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  • Saxxxx 2

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    João Lucas
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    The document appears to be musical notation or a score containing symbols representing different instruments and sections. It includes references to songs like "Sexual Healing" and sections like introductions, refrains, and solos. The symbols and formatting indicate it is documenting the arrangement and performance of a musical piece by various instruments and voices over its duration.

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    saxxxx 2

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    The document appears to be musical notation or a score containing symbols representing different instruments and sections. It includes references to songs like "Sexual Healing" and sections like introductions, refrains, and solos. The symbols and formatting indicate it is documenting the arrangement and performance of a musical piece by various instruments and voices over its duration.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    2K views1 page

    Saxxxx 2

    Uploaded by

    João Lucas
    The document appears to be musical notation or a score containing symbols representing different instruments and sections. It includes references to songs like "Sexual Healing" and sections like introductions, refrains, and solos. The symbols and formatting indicate it is documenting the arrangement and performance of a musical piece by various instruments and voices over its duration.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 1

    Saxofone

    Alto Sexual Healing


    Feel the Steel Brass Band
               
         
                                        
     = 100

                                           
     
          Início
               

              
                             
                       
          
              
    11 2 3

     
    Refrão 1                     
     

                            
    22 4 5

                                        
      
     

                              

     
    37

             
      
                                       

                        
                    
    45

         Refrão 2            
                                  
     

                           
    Solos
    53

                                       

      
      

                                          
    75

           
           
                              
                                  
        
    83

       
                                     
          

                   

    91

      

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