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The Buddha As Avatara of Visnu in The Mahapurana
The Buddha As Avatara of Visnu in The Mahapurana
1093/jhs/hiab006
V
C The Author(s) 2021. Oxford University Press and The Oxford Centre for Hindu Studies. All rights reserved.
Analysis of the Buddhavatara concept’s meaning and purpose over the course of
the history of the Mahapuranas: assessing the two theories and arguing for an
alternative _
In this main section of this article, we will examine, in as strict a chronological order
as is possible and with reference to all significant descriptions of the Buddha as an
avatara of Visnu, the complex historical development of this concept in the puranic
_ _ to determine the interpretive usefulness of the two aforementioned
literary corpus,
4 The Buddha as Avatara of Visnu in the Mahapuranas
__ _
Concluding analyses
I hope that the evidence and arguments I’ve presented here have shown that the two
prevalent theories concerning the historical development of the Buddhavatara con-
cept in the mahapuranas are too simplistic and don’t account for the clear ambiva-
lences surrounding the _ figure of the Buddha that are so clearly on display in these
texts. Rather than seeing an early period of obviously and consistently negative
characterisations of the Buddha, followed by a later period of obviously and consist-
ently positive characterisations of him, or vice-versa, it seems quite clear from our
investigations that Hindu traditions went back and forth on this matter quite regu-
larly, from the start to the finish of the long puranic era. Not only from one text to the
next do we see shifts between largely negative and largely positive treatments, but
even more tellingly, we find this process frequently taking place within individual
texts, sometimes within a matter of a few words or lines! As much the identification of
clear patterns of development can be a useful way to enhance our understanding of
how ideas and practices are formed and carried on, we cannot be beholden to it as an
approach, especially when an attempt made in the name of increased clarity ends up
creating greater obfuscation of what apparently took place. The lack of clear patterns
in the history we are investigating here can certainly be confusing, but I would argue
that it actually makes a lot of sense in light of the nature of the puranas and of
‘Hinduism’ itself. _
As much as I’ve tried to rely on fairly fixed dates for the composition of each purana
considered here, we have to remind ourselves that these are highly composite, _
stratified texts that were often produced and compiled over long stretches of time,
and that despite efforts of both traditional and academic scholars to identify each
work as either Saiva, Vaisnava, or Brahma, most individual puranas reflect a more
eclectic and inclusionary_ _perspective that embraces different cultic orientations
more or less simultaneously. One can say very similar things about what we call
‘Hinduism’. In the case of a conglomeration of religious traditions of such dynamism
and diversity, we shouldn’t be surprised to find these same qualities reflected in their
major scriptures. That these texts shift so much between negative and positive
characterisations of the Buddha simply reflects the nature of a Hinduism that has
so repeatedly involved multiple and varied voices co-existing or, not infrequently,
opposing or contradicting each other. So, given the nature of how the puranas were
put together and Hinduism developed, it would actually be quite surprising _ to dis-
cover all puranas and all Hindus agreeing about an issue in one way for hundreds of
years in a row_and then shifting so markedly and simultaneously at the same histor-
ical point, after which all once again remarkably agreed about the same issue, but in a
16 The Buddha as Avatara of Visnu in the Mahapuranas
__ _
References
Primary Sources
Agni Purana. Edited by H.N. Apte. Anand asrama Sanskrit Series, no. 41, 1900.
Bhagavata_ Purana. Gita Press Edition, 1962.
Bhavisyapurana._ Edited by Srıkrsnadasa Ksemaraja. Bombay: Vedanta Press, 3rd Edition, 1959.
_
The Critical _
Edition _ _ _anam. Edited
of the Visnupur _ by Pathak M. M.. 2 volumes. Vadodara: Oriental
Institute, 1997, 1999. _ _ _
Garuda: Puranam. Edited and translated by Nath Dutt Manmatha. Calcutta: Society for the
_
Resuscitation of Indian Literature, 1908.
Majjhima Nikaya. Edited by Trenckner V. and Chalmers R.. 3 volumes. London: Pali Text
Society, 1888-1899.
Matsya Purana. Edited by H.N. Apte. Anand asrama Sanskrit Series, no. 54, 1907.
_
Bradley S. Clough 19