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KYIV, 2022: Preview Only
KYIV, 2022: Preview Only
KYIV, 2022: Preview Only
KYIV, 2022
A sequel to MOSCOW, 1941
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BRIAN BALMAGES
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Instrumentation
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1 � Conductor Score 2 � Trombone 1 SUPPLEMENTAL and
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4 � Flute 1 2 � Trombone 2 WORLD PARTS
4 � Flute 2 2 � Euphonium available for download from
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www.alfred.com/supplemental
1 � Oboe 2 � Baritone T.C. es
2 � Bassoon 4 � Tuba E b Alto Clarinet
5 � B b Clarinet 1 1 � Timpani E b Contra Alto Clarinet
5 � B Clarinet 2 1 � Bells B b Contra Bass Clarinet
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2 � B Bass Clarinet 1 � Vibraphone E b Horn
Trombone in B b T.C. 1
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2 � E Alto Saxophone 1 1 � Chimes
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2 � 2 � Percussion 2
4 � B Trumpet 1
(Crash Cymbals, Tambourine, Euphonium in B b B.C.
B Trumpet 2 Tuba in B b T.C.
Triangle, Wind Chimes,
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4 � Suspended Cymbal)
4 � F Horn Tuba in B b B.C.
Tuba in E b T.C.
Tuba in E b B.C.
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String Bass
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Exclusively Distributed by
Alfred Music
The Composer
Brian Balmages is known worldwide as a composer and conductor who equally spans the worlds of
orchestral, band, and chamber music. His music has been performed by groups ranging from
professional symphony orchestras to elementary schools in venues such as Carnegie Hall,
the Kennedy Center, Sydney Opera House, Toronto Centre for the Arts, and many more. He is a
recipient of the A. Austin Harding Award from the American School Band Directors Association,
won the 2020 NBA William D. Revelli Composition Contest with his work Love and Light, and is an
elected member of the prestigious American Bandmasters Association. Balmages was awarded the
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inaugural James Madison University Distinguished Alumni Award from the School of Visual and
Performing Arts. In the same year, he was commissioned by his other alma mater, the University of
Miami, to compose music for the inauguration of the institution’s 6th president, Dr. Julio Frenk.
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His music was also performed as part of the 2013 Presidential Inaugural Prayer Service, which was
attended by both President Obama and Vice President Biden.
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As a conductor, Mr. Balmages enjoys regular engagements with all-state and regional ensembles as
well as university and professional groups throughout the world. Notable guest conducting
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appearances have included the Midwest Clinic, Western International Band Clinic, Maryborough
Music Conference (Australia), College Band Directors Conference, American School Band Directors
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Association National Conference, numerous state ASTA conferences, Teatro dell’Aquila (Italy),
and others. Currently, he is Director of MakeMusic Publications and Digital Education for Alfred
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and MakeMusic.
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About the Music
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Written in response to Russia's invasion into Ukraine in 2022, this piece raised over $60,000 to support humanitarian relief efforts.
Within months of being written, the piece received hundreds of premieres in nearly every state in the United States as well as many
performances abroad by groups ranging from middle schools to community bands and professional groups. Below is the original
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note that accompanied the announcement that I had completed the piece.
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Like so many around the world, I believe strongly in the ability of one person to make a difference for those in
Ukraine. To that end, after 16 years, I have decided that it is now time for an official “sequel” to one of my most
popular pieces ever for young band—Moscow, 1941. This work was composed in the first weeks of the Russian
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invasion into Ukraine, during which time the entire world has seen senseless tragedy, humanitarian crises, and
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incredible heroism and passion from the Ukrainian people. This piece, Kyiv, 2022, changes the narrative, where
the theme from Moscow, 1941 (which is based on the Russian folk song “Meadowlands”) now becomes the
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aggressor, and the heroic people of Ukraine are represented by the Ukrainian National Anthem and the
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conversations about humanity, history, culture, and more. I hope directors are able to use this piece to help
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students see how music really can help us relate to the world around us, and also to offer a musical way to
support the people of Ukraine.
– Brian Balmages
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in support of all Ukrainians, their families, and the incredible relief organizations on the ground
DURATION: 4:30
KYIV, 2022
A sequel to MOSCOW, 1941 BRIAN BALMAGES
(ASCAP)
Menacing ( = 72) 4
Flutes 1
2
Oboe
Bassoon
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1
B Clarinets
2
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B Bass Clarinet
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1
E Alto
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Saxophones
2
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B Tenor
Saxophone
E Baritone
P
Saxophone
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Menacing ( = 72)
es 4
1
B Trumpets
ir
e
2
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F Horn
s i
1
Trombones
2
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Euphonium
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Tuba
Timpani
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(F, G, B♭, D)
Bells
P
3 3
a
3 3
Vibraphone
eg
Chimes
L
S.D. (+ Field Drum if player available)
Percussion 1
B.D.
(Snare Drum,
Bass Drum)
Percussion 2
Cr. Cym.
(Crash Cymbals,
Tambourine, Triangle,
Wind Chimes,
Suspended Cymbal)
2 3
Wind Chimes
Fl.
1
2
Ob.
Bsn.
1
Cls.
y
2
B. Cl.
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as
1
A. Saxes
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2
O
T. Sax.
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B. Sax.
P
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1
es
Tpts.
ir
2
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Hn.
s i
Tbns.
1
2
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Euph.
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e
Tuba
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Timp.
P
a
Bells
eg
3 3 3 3 3 3 3 3
Vib.
L
Ch.
Perc. 1
Perc. 2
5 6
8
50117S
5
11
1.
1
Fl.
2
Ob.
Bsn.
1
Cls.
y
2
e
B. Cl.
nl
as
1
A. Saxes
ch
2
O
ur
T. Sax.
P
B. Sax.
11
e w
1
es
Tpts.
ir
2
e
qu
Hn.
s i
1
Tbns.
2
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R
Euph.
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e
Tuba
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Timp.
r
Bells
P
a
3 3 3 3 3 3 3 3 3 3 3 3
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
9 10 11 12
50117S
6
17
a2
1
Fl.
2
Ob.
Bsn.
1
Cls.
y
2
B. Cl.
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nl
as
1
A. Saxes
ch
2
O
Euph. play
ur
T. Sax.
P
B. Sax.
17
e w
es
st. mute
1
Tpts.
ir
st. mute
2
e
qu
Hn.
s i
1
Tbns.
v
2
R
Euph.
e
e
Tuba
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Timp.
P
a
Bells
eg
3
3 3 3
Vib.
(only let F ring)
L
Ch.
Perc. 1
Perc. 2
13 14 15 16 17
50117S
7
Fl.
1
2
Ob.
Bsn.
1
Cls.
y
2
B. Cl.
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nl
as
1
A. Saxes
ch
2
O
T. Sax.
ur
B. Sax.
P
e w
1
es
Tpts.
ir
2
e
qu
Hn.
s i
1
Tbns.
2
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R
Euph.
e
e
Tuba
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Timp.
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Bells
P
a
eg
3 3 3 3
Vib.
L
Ch.
Perc. 1
Perc. 2
18 19 20 21
50117S
8
23
1
Fl.
2
Ob.
Bsn.
1
Cls.
y
2
e
B. Cl.
nl
as
1
A. Saxes
ch
2
O
ur
T. Sax.
B. Sax.
P
23
e w
es
open
1
Tpts.
ir
open
2
e
qu
Hn.
s i
Tbns.
1
2
v
R
Euph.
e
e
Tuba
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Timp.
P
Bells
a
eg
3 3 3 3
Vib.
L
Ch.
Perc. 1
Tri.
Perc. 2
Sus. Cym.
22 23 24 25 26
50117S
9
rit. 30 Deliberate March Tempo ( = 120)
1
Fl.
2
Ob.
Bsn.
1
Cls.
y
2
e
nl
B. Cl.
as
1
ch
A. Saxes
2
O
ur
T. Sax.
P
B. Sax.
rit. 30 Deliberate March Tempo ( = 120)
e w
es
1
Tpts.
ir
2
e
qu
Hn.
s i
1
Tbns.
2
v
R
Euph.
e
e
Tuba
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r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
27 28 29 30 31 32
50117S
10
34
1
Fl.
2
Ob.
Bsn.
1
Cls.
y
2
e
B. Cl.
nl
as
1
A. Saxes
ch
2
O
ur
T. Sax.
P
B. Sax.
34
e w
1
es
Tpts.
ir
2
e
qu
Hn.
s i
1
Tbns.
2
v
R
Euph.
e
e
Tuba
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r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
33 34 35 36 37
50117S
42
11
1
Fl.
2
Ob.
Bsn.
1
Cls.
y
2
B. Cl.
e
nl
as
1
A. Saxes
ch
2
O
ur
T. Sax.
P
B. Sax.
e w
es 42
1
Tpts.
ir
e
2
qu
Hn.
s i
v
1
R
Tbns.
2
e
Euph.
e
Tuba
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Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
38 39 40
50117S
12
Fl.
1
2
Ob.
Bsn.
1
Cls.
y
2
B. Cl.
e
nl
as
1
A. Saxes
ch
2
O
ur
T. Sax.
B. Sax.
P
e w
es
1
Tpts.
ir
2
e
qu
Hn.
s i
Tbns.
1
2
v
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
43 44 47
50117S
13
50
1
Fl.
2
Ob.
Bsn.
1
Cls.
y
2
e
nl
B. Cl.
as
1
ch
A. Saxes
O
2
ur
T. Sax.
P
B. Sax.
e w
50
es
1
ir
Tpts.
e
2
qu
Hn.
s i
1
v
Tbns.
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Tri.
Perc. 2
48 49 50 51
50117S
14
Fl.
1
2
Ob.
Bsn.
1
Cls.
y
2
B. Cl.
e
nl
as
1
A. Saxes
ch
2
O
T. Sax.
ur
B. Sax.
P
e w
1
es
Tpts.
div.
ir
2
e
qu
Hn.
s i
1
Tbns.
2
v
R
Euph.
e
e
Tuba
lU
r
Timp.
P
Bells
a
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
54 55 56 57 58
50117S
15
61
Fl.
1
2
Ob.
Bsn.
Euph.
1
Cls.
y
2
e
B. Cl.
nl
as
Hn.
1
A. Saxes
ch
2
O
ur
Euph.
T. Sax.
P
B. Sax.
e w
61 es
1
Tpts.
ir
2
e
qu
Hn.
s i
1
Tbns.
v
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Wind Chimes
Perc. 2
60 62 63 64
50117S
16
Fl.
1
2
Ob.
Bsn.
1
Cls.
y
2
B. Cl.
e
nl
as
play
1
ch
A. Saxes
2
O
ur
play
T. Sax.
P
B. Sax.
e w
es
1
Tpts.
ir
e
2
qu
Hn.
s i
Tbns.
1
v
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
65 66 67 68 69
50117S
17
poco accel. 72 With Determination ( = 126)
Fl.
1
2
Ob.
Bsn.
play
1
Cls.
y
2
B. Cl.
e
nl
as
Cl. 1
1
A. Saxes
ch
Cl. 2
2
O
ur
T. Sax.
B. Sax.
P
e w
2
qu
Hn.
s i
1
Tbns.
v
2
R
Euph.
e
e
Tuba
lU
r
Timp.
Bells
P
a
eg
Vib.
L
Ch.
Perc. 1
Tamb.
Perc. 2
70 71 73 74
50117S
18
1
Fl.
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
e
nl
as
play
1
A. Saxes
ch
play
2
O
ur
T. Sax.
B. Sax.
P
e w
es
1
Tpts.
ir
2
e
qu
Hn.
s i
1
Tbns.
v
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
75 76 77 78 79
50117S
19
82
Fl.
1
2
Ob.
Bsn.
1
Cls.
2
y
B. Cl.
e
nl
as
1
A. Saxes
ch
2
O
ur
T. Sax.
B. Sax.
P
82
e w
1
es
Tpts.
ir
2
e
qu
Hn.
s i
1
Tbns.
2
v
R
Euph.
e
Tuba
e
lU
Timp.
r
(D to E♭)
Bells
P
a
eg
Vib.
3 3 3 3 3 3
Ch.
L
Perc. 1
Perc. 2
80 83 84
50117S
20
1
Cls.
y
2
B. Cl.
e
nl
as
1
A. Saxes
ch
2
O
T. Sax.
ur
B. Sax.
P
e w
1
es
Tpts.
ir
2
e
qu
Hn.
s i
Tbns.
1
2
v
R
Euph.
e
e
Tuba
lU
Timp.
r
P
Bells
a
eg
Vib.
3 3 3 3 3
3 3 3 3 3
L
Ch.
Perc. 2
85 86 87 88 89
50117S
21
92
1
Fl.
2
Ob.
Bsn.
1
Cls.
div.
y
2
B. Cl.
e
nl
as
1
A. Saxes
ch
2
O
T. Sax.
ur
B. Sax.
P
92
e w
1
es
Tpts.
div.
ir
2
e
qu
Hn.
s i
Tbns.
1
2
v
R
Euph.
e
e
Tuba
lU
Timp.
r
Bells
P
a
eg
Vib.
3 3 3
3
Ch.
L
Perc. 1
Cr. Cym.
Perc. 2
90 93 94
50117S
22
Fl. 1
2
Ob.
Bsn.
1
Cls.
y
2
B. Cl.
e
nl
as
1
A. Saxes
ch
2
O
T. Sax.
ur
B. Sax.
P
e w
1
es
Tpts.
ir
2
e
qu
Hn.
s i
1
Tbns.
2
v
R
Euph.
e
e
Tuba
lU
Timp.
r
P
Bells
a
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
95 97 98
50117S
23
100
Fl. 1
2
Ob.
Bsn.
1
Cls.
y
2
B. Cl.
e
nl
as
1
A. Saxes
ch
2
O
ur
T. Sax.
P
B. Sax.
100
e w
1
es
Tpts.
ir
2
e
qu
Hn.
s i
Tbns.
1
2
v
R
Euph.
e
e
Tuba
lU
r
Timp.
P
a
Bells
eg
Vib.
L
Ch.
Perc. 2
50117S
24
molto rall. Brillante ( = 54) rit.
Fl. 1
2
Ob.
Bsn.
1
Cls.
y
2
B. Cl.
e
nl
as
1
A. Saxes
ch
2
O
T. Sax.
ur
B. Sax.
P
molto rall. Brillante ( = 54) rit.
e w
1
es div.
Tpts.
div.
ir
2
e
qu
Hn.
s i
1
Tbns.
2
v
R
Euph.
e
e
Tuba
3
lU
Timp.
r
Bells
P
a
eg
Vib.
L
Ch.
Perc. 1
Perc. 2
106 107
Tri. 109 110 111
50117S