MOTIVOS

Baritone (T.C.) 1 Compositor

Italo Pizzolante
BOLERO Intervencion;
DIEGO MOYA

         
  

               
VOZ
 
8

      
          
     
15

          
    
22

    
     
   
30

            
 
To Coda 2
   
38

D.C. al Coda y Sigue

     
  
 
   
45

    
   



53

Fine

©DIEGO MOYA
TEL. 3115491297
 MOTIVOS
Baritone (T.C.) 2 Compositor
Italo Pizzolante
BOLERO Intervencion;
DIEGO MOYA



         

    
       
VOZ
 
8

            

  
15

       
     
22

  
          
30

            
To Coda 2
    
38

 
D.C. al Coda y Sigue


             
45

         
 
53

Fine

©DIEGO MOYA
TEL. 3115491297
Clarinet in B  1
MOTIVOS Compositor
Italo Pizzolante
BOLERO Intervencion;
DIEGO MOYA

 
   
             
    
       VOZ         
7
               

     
      
   
     
 
13


                            
             
  
22


          
28
           


                 
     
34

   
To Coda 2    
       
40


      
D.C. al Coda y Sigue
46
             
   



              

52


3
Fine

©DIEGO MOYA
TEL. 3115491297
Clarinet in B  2
MOTIVOS Compositor
Italo Pizzolante
BOLERO Intervencion;
DIEGO MOYA

 
         
      
 
         VOZ   
   
     
       
7

                
       
13

                   

      
19



26
                    
 
    
   

              

     
32

  
To Coda 2

              
38


D.C. al Coda y Sigue

             
          
45



51
     

         

3
Fine

©DIEGO MOYA
TEL. 3115491297
 MOTIVOS
Flute Compositor
Italo Pizzolante
BOLERO Intervencion;
DIEGO MOYA

                
 
   

                  
VOZ    
       
7


         


      
  
13


            

           
     
19


                         
     
26

 
                 
     
32


      To Coda 2

       
38


    
D.C. al Coda y Sigue

             
    
45

   

           
  
51

3
Fine

©DIEGO MOYA
TEL. 3115491297
 MOTIVOS
Score Compositor
Italo Pizzolante
BOLERO Intervencion;
DIEGO MOYA

                 
Flute     

               
Clarinet in B  1         


Clarinet in B  2                  
 

Clarinet in B  3                

 
       
           
Alto Sax 1      

                 
Alto Sax 2       

                  
Tenor Sax      

 
   
      
Horn in F

       
Trumpet in B  1          


Trumpet in B  2                


       
     



Trumpet in B  3

                      
       
Trombone 1 

Trombone 2
                                         

Trombone 3
                                          


Baritone (T.C.) 1           

 
Baritone (T.C.) 2           



                  
     
Tuba
             
©DIEGO MOYA
TEL. 3115491297
 2 MOTIVOS
                  
VOZ    
       
7

Fl. 

                 
B  Cl. 1          

           
B  Cl. 2            

       
B  Cl. 3                       

            
A. Sx. 1                   

     
A. Sx. 2              

      
T. Sx.     
               

7
   
Hn.        

           
B  Tpt. 1       

  
B  Tpt. 2                

 
B  Tpt. 3                
 
                                         
Tbn. 1
         

           

Tbn. 2
            

Tbn. 3
                                                   

 
Bar. 1            


Bar. 2            
   
                     
         
         
Tuba
 MOTIVOS 3
             
        
13

Fl. 
         
         
 
   
B  Cl. 1 

         
      
   
 
   
B  Cl. 2 

        
B  Cl. 3                 

           
  
         
A. Sx. 1 

                 
A. Sx. 2        
  


  
T. Sx.                 

13
      
Hn.             


B  Tpt. 1       
    
sosten

     
B  Tpt. 2   
 
sosten


B  Tpt. 3       
   
                        
Tbn. 1
            

                                   
Tbn. 2            

Tbn. 3
                                            

       
Bar. 1       
     


             
    
Bar. 2

  

        
                 
            
Tuba
 4 MOTIVOS
            
            
19

Fl. 


             
B  Cl. 1          

            
B  Cl. 2              

          
B  Cl. 3                   

          
A. Sx. 1              

 
                     
A. Sx. 2
  
         
T. Sx.                  

19
         
Hn.      

        
B  Tpt. 1        

      
B  Tpt. 2    
    

     
B  Tpt. 3    
    

                                 
Tbn. 1
            

        

Tbn. 2
              

  
Tbn. 3
                                              

               
Bar. 1     


Bar. 2             
     

         
                
Tuba
            

 MOTIVOS 5
  
  

            
         
25

Fl. 
       
          

 
   
     
B  Cl. 1 

    
B  Cl. 2
      
     
     
   
  


      
          
       
B  Cl. 3
 
  
            
          
        

A. Sx. 1

   
          

 
    
 
  

A. Sx. 2

     
          
     
 
  

T. Sx.

25
     
Hn.       

   
   
d fa sos a re

      
B  Tpt. 1
 
     
B  Tpt. 2          


B  Tpt. 3            




                                         
Tbn. 1
            

                          

Tbn. 2            

Tbn. 3
                                                      

     
Bar. 1       


Bar. 2            

  

                       
Tuba
          
 6 MOTIVOS
 
                 
     
31

Fl. 

                  
B  Cl. 1       

          
B  Cl. 2            

  
               
B  Cl. 3       

               

A. Sx. 1        

                
A. Sx. 2       

        
T. Sx.                   

      
    
31

Hn.   

     
B  Tpt. 1          


B  Tpt. 2               

B  Tpt. 3     
  


                        
Tbn. 1
            

                                     
mueve ascen

Tbn. 2
            

                      
Tbn. 3
                    

   
Bar. 1          


Bar. 2             

                       
                
 
Tuba
 MOTIVOS 7
  
         

   
37

Fl. 
D.C. al Coda y Sigue

      
B  Cl. 1            

   
B  Cl. 2                  

    
B  Cl. 3                 

    
A. Sx. 1                

     
A. Sx. 2                

   
T. Sx.                  

37
          
Hn.      

B  Tpt. 1               
  

 
B  Tpt. 2                 

 
B  Tpt. 3    
      
    

                    
Tbn. 1
           

                       

Tbn. 2           

                              
Tbn. 3            

    
Bar. 1          
  

 
Bar. 2                

            
           
        
Tuba

 8 MOTIVOS
To Coda 2
           
    
44

Fl. 

            
B  Cl. 1      

           
B  Cl. 2        

            

B  Cl. 3       

              
A. Sx. 1     

            
A. Sx. 2        

  
T. Sx.                   
44
         
Hn.      

     
B  Tpt. 1          
 

 
B  Tpt. 2             
 

  
B  Tpt. 3         

 
 

                   
Tbn. 1
           

                                   
Tbn. 2           

                               

Tbn. 3            

      
Bar. 1          

 
Bar. 2      
        

                  
    
       
           
Tuba
 MOTIVOS 9
   

           
    
50

Fl. 

     
3

   
Fine
   
B  Cl. 1         
3


         

          
B  Cl. 2 
3

 
       
B  Cl. 3              

3

              
A. Sx. 1          
3

           


A. Sx. 2          
3


T. Sx.

                      

3

50
                  

 
   
3

Hn.

    
B  Tpt. 1                     
3

                    



3

B  Tpt. 2 

 
                       
3
B  Tpt. 3

         

Tbn. 1
          

 
         
revisar terminacion

Tbn. 2      


Tbn. 3
               

        
Bar. 1       

 

  
Bar. 2             

 
  
                       
Tuba
          
 MOTIVOS
Trombone 1 Compositor
Italo Pizzolante
BOLERO ARREGLO MARIACHI VARGAS
Intervencion; DIEGO MOYA

                 

      

  VOZ

                   
           
8

                         

            
15

                       

             
22

                     

             
29

                                       
           
36

 
To Coda 2
                            D.C.
     
al Coda y Sigue

            
43

            
        
50

Fine

©DIEGO MOYA
TEL. 3115491297
 MOTIVOS
Trombone 2 Compositor
Italo Pizzolante
BOLERO ARREGLO MARIACHI VARGAS
Intervencion; DIEGO MOYA

          

      

 
                       
8 VOZ

                        

              
15


                              
22

                              

29

                         

               
36

                                

To Coda 2 D.C. al Coda y Sigue

            
43

                     


50

Fine

©DIEGO MOYA
TEL. 3115491297
 MOTIVOS
Trombone 3 Compositor
Italo Pizzolante
BOLERO Intervencion;
DIEGO MOYA

 
             

                   

8
VOZ

                        

15

                        

22

                         

29

                                        

36

D.C. al Coda y Sigue

                                        

43 To Coda 2

      
               
50

Fine

©DIEGO MOYA
TEL. 3115491297
Trumpet in B  1
MOTIVOS Compositor
Italo Pizzolante
BOLERO Intervencion;
DIEGO MOYA

         
           
 

     
VOZ

  
8

        

              
       
20

  

 
           
30

  

          
To Coda 2
 
      
38

  
D.C. al Coda y Sigue

       
        
46

  

        

 
54


3
Fine

©DIEGO MOYA
TEL. 3115491297
Trumpet in B  2
MOTIVOS Compositor
Italo Pizzolante
BOLERO Intervencion;
DIEGO MOYA

   
                   
 

   
VOZ

      
8

     

             
        
20

 
          
30

   

        
To Coda 2

           
38

 
D.C. al Coda y Sigue

 
       
45

     

  

53

           
3


Fine

©DIEGO MOYA
TEL. 3115491297
Trumpet in B  3
MOTIVOS Compositor
Italo Pizzolante
BOLERO Intervencion;
DIEGO MOYA

   
          
              

 
VOZ

     
9

  
     

    
         
21

    

  
   
34

     


  
To Coda 2

             
41

 
D.C. al Coda y Sigue

 
         
47

 
  

54
 
         
3


Fine

©DIEGO MOYA
TEL. 3115491297
 MOTIVOS
Tuba Compositor
Italo Pizzolante
BOLERO ARREGLO MARIACHI VARGAS
Intervencion; DIEGO MOYA

       
     
 
   
  
          
    
    VOZ
  
    
   
            
7

  
    
         
 
                          
13

               

                        
19

            

  
                 
   
25

                
    
                   
31

      
             

 
                 
37

            
     D.C. al Coda y Sigue

 
44 To Coda 2
 
                     

   
             
  

        
       
50

       
      
Fine

©DIEGO MOYA
TEL. 3115491297
Clarinet in B  3
MOTIVOS Compositor
Italo Pizzolante
BOLERO Intervencion;
DIEGO MOYA

 
                     
 
 
 
VOZ
    
                       
7

 

           
 
          
13

              
                         
19


 
27
                         
  
 
                  
33

   To Coda 2
            
39


D.C. al Coda y Sigue
                   
45

  

  
            
51

  
3
Fine

©DIEGO MOYA
TEL. 3115491297
 MOTIVOS
Horn in F Compositor
Italo Pizzolante
BOLERO Intervencion;
DIEGO MOYA

 
         
  
  
  
VOZ
 
8

        
15
        
        

   
           
21

     

   
         
28

   

    
        
35

     
    
To Coda 2
  
   
42

   
D.C. al Coda y Sigue


            
49

  
3

  

 
  
55

 
Fine

©DIEGO MOYA
TEL. 3115491297
 MOTIVOS
Alto Sax 1 Compositor
Italo Pizzolante
BOLERO Intervencion;
DIEGO MOYA

                    

   
8
              VOZ
            
         



        

            
14

                               
      
23

  

          
  
        
29


35
                     



      
      
41 To Coda 2

D.C. al Coda y Sigue
47
                      


           

53
  

3
Fine

©DIEGO MOYA
TEL. 3115491297
 MOTIVOS
Alto Sax 2 Compositor
Italo Pizzolante
BOLERO Intervencion;
DIEGO MOYA

                   
    

   
  
VOZ

        

7

 

              
        
13

 
        
     
          
19

      
    

 
27
                
     

33
                    


   To Coda 2
           
39


D.C. al Coda y Sigue
45
                        


 
               
51

  
3
Fine

©DIEGO MOYA
TEL. 3115491297
 MOTIVOS
Tenor Sax Compositor
Italo Pizzolante
BOLERO Intervencion;
DIEGO MOYA

 
   
             
    

   
VOZ
                  
7

 
      
        
13

              
                          
19


 
27
                       
  
   
                  
     
33

  
To Coda 2

            
39


D.C. al Coda y Sigue
                 
       
45

  

                  
51


3
Fine

©DIEGO MOYA
TEL. 3115491297