mountain ous
regio n a n d how he there crossed over six moun tai n s a n d
,
The hu n t e r he a ri n g , u na ar l me d ,
An d cross i n g
’
o e r se ve n mou n t a i n s va st
R e a che d n ob e l l
G o de n C iff l at la st .
l
G a i n i n g t he g ob i n ha u n t e d he ig ht , -
The re s t ood i n vi n ci b le in mi g ht
An l p ha n t
e e six -
t u ske d an d w hi t e ,
W i t h he rd e i g ht t hou sa n d s t ron g for fig ht
The i r t u s k s t o cha riot p ol e s a re l i k e -
Wi n d s wi ft a re t he y t o g u a rd or s t ri k e
-
.
H a rd b y a p ool— t i s f u ll t o t he b ri m
’
,
F i t p l a ce for roy a l b e a s t t o s wi m ;
I t s l ov e l y b a n k s w i t h fl owe rs a b ou n d
'
An d b u z z i n g b e e s s w a rrn a ll a rou n d .
M a rk i n g t he w a y t he cre a t u re w e n t
Whe n e e r on b a t hi n g t hou g ht i n t e n t ,
’
H e su n k a pit , t o de e d so me a n
U rg e d b y t he w ra t h of s p it e fu l q u e e n ) .
The n b ow i n ha n d he g ot i n s i de ,
l
A n d a s t he e e p ha n t p a s s e d b y ,
A mig ht y s ha ft t he w re t ch l e t fl y .
The w ou n de d b e a s t l ou d roa re d wi t h p a in ,
An d a ll t he he rd roa re d b ac k a g a in :
Cru s he d b ou g hs an p
d t ra m l e d g ra s s b e t ra y
Whe re p a n i c fl i g ht di re ct s t he i r w a y .
The i r l ord
ha d w e ll n i g h s l a i n hi s foe ,
S o m a d wi t h p a i n w a s he , w he n 10 !
A rob e of y e ll ow me t his e y e s ,
E mb l e m of s a i n t hood, s a g e s g u i se
’
An d de e me d i n vi ol a t e b y t he w i s e ) .
Thou g h i n y e l ow he
rob e d l ma y b e,
The l
y e l ow dre ss de s e rv e s n ot he .
Bu t t ha t s f re e from S i n fu l
’
on e t a in t ,
E n du e d wi t h t ru t h a n d s e l f re s t ra i n t
-
,
An d fi rml y fi x e d in ri g ht e ou s n e s s ,
D e s e rv e s t o w e a r t he y e l l ow d re s s .
“ ’
I do n t give y ou these fri e n d hun ter because I do n ot , ,
”
heart for a trifli n g o ffe n ce has bee n slai n by me Do ,
.
, ,
fellow has come with the tusks he cut from the auspicious
elepha n t that he Slew with a poiso n ed shaft An d at t he .
F i J
e er n r A 1 8 9 5 N S v p 3 1 ff gi v
ou n . t dy f t hi j a t k c mp i g
s .
,
. . . . . es a s u o s a a o ar n
i t wit h J a t 7 2 1 2 2 2 6 7 4 5 5 J a t k ma l d x x
.
, ,
dfi v i S,
d c ip t i
,
a a x 1, a n ve e rs on s . ee a es r on
o f th m e t i cl imb i g i Th E l i t R k C l i mb b y M Rh y D id A lpi
ou n a n n n e ar es oo -
rs s av s, ne
J ou rn M y 1 89 1 (J P TS 1 8 9 7 — 1 90 1 p 80 if ) I t i il l t t d
. a .t h Bh h t ,
. . s u s ra e on e ar u
S t p pl
u a, r 6
. x x v . .
, ,
”
deposited does n ot perish The ki n g bei n g pleased said .
,
’
They took good care of them First of all the ow l s egg .
“
Fi n d ou t the sex of the youn g bird whether it is a co ck ,
”
Sire a s on is born to you
, The ki n g was delighted a n d .
, ,
To on e t ha t s f a i n o e r me n t o re i g n w ha t cou rs e of l if e i s b e st ?
’ ’
,
”
the three truths a n d telli n g of a ki n g s duty he spoke
,
’
By p a s s i on a n d s in led as t ra y , s hou ld he e rr i n t he pa st ,
it is p l a in
H e w il l li ve t o re pe n t of t he de e d, a n d w il l l e a rn n ot t o do i t a g a in .
W he n a p ri n ce in hi s ru e l g row e t h s acl k ,
u n t ru e t o hi s na me and
hi s f a me ,
S hou l d his w e a l t h a l l at on ce di s a pp e a r ,
of t ha t p ri n ce i t i s cou n t e d
a s s ha m e .
THE THRE E WI S E BIRD S 413
’
Ti s t hu s t ha t G ood F ort u n e and L u ck , whe n as ked , t his a n s we r
ha v e t ol d,
I de li g ht i n a ma n f rom j e a lou sy f re e , e n e rg e t i c a n d b o ld .
I ll l u ck
,
w r
e ve r
e ck i n g g oo d f ort u n e , de ig ht e t h i n me n of il l de e ds , l
The ha rd he a rt e d cre a t u re s i n whom a s p iri t of e a ou s y b re e ds
-
j l .
To a ll , 0 g re a t k in g , be a f ri e n d, so t ha t a ll ma y t hy s a fe t y i n s u re ,
I l l L u ck pu t a wa y , b ut t o Lu c k t ha t i s g ood b e a dwe ll i n g s e cu re .
The ma n t ha t i s l u ck y and l
b o d, O t hou t ha t
’
o er K a s i dos t re ig n ,
An d s p irit s a pp e a ri n g s t a n d b y , of h i s v i g ou r a n d e n e rg y s in g .
Be l
z e a ou s t o do w ha t i s ri g ht , n or, howe ve r re v i e d, y i e d t o s i n , l l
B e e a rn e st i n e ff ort s for g ood—n o s u g g a rd ca n b i ss e ve r wi n l l .
H e re i n i s t he t e x t of t hy du t y , t o t e a ch t he e t he wa y t hou S houl ds t g o
’
l
Ti s e n ou g h t o wi n b i s s for a fri e n d or t o w or g ri e v ou s il l f or a foe k .
, .
”
”
the post of ge n eral a n d he appointed V e s s a n t a ra to ,
’
V e s sa n t a ra s questio n .
To on e t ha t s f a i n
’ ’
o er me n to re i g n ,
w ha t co u rs e of l if e i s b e st ?
The m a t t e r my f ri e n d i s s e t f ort h i n a co u p l e of ma x i m s q u i t e p l a i n
, ,
To k e e p w ha t s oe v e r on e ha s a n d w ha t e v e r on e ha s n ot t o g a i n , .
T a k e a s cou n s e ll ors m e n t ha t a re wi se t hy i n t e re s t s cl e a rl y t o s e e , ,
N ot g i v e n t o ri ot a n d w a st e from g a mb li n g a n d dru n k e n n e ss f re e , .
S u ch a on e a s ca n g u a rd t he e a rig ht a n d t hy t re a su re wi t h a l l
p rop e r z ea h
As a cha ri ot e e r g u ide s hi s ca r, he wi t h s k i ll s t e e rs t he re a lm s ’
common we a l .
Kee p e ve r t hy f o lk we ll i n ha n d, d du y t a k e
an l s t oc k of t hy p e lf .
Ne ’
er t ru st t o a n ot he r a l oa n or de po s i t , b u t a ct f or t hy s e f l .
E ve r b l a me t he b l a me -
w ort hy and v
f a ou r o n t he m t ha t de s e rv e i t
b e st ow .
Tho u t hy s e l f , 0 g re a t k in g ,
S hou l ds t i n s t ru ct t hy p e op l e in e ve ry
g ood w a y ,
L e s t t hy re a m a n d t hy l s u b s t a n ce s hou l d fa ll to u n ri g ht e ou s offi ci a s l
a p re y .
s pe e d ,
F or t he f oo l t ha t so a ct s Wi t hou t dou b t wi l l li ve to re pe n t of t he
de e d .
T o w ra t h on e s hou l d ne ve r v
g i e w a y , n or l e t i t du e b ou n ds ove rfl ow
I t ha s l e d t o t he ru i n of k i n g s a n d t he p
rou de s t of hou s e s a id l ow l .
B e t ra y n on e , i n t ha t t hou a rt l ord , to a u g ht t ha t i s u se l e s s a n d va i n ,
p a in .
416 THE THREE WI S E BIRD S
a thousan d pieces of mo n ey i n to a n outstret ched ha n d he ,
Amids t t he g re a t on e s of t he e a rt h a ve fo d p ow e r w e s e e ; fi l
Of t he se t he pow e r of l i mb s i s, s u re , t he as t i n i t s de g re e , l
An d p owe r of we a t h, l O
mig ht y ord, t he n e x t i s s a i d t o b e l .
Of a ll t he se p owe rs p ow e r of wi s dom k n ow n
t ha t on e i s b e s t , a s ,
B y s t re n g t h of t hi s a m a n i s wi se a n d ma k e s s u cce s s hi s own .
An ot he r wil l b y v i ol e n ce se i z e it i n hi s de s p i t e .
N on e t ha t he e dl e ss i n t he ir w a y s t o wis dom
a re ca n a t t a in ,
B u t mu st con s u l t t he wi se a n d j us t , or i g n ora n t re ma i n .
No on e t ha t
’
s b en t on hu rt f u l t hi n g s or a ct s in l i st le s s mood
In a u g ht t ha t he ma y u n de rt a ke wi ll com e t o a n y g ood .
Is s u re t o re a ch p e rfe ct ion i n w ha t e v e r he ma y do .
An d t he s e a re t he t hi n g s I w ou d ha v e t he e t o m i n d l
l
F or t he f oo b y i ll de e ds , l ik e a hou s e b u i t of re e ds , l
l l v
C o l a p se s a n d e a e s ra ck a n d ru i n b e hi n d .
U n t o t hy p a re n t s ,
w a rri or k in g ,
do ri g ht e ou s ly ; a n d so
down the heave n ly Gan ges tea ch the Law with all the ,
“
How ought my s on wise J a mb u k a with a beak like the , ,
Great hon our was paid to the three birds a n d all three of ,
pa rrot , ab o e, v pp 7 4 , 1 6 7 ; t he
. e ron , h p . 2 4 3, is prob a b l y a k in d of s pa rrow
The g oose , p
1 1 7 , b e l on g s ra t
. h er t o t he t a l in g k ani ma ls of fa b le .
F . &T . 27
A KING FINDS HI S FR I END THROUGH A SONG
O n ce upo n a time the Ma g a dha ki n g reign ed in
,
they left that place with the i n ten tio n O f learn i n g the
pra ctical uses of arts a n d lo cal Observan ces a n d gradually ,
stood t hat this day his dear frie n d A rin da ma would become
ki n g in Be n ares a n d that he would o ffer him the post of
,
”
promise a thousan d pieces Of mo n ey a n d givi n g expres ,
, .
”
ou r ki n g s favourite so n g a n d S O I co n sta n tly si n g it
’
.
,
”
taught him the refrai n The thousan d give a n d the rest
of it a n d whe n the boy had mastered it he se n t him Off
, , ,
”
bri n g the ki n g do y ou remai n here With these words
, .
y o u
. O a .
stan za :
422 A K ING FIND S HI S FRIEND
A t hous a n d crow n s for on e t ha t se e s my f ri e n d and p la y m a t e d e a r,
A hu n dre d l o ! v
I g i e if on e of S ou a k a s houl d he a r .
repeated two li n es
The n u p a n d s p a k e t ha t l i t t l e b oy —fiv e t a n g l e d l ock s he w ore
The t hou s a n d g ive t o m e w ho s a w , w ho he a rd a hu n dre d more
I l l t e ll t he e n e w s of S on a k a , t hy
’
a y f e ow of y ore
”
pl ll .
P ra y i n w ha t co u n t ry re a l m or t ow n ha t t hou a wa n de ri n g b e e n
, ,
s -
A n d w he re w a s S ou a k a my f ri e n d I p ri t he e t e ll m e se e n ?
, , ,
W it hi n t hi s re al m, i n t hi n e ow n p a rk is ma n y a b ig S al t re e
W it h l e a v e s da r k g re e n an d st e ms s o s t ra ig ht , a p l e as a n t s i g ht to
se e ;
l l
The i r b ra n che s de n se y i n t e r a ce d, c ou d i k e , t o he a v e n t he y l -
l ri s e ,
A n d a t t he i r foot 10 ! S
ou a k a i n m e di t a t ion ie s , l
Fi ll e d wi t h t he Arha t ’
s hol y ca l m, w he n hu m a n p a s s ion die s .
H e m a de hi s w a y s t ra i g ht t o t he p l a ce of S on a k a ’
s a b od e .
The re w a n de ri n g m ids t an a mp l e v
g ro e w i t hi n hi s p l e a s u re g rou n d,
All p a ss ion l e s s ,
in s a in t ly b l is s , hi s fri e n d a t re s t he f ou n d .
’
, ,
On he a ri n g t hi s s a id S ou a k a ,
“
H e is no w re t che d w ig ht
Who i n hi s e v e ry a ct ion S ire , ,
ha s a ye a t t a i n e d t o ri g ht .
D e a r a re a ll hu ma n j oy s t o m e a n d he a v e n l y joy s a s w e ll ,
B u t t he y w ho l e a v e de si re b e hi n d t hrou g h l if e a l l f e a rl e s s g o ,
An d re a chin g co n ce n t ra t i on p u re a re
’
n e e r re -
b orn t o w oe .
H e re t e l l I t he e a p a ra b l e ;A ri n da m a , g i e he e d, v
S ome t ha t a re wi se t hrou g h p a ra b l e my m e a n i n g b e s t ma y re a d .
S e e ! b orn e a l on g on Ga n g e s ’
fl oode d t ide a ca rca s e v a s t ,
l
A f oo i s h crow t hou g ht t o hi m s e l f a s i t w a s fl oa t i n g p a s t ,
Oh w ha t a ca rri a g e v
I ha e f ou n d and g oodl y s t ore of food,
H e re wi ll I st a y b ot h n ig ht and da y , j
e n oy i n g b l i s s f u m ood ”
l .
A n d b u dg i n g n ot s e e s g ro v e a n d s hrin e p a s s b y hi m i n a dre a m .
Thu s he e dl e ss a n d on ca rri on v i l e s o a l l i n t e n t w a s he ,
The G a n g e s s w e p t hi m he a d l on g t o t he p e ri l s of t he s e a .
B u t w he n w i t h f ood e x ha u s t e d he p oor b i rd e ss a y e d a fl i g ht , , ,
N or e a s t n or w e s t n or s ou t h n or n ort h w a s a n y l a n d i n s i g ht .
Fa r ou t at se a ,
so w e a k w a s he , l on g e re he re a che d t he s hore ,
F or crocodi e s a n d l m on s t e r fis h, w he re ou r p oor
fl u t t e re r l a y ,
Ca m e ra v e n in g a l l a rou n d qu i ck
and de vou re d t he i r u i e ri n g p re y q v .
S O t hou a n d a ll t ha t g re e dil y p l e a s u re s of s e n s e p u rs u e
A re de e me d as wi se as w a s t hi s crow , t il l ye a ll lu s t s e s che w .
M y p a ra b l e p rocl a i m s t he T ru t h T o i t , 0 k i n g , .
g ive he e d ,
Thy f a me f or g ood or il l w i ll g row a cco rdi n g t o t hy de e d .
this stan za
I n p it y on ce n a y e v e n t w i ce u t t e r t he w a rn i n g w ord
, , ,
B u t k e e p n ot on re p e a t i n g i t l i k e s l a v e b e fore hi s l ord ,
.
T hu s i n hi s w i s dom i n fi n i t e did S ou a k a t he s e e r
I n s t ru ct t he k in g , an d t he n i n s p a ce s t ra ig ht w a y did dis a pp e a r .
1
greatly agitated a n d thought This brahmi n l ow born ,
“
,
-
To -
m orrow on e ma y di e , who k n ows ? I ’
ll b e orda i n e dt o da y , -
L e st , l i k e t he fool i sh crow I f a ll n e a t h p ,
’
a s s i on s b a n e f u l s w a y
’
.
B y s p ri n k l i n g ra i s e hi m t o t he t hron e f or he y ou r k in g s ha ll b e , .
W he n t he y ha d b rou g ht Di g ha v u t he re , t he ir n u rsi n g in g t o b e , k
H is s ire a ddre s s e d hi s da r i n g b oy — a n on l y son w a s he
l .
F ul l six t y t hou s a n d l
v il a g e s I on ce did c a i m a s l mi n e ,
T a k e t he m , my s on , t o t he e he n ce fort h my k i n g dom I re s ig n .
To -
m orrow on e ma y di e , who k n ow s ? I ’
ll b e orda i n e d t o da y ; -
L e st , lik e l
t he f oo i s h crow , I fa ll ’
n eat h p a ss i on s b a n e f u l s w a y
’
.
Lo ! s ix t y t hou sa n d e e ha n t s w i t h s l p p l e n dou r a ll b e di g ht ,
W it h g irt hs of go ld , ca p a ri s on e d w i t h t ra pp i n g s g ol de n b ri g ht -
,
Ta ke t he m , my s on ,
I g i v e t he m t he e a s ru e r of l t he la n d .
1
On a b ra hmin b e in g c lla e d hi n a ja cco s e e
-
B u dd hi st I n di a b y R . D vid p
a s, . 60 .
426 A KING FIND S HI S FRIEND
To -
morrow on e m a y die , w ho k n ow s ? ’
I ll b e orda i n e d t o da y ; -
L e st , l i ke t he f ool i s h crow , I f a ll ’
n eat h p a ss ion ’
s b a n e ful s w a y .
T a k e t he m , m y s on , I g i v e t he m t he e a s ru l e r of t he l a n d .
To morrow on e m a y di e , w ho k n ow s ? I ll b e orda i n e d t o da y ;
-
’
-
LO ! six t y t hou s a n d ca rs a ll k
y o e d, wi t h b a n n e rs y in g f re e , fl
Wi t h t ig e r s k in and p a n t he r hi de , a g org e ou s s i g ht t o s e e ,
E a ch dri v e n b y ma i l ed cha ri ot e e rs , a ll a rm e d wi t h b ow i n ha n d,
Ta k e t he m, m y s on ,
v
I g i e t he m t he e , a s ru l e r of t he la n d .
TO -
m orrow on e m a y di e , who k n ow s ? ’
I ll b e orda in e d t o da y ; -
L e s t , l ik e l
t he f oo i sh crow, I f a ll ’
n eath p as sion ’
s b a n e fu sw a y l .
Lo ! s ix t y t hou sa n d k in e so re d, wi t h b u ll s on e v e ryha n d,
Ta ke t he m , my s on ,
v
I g i e t he m t he e a s ru e r l of t he l a n d .
To -
morrow on e ma y di e , w ho k n o ws ? I ’
ll b e orda i n e d
t o da y ; -
L e st , l ik e l
t he f oo i s h crow , I f al l ’
n ea t h p a s s i on s b a n e f u
’
s wa y l .
H e re t w i ce e ig ht t hou sa n d m a ide n s f a i r i n g oo dl y e s t u re s t a n d, v
W i t h m a n y a e w e e d b ra ce e t de c e d a n d rin g s u on e a ch ha n d,
j ll l k p
k v
Ta e t he m , my s on , I g i e t he m t he e , a s ru l e r of t he a n d l .
TO -
m orrow on e ma y die , w ho k n ow s ? I ’
ll b e orda i n e d t o da y -
L e st , lik e l
t he f oo i s h crow , I f a ll ’
neat h p ’
a s s i on s b a n e fu sw a y l .
1
The y sa y to me , “
T hy mot he r de a r, al a s ! p oor b oy , i s d e a d, ”
As l
c os e b e hi n d ol d e e l p ha n t a y ou n g on e oft i s f ou n d
Mov i n g t hrou g h m ou n t a in -
pas s or w ood, o e r rou g h or e e
’
l v l g rou n d ,
S O b ow l i n ha n d I
’
ll ll
f o ow t he e , w he re e r t hou v ma y st l e a d ,
SO l e s t I fin d a st u mb l i n g -
b l ock i n t hi s un uc l ky b oy ,
I n s t a l hi m i n my p a l a ce t he re all p l e a su re s t o e n oy j
Wi t h m a i ds w hose ha n ds ca re s s i n g hi m w it h g l e a m in g g ol d a re
b rig ht ,
Li e k S a k k a m idst hi s n y mp hs di vi n e , he ’
ll e v e r ta ke l
de i g ht .
1
Th i d t h t w f l l wi g t
s an e z o o o n s an as a re s pok e n b y t he you n g pri n c e .
2
Th i d t h t w f ll wi g t
s an e z o o o n s an a s a re spok e n b y k in g Ari n da ma .
Th c mm t y mon st e r fish h p
“
3 e o pl i
en hd ar ex a ns eo ra a s a or w irl ool .
428 THE UGLY BRIDEGROOM
that the realm would utterly perish The kin g ope n ed .
“
s on who ca n rule your ki n gdom righteously I n my .
1
out i n to the streets for a whole week a ban d of dan cin g
women of low degree givi n g the act a religious san ction
—
N at l m
1 m t ba ca d i t hi p g
se e f b d f d c i g gi l li k t h
s o e use n s as s a e o a an o an n r s, e e use
o f an K f b
o; d f o v ll a Th pi t h t
“
an ll m jjhi m j t th c
o re t w ll
e e rs .
”
e e e s cu a, a a ,
e a ,
an n o e
a l
pp y t t h g o f t h w m e a m p b b ly t t h i d g
e o f e k p h p o en ore ro a o e r e re e s o ra n ,
or er a s
m en t i th c
,
as f n ll jjhi m m ha i l n Th w m
e a se o d bt i
cu a -
in a a -
a -
s a i . e o en a re no ou n
m w y t t ch d t t h k i g c m mb f hi h m t h wi h c ld ’
so e a a at e o e n s ou r or e e rs o s a re o er se e ou
c c ly l k p
s ar e oo b t y f th m
u on hi h i a A t sont h l ic ti orn o an o e as s e r . s o e en ou s
Ob v c c
se r a n c t d wi t h t h d i t m v t h t il t y f w m t h d
es on n e e e e s re o re o e e s er i o o e n, e re a er
m y c
a lt C l m
on s u M yth l gy f th H i d p 37 8
o e dD b i
an s
’
dB ch mp o o o e n u s, .
,
an u o s an eau a
’
s
H i n du I f a n n e rs a n d Cu s t oms , P t . 1 11 . Ch iv p 6 00
. . . .
THE UGLY BRIDEGRO O M 429
on the seve n th day he had the quee n magn ifice n tly arrayed
“
pla ce summo n ed him forth sayi n g S ir you are to go to
, , , ,
”
O k k a k a s chief co n sort a n d the n he gai n ed the co n se n t
’
”
heap O f sticks A n d s o sayin g he ge n tly stroked her with
.
,
“
thee a boo n : choose what it shall be The n gra n t me .
,
”
sire a s on
, Not merely on e lady I will gran t y ou t wo
.
, . .
first ? ”
The wise on e she an swered Good said , .
“
,
”
,
43 2 THE UGLY BR I DEGROOM
there is a n y kin g s dau ghter in al l I n dia y ou would like on
’
,
hi s brin gin g her here we wil l make her his quee n co n sort .
’
me will sa y What have I to do with this ugly fellow ?
, ,
‘
”
S O he said
“
world a n d be come a n asceti c What n eed .
,
’
fittin g t o be in comp l ete Oppositio n to o n e s paren ts : I wi ll
devise somethi n g So he summo n ed the chief smith a n d
.
, ,
”
wife. His mother summo n ed her cou n cillors a n d a d
dressed them sayi n g Frie n ds ou r s on is possessed of
, ,
“
,
“
beauty they wen t their ways The coun cil lors said If
, .
,
F . a T . 28
434 THE UGLY BR I DEGROOM
like so a n d so the kin g s daughter or like so a n d so the
,
’
, ,
”
mi n ister s daughter verily there is n o such maide n here
’
.
wash her head at even tide goi n g forth to fetch water with
,
, , ,
she would have her head was hed sen t u s to fet ch water ,
“
burst out laughi n g a n d goi n g t o the slave girls said See ,
-
,
“
What is this story y ou tel l us sayi n g that your daughter ,
”
fractio n of her Glad at heart they sought the en tran ce
.
,
436 THE UGLY BRIDEGROOM
said My daughter in law is quite worthy of my s on
,
“
- -
”
bride . What is this observan ce of yours ?
“
I n our
“
Let n ot this be thy good pleasure but wait u n til she has ,
that you may have your fill of gazi n g at her but see that ,
’
Come we wi ll go a n d see your lord s elephan ts
, Taki n g .
”
your han d off a n d by her words she vexed the quee n
,
, ,
,
-
behi n d the ki n g .
”
This elephan t keeper she thought “
-
,
”
,
“
whispered to her humpba cked n urse G O my dear at , , ,
”
go to the garde n He we n t a n d hid himself up to his
.
”
birds or deer thus tempted her on t il l she came t o the
,
, , ,
“
.
440 THE UGLY BRIDEGROOM
the forest S O she said My lord do n ot be a n gry but
.
,
“
, ,
said After eatin g your own port ion you give m in e away
, ,
T ra pp i n g s of s t a t e a n d w e a l t h of g ol d
Thi s re a l m I s a y rul e t hou f or m e
, ,
I go to se e k P a b hav a t i .
”
again a n d s o withdrew to the royal chamber The n he
,
.
“
a n elephan t stall a n d cried to the elepha n t keepers Let
- -
,
”
TO morrow I will se n d for him a n d make him my mi n stre l
-
.
”
a n swered Y e s do so he placed a l u mp of clay on the
, , ,
” ”
sire . I am sure y ou did n ot make them Who did ? .
”
make vessels for my daughters A n d he gave him a .
”
your amuseme n t They were all prese n t to receive
.
the Great Bei n g had made spe cial ly for her Takin g .
444 THE UGLY BRIDEGROOM
to the ki n g s garden er a n d became his appren tice a n d
’
I did sire
, . I am sure y ou did n o t make them Who
“
.
”
did ? My appre n tice sire He is n ot your appren tice
,
.
“
,
t he wreath that the B o dhis a t t a had made spe cially for her .
“
Neither is this the pla ce for me a n d return i n g the ,
”
an d
said He n ceforth y ou are to have food for me a n d
,
“
, .
H a st e b a c , k p
ra y , t o K u s a v a t i ;
ly form I m l ot h t o s e e
Thy ug
’
.
M y n a t i ve l a n d ha s li t t l e cha rm f or m e ;
M a dda s fa i r re a l m i s e ve r my de li g ht
’
,
My crown re s ig n e d t o l i v e i n t hy de a r s i g ht
,
.
0 -m a ide n , fa i r P a b ha v a t i ,
soft e y e d
W ha t i s t his m a dn e s s t ha t o e rma s t e rs me ?
’
K n owi n g fu l l w e l l t he l a nd t ha t g a v e m e b i rt h,
I w a n de r ha l f di s t ra u g ht ’
o er all t he e a rt h .
C la d i n b ri g ht -
l
co ou re d b a rk and g i rt wi t h g o de n z on e , l
Thy love ,
fa i r ma id, I cra v e , a n d n ot a n e a rt h l y t hron e .
446 THE UGLY BRIDEGROOM
When he had thus spoke n she thought I revile him ,
“
,
her humpba cked s l ave to bri n g her the food that ki n g Kusa
had cooked She brought it a n d said Now eat P a b ha
.
,
.
”
”
affectio n for me or n ot I will put her t o the test
. SO .
”
listen to what you have t o say The n he said Both .
,
“
”
o f her health She said Will y ou give me a prese n t ? “
.
,
N e ck l a ce of g ol d I l l g i v e t o t he e ’
,
On co mi n g t o K u s a va t i ,
If l
s e n de r -
l i mb e d P a b ha v a t i
S hou l d on l y de i g n t oloo k on me .
N e ck l a ce of g ol d I ll g i v e
’
t o t he e ,
On comi n g t o Ku s ava t i ,
If s l e n de r -
l i n i b e d P a b ha v a t i
S houl d on l y de i g n t o s pe a k to me .
N e ck l a ce Of g i e t o t he e ,
g ol d I
’
ll v
On comi n g t o K u s a v a t i ,
l
I f s l e n de r i mb e d P a b ha v a t i
-
S hou l d on ly de i g n t o s mi le on me .
THE UGLY BRIDEGROOM 4 49
N e ckl a ce of l
go d I
’
ll
g i ve t o t he e ,
On comi n g to Ku s a v a t i ,
If l
s e n de r -
li mb e d P a b hav a t i
S hou ld l a u g h wit h joy a t s i g ht of me .
N e ck l a ce of g old I ll g i ve ’
t o t he e ,
On co min g t o K u s av a t i ,
If l
s e n de rli mb e d P a b ha va t i
-
S hou l d l a y a l ovi n g ha n d on me .
even her shoes she swept out the whole chamber The n
, .
”
search in your head for vermi n a n d maki n g her sit there ,
she took some from her own head a n d put them on the
head of the pri n cess a n d speaking in terms of endear
,
Thou g h, w a n t i n g n ou g ht ,
he se rv e s as coo k for sim p le hi re l in g ’
s
fe e .
F . T .
4 50 THE UGLY BRIDEGROOM
Thi s hu m b p k
a c e d sl a ve wi t hou t a dou b t
F or s p e a k in g s u ch a w ord,
D e s e rv e s t o ha ve
he r t on g u e cu t ou t
Wit h k e e n e st s ha rp e n e d s word .
stan zas
E s t e e m hi m n ot , P a b hav a t i , b y ou t w a rd f orm or he i g ht ,
G re a t g lory hi s , ’
l
s o do w ha t e e r i s p e a s in g i n his s i g ht .
E s t e e m hi m n ot ,
P a b hava t i , b y ou t w a rd form or he i g ht ,
G re a t w e al t h i s ’
l
hi s , s o do w ha t e e r i s p e a s i n g i n hi s s i g ht .
E s t e e m hi m n ot ,
P a b hav a t i , b y ou t w a rd f orm or he ig ht ,
G re a t p ow e r is ’
l
hi s , s o do w ha t e e r i s p e as i n g i n hi s s ig ht .
E s t e e m hi m n ot P a b ha v a t i , b y ou t w a rd form or he ig ht ,
,
W ide ru l e is hi s , so do w ha t e e r is
’
pl
e a s i n g i n hi s s ig ht .
E st e e m hi m n ot ,
P a b hav a t i , b y ou t w a rd f orm or he i g ht ,
G re a t ki n g i s he , s o do w ha t e e r i s p l e a s i n g i n hi s s i g ht
’
.
E s t e e m hi m n ot P a b hav a t i , b y ou t w a rd form or he i g ht ,
,
L i on -
v oi ce d is ’
p
he , s o do w ha t e e r is l e a s i n g i n hi s s i g ht .
E st e e m hi m n ot P a b hav a t i , b y ou t w a rd f orm or he ig ht ,
,
C l e a r v oice d
-
is ’
l
he , s o do w ha t e e r i s p e a s i n g i n hi s s i g ht .
E s t e e m hi m n ot P a b hava t i , b y ou t w a rd form or he i g ht ,
,
De e p -
v oi ce d is he , s o do w ha t e e r i s
’
pl
e a s i n g i n hi s s i g ht .
E s t e e m hi m n ot ,
P a b hav a t i , b y ou t w a rd form or he ig ht ,
S we e t v oice d-
is ’
l
he , s o do w ha t e e r is p e a s i n g i n hi s s i g ht .
E s t e e m hi m n ot ,
P a b hav a t i , b y ou t wa rd f orm or he i g ht ,
H on e y -
v oi ce d is ’
p
he , s o do w ha t e e r i s l e a s i n g i n hi s s i g ht .
E s t e e m hi m n ot ,
P a b hav a t i , b y o u t w a rd f orm or he i g ht ,
A hu n dre d a rt s a re h i s , s o do wha t s ’
pl
e a s in g in hi s s ig ht .
A w a rri or ’
l
k i n g i s he , s o do w ha t s p e as in g i n his s ig ht .
E s t e e m hi m n ot ,
P a b hav a t i , b y ou t w a rd form or he i g ht ,
K in g K u sa ’
t is , s o do wha t e e r i s
’
pl e a s i n g i n hi s s i g ht .
4 52 THE UGLY BRIDEGROOM
min isters made an swer S ire these seven kin g s have , ,
dest royin g us they will seize your ki n gdom While the wall .
an other stan za
I n p i e ce s s e v e n P a b ha v a t i t o ha ck i t i s my wil l , ,
”
to the seve n ki n gs . She was in fear of death a n d risi n g
from her seat she we n t accompa n ied by her sisters to her
, ,
’
mother s state chamber .
T o i v ory ha n dl e de ft l y fi x e d s o Wi n s ome n ow a l a s !
,
W i t h in n oce n ce a n d p u ri t y i n e v e ry li n e e x p re s se d ,
B y w a rri or p ri n ce s S p u rn e d i n s om e l on e f ore s t s oo n wi ll re s t .
I n cha rn e l g ro u n d t hou g h co v e re d u p t he v u l t u re s s oo n w i ll fin d
A n d wi t h t he i r t al on s re n d a n d t ear a n d s ca t t e r t o t he wi n d .
THE UGLY BRIDEGROOM 4 53
My t e a t s a re li k e t he da t e s t ha t on t he p a l ms wi t h ri p e n e ss s we ll ,
F ra g ra n t w i t h s ce n t m e n of K a si fe ll :
of sa n da l wood t ha t
H a n g i n g t he re on a j a ck a l soo n a t t he m, m e t hi n k s , wi ll t u g ,
J u s t a s a l i t t l e b a b y b oy hi s mot he r s b rea s t m a y hu g
’
.
The s e hi p s of m in e , w e ll -
k ni t and b roa d, ca s t in an a mp l e mou l d,
l
E n ci rc e d w i t h a ci n ct u re g a y , wrou g ht of t he p u re s t g o d, l
Cu t off and by p rou d k i n g s i n s om e on e f ore s t l fl u n g a s ide ,
l
A w o f wil l s e ize a n d ca rry off whe re ’
er he ’
s f a in t o hide .
D og s , wo l ve s j a ck a l s
,
and w ha t s oe ’
e r a re k n own as b e a s t s of p re y ,
I f on ce t he y e a t P a b ha v a t i , ca n s u ff e r n o de ca y .
T he n b e g my b on e s a n d b u rn t he m i n s ome s e u e s t e re d w a y q .
An d ma k e g a rde n n e a r a n d p
a l a n t a k a nik ara t re e ,
A n d whe n a t wi n t e r s c os e i t b
’
l l ooms mot he r re ca lli n g
, ,
me ,
P oi n t t o t he flow e r a n d sa y J u s t s u ch w a s f a ir P a b hava t i
,
“
.
”
, ,
A n d p i e ce me al s e n d he r m a n g l e d l i mb s t o ri v al chi e f s a p re y .
”
of the j ealo u sy excited by her beauty The quee n after .
,
454 THE UGLY BR I DEGROOM
hearin g what he had to say wen t to her daughter
, an d
lame n tin g spoke thus
Thou di ds t n ot he a rk e n t o my v oi ce , w he n I de s ire d t hy g ood,
To da y t hou
-
si n k ’
st t o Y a ma
’
s re a l m, t hy b ody st a i n e d w i t h b ood l .
S u ch fa t e v
dot h e e ry m a n i n cu r, or e e n a w ors e e n d, v
Who de a f t o g ood a d vi ce n e g e ct s t he w a rn i n g s of a frie n d l .
ll
I f t hou t o da y a g a a n t p ri n ce f or t hy g ood ord S hou l ds t w e d,
-
l
l
B e di g ht wi t h z on e of g o d a n d g e ms , i n a n d of K u s a b re d, l
Thou w ou l ds t n ot , se rv e d wi t h hos t s of f ri e n ds , t o Y a m a s re a m s
’
l
ha v e s pe d .
A n d cu ck oo ’
s ca ll ,
w he re e l se,
I p ra y ca n b l i ss l i k e t hi s b e fou n d ?
,
After thus talki n g with her in all these stan zas she
thought If o n ly ki n g Kusa were here to day he would
,
“
-
K u sa t he n ob l e a n d t he wi se w ou l d f re e u s f rom ou r w oe s
, , .
K u s a s o n ob l e a n d so wi se al l foe s w i ll s l a y for m e
, , .
W he n t hi s a l mig ht y p ri n ce ca me he re ,
Tw a s wron g of t he e
’
and ill -
a dvi s e d
To hi de i t f rom t hy p a re n t s de a r .
stan za
I n t ha t w e f a i l e d t o re cog n ise
Y ou r m a j e s t y i n t hi s di s g u i s e ,
I f S i re t o t he e ofl e n ce w e g a v e
‘
, , ,
W e w ou l d forg i v e n e s s hu m b ly cra ve .
B e comfort e d i t w a s n o f a u l t of t hi n e I w a s u n k n ow n
, .
stan za :
G o s i l l y g i rl t hy p a rdon f rom t he g re a t k in g K u s a cra v e
, , ,
On
heari n g the words of her father she wen t to him , ,
”
mud a n d pouri n g on the groun d all the water he had
, ,
Ne ve r a g a in in a u g ht I do wi ll l
I my ord offe n d .
’
her This is for you to see to her heart would be broke n
,
“
, .
I ll do t hy b iddi n g l a dy f a i r a s fa r a s li e s i n me ;
’
, ,
N o a n g e r fe e l I i n my he a rt F e a r n ot P a b hav a t i .
, .
H e a rk e n 0 roy a l m a id t o m e I t oo m a k e p romi s e t ru e ;
, , ,
N e v e r a g a i n wi ll I Offe n d i n a u g ht t ha t I m a y do .
”
come a n d carry off my bride ? a n d rousi n g himself ,
“
lion like in the palace yard he said Let all who dwell
-
,
-
, ,
”
in this city hear of my comi n g a n d da n ci n g ab o ut , ,
”
a n d adorn thyself a n d climb up to thy palace A n d the .
”
value their lives l ie dow n on their bellies a n d he roared ,
The ki n g said
T he s e f oe s a re ra t he r t hi n e t ha n m i n e . T he y all b e l on g t o t he e ,
Thou l y a rt ou r s o v e re i g n l ord t o s l a y or t o s e t fre e
on ,
.
an .
”
I will make him drop it a n d they begged him to do so ,
.
2 . The cattle
“
A certai n ma n who dwelt in the
.
”
carryi n g them to the place which I wish A great crowd .
knew which was the thief a n d which the real owner But .
“
quarrelli n g about The own er said I bought these cattle
.
,
“
house . The sage said I will decide yo u r case fairly ;
,
”
will y ou abide by my decision ? a n d they promised so to
abide The n thi n ki n g to himself that he must win the
.
“
hearts of the people he firs t asked the thief What have ,
you fed these cattle with a n d what have you give n them ,
“
to drin k ? They have drun k rice gruel and have been -
”
fed on sesame flour a n d kid n ey beans Then he asked .
“
said t o him Then do n ot commit such a sin hen ceforth
, .
462 THE N I NETEEN PROBLEMS
But the B o dhis a t t a
atten dan ts carried the m a n away a n d
’
s
”
ti ces ; he taught him the five comman dmen ts The .
1 ”
3. The n ecklace of thread
“
A certai n poor woman .
the door of the hall a n d asked what the n oise was about .
1
This is J a t 1 1 0. .
464 THE NINETEEN PROBLEMS
is t o be told at fu ll as before ) The sage asked the thief .
,
“
When y ou made the ball what did you put in s ide ? She
”
replied A cotto n seed,
“
Then he asked the other a n d .
,
,
Whe n the crowd had .
5 The son
. A certai n woman took her s on a n d
.
had bathed her son she laid him in her dress a n d havin g
washed her own face we n t to bathe At that mome n t a .
”
chi l d is b e your s on ?
,
Then she asked if she might give
him suck a n d on obtai n i n g the mother s con se n t she took
’
, ,
she the mother who kept hold of the child o r she who let
” ” “
it go ? They replied S he who let it go Do you kn ow
, .
O sage S he is a gobli n
.
— she seized it in order to eat ,
“
I kn ew her by her u n wi n ki n g a n d red eyes a n d by her
casti n g n o shadow and by her fearlessn ess a n d wan t of
mercy Then he asked her what she was a n d she con
.
”
,
fessed that she was a gobli n Why did you seize the .
“
”
child ? To eat it Y ou blind fool
“
he said y ou
.
, ,
“
her Wife cook some sweetmeats a n d food we will pay a
, , ,
”
sayin g What have I to do with parents n ow ? but after
,
F. a T . 50
46 6 THE N I NETEEN PROBLEMS
stood on the ban k N o w a poor ma n n amed D ig ha pit t hi
.
whe n they s a w him they asked him whether the river was
deep or shallow S eei n g that they were afraid of the water
.
”
with y ou they said When he co n se n ted they gave him
, .
7 . The chariot “
A certai n ma n who was sittin g in .
,
”
The sage asked What is thi s a n d se n t for him : as he
?
,
“
the sage kn ew that this was Sakka a n d the other was the
own er Nevertheless he e n quired the cause of the quarrel
. ,
said Y e s
,
“
He we n t on I w ill cause the chariot to be
.
,
“
The n he asked Are y ou ki n g of the gods ?
,
“
Yes .
“ ” ’
your wisdom O sage ! ,
The n said he do n t do that “
, ,
ki n d of thi n g agai n ”
Now Sakka revealed his power by
.
“ ”
A wise j udgmen t this ! So he we n t t o his own place .
“
said O great ki n g thus was the Chariot Question re
, ,
” “
here ? S e n a k a replied That is n ot all that makes a
,
”
sage Wait awhile : I wi ll test him a n d fin d ou t
. .
“
8 . The pole S o on e day with a view of testi n g the
.
,
“
perhaps he could The sage thought in himself The
.
,
” ”
tree heavier or the top ? The root wise sir !
, See ,
“
By this mark he di stin guished the root from the top The .
, Sen ak a .
“
,
” ”
shall we se n d for him ? he asked Wait my lord he .
“
, ,
”
9. The head O n e day two heads were brought.
, ,
rest is as before .
.
,
whe n he saw them ; for the tail of the male s n ake is thick ,
11 . The co ck “
O n e day a message was se n t t o the
.
4 72 THE NINET EEN PROBLEM S
with the calf or else there is a fin e of a thousa n d pieces
,
.
” ”
ki n g ? That is n o hard matter they replied So they ,
.
15 The san d
. An other day to test the sage they
.
, ,
appealed to the sage who s a w that this was the place for
,
”
S an d rope there n ever was in my house they were to
-
,
,
”
the villagers do s o ? They did s o ; a n d the ki n g was
pleased on heari n g that the sage had thought of this
coun ter quip -
.
“
16 The tan k An other day the message was : The
.
“
.
,
the sage who saw that a coun ter quip wa s wan ted He
,
-
.
“
Go a n d play in the water till your eyes are red go to the ,
saw the tow n with its walls moats a n d watch towers than , ,
-
”
17 . The park Agai n on a day the ki n g se n t a
.
man n er a s above .
18 1
The n the ki n g was pleased a n d said to S e n a k a
.
,
, ,
, ,
“
”
that makes a sage ; wait O n heari n g this the ki n g .
e n tered the city with his great compan y The people could .
”
n ot praise him e n ough This they cried is the wise “
.
, ,
M a hosa dha the mer chan t S iriv a ddha k a s s on ; this they say
’
has made his father rise from his seat a n d sits there h i mself ! ,
”
Wise he should n ot be called surely The ki n g al so was .
Because you have made your father rise from his seat ,
”
mule or somethi n g more excellen t ? S o sayi n g he
rose up a n d looki n g towards the you n g fellows said ,
“ ”
Bri n g in the ass y o u have brought Placin g this ass .
”
this ass ? The ki n g said If it be servi ceable it is worth , ,
eight k a ha pa n a s ”
But if he get a mule colt ou t of a
.
you not j ust said that in all cases the sire is better
than the so n s ? By your own sayi n g the ass is worth
more than the mule colt Now have n ot your wise men .
s i re .
falle n .
as a gift from t he —
ki g L et the other mer chan ts he
n ,
“
wen t o n be subordi n ate to this
, This do n e he sen t .
gave him good coun sel The boy also bade his father .
away .
the ki n g .
’
time there was a precious j ewel in a crow s n est on a palm
tree which stood on the ban k Of a lake n ear the southern
4 80 THE N I NETEEN PROBLEM S
should be like Ma hos a dha Thus they praised the
Great Bein g ; a n d the kin g bei n g delighted wi th him ,
A t dy f t h t y pe f t l i w h ch
s u o ch p b l m cc i giv b y B f y i hi
e o a e n i su ro e s o ur s en en e n s
e ss a y D i kl g D ir ( Kl S h
e 1 15 6 if ) Th m t imp t
u e t v i t
ne Tib T . c r 11 . . . . e os or a n a r a n s a re . .
VI I V III Th S t
.
y f A hi k
,
i S y i c A b ic t
e or ( di t d b y F C C yb
o JR a r n r a , ra ,
e c . e e . . on e a re , . .
H i d A S mit h L wi 2 md d C mb i dg
a rr s , a n . d t h L if f A p The e s, e . a r e, an e e o es o .
f l l wi g p l l l t th p b l m t gt h B f y vi w t h t t h t l i
’
o o n a ra e s o f I di e ro e s s re n en en e s e a e a e s o n an
or ig i Cf I t d p 6
n . d t h p b l m i J at 2 57 p 2 0 7
. n ro .
,
an e ro e s n .
,
. .
2 Th
. me m e d t sa c vi c t t h d gs i J at 2 2 p 2 8 d t
eans a re u se o on e o n .
,
.
,
an o
c vict
on g i Ti b T
a III f P b l m 6
ro u e n . . V ,
c . ro e .
p i
osse ss on f p i f b t Viéak ha g iv
o a t m
a r o d th th t th oo s . e s on e o on e an an e o er o e
o th Th
er . l w ye w hy h
re a l d t h b t b op t d ? d th th
n e r sa s,
“
s ou e oo s e se a ra e
”
an e o e r,
wh t g d i m ?
“ ”
a b t t
oo s on e oo o e
6 T i b T V III b t t h
. th c
. vict i of t h r g i b ght b t b y m ki g
.
,
u e re e on on e o ue s rou a ou a n
t h di p t
e t s v mit
s u an o .
7 Th B dhi t t b y
. e yi g t h t t ho w wil l t l t g t i ck S kk i t
sa a sa n a e o n er no e o r s a a n o
r v
e li g h im l f
ea n se .
8 Ti b T
. L d vi i . . VI an i .
10 Ti b T III wh
. th m l . k i . bl tV d ,
t ki g wit h t he e re e a e sn a e s un a e o en u re s ro n
l e f f c t t pl t
a o a o on an .
11 . A riddl e of t he sa me t ype as 14 .
12 . I n t he M o h
mme da n l e g e n ds of t he i s it of B il q is, u e e n of a e b a, t o v Q Sh
Sol omon on e of t h e p rob l e ms w i
,
she gi e s t o t he k in g is t o t re a d a di a mon d h ch v h .
h
T is is don e b y a w orm re e p in g t rou g t he e we l (We il B i b l i ca l L eg e n ds Of t he c h h j .
,
M u s s u l ma n s Lon don , ,
13 . Tib T . . v ri I . h
T is , l ik e 1 5, 1 6 , 1 7 , is a n s w e re d by a c ou n t e r -
qu ip, a n ot h er
14 Ti b T V
. T is is a riddl e w i
. . III
re se mb l e s t he e n ig ma g i e n in t w o
. h h ch v
forms b y t he s ch ol ia s t on P l a t o, R ep . v . 47 9 0 . The fi rs t form i s :
AZ i
’
VO i i i )p
' ’
e o rw , ( i/ rp r e k ot k a vr
‘
o s
‘
S 7 1s
gdhov
'
i M6 9 Ba ho : re KO JBOAO I
' '
re Ko r .
Of t he
. le g Na mu ci b y I n dra in t he Sa t a pa t ha B r
e n d of t he l
a hma n a ,
s a yin g of
x i i 7, 3
. I n dra ha d s worn t o Na mu e i, n ot b y da y n or b y n ig ht w i I s a y t e e ,
.
“
ll l h
n ot wi t h
st i k, n ot wi t c
how, n ot wi t dry , n ot wit w e t ”
h
B u t he s e w him wit a h h . l h
t h u n de rb ol t of foa m
moist , wit t his In dra , whe n n ig t w a s
.
“
I t wa s n ot dry n or h h
g rowin g b rig ht , a n d t he sun wa s n ot a rise n , cu t off t he e a d of Na mu e i, t he A su ra
”
h .
15 . . . III c
Tib T V , a ou n t e r u ip, b u t in Ab ik a r t he sa g e ma k e s fiv e a b l e s b y -
q c
b orin g five hol e s in t he e a st wa of t h e p a a e , a n d s a t t e rs s a n d in t h e ra y s ll lc c
Of l ig h t .
1 6, 1 7 Comb in e d in on e in Ti b T V
. Gi e n a s t a sk s t o b e a t u a y p e rforme d . . III . v c ll
in Ja t . 2 2 0, pp . 1 8 4, 1 8 6 .
18 . Ti b T
. . V III ,
is fu ll mul e t o b e
er an d ha s more p oin t . The ki ng ha d se n t a
19 Ti b T V III
. I n J u l ie n 4 6 a fool t h in k s t h a t he se e s g ol d in a p ool, a n d
. . .
a t re e , wh ic hha s t he g ol d in it s mou t h .
ADDENDA
Pa g e 1 76 . Se e a more a cc u ra t e form of t he Je wi h v s a ria n t in t he a rt i cl e 0 11 B en
S ira in t he J e wi sh E n cy cl ope di a , b y Dr L G in z b e rg , who s e ws t a t t he a u t or of . h h h
c
t he omme n t a ry on t he A lpha b e t of B e n S i ra dre w it from some e rsion of K a l i l a h v
a nd D i mn a h .
Pa g e 4 0 9 . Cf . l
a so, Ue b e r de n B odhi sa t t va a ls El epha n t m i t se c s h H a u z a hn en ,
J S Sp
. . e y e r, ZDM G .
,
19 0 3, pp 3 0 5 if . .
F . & T
INDEX
Ti t l e s of t he t a l es a re in i ta l i c s
'
B rot he r 283 B e n fe y , T . 1 , 2 , 3 0 , 32 , 9 2 , 1 5 8 , 2 1 0 , 2 2 9 ,
Ae l i a n 3 6, 1 3 9 2 6 3 , 4 59 , 4 80
A e sop 4 , 6 , 8 , 2 5, 3 4 , 3 6 , 3 9 , 1 1 8 , 1 4 1 , 1 5 6 , B e re k y a h h
ha -
N q d h 221
a a
1 7 1 , 1 7 6 , 180 , 2 1 5, 2 2 0 , 2 24 , 2 57 , 2 59 ; Be rgm a n n , B .
,
N S tr if
oni . e e re ie n 22 9
l ife of 480 B e t ra y e r ( T he ) B e t ra y e d 2 53
Agg ide v a 316 h v
B ag a a t a Pu ran a 3 2 5
Ab k i a r, S t ory of 6 , 4 80 B ha n duk a n n a , ju ggl e r 3 7 2
Ajju n a 3 16 B h t b tha ra a ,
ro e r of R am a 3 26
Al a mb a ra ,
dru m of t he T it a n s 2 13 B h h t St p 5
ar u u a , 3 2 , 47 , 7 0 , 1 49 1 7 3 , 2 59
A mk u ra 3 16 2 8 3 , 4 09
An a k a dru m 2 13
, B ha ru k a ccha (B roa c h ) 2 51
An a n da ki n g of t he fi s e s 3 0 2 14
,
h , B hi ma se n a 99
An dha k a v e n hu sla e 3 1 6 ra ce of 3 2 5, v 393 B idpa i , fa b l e s of 10
An droc l e s a n d t he l ion 1 39 B il a d, s t ory of 9 2 , 1 45
Anja n a , da u ght e r of D e v a g a b b ha 316 B i l q is , q u e e n o f S h b 480
e a
An u t i ra cari , ot t e r 2 67 , M
B irds a dopt e d a s c h il d 1 67 re n , 4 10
A ch c v K g R ic h d
( q 0
r e ry , ma rv e l l ou s B l onde l di s o e rs in ar 381
c B i oém
‘ ‘
prin di s co ve i s "
fri en d
‘
e, .
t h rou g h a s on g 38 1 , 41 8 B oil e a u 2 6 9
A ri s t opha n e s 36 ‘
B orO B oe doe r 1 6 7
-
c ‘
e
B ra hmi n ( The ) a n d t he A ro ba t 1 7 6 c
A 83 ( T he ) i n t he L i on s S k i n B na hmin ( T h e ) a nd t he S n a ke 2 69
’
1 55 ;
A Ti t
s u ra s , se e a ns B ra hmi n
’
s (T he ) R e ve n g e on t he M on k e y s 277
A l G l l i 13 9
u us e us B ra hmi n
’
s (T h e ) Spe l l 63
Av da C t h 3 89
a na -
a a a B u dd h in t he J a t a k a 3 ; i n t e rpre t s dre a ms
a,
Av l k it sv 1 66
a o e a ra c
7 9 ; re je t s s u pe rs t i t i on o f s n e e i n g 1 15 ; z
Ay Ot a, c it y 318 a t t e mpt on hi s hfe 2 7 7 ; t ron e of 3 4 6 h
s ix -
c ol o u re d ra y s 40 0
B a b ri u s 25 , 3 4, 39, 118, 141 , B u ddha g hos ha P a ra b l e s 17, 1 20 ,
’
1 56 , 2 20 , s 2 22 ,
2 24 , 2 57 2 43 , 3 2 5
B a b y l on 7 h
B u l e r, G .
,
R it ual -
L i t t e ra t u r 3 7 0
4 84 INDEX
Fra n k e , O c . 4 , 2 40 , 2 9 3 , 3 89 H e rodot u s 3 2, 7 2, 1 3 6
Fra z e r, S ir J . G . 8 4 , 2 6 3 , 2 88 H e ron da s 181
Frie n ds i p h of a n im a l s 1 4 1 , 1 7 1 , 3 57 H eron
’
s ( The ) R e v en g e 2 43
H e ro s ( T he )
’
T a sk s 1 83
G am an i -
ca n da 2 00 H e s iod 1 , 1 3 6 , 2 43
G a mb hi ra ca ri , ot t e r 267 H ippocl ide s 32
G a m in g 2 50 , 3 51 ; ci c l
r e 6 8 ; di c e 2 51 H it opa de sa 3 4 , 24 7
G a ru da s 2 50 H i u e n Thsa n g 229
G a st e r, M 92 . H ora c e 2 5 , 1 56 , 22 0
G e st a Roma n oru m 7 8 1 18 1 3 9 1 6 8, 2 43 , , ,
H ou ss e pa rt i e 3 14
G ha t a pa n di t a 3 16 H ypo ri t i c c a l (The ) J a ka lc 1 15
G ha t ik ara
’
s h ou s e , m ira l e c of 25
G il dma s t e r 1 3 ; G il dm a s t e r L it t l e 1 3 fl
“
.
I mpe rma n e n ce (T he ) of w orl dl y J oy s 234
Gipsy t a l e s 2 1 8 In c
mpa ra b l e (T he ) Ar
o c he r 1 45
G i iy ja c k a l 2 6 5 I n da s a ma n a go t t a 1 40
.
r a,
G blo in (T he ) C i t y 1 6 4 I n g ra t i t u d e pu n i s he d 1 58
G b li
o n s, see Ya kk ha s c
I ron ou n t e ra t s ma g i 3 19 c c
G bli
o n s
’
( T he ) G if t 2 94
G ol a k a l a , dw a rf 4 6 5 J a ck a l (T he ) a n d t he C row 2 1 9
G olde n (The ) G oose 11 7 J a ck l a
(T he ) b e t ra y e d b y his H ow l 143
G ol de n i ma g e , se n t to dis cv
o er a b ride J a ck l a
’
s (T h e ) spe l l 1 93
2 35 , 2 3 7 , 4 3 3 Ja c bio , H . 3 30
G ol de n L an d 2 51 Ja cb o s, J 5 , 6 , 3 2 , 4 5, 6 3 , 1 1 8 , 1 2 7 , 1 5 6
.
G ra t e fu l b e a st s 7 8, 12 0 J a m b u k a , dog 3 0 9 ; pa rrot 41 1
G f l (T he ) E l epha n t 1 3 4
ra t e u v
J a pa n e s e a ri a n t s 1 7 6 , 2 6 5
Gra t efu l ( T he ) M ous e 1 18 J a ra , h un t s ma n 3 24
Gra t efu l ( The ) P a rrot 29 1 J a son an d t he H e ro s
’
Ta sk s 1
Gre a t ( T he ) D re a ms 7 8 J at a k a ma l a 9, 2 24 , 22 9 , 28 3 , 3 89 , 3 9 4,
G re a t Ki n g G oodn e ss 52 409
G re e dy (T he ) J a k a l c c a ug ht 1 28 J a y a mpa t i , prin e 4 3 7 c
G riffis , J a pa n e s e F a i ry Worl d 1 7 6 h
J ose p a n d P ot i p a r s w ife
’
h 3 36
G rimm s T a l e s
’
1 0 2 , 1 55, 1 6 4 , 2 1 0, 2 18 , J u da s ( The ) T re e 1 96
373 De u t s ch e My t h ol og i e 2 29 on B e in J u dg me n t s (T he ) of Ki n g M i rror fa ce -
1 98
h a rt Fu ch s 3 57 J u l g , M on g . Marc hen 459
G run we de l , B u dd i s t Art in I n di a h 5 J u li e n , C on t e s e t a pol og u e s i n di e n s 3 4 3 6 ,,
G u ilty ( The ) D og s 26 1 2 2 , 1 8 0 , 2 1 5, 24 7 , 2 6 5 , 2 6 9 , 2 7 9 , 3 5 7 ,
48 1
H an d, s pre a d, t o a v e rt vi l y 1 53
e e e
H a rdy , M a n u a l of B u s ddh i m 1 49 34 6 ,
Kal a ka ,
c a pt a i n 1 83
H a re i n t he m oon 2 5 2 2 9 , 3 2 1 , Ka l a m a t t iy a g ob li n 3 18
,
H a re (T he ) S e lf sa crifice Kal a se n a ,
’
s -
225 k in g o f Ay Ot a 318
H a rl e y , Moon L ore 2 29 Klvla e a a 1 34
H a rt l a n d, E . S c
S ie n c e of F a iry Ta l e s K al i c , ou rt e s a n 35 1
2 19 Ka l il a h a n d Di mn a h 1 0, 1 5 , 3 4, 3 9 , 7 8 , 9 2 ,
H a u g ht y ( T he ) S l a ve 39 1 08 , 1 2 7 , 1 2 9 , 1 45 , 1 8 0 , 2 1 5 , 2 40 , 2 4 5,
H a u s ra t h 3 2 , 3 6 , 1 41 , 1 56 , 2 57 24 7 , 2 5 0, 2 5 7 , 3 57 , 4 2 7
H a w ks ( The ) a nd t he i r F ri e n ds 3 57 K al i n g a , ki n g an d k in g dom 3 43
INDEX
Kma sa , k in g 3 1 4, 32 5 M a g i c ( T he ) T re a s u re s 1 49
K h an a , n a me of G ha t a pa n di t a 321 h h
Ma a b a ra t a 9 , 1 7 2 5, 3 4 4 5 1 1 1 , 1 1 6 , , ,
Ka n ha di pa y a n a , s a g e 3 1 9 , 32 2 1 3 4 , 2 40 , 2 45 , 2 9 3 , 38 1 , 38 9
Ka nn a mu n da l a k e 1 53 Ma hapin g a l a k in g 1 9 1 ,
Ka ra n da vy fiha 1 66 Ma ha s ag a ra 3 1 5
Ka t ha s a rit s ag a ra , se e S oma de va Ma ha su b ha dda e l e p a n t 3 9 7 ,
h
Ki n g (The ) a n d t he F ru i t g i rl 2 2 1 - Ma hau mma g g a ja t a k a 7 , 2 1 0 2 7 7 459 -
, ,
Ki n g (T he ) a n d t he S t i k g a t he re r 1 6 c -
Ma hav a s t u 1 49 1 7 6 ,
Ki n g M a k hdde v a ’
s g re y H a i rs 18 Ma n g o t ric k 3 7 2
-
Ki n g S i v i 3 8 1 Ma n oja l ion 2 65
,
Ki n g ’
s (A) l if e s a ve d b y S pe l l s 2 40 Ma rc o P 0 10 3 7 2
Kl u g e (Die ) Dirn e 4 80 Ma ri e de Fra n c e 2 2 1
K i h l g d 2 1 3 32 5
rs na e en ,
Ma rt i n (S t ) of Tou rs 1 8 5
K d l i i m y h b i d 41 1
un a n , a na r h
M at a l i, c a riot e e r of S a k k a 2 56
K pi c
u sa 43 1 ,
rn e h
Ma t u ra 1 6 7
May a vi ja c k a l 2 6 7
,
L a F on t a in e 9 , 1 7 1 , 2 69 Me l a ma t a g oa t 3 06 ,
L e s sin
g , Fab l e s 22 1 h
Mi dra s R a b b a 7 3 0 ,
L e u ma n n 3 8 1 Mi kl osich Mu n da rt e n de r Z ig e u n e r 2 1 8
,
L i b c ht
e re ,
Z u r Vol k s k u n de 2 65 Mira cl e s fou r in t i s e ra 2 5 ; w e n
, h h
L i on (The ) a n d t he B u l l 2 45 v
u n i e rsa l m on a rc a ppe a rs 3 46 h
L i on (The ) i n b a d Compa n y 2 6 5 Mit hil a 3 68
L i t t l e (T he ) G i l dma s t e r 13 Mog g a l l a n a 2 89
L oq u a c i ou s (T he ) B ra hmi n 1 09 M on g oos e (T he ) a n d t he S n a k e 14 1
L os t (The ) C ha rm 33 7 M on k e y s ( The ) a n d t he Og re 2 3 ,
L ciu an 1 56 Morris R , D e a t s Me s se n g e rs 1 9
, . h ’
L cku , in sn e e zi n g 1 12 ; s pre a d b an d 1 53 ; Mu n l k a pi g 2 9 ,
e a t in g
’
o k s fles c c h 2 16 ; of E de n h all
2 1 9 ; of s w ords 1 12 ; b a d t o s e e a C a n N ag a is l a n d 1 6 5 , 250
dal a 3 7 4 ; b ird of ill o m e n 1 7 2 ; l u k y c N ag a s, sa c i fic
r e to 1 2 6, 1 69 ; a ssu me
c c
on ju n t ion of pl a n e t s 4 7 , 3 4 1 , 3 49 , 35 7 di ffe re n t s h a pe s 2 59 ; n a g a -
re a l m 335
pl a e for c a b u il din g 1 9 8 , 3 70 . S ee a l so Na l a k a pan a , R e e d w a t e r 23
-
h
C a rms Na l a k a ra 3 66
L u ky c ( T he ) S n e e z e 112 N a mn oi, s l a in b y I n dra 48 1
N an da , sl a v 3 9 ; c wh d
e o er 32 5
Ma dda ki n g of M a dda 4 3 4
, N an da , b ra h mi d gh t n s
’
au er 117
Ma gi c c irc l e 1 1 3 ; ra z or a x e , dru m , mil k -
Na n da g opa 3 1 5
b owl 1 50 ; g e m 1 50 ; t re a su re s 2 69 ; Na n da mfil a a e c v 41 9
c it y 3 18 ; h ors e 1 66 N a n da ha 1 86
4 86 INDEX
Na n da v a t i , b ra min h ’
s h
da u g t e r 11 7 P ra dy u mn a 3 25
Na d ra a an d Sivi 13 4 P ra y e r in pre i ou s v ex i st e n c e fi
fu l l l e d 3 18 ,
N imi kin g , ,
i n pu ra n a s 19 3 2 4, 40 1 , 43 9
Ni n e t e e n ( The ) P rob l e ms 4 59 P ri e s t ( T he ) i n H o rse t ra ppi n g s -
1 56
P ri n c e F i v e we a pon s 59
O C on n or, Fol k t a l e s fro m T i b e t 176 P ri n c (The ) w ho c ou ld n ot l a u
g h 3 63
’
e
O kk a k a , k in g 42 7 P ri n c e
’
s
(The ) Wooin g a n d t he Thron e of
Ok n os 8 4 t he B u ddhas 3 43
Ol de n b e rg , H . 1 78 P rob l e ms , see Q u e st i on s
O l de s t ( T he ) of t he An i ma l s 3 4 P rogn os t i c
g ift of 2 40 a t ion ,
P a jju n a 3 1 6 , 3 2 5
P a l l a s, P . S , .e i se R
22 9 Ra b e l a is 2 6 5
P a fica ja n a , de mon s l a i n b y Kih
r s na 2 13 R adh a , pa rro t 16 7
P a fica s ik ha , g a n d a r a 2 56 h v Ra h u 62
Pa n ch
a t a n t ra 2 , 9 , 2 5 , 3 4 , 3 9 , 41 , 45, 78 , R a ja g a ha , c it y 2 9 0 , 4 18
9 2 , 1 0 8 , 1 1 1 , 11 6 , 1 18 , 1 2 2 , 1 2 7 , 1 2 9 , 130 , Ra ma and S i td 3 25
1 4 1 , 1 42 , 14 3 , 1 56 , 1 5 8 , 1 6 2 , 1 64 , 1 7 3 , R a m ay an a 3 6 , 7 1 ; B u dd i s t h v e rsi on of 330
1 7 6, 1 80 , 1 8 2 , 2 1 5 , 2 2 9 , 2 3 0 , 2 45, 2 47 , R a s h ( T he ) M a g i i a n c 129
2 50 , 2 57 , 2 69 , 2 79 , 3 09 , 3 5 7, 3 89 ; K h as h
Re in a rt F u s 357 ch
miria n o rig in 1 56 ; P a l a i e rs ion h v v 9 Riddl e s 480
P a n du k a nn a 3 72 Rin g as t ok e n 1 6 , 3 45
P a n t he r (T he ) a nd t he G oa t 2 89 Ri t son , F a i ry T a l e s 2 19
Pa ra n t a pa , sl a v e 2 85 R ob b e rs ( T he ) a nd t he Tre a s u re 47
P a se n a di , k in g 9 2 , 2 23 R ob e rt of N or ma n dy 7 2
P at a l a , m u s i ia n 2 9 9 c Rohi ne y y a , c ou rt ie r 3 20
P a u sa n ia s 8 4 , 3 44 Ro u s e , W . H D . . 1 3 4, 1 53 , 1 85, 2 1 2 , 3 3 7 ,
P e a co k c ’
s ( T he ) Wooi n g 30 3 42 , 3 44 , 349
P e n n y w is e -
(The ) M on ke y 1 44 Ru b a k a , prie s t 1 56
c
P e rfe t ion s , t en 24 , 2 7 ; a t t a in me n t of
t ru t h 388 S a b b a dat ha , ja k a l 1 9 4 c
P e rsia , re l a t ion s w it hI n dia and G cre e e 6 if . S a b b a mi t t a , k in g 3 9 1
Pet (T he ) E l epha nt 1 40 Sa c ific
r es 7 9 , 8 7 , 1 69 , 3 6 6 ; a t mon k e y s
’
U hl an d, L cku of Ed h en a ll 2 19 Vi h
s nu P u ran a 19 , 2 1 3 , 3 25
Ujje n i , c it y 3 73 Vi ss a k a mm a 37 1
Un a s k e d for A dv i
-
c e 2 29 Vi t ry , J a q u e s de , c E x e mpl a 3 14
( T he ) S on 3 09
Un g ra t efu l Vol su n g a S a g a 59
v
U n i e rsa l mon a rc 3 46 h
U pa sag a ra s on of Ma ha s ag a ra
,
We il B ib l ic a l L e g e n ds 4 80
,
U pa k a m sa 314 We rn e r A Ta r b a b y S t ory 6 3
, .
,
-
Wh e e l we a pon of Va su de va (Vis h n u )
, , 3 18
Va l aha h ors e 1 6 4 , 1 6 6 , 34 6 319 ; of E mpi re 3 46
Va l i a n t ( The ) D wa rf 99 Whi t e (The ) s i x t u s k e d E lepha n t 3 9 5 -
Va l u e (T he ) f
o a B rot he r 7 0 Wic k e d ( T he ) S t ep mot her 3 3 1 -
V a ru n a , a s eti c c 3 90 Wi s e (T he ) G oa t a n d t he J a c k a l 3 0 6
Va ru n a de v a 316 Wi s hi n g cup ( The ) 2 1 8
-
Va s it t ha k a 3 09 Wi sh in g je we l t o t ra c e foot s t e ps in
-
, t he
Va su de v a , an c e s t or o f Kih
r s na 3 20 a ir 2 96
d v
Va su e a , e l de s t of t he t e n sl a v e -
b re t h re n Wolf s (T he ) S a b b a t h 2 2 0
’
3 16 , 3 2 0 , 3 2 5 ; se e Kih r s na Woodpe ck e r (T he ) a n d t he L i on 2 23
Ve da b b ha ch ar m 47 Woodpe c ke r ( T he ) Tort oi se a n d An te l ope , ,
Ve da s 2 1 , 3 37 ; t h ree 20 , 1 9 3 , 19 8, 171
2 40
Ve n i , j ck
a al 3 06 Ya k k ha s e at h u ma n fl e s h 56, 1 6 5, 2 94 ,
Ve pu l l a j e we l 3 46 464 ; h ors e -
fa c d 294 ; ch g
e an e t h e ir
Ve s sa n t a ra , ow l 4 10 s h a pe 1 64 ; sa c ific t 6 3 1 69
r es o ,
Ve s s a v a n a , k i n g of y a k k ha s 2 9 4 ; m a n go Ya sa pan i , k in g 1 83
of 372 Ya soda 3 25
Ve t al a pa fica v im sa t ik a 9 , 2 2 , 1 30 , 1 6 9 Ya v a ma jjha k a , v il l a ge 4 60 ii .
Vm a y a 3 6 , 1 43
Vi ra k a , c row 1 69 Z e n ob iu s 3 5 7
Vi sak ha 4 80
C AM B R I D G E : P RI N TE D BY J . B . P E AC E , M A
. .
, AT THE U N I VE RS I T Y P RE S S .