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Research and Statistics
When the singer Adele won six Grammy Awards in 2012, The Wall Street Journal and
National Public Radio (NPR) ran stories about why many people seem to have such a
strong emotional reaction to her music, and her song “Someone Like You” in particular.
One theory is that the song includes a type of note, called an appoggiatura, which begins
as discordant with the melody but then changes to align with the melody. The
discordance is unexpected and is believed to cause tension to the listener, which is then
released when the note changes to match the melody. This tension and release is
theorized to cause an emotional response, including chills running up the spine and
possible even crying. As researchers, how might we test if Adele’s song causes an
emotional reaction, and that the presence of the appoggiatura is the causative factor?
uh·paa·juh·tur·uh
- a grace note performed before a note of the melody and falling on the beat.
The final requirement of causation is ruling out alternative explanations for why
the change in variable B both correspond with and came after the changes in
variable A. It may just be a coincidence, or the change may be due to some other
variable that the researcher had not tested. Although people may report feeling emotional
after listening to Adele’s song “Someone Like You”, could it be due to a reason other
than the presence of a specific type of musical note? The co-writer of “Someone Like
You” gave such an alternative explanation. He suggested that the lyrics paint a vivid
picture allowing listeners to imagine the experiences portrayed in the song (NPR Staff,
2012). Another explanation is that they may be differences in the people who choose to
listen to that song, and those individual differences may be causing the reaction rather
than the notes or the lyrics.
If you answered “internal validity” you are correct! If you have forgotten about
internal validity, take a minute review Chapter 3 before reading on.
PRACTICE 8.1
TESTING CAUSE AND EFFECT
A USA Today article reported that the United States saw a slight increase in
pedestrian fatalities in 2010. One reason cited for this increase was the increased
use of cell phones and mobile music devices. The chairman of the Governors
Highway Safety Association was quoted as saying, “Anyone who travels in a busy
city has seen countless pedestrians engrossed in conversation or listening to music
while crossing a busy street. Just as drivers need to focus on driving safety,
pedestrians need to focus on walking safety” (Copeland, 2011)
Is this sufficient evidence that pedestrians listening to music and talking or texting
on a cell phone increase the risk of a fatal traffic injury?
Campbell and Stanley (1963) identified eight confounds that are key threats to internal
validity. Gliner and Morgan (2000) divided these into two categories, based on whether
the threat was due to experiences or environmental factors, or if the threat was due to
participant (or subject) characteristics.
Internal validity: The extent to which we can say that one variable caused a
change in another variable.
When trying to demonstrate that variable A caused a change in variable B. you might
first consider the one-group pretest-posttest design. In this type of design, the
researcher gives all participants a pretest to assess variable B, then exposes them to
variable A., and then gives them a posttest to assess variable B (see Figure 8.2). The
impact of variable A is determined by comparing each participant’s posttest score to
the pretest score and then finding the central tendency (e.g. mean) of those change
scores.
For our song example, a one-group pretest-posttest design might involve first asking
participants how they feel, then having them listen to Adele’s song, and then again
asking them how they feel. If there is a difference between the participants’ mood
prior to the song (pretest) and after listing to the song (posttest), can we say that
Adele’s song caused a change in emotion?
You are right if you said that no, we have not met all the requirements for causality.
Although we have satisfied the correlation and sequence criteria, we have not ruled
out alternative explanations for the change in emotions. In fact, simply comparing
scores from pretest to posttest among participants of one group can never satisfy that
third criterion because there are many alternative explanations for why the
participants would have changed between pre- and posttest. Review Campbell and
Stanley’s (1963) threats to internal validity and see if you can identify the threats that
would or might impact the one-group pretest-posttest design.
Threats to Internal Validity in One-Group Pretest-Posttest Designs Due to
Experiences or Environmental Factors
Example: If our participant were listening to Adele’s song and the fire alarm went
off, or someone in the room started crying, or the temperature changed, or a very
attractive came into the room, or some other unforeseen event occurred, it could
be that the unplanned event caused the change in emotion, not the musical note
under study.
2. Maturation: Any changes within the participants between the pretest and posttest
might be the reason for the change. This threat is increased if the study takes place
over a long period of time.
Example: Changes in emotions before and after listening to Adele’s song may be
due to growing tired, getting hungry, or natural changes in emotions over time.
Example: Asking participants how they feel prior to Adele’s song might make
them think about their emotional state and consequently change it. Participants
would also be clued into the purpose of the study, guess what your are expecting
to find, and might provide answers based on those expectations.
Example: For pretest, we ask participants to rate how emotionally aroused they
are on a scale from 1-5 but for posttest we ask them to rate their arousal on a scale
from 1-10. Or, one person administers the pretest and a different person
administers the posttest. Such changes in instrumentation may be why we
observed a change in emotions.
Group Designs
Hopefully you are now convinced that a one-group pretest-posttest design cannot
demonstrate causality. If you are thinking that we might be able to improve on this design
by using a group design in which we compare two or more groups, then you a on the
right track. We might divide participants into two groups and have one group listen to
Adele’s “Someone Like You: and have the other group sit in silence. We could
administer a pretest and posttest to both groups and compare the change scores between
the groups (a two-group pretest-posttest design). Alternatively, we could omit the pretest
and compare the posttest scores between the groups (a two-group posttest-only design)
(see Figure 8.3).
In a group design, the researcher wants to demonstrate that the difference between
the groups is due to exposure to different levels of variable A. To do that, the
researcher must rule out that other systematic differences between the groups
could have caused the groups to differ.