Ross Jeffries How To Get The Women You Desire Into Bed

HOW TO GET THE WOMEN YOU DESI RE I NTO BED
A Down And Di r t y Gui de

To Dat i ng And Seduct i on
For The Man Who' s Fed
Up Wi t h Bei ng Mr . Ni ce
Guy.
by Ross J ef f r i es
A qui ck r ecommendat i on. Al l of my wor k was done based on an onl i ne dat i ng si t

e. I t al ked to and associ at ed wi t h mi l l i ons of women on
mu l t i pl e dat i ng si t es, but I have never seen anyt hi ng l i ke a si t e cal l ed Bl
ackBook. Thi s wasn’ t no
“or di nary” dat i ng si t e. You woul dn’ t bel i eve how ma ny hor ny wo me n f r om your
ver y own t own or ci t y ar e on t hi s si t e. The gi r l s ar e l egi t , t her e pr of i l es ar
e l egi t , al l i n al l , t he websi t e i s 100% l egi t . I ’ ve per sonal l y met and hooked
up wi t h ma ny of t he hor ny wo me n f r om Bl ackBook. Take a chance and l ook f or
your sel f , you won’ t be mi sl eaded. . BlackBook.com
Publ i shed i n t he USA.

For mor e i nf or mat i on or f r ee cat al og, cont act :
Ross J ef f ri es
6245 Br i st ol Par kway, Sui t e
275 Cul ver Ci t y, CA 90230
DI SCLAI MER
Nei t her t he aut hor nor t he publ i sher assumes any r esponsi bi l i t y f or t he use
or mi suse of i nf ormat i on cont ai ned i n t hi s book. The reader i s
warned t hat t he use of s o me or al l of t he t echni ques i n t hi s book
ma y r esul t i n l egal consequences, ci vi l and/ or cri mi
nal .
USE OF THI S BOOK I S DONE AT YOUR OWN RI SK.
" He who wi l l not t ake t he hi nt , mus t t ake the consequences. "

- - Gl enn v. Covey 282 PA 367 ( 1854)
Tabl e Of Cont ents
 HYPERLINK \ l "Introduction" Introduction
 HYPERLINK \ l "Chapter_1" Chapter 1
 HYPERLINK \ l "Chapt er _ 2" Chapter 2

 HYPERLINK \ l "Chapter_8" 
Chapt er 8
 HYPERLINK \ l "Chapter_9" 
Chapter 9

 HYPERLINK \ l "Chapter_11" 
Chapter 11
 HYPERLINK \ l "Chapt er _14" Chapter 14
 HYPERLINK \ l "Appendix_1" Appendix 1
 HYPERLI NK \ l "Appendix_6" Appendix 6
 HYPERLINK \ l "Original_TOC" Original Table Of Contents

I nt r oducti on
UNFAI R SEDUCTI ONS I N AN UNFAI R WORLD
Many peopl e who read t he rough dr af t of t hi s book wer e upset by part s of i t .

I nvar i abl y, I ' d hear t he s ame c ompl ai nt . "These tact i cs you' r e t eachi ng pr
obabl y wor k r eal l y wel l . We t hought t he par t s on power and conf i dence and
on me et i ng wo me n wer e gr eat . But some of t he act ual seduct i on t
echni ques are down ri ght
di shonest and unf ai r . They r eal l y don' t gi ve t he wo ma n any choi ce. Why don' t
you j ust l eave t hem out of t he book? Then no one
coul d possi bl y have any obj ect i ons. " Ok. Let' s get t he "unf ai r " charge
out of t he way. Yes, some, and I mean SOME
of t he seduct i on t act i cs i n t hi s book coul d easi l y be cl assi f i ed as "unf ai r . "
And,
t r ut h t o t el l , I had s ome ser i ous mo r al r eser vat i ons about put t i
ng t hem i n t he book. However , "unf ai r " and "f ai r " ar e r el at i ve
terms. If you and I ar e i n a boxi ng match,
and we ar e bot h f i ght i ng by t he r ul es, t hen i t i s t ot al l y unf ai r
f or me t o ki ck you i n t he nut s and poke you i n t he eyes. You are f i ghti ng by the
r ul es, and so shoul d I .
But , i f YOU st ar t f i ght i ng di r t y,I wi l l f eel under no mor al obl i gat i on

what soever t o cont i nue t o stand t her e l i ke a f ool and t ake i t . I '
m goi ng t o t oss out al l t he r ul es and f i ght t o wi n, no ma t t er
what i t t akes.
Unf ort unat el y, when you deal wi t h wo me n, you ma y of t

en f i nd yours el f i n t hat
t ype of si t uat i on. They expect you t o pl ay by t he r ul es, but t hey f eel per f ect l
y f r ee t o do what ever THEY want . For exampl e, l ot s of
wo me n are mo r e than happy t o spend your mo ne y and t i me , and gener
al l y l ead you on, l ett i ng you t hi nk you have a rewar d ( sexual ) c o mi ng.
They t al k about sex on t he dat e, t ouch you a l ot , and ACT ver y seduct i
ve. Then when you ma k e a pass, t hey f r eak out and scr eam about
what ani mal s men are, how we' r e onl y af t er one thi ng. Or t hey l et you have i t
wi t h t hat f amous l i ne "I ' m j ust not at t r act ed t o you. " Maybe you f i nd out t
hat she was j ust usi ng you as a soci al " spare t i r e" because her boyf r i end
was out of t own f or a f ew weeks and she di dn' t want t o si t at h ome al one and
l ook at t he
f our wal l s.
Of cour se, i f you real l y want t o be a " gent l ema n" you ma y not f i nd any of t hi s
out unt i l t he t hi r d or f our t h date. You don' t want t o behave l i ke an ani ma l
and ma ke a pass on t he f i r st date, do you? So you hol d of f awhi l
e, and t hen t he sl ap i n t he f ace hur t s even mo r e.
Now, any chi ck who pul l s t hi s of f DESERVES to be on the recei vi ng end of t he

mo s t unf ai r t acti cs you can use. You ar e under no mo r al obl i gati on t o be
her vi ct i m, and you ar e a f ool i f you per mi t i t .
So, by al l mea ns , pl ay f ai r wi t h a wo ma n unt i l she shows you t hat she i s pl ayi
ng unf ai r wi t h you. As soon as she st ar t s t o pul l shi t , t hen ei t her wal k away
c ompl et el y or l et her have i t wi t h ever ythi ng you have i n your arsenal .
And whi l e we' r e on t he subj ect of f ai r , i s i t "f ai r " t hat t he good- l ooki ng
and r i ch guys shoul d get al l t he beaut i f ul wo men whi l e you and I
have t o set t l e f or t he dogs? Are you any l ess deser vi ng of c o mpl
ete sexual sat i sf act i on t han s o me pret t y boy who was bl essed by genet i
cs and Daddy' s bank account? Why shoul d you j ust meekl y r ol l over,
and accept a si t uat i on t hat SUCKS, good buddy, when you
can be get t i ng your share, and then some!
Somet hi ng el se t o consi der : Wh en i t comes t o sex,

women have a mass i ve power advant age. I t ' s r el at i vel y eas y f or
even a f at , ugl y tr ol l t o obt ai n sexual sat i sf act i
on. Al l she has t o do i s go to any bar or cl ub, act even mi l dl y
f l i r t at i ous, and be wi l l i ng t o put out . She' s s ur e t o get l ai d, i f not by t he
best l ooki ng guy, t hen at l east by someone. I t ' s much harder f or even a
decent l ooki ng guy to get sat i sf acti on, sexual l y.
FOR GUYS, GETTI NG LAI D I S A CHORE.

FOR WOMEN, GETTI NG LAI D I S A CHOI
CE.
Never f orget t hi s di f f er ence i n t he bal ance of power bet ween t he sexes. The
t r i cks and t act i cs you' l l l ear n i n t hi s book wi l l mak e you one of t hose r ar
e guys who i s on t he choi ce si de of t hat power equat i on.
Whi l e we ar e her e I bett er ma ke so met hi ng el se cl ear . I do NOT bel i eve t hat sex
i s t he be al l and end al l of r el at i ng t o women. Nor do I bel i eve t hat i t i s
al ways necessar y or even DESI RABLE t o use t he t act i cs out l i ned i n thi s
book, ( whet her f ai r or unf ai r ) t o get a woman t o sl eep wi t h you. I t i s
cer t ai nl y
possi bl e t hat t he part i cul ar wo ma n you f ancy ma y be smar t enough and have
enough good sense t o want you j ust as you ar e, wi t hout any ga me s or bul l shi t on
her
part . She ma y al so be sane and psychol ogi cal l y heal t hy enough t o expr ess t hat
desi r e nat ur al l y, wi t hout any hang- ups or gui l t ga me s . You mi ght even f i nd -
gasp - t hat t he f r i endshi p and i nt i ma c y you shar e wi t h a l ady ar e mo r e i mpor t
ant t o you t han sex. Whe n you f i nd a l ady l i ke t hi s,
cher i sh her as t he r are
t r easur e she i s. Hang on t i ght , and don' t l et go!
Unf or t unat el y, based on my own experi ence, and t he exper i ence of hundr eds of
me n I ' ve i nt er vi ewed, mo s t women do not f i t i nt o t hi s cat
egor y. I wi sh t hey di d -
t he REALI TY i s t hat t hey do NOT! The real i t y i s t hat you, as a ma n, are goi ng t o
be sexual l y at t r act ed t o many, ma ny wo me n, ver y f ew of whom are
goi ng t o
natur al l y desi r e you, and who you can al so r espect , l ove and admi r e.
Many of t hese wo me n are goi ng t o be hung- up sexual l y, depr essed, suf f er f r om l

ow sel f - est eem, eat i ng di sor der s, al cohol i s m, et c.
Heck, I even br i ef l y dat ed a wo ma n who t ur ned out t
o be bul i mi c,al cohol i c, and was al so secretl y a hooker !
Top t hat f or a dat i ng di sast er st or y!
Now, you may deci de, t he heck wi t h i t . I f you can' t at l east l i ke and respect a
l ady, and i f you have t o resor t t o tacti cs you l ear ned i n a book, t hen i t j ust
i sn' t wor t h i t , and you wi l l ski p deal i ng wi t h such l oser f emal es al t oget her . I
cer t ai nl y can r espect t hat choi ce; i t ' s t he choi ce I event ual l y ma de my s el f .
But onl y YOU can ma ke t hat choi ce. Even i f you do, t hi s book
wi l l st i l l be of gr eat val ue t o you, because you wi l l l
ear n f ant asti c t echni ques f or i mpr ovi ng your conf i dence, me et i ng and pi cki
ng up wo me n anywher e, any t i me, and how t o qui ckl y r ecogni ze and swi f t l y el i mi
nate al l t he nut t y- l oser s BEFORE t hey get t o empt y your wal l et , bend
your br ai n, and ki ck your hear t i n. You' l l be abl e to get r i d of t he di r t ,
so you can enj oy t he di a mo nds .
A FEW MORE WORDS BEFORE WE GET ON WI TH THI S BOOK
Ther e' s one bi g mi st ake t hat al l t he so cal l ed " Pi ck- up Chi cks" books seem t o
mak e. That i s, THEY DON' T TELL YOU HOW TO HAVE THE CONFI DENCE AND POWER TO
ACTUALLY GO OUT AND USE ALL THEI R GREAT " SEDUCTI ON" SUGGESTI ONS.
Thi s i s a CRI TI CAL mi st ake. Gr eat advi ce does you no good at al l i f you can' t
act ual l y go out and APPLY i t . Al l i t r eal l y does i s make you f eel wor se, because
now you know what t o do but you STI LL can' t do i t . At l east when you wer e
i gnor ant you had an excuse.
Thi s book wi l l NOT make t hat mi st ake; i n f act t he whol e f i r st sect i on i s

dedi cat ed t o showi ng you how t o have t he conf i dence and power t o be abl e t
o
easi l y use and appl y the t act i cs i n t he ot her t wo sect i ons of t he book. We' l
l al so show you how t o use your own cr eati vi t y so you can devel op your own
seduct i on tacti cs t hat per f ect l y f i t your uni que per sonal i t y and ci r c ums t
ances. Not bad f or one l i t t l e book, huh?
A FI NAL WORD
Throughout t hi s book, I wi l l be l ayi ng down cer t ai n i deas t hat you woul d do

wel l t o me mo r i ze and use. I suggest you get some 3 x 5 i ndex car ds t o wr
i t e these
i deas down so you can go over t hem as you need to. There wi l l al so be exer ci ses
t o do. I t i s ESSENTI AL t hat you DO THE EXERCI SES. J ust r eadi ng them
wi l l get you nowher e.
Enough chi t chat. Let ' s go t o batt l e men.

Chapt er One
THE ONE ATTI TUDE THAT I S THE KEY

TO HAVI NG I RRESI STI BLE APPEAL TO WOMEN
AND GETTI NG LAI D WI TH THE WOMEN OF YOUR DREAMS
Once, one of my super - scor i ng buddi es i nvi t ed me t o go t o a par t y wi t h hi m.

Not havi ng muc h of a soci al l i f e anyway, I
accept ed t he i nvi t ati on, and besi des,
t hi s guy REALLY knew how t o get l ai d. I sort of l ooked at my s el f as bei ng one of
t hose smal l sucker f i sh t hat at t ach t hemsel ves underneat h a shar k' s mout h and
l i ve of f t he bi t s t he shark spi t s out .
Anyway, we wer e wander i ng around t hi s huge apar t me nt compl ex, l ooki ng f or t

he part y. We wer e wal ki ng down a hal l way when we passed an open door,
and t here was a part y goi ng on, but i t was def i ni t
el y NOT the part y we had been i nvi t ed t o.
Thi s was a f or mal af f ai r ; everyone was ver y wel l dressed, and my buddy and I
were bot h wear i ng j eans and scr uf f y tenni s shoes.
Through t he door way I saw a st unni ng bl onde i n a l ow cut dr ess, sur r ounded by
guys t r yi ng to hi t on her. My buddy saw her t oo, l ooked at me , and went r i
ght i nt o act i on. I saw hi m wal k i n t he door , cut t hr ough t he cr owd of guys,
say
somet hi ng t o her t hat I coul dn' t hear , and hand her a car d and a pen. She wr ot
e somet hi ng down, and out came my buddy, smi l i ng ear t o ear .
He had got t en her phone number !
I asked hi m what he sai d, and he tol d me, "I j ust wal ked i n t her e, l ooked at
her, and sai d, `Excuse me . I saw you t hr ough t he door way, and unl i ke t hese
gent l emen her e, I don' t have t i me f or smal l t al k. I ' d l i ke t o t ake you out . Can
I have your home phone number ?'
Now, i t ' s not al ways necessar y t o be t hat di r ect . But i t i s necessar y t o gr asp
and use t he at t i t ude my buddy had, t he super - att i t ude whi ch
wi l l get you l ai d mor e t han any l i ne, t r i ck, good l ooks, f ancy
car or f or t une. The at t i t ude i s:
I MAKE NO EXCUSES FOR MY DESI RES AS A

MAN. I MAKE NO EXCUSES FOR MYSELF.
I MOVE THROUGH THE WORLD WI THOUT APOLOGY.
Do you r eal l y want t o get l ai d wi t h al l t he wo me n you coul d ever possi bl y

want ? Then STOP MAKI NG EXCUSES FOR YOURSELF! Don' t make excuses f or want i ng
t o l ook at a beaut i f ul wo ma n. If you' r e caught l ooki ng, and she asks
what you' r e doi ng,
t el l her ! ! Tel l her you' r e enj oyi ng st udyi ng j ust what a per f ect l y beaut i f ul
body she has, and t o heck wi t h her i f she' s t oo upt i ght t o appr eci ate a r eal
man who doesn' t apol ogi ze f or knowi ng what
he want s!
St op ma k i ng excuses f or want i ng t o meet a wo ma n ! St op mak i ng excuses f or want

i ng t o ask a wo ma n out , and mo s t of al l st op maki ng excuses f or
want i ng t o FUCK t he
l i vi ng shi t out of a woman you want ! Thi s ki nd of di r ect , power f ul , go- f or - i t
- att i t ude i s an i ncr edi bl e t ur n on f or wo me n t hat can' t be beaten!
Li st en! I t i sn' t even t he wor ds you use t hat convey thi s at t i t ude! I t ' s
your t one of voi ce, your f aci al expr essi ons, your post ur e, t he speed at whi ch
you speak, ever yt hi ng non- ver bal about you wi l l show t hi s at t i t ude f ar more
t han wor ds.
Thi s doesn' t mean you have t o be ar r ogant , or l ack a sense of humor . You can be
war m and f r i endl y at t he s a me t i me you are bei ng di r ect and powerf ul .
The key i s
f i ndi ng t he bal ance. Once you do you wi l l not be abl e to keep wo me n away f r
om you.
Now, i t ' s easy to t al k and t el l you t hat you shoul d have t hi s att i t ude, but t hat
won' t hel p you to act ual l y get i t . That ' s why t he next coupl e of chapt er s are
so i mpor t ant . They wi l l show you how t o i nst al l t hi s at t i t ude
i n your sel f so that you aut o ma t i cal l y f i nd your sel f l i vi ng by i t i n
your appr oach t o wo me n. You
won' t even have t o t r y or t o "t hi nk about i t . " I t wi l l j ust happen.
Her e' s t he ot her at t i t ude/ bel i ef you' l l want t o mas t er i f

you r eal l y want t o be a success at scori ng wi t
h wo me n l i ke a ma d ma n.
I DON' T GET RATTL ED BY

SETBACKS BECAUSE I LEARN
FROM MY MI STAKES.
I r e me mb er wat chi ng a TV show wher e t he host was i nt ervi ewi ng a movi e

st ar/ kar at e c ha mp who shal l go na me l ess. The host asked hi m
what t he secr et of hi s success was, and the karate guy l ooked at hi m i n
that wooden way of hi s and sai d:
" Whe n I f i r st st art ed out c ompe t i ng i n Karat e Tour na ment s, I

wasn' t t hat good. I got beat a l ot, but I al
ways l ear ned f r om my mi st akes. I nst ead of cr yi ng over my l osi ng, I j ust
st udi ed what I woul d have t o do di f f er ent l y the next t i me, and whenever I
me t t he s ame guy agai n or a di f f erent guy i n t he s a me si t uat i on, I
ALWAYS cr eamed ' em. "
Look - unl ess you are unusual l y l ucky, chances ar e you are goi ng t o ma k e a f
ew mi st akes as you pr act i ce t he i deas i n thi s book. And, as great as t
hese tr i cks are, t hey won' t work ever y si ngl e t i me.
Unl ess you know how t o l ear n f r om your mi st akes and accept and occasi onal l
oss, you wi l l get nowhere. The mo s t successf ul guys I
know at scor i ng al l have t wo gr eat st r engt hs: They have
t he f i r st power at t i t ude we' ve j ust l ooked at , and
t hey al so know how t o accept gett i ng rej ect ed wi t hout i t bother i ng t hem and t
hey l ear n f r om t hei r mi st akes.
Ok. As I pr o mi sed, l et ' s get on t o t he next

coupl e of chapt er s whi ch wi l l show you how t o act ual l y l i
ve t hese at t i t udes i nst ead of j ust r eadi ng about t hem.
Chapt er Two
HOW TO I NSTALL
THE SUPER GET LAI D ATTI TUDES I N YOURSELF
SO YOU USE THEM AUTOMATI CALLY
Ther e i s one smal l poi nt you have t o get bef or e you can use t hi s exerci se. Take
a mi nut e t o i magi ne your sel f r i di ng i n a r ol l er
coast er . See your sel f si t t i ng i n t he f r ont car , r i di ng up and down.
Now, ma ke another pi ct ur e of a r ol l er coast er , but t hi s t i me, do NOT see

your sel f i n t he pi ct ur e. See i t as i f you wer e act ual l y l ooki ng out of your own
eyes, si t t i ng i n t he r ol l er coaster . Ri de f or a f ew moment s.
Now, whi ch one of t hose f el t mo r e real i n your body? I ' l l bet anyt hi ng i t was
t he second ki nd. An i ma ge or goal onl y appear s r eal t o your mi nd i f i t comes i
n t he second f or m, as i f you were seei ng i t t hr ough your own eyes.
THE FAI LURE TO UNDERSTAND THI S SI MPLE DI FFERENCE

BETWEEN THE T WO KI NDS OF MENTAL PI CTURES PEOPLE
MAKE I S THE SI NGLE BI GGEST REASON WHY MOST PEOPLE
NEVER REACH THEI R GOALS.
You coul d i magi ne yoursel f act i ng conf i dent and power f ul unti l you ar e bl ue i n
t he f ace, but unl ess you gi ve your mi nd s ome cues as t o when i t i s goi ng t o t
ap i nt o those pi ct ur es you wi l l get NOWHERE. You wi l l never t ap
i nt o al l t hose
gr eat r esour ces you' ve been i ma gi ni ng.
For ease we are goi ng t o cal l t he f i r st ki nd of pi ct ur e, wher e you do see

your sel f , pi ct ur e t ype 1, and t he second ki nd of pi ct ur e wher e you do not see
your sel f , pi cture t ype 2.
Ok. Now t hat we have ma de t hat cl ear , l et' s get on t o t he
exerci se. St ep One:
Recal l a t i me i n your past when you f el t conf i dent and powerf ul . A t i me wher e
you f ul l y f el t t he way you' d l i ke t o f eel around wo me n. Thi s can be
anywher e and about anyt hi ng - a gr eat gol f shot you ma de , or an "A" book r epor t
you di d i n school .
St ep Two:
Cl ose your eyes, and see your sel f i n t he f i r st ki nd of pi ct ur e, goi ng t hr

ough t hat exper i ence agai n.
St ep Thr ee:
Now, st ep i nt o the pi ct ur e, and see t he event s as i f you wer e actual l y l ooki ng

out f r om your own eyes. See what you saw, hear what you hear d, and f eel how
good i t f el t i n your body. When t hose f eel i ngs of conf i dence and power r each t
hei r peak i n your body, r each over wi t h your r i ght hand, and gi ve your l ef t wr i st a
squeeze. Run t hrough t hi s t wi ce mo r e, gi vi ng t he same squeeze i n t he same pl
ace. Thi s wi l l t r ai n your mi nd t o r ecal l t hose f eel i ngs of power
and conf i dence whenever you squeeze your wr i st t he way you ar e doi ng now.
St ep Four :
Thi nk of a si t uat i on or ci r cums t ance wher e you woul d l i ke t o be mor e power

f ul wi t h wo me n or mor e poi sed or what ever i t i s you' d l i ke.
St ep Fi ve:
Pi ct ur e i t t he second way, as i f i t wer e goi ng on and you wer e seei ng i t t hr

ough your own eyes.
St ep Si x:
As you do so, r each over wi t h your r i ght hand and squeeze your l ef t wr i st ,
t r i gger i ng your conf i dence anchor . Thi s wi l l t r ai n your mi nd t o
aut omat i cal l y cal l up t he f eel i ngs of conf i dence and power
when you are i n a si t uati on l i ke
t he one you ar e seei ng t hrough your own eyes. You won' t even have t o t hi nk
about doi ng i t , whi ch i s t he advant age. ( And t
hat ' s why anchor i ng wor ks wher e
"posi t i ve t hi nki ng" won' t , because
of t en by t he t i me you get your sel f t hi nki
ng posi t i vel y, i t ' s al ready t oo l at e. )
Now, once you' ve done thi s, I want you t o do i t agai n, but t hi s t i me I want you
t o pi ck di f f er ent ci r c ums t ances wher e you' d l i ke t o use your "power att i t
ude"
t hat we t al ked about i n the f i r st chapt er . Make one a si t uati on wher e you see a
beaut i f ul wo ma n you' d l i ke t o tal k t o. Anot her coul d be ma k i ng a pass at a
wo ma n back at your pl ace. Go through t he si t uat i on wi t h t he f i r st
ki nd of pi ct ur e,
seei ng your sel f i n t he pi ct ur e. Then st ep i nt o t he pi ct ur e, and go t hr ough i t
, f eel i ng what i t woul d f eel l i ke, l ooki ng thr
ough your own eyes. Do t he s ame
t hi ng f or t he second "l earni ng f r om your mi st akes" att i t ude. See your sel f maki
ng a mi st ake, f eel i ng ok about i t , and l ear ni ng what
ever l esson you need so you can do i t di f f er ent l y next t i me. Then st ep i nt o t he
pi ct ur e and see i t t hr ough your own eyes.
Chapt er Thr ee
BELI EVE I T OR NOT,

HOW TO HAVE EVEN MORE CONFI DENCE WI TH WOMEN
A great deal of success and power wi t h wo me n has not hi ng t o do wi t h how you

act and f eel about t hem, but a l ot t o do
wi t h how you act and f eel about your sel f .
Wha t we' r e real l y t al ki ng about her e i s SELF- RESPECT.
Pl ent y of me n who woul dn' t t ake a bi t of cr ap f r om anot her guy t ur n i nt o

down r i ght spi nel ess wi mp s when i t comes t o wo me n. Whe t her t hey ar e r el i
vi ng ol d dr amas wi t h a mommy t hey coul dn' t pl ease as chi l dren, or ar e scar ed f
or some other r eason, t hey put t he wo ma n f i r st .
Ot her guys have a sl i ght l y di f f er ent pr obl em. They ma y not t ake any cr ap f r oma
wo ma n, but get t i ng l ai d i s SO da mn i
mpo r t ant t o t hem t hat t hey l ose si ght of
ot her pr i or i t i es. I n a sense i n l oses al l t he f un aspect s, and get s t o be a
c o mp ul si on.
Guys l i ke t hi s may wi n t he bat t l es, but t hey ar e def i ni t el y l osi ng t he war .

Wo me n ma y be ni ce addi t i ons t o your l i f e, and i f you f i nd
t he r i ght one, you
mi ght even chose t o ma ke her part of t he cent er of your s. But a l i f e spent doi ng
not hi ng but chasi ng wo me n i s a pr ett y st upi d one.
I f t hat i s your pr obl em, t hen pul l your sel f up shor t f or a mi nut e, and ask
your sel f i f you mi ght be mi ssi ng s ome of t he ot her pl easur es l i f e has t o of f er .
You mi ght be shocked t o l earn t hat a qui et eveni ng at h ome wi t h a good book can
act ual l y be mo r e st i mul at i ng than a bori ng dat e wi t h a huge br east ed bi mbo wi
t h a r oom t emper at ur e I . Q.
So her e' s a hi nt f or i ncreasi ng your conf i dence wi t h wo me n: STOP NEEDI NG THEM

SO MUCH! And a good way t o do t hat i s goi ng out and f i ndi ng a hobby that you
can
r eal l y enj oy. S omet hi ng t hat get s you AWAY f r om wo me n.
Not onl y wi l l t hi s i ncr ease your conf i dence as you are on t he pr owl , i t pr ovi
des a gr eat escape f or when t hat speci al l ady you
are wi t h put s a bi t of st r ess and st r ai n on your br ai n, as t hey so
of t en wi l l .
Per sonal l y, I pref er Bi g Mout h Bass Fi shi ng. Most wo me n hat e even t he t hought
of s o me i cky, sl i my f i sh f l oppi ng al l over t hem, and woul dn' t even consi der
aski ng t o go al ong wi t h you. And besi des, Ienj oy cat chi ng somet hi ng wi t h a
bi g mout h, and bei ng abl e t o i nst ant l y thr ow i t away i f I f eel l i ke i
t. Wo me n ar e not so easy.
Chapt er Four
STI LL MORE CONFI DENCE AND POWER WI TH WOMEN!
Here i s a magi c wor d that wi l l br i ng you l oads of success wi t h wo me n, and

get you l ai d l i ke cr azy. I t works wi t h al l wo men, but t he
mo r e beaut i f ul t he woma n, t he bet t er i t works. The word
i s: NO!
That' s r i ght . No! The same wor d t hat wi l l keep a puppy f r om wet t i ng t he car
pet wi l l al so keep a wo ma n f r om shi t t i ng on you!
You must say no t o a woman once i n a whi l e,when i t i s over an i ss ue

of i mpor t ance, and when you me a n i t .
No mat t er how gor geous, or great i n t he

sack or how ot her wi se wonder f ul she ma y be ( and
who el se but such a goddess coul d possi bl y begi n t o deser ve t o be i n YOUR
company?) you must be wi l l i ng t o wal k away f r om her i f you
can' t deal wi t h her f roma posi t i on of sel f - respect.
And sel f - r espect , my f r i end, i s mos tl y a mat t er of

what you say no to. I t ' s a boundary set by what i s not permi
t t ed, t ol er ated or al l owed. And whi l e i t ma y be negat i
ve f r om t hi s s emant i c sense, i n r eal i t y i t i s t he mos t power and posi t i
ve f orce you have goi ng f or you. Wh en a wo ma n senses i t i n you, she knows s
he' s
f ound s o met hi ng she' s i nst i nct i vel y want ed si nce she r eal i zed she' s f ema l e: A
MAN SHE COULD NEVER HOPE TO CONTROL.
I know t hi s i sn' t easy. I t hur t s, r eal l y hur t s t o have t o wal k away f r om

someone you r eal l y di g because she i sn' t t r eat i ng you r i ght . But l ove can
of t en be l i ke a st r eet f i ght , and r emember t he st r eet f i ght er ' s number
one r ul e: I gnore t he
pai n and car r y out your of f ensi ve wi t h ever ythi ng you' ve got . I f you can pul l
t hi s of f , you wi l l wal k wi t h a conf i dence and power t hat wo me n of al l ages
wi l l be abl e to sense. And mor e i mpor t ant l y, you' l l l
i ke t he guy who l i ves i nsi de your ski n.
Chapt er Fi ve
YET MORE CONFI DENCE AND POWER WI TH WOMEN
Geor ge S. Pat t on J r . , t he hel l - f or - l eat her Gener al of Wor l d War I I f ame was
once asked what he t hought of hi s r i val , t he Br i t i sh Fi el d Mar shal l
Mont gomer y.
Pat t on r epl i ed, "He' s t he best Gener al t he Br i t i sh have. But he' s mo r e
i nt er est ed i n not l osi ng t han he i s i n wi nni ng. Unf ort unat el y f or ma ny men,
t hat ' s t hei r at t i t ude t oward wo men. They wal k on egg-
shel l s, caut i ous as can be, hopi ng agai nst hope t hat t hey
don' t ma ke a mi st ake.
I f you want t o have DYNAMI C power wi t h wo me n, begi n t o f

ocus on what you want , and what you ar e goi ng t o do, not on
what you mi ght l ose or what ' s goi ng t o happen t o you i f you don' t
wi n. Of cour se, gi ve t he ri sks a gl ance. But don' t
f ocus on t h em.
Focus on what you desi r e. Wha t wi l l i t be l i ke when you' r e wi t h t hat wo ma n

you want ? What wi l l you see? Wha t wi l l you hear ? What wi l l
you f eel i n your body?
These ar e t he ki nds of quest i ons t hat wi l l get you exci t ed about and ai med at
wi nni ng, i nst ead of cr i ngi ng at l osi ng. Even i f you know you have s o me
c ompet i t i on you' l l be abl e t o gi ve i t your best shot , because your maj or f ocus
wi l l be on your out c ome.
I n s hor t :
GLANCE AT WHAT YOU MI GHT HAVE TO LOSE,

BUT FOCUS ON WHAT YOU WANT TO WI N.
Chapt er Si x
HOW TO FAKE LI KE YOU ARE WARM AND FRI ENDLY
When I was i n col l ege, and st r uggl i ng j ust t o get a dat e, l et al one get l ai d
r i ght and l ef t , I knew one guy who ALWAYS had gr eat l ooki ng wo me n ar ound hi m.
He seemed t o know pract i cal l y ever y gi r l
on campus, and they' d al ways c o me up to
hi m and gi ve hi m hugs and ki sses. No, he was not a coke deal er or a pi mp. Of al l
t hi ngs, he was an evangel i st .
Now, I ' m cer t ai nl y not advocat i ng J esus Fr eaker y as t he way t o get your weeni e
wet . But you mi ght t ake a f ew l essons f r om t hi s guy, Chr i s. I ' d wat ch hi m go t
o wor k on wo me n who wer e absol ut e st r anger s and wi t hi n a f ew mi nut es, t hey' d
be
l aughi ng and punchi ng hi m pl ayf ul l y, s omet i mes gi vi ng hi m hugs. I f it
wer en' t f or t he Lor d, Chr i s woul d
have been t he bi g st ud on campus.
And what was hi s secr et , a secr et I hope YOU use t o l aunch you on t he way t o
get t i ng l ai d l i ke a bandi t ? Hi s af f i ni t y and war mt h ma de wo me n f eel
ADORED. He di dn' t c o me on al l hot and heavy, l i ke a hungr y
wol f on t he pr owl . He c ame on wi t h al l t he f r i endl i ness and
f un at hi s di sposal - as i f t hese st r ange women wer e l ong l ost f r i
ends t hat he dear l y l oved.
And t hey bought i t ! Even t he chi cki est wo ma n, who i s very upt i ght about bei ng a
sex obj ect , want s t o f eel l oved and speci al . And j ust by t he warmt h i n t he t
one of hi s voi ce and hi s smi l e he ma de t hese gi r l s f eel as i f t hey WE RE l ong l
ost
f ri ends.
Look at i t t hi s way: Even t he nast i est per son f i nds i t har d t o r eact f ear f ul l
y or angr i l y t o someone who ma ke s t hem f eel l oved and appr eci at ed.
I suggest you mak e t hi s AS I F pr i nci pl e part of your bag of t r i cks. The next
t i me you appr oach a wo ma n who i s maki ng you bur st out of your pants wi t h l
ust , t r y put t i ng asi de t he l ust and t ur ni ng on t he warmt h.
Conveyi ng warmt h and af f i ni t y i sn' t so t ough - j ust t hi nk of how you l ook and
sound when you see a ni ece or nephew, or even a pet t hat del i ght s you. No, I am
not suggest i ng baby t al k as a way of scori ng babes. I ' m t r yi ng t o gi ve you an
ex ampl e of wher e i t ' s nat ur al f or you t o behave t he way I ' d l i ke you t o t r y
behavi ng wi t h women.
The i mpor t ant pr i nci pl e t o appl y here i s t hat THE MEANI NG OF YOUR COMMUNI CATI
ON I S THE RESPONSE I T GETS. I f you use a t one of voi ce or a f aci al
expr essi on t hat ma kes wo me n f ear f ul or suspi ci ous, t
hen no ma t t er how cl ever your wor ds ar e, t he message you convey t o her i s t hat
she shoul d be af r ai d and suspi ci ous of you.
I f voi ce tone and physi ol ogy ( and agai n I don' t me an your appear ance per se, but
r ather your post ur e and f aci al expr essi ons) are so cruci al i n how wo men r eact t
o you, t hen what i s t he key t o pr oduci ng voi ce tone
and physi ol ogy? Your bel i ef and expect at i on about your out come.
I f you bel i eve you are goi ng t o get r ej ect ed t hen you are ei t her goi ng t o
convey f ear, and ma ke her f earf ul or el se you are goi ng t o t r y t o beat her t o t
he punch and act so obnoxi ous t hat she r ej ect s you r i ght of f , so you don' t have
t o wai t
t oo l ong i n suspense f or your negati ve pr edi ct i on t o c ome tr ue. You j ust want t
o get i t over wi t h qui ckl y so you act ual l y pr oduce t he humi l i at i on t hat you
bel i eve you cannot avoi d.
By cont r ast , i f you act as i f you t r ul y wer e someone who ever yone l i ked and
r ecei ved war ml y, t hen t hat war mt h i s what your t one and physi ol ogy wi l l
convey, and t hat ' s t he response you wi l l get , ni ne ti mes out of t
en. I ' m not sayi ng you' l l get l ai d wi t h ever yone you appr oach,
but sel dom wi l l you have a nast y exper i ence ei t her . And
any wo ma n who doesn' t r espond posi t i vel y t o war mt h and af f i ni t y i s ser i ousl
y si ck and shoul d be avoi ded at al l cost s anyway.
PRACTI CE EXERCI SE: OK, I know t hi

s one i s goi ng t o SEEM a l i t t l e si l l y, but i t ' s goi ng t o hel p you get l ai d l i ke
CRAZY, so j ust do i t !
Step One:
Re me mbe r t he wor ds t o t he pl edge of al l egi ance. I n case you don' t here they
are: ( You ma y st and and put your hand over your hear t i f you so choose. )
I pl edge al l egi ance t o the f l ag of t he Uni t ed St at es of Amer i ca, and t o the

Republ i c f or whi ch i t st ands,one nat i on, under God, i ndi vi si bl e, wi t h l i ber t
y and j usti ce f or al l .
Step Two:
Pract i ce, out l oud, sayi ng t hese words wi t h al l t he warmt h and f r i endl i
ness you can mu st er.
St ep Thr ee:
Pr act i ce sayi ng t hem out l oud as i f you t hought t hey wer e the f unni est t hi ng i
n t he wor l d and you mi ght cr ack up l aughi ng at any mo me nt .
OK, so you f eel a bi t si l l y pr acti ci ng ( and i f s o meo ne shoul d catch you t hey
ma y t hi nk you' ve j oi ned t he J ohn Bi r ch Soci et y) and i t s eems wei r d. But j
ust
r emember -
I T I SN' T SO MUCH WHAT YOU SAY TO A WOMAN,

BUT YOUR TONE OF VOI CE WHEN YOU SAY I T! ! !
!
Chapt er Seven
GETTI NG HER ATTENTI ON

THE KEY TO PI CK- UPS WHEREVER YOU ARE
I have a br other who' s i n adver t i si ng - mo r e speci f i cal l y he wr i t es

newspaper and maga z i ne ad copy. I once wat ched hi m at wor k, and he sat f or
about t hr ee hours and t hen wr ot e one sent ence! One sent ence!
I asked hi m why he t ook so l ong on one sentence and hi s answer st uck wi t h me :

I t ' s t hat f i r st sent ence t hat det er mi nes whet her t hey even read the r est of t
he ad!
Look at meet i ng wo me n l i ke an ad ma n who' s wr i t i ng copy f or a newspaper

ad. Maybe one out of a hundr ed r eader s i s acti vel y l ooki ng f or t he pr oduct
you are t r yi ng t o sel l , and t hey wi l l r ead your whol e ad no ma t t er what
t he headl i ne
says.
The r est of t he r eader s coul d car e l ess. They ar e busy f l i ppi ng pages, t r yi ng t
o get t o t he c omi cs sect i on or t he sport s page. They wi l l onl y st op i
f s o met hi ng gr abs t hei r at t ent i on.
So i t i s wi t h t he aver age chi ck. I n a f ew l ucky si t uat i ons, your l ooks al one
wi l l snag her . But t he rest of t he t i me you won' t have muc h chance of sel l i
ng your pr oduct unl ess you gr ab her at t ent i on and gr ab i t f ast . ( I know,
you want t o gr ab s o met hi ng el se, but t hat c omes l ater . Ani ma l . )
Bel ow are s o me oft he best ways t o gr ab a gi r l ' s at t ent i on. Keep them i n mi nd
as you read the next f ew chapt ers .
Humor
Appeal i ng to her cur i osi t y
Put t i ng an unusual or unexpect ed t wi st on an ol d, cl i che pi ck-
up Rol e pl ayi ng
Faki ng l i ke you al r eady know her
Appeal i ng t o her ego
Showi ng out r ageous bal l s or gut s
Chapt er Ei ght
HOW TO MAKE A WOMAN YOU' VE J UST MET

FEEL LI KE SHE' S MET THE MAN OF HER DREAMS
The next st ep af t er you' ve got her at t enti on i s t o i nt r oduce yoursel f and get
her n ame . I hope you are smar t enough t o do that wi t hout my advi ce.
Then you' ve got t o cr eat e t he i l l usi on of r appor t . For t hose of you who don'
t know what r apport means , t he di ct i onar y def i nes i t as: "Accor
d, af f i ni t y,
r el at i ons mar ked by har mo ny . "
The t echni ques you use t o cr eat e r appor t wi l l var y accor di ng t o t he t ype of
pi ck- up you are usi ng. Of cour se, we' ve al r eady gone over t he pr oper way to use
your t one of voi ce.
Her e are t wo ot her very sneaky and power f ul ways t o cr eat e r appor t wi t h a
wo ma n. You shoul d use t hem when you' r e act ual l y on a dat e as wel l as when you
f i r st me et a wo ma n. They t ake some pr act i ce t o ma s t er,
but wor k qui t e wel l .
MI RRORI NG
Ther e once was a ver y power f ul and successf ul hypnot i st by t he na me of Mi l t

on Eri ckson. Wh en you ar e t hrough wi t h t hi s book you ma y wel l want t
o bui l d a shr i ne t o Er i ckson, because t hi s man i s goi ng t o hel p get you l ai
d mo r e t han havi ng a mi l l i on dol l ars cash and a body l i ke Scharwt znegger .
Er i ckson coul d hypnot i ze anyone, even t he mo s t r esi st ant pati ent or cl i ent .
One of t he ways he di d
t hi s was by mi r r ori ng t he br eat hi ng of t he person he was
hypnot i zi ng.
Now, I ' m goi ng to pause f or a mi nut e so you can go t hr ough your " Bul l shi t "
r eact i on. But mi r r ori ng someone' s breat hi ng i s a very power f ul way t o ma ke
them unconsci ousl y f eel i n t une wi t h you. Er i ckson woul d
wat ch t he r ate of hi s
cl i ent ' s breat hi ng and t hen begi n t o ma t ch i t wi t h hi s own br eathi ng, or
wi t h t he pace of hi s speaki ng. Or he' d t ap hi s chest wi t h
hi s hand i n t i me to t he per sons breat hi ng, and t hen begi n t o gr adual l y
sl ow t he tappi ng. The per son' s br eat hi ng woul d sl ow i n t i me to t he t appi
ng!
Mi r r ori ng wor ks because your unconsci ous pi cks up and i s awar e of t hi ngs your
consci ous mi nd has no knowl edge of . To convi nce your sel f t hat t hi s i s so, t r
y t hi s exper i ment :
Get a f r i end of your s and have t hem cl ose t hei r eyes. Ask t hem t o keep t hei
r eyes cl osed, and guess what you are doi ng.
St and i n f r ont of t h em, and begi n speaki ng. As you do so, sway your head f r om
si de t o si de.
Ask t hem what you ar e doi ng.
Of cour se, t hey wi l l be abl e to t el l you you are mo vi ng your head back
and f ort h. Now, ask t hem how t hey knew t hey' l l t el l you t hey coul d
hear t he
di f f erence i n how you sounded.
Now, t r y i t agai n, but t hi s t i me ask t hem t o keep t hei r eyes open. Ask
if t hey can hear t he di f f er ence now, and of cour
se t hey can' t ? Act ual l y, t hey CAN hear
t he di f f er ence, because t hey st i l l have t he s ame pai r of ear s - t hey j ust ar en' t
CONSCI OUSLY awar e ofi t . But unconsci ousl y, you bet t hey are!
I n t he s a me way, i fyou mi r r or a chi ck' s br eat hi ng, or her t one of voi ce, or
r at e of speaki ng, or even a par t i cul ar gest ur e she uses, on a consci ous l evel
she won' t noti ce. I f she does noti ce on a consci ous l evel , t hen you are bei ng
t oo obvi ous and she' s ei t her goi ng t o thi nk you are a wei r do or are maki ng f
un of her , and nei t her of t hese wi l l scor e you poi nt s.
But i f you do i t subt l y, t hen al l she wi l l know i s t hat f or s o me odd r eason

she sur e s eems t o f eel r i ght down c o mf ort abl e wi t h you, ol d buddy,
as i f she' s l oved you f or year s!
Chapt er Ni ne
SOME GREAT METHODS AND GREAT PLACES

TO PI CK UP MORE WOMEN
THAN YOU AND A FRI END
COULD POSSI BLY HOPE TO HANDLE
I NCLUDI NG THE ONLY TWO PI CK- UP LI
NES I N THE WORLD THAT WORK SO WEL L
THAT THEY CAN GET YOU LAI D AUTOMATI CALLY
ECOLOGY WARNI NG! ! ! ! ! ! !
You ar e about t o l ear n some ver y ef f ect i ve met hods f or meet i ng women. Whi l e
al l of t hem are ef f ect i ve, s o me of t hem
mi ght not be r i ght f or you t o use i n an over al l sense. I
f , f or e x ampl e, you need t o work on bei ng mo r e di r ect , t hen
usi ng s o me of t he t r i cki er met hods t hat r el y on get t i ng a wo ma n' s at t ent i on
vi a some ki nd of pl oy mi ght hur t you i n t he l ong run. Use your own best j u dgme nt
and t r y to t hi nk l ong t er m.
Si ngl es Bar s
Even t hough I don' t par t i cul ar l y car e f or si ngl es bar s, I guess I am obl i gat ed
t o t el l you some ways t o wor k t h em. Her e ar e s o me t hi ngs t o keep i n mi nd i f you
want t o use si ngl es bars t o pi ck up wo me n:
Wo me n i n si ngl es bar s are sor t of l i ke mo t orcycl e cops. Mot orcycl e cops have
hear d ever y st or y i n t he book f r om peopl e t r yi ng t o tal k t hem out of t i cket s.
Wo me n i n si ngl es bars have hear d every st ory and l i ne ( i f t hey are hal f way
decent l ooki ng, t hat i s, and i f not , who car es?) t r yi ng t o t al k them out of
t hei r pant i es.
Si nce you are runni ng agai nst t he odds, you are goi ng t o have t o go t hrough
some numb er s bef ore you get a pi ck- up. Unl ess you are a mo vi e st ar or l ook l i
ke a
Gr eek God, f i gur e about 10 "no' s" ( woul d you bel i eve, "f uck of f ") f or ever y yes,
i f you ar e l ucky. So pi ck an appr oach you enj oy doi ng, si nce you are goi ng t o
have to use i t a l ot . Per sonal l y, I pr ef er a f unny appr oach, because I l i ke
get t i ng a l augh, enj oy a wo ma n wi t h a sense of h umo r , and gener al l y have
f un wi t h t hi s angl e of at t ack.
Si nce mo s t bars ar e so l oud, what wi t h hundr eds of peopl e tal ki ng at once, and
mor e of t en than not , musi c bl ast i ng as wel l , BRI NG A PEN AND SMALL NOTE PAD! !
! Thi s wi l l save your voi ce and al l ow you t o communi cat e!
Keep mo vi ng, and don' t l et a l ess t han opt i mum r esponse st op you. Thi s i s a
number s game,and i f a part i cul ar gi r l i sn' t gi vi ng you t he r esponse you l i ke,
cut bai t and mo ve on t o gr eener past ur es.
OK. Her e i s my f avori t e si ngl es bar met hod. I t i nvol ves usi ng a note pad and
pen. What I do i s pi ck out a gi r l t hat i nt er est s me, scri bbl e t hi s not e, and
hand i t t o her :
"Hi , " I ' m t aki ng a sur vey on bad l i nes. Ci r cl e whi ch one you t hi nk i s t he wor
st . " 1. ` Co me her e of t en, sugar pant s?'
" 2. `Hey, baby. Can we go out i n t he col d and hug?'
"3. `Hi . I ' m t aki ng a sur vey on bad l i nes. ' "
Thi s al most al ways get s a l augh. When i t doesn' t , I j ust wal k away, because i
f t he chi ck can' t t ake a j oke, t hen t o heck wi t h her . But , as I sai d, t hi s i s
a
f un, enj oyabl e appr oach f or me, i t ' s uni que
and di f f er ent , and i t ' s a good opener.
Ther e ar e l ot s of var i at i ons on t he basi c note pad and pen appr oach. You coul d
pret end you are wr i t i ng a book f or men and want t o sur vey wo me n on t he best
ways t o meet t hem i n bars . But t hi s
appr oach mi ght arouse s o me suspi ci on, and I ki nd
of t hi nk i t ' s mor e c o mmo n t han you' d bel i eve.
Happy Hour s
Your l ocal r est aurant or bar' s happy hour i s a great pl ace t o meet women. They
go t here t o rel ax and unwi nd af t er wor k, and that me ans al cohol consumpt i on,
and pl ent y of it. So, you al r eady
have one st r i ke i n your f avor , because t hei r
i nhi bi t i ons ar e goi ng t o be a l ot l ess t han nor mal .
The " t aki ng a survey met hod" wor ks bett er i n t hi s set t i ng t han i n a si ngl es
bar, as women ar e, as I sai d, l ess suspi ci ous. You' r e pr obabl y bet t er of f sayi ng
t hat you are wr i t i ng a book f or me n and you are wor ki ng on a chapt er on bad l i
nes.
Ask t he wo me n you me et t o t el l you t he wor st pi ck- up l i nes t hey' ve ever hear d.
They' l l be mor e t han happy t o t el l you- one of t he t hi ngs women do most when
t hey get t oget her f or dri nks i s t o chi ck about men, so you' l l pr obabl y be r i ght
on subj ect! Thi s i s a f un appr oach, t hat adds some humo r t o the st al e "best
ways t o meet wo me n sur vey" approach. You' l l
me et l ot s of wo me n, and s o me of t hem are bound to
go f or you, out of sheer n umb er s al one.Wh o knows, you mi ght f i nd
out
t hat s o me of your f
avori t e l i nes ar e act ual l y t he ones wo men t hi nk of as bei
ng t he wor st ! That al one woul d ma k e i t wor t h your whi l e!
Wai t r esses
One of t he t hi ngs I noti ced when I was f i r st t r yi ng out si ngl es bars and happy
hour st r ategi es was t hat t he wai t r esses were al mo s t al ways bet t er l ooki ng
than any of t he f e ma l e cust o me r s! Take a good l ook next t i me you go t o t hese
pl aces and you wi l l see t hat I am r i ght .
I l ove pi cki ng up wai t r esses. Ther e i s f ar l ess pr essur e, t hey have t o tal k t o
you, and you can t ake your t i me . Unl i ke a gi r l you meet i n a bar, who you wi l l
mo r e t han l i kel y never see agai n unl ess you get a dat e, you can prett y mu c h
know wher e and when the wai t r ess of your dr eams wi l l be.
I shoul d poi nt out t hat wi t h wai t r esses, as wel l as sal es cl er ks, and ot her
" wor ki ng wo me n" you have t o deci de on a one st ep or t wo st ep approach. By t
hat , I mean t hat i f t hi ngs seem t o be goi ng r eal l y good on your
f i r st meet i ng, you can ask her out r i ght on t he spot . I f not,
you can t r y to bui l d mo r e rapport on l at er vi si t s, bef or e
you hi t her f or t he dat e or phone number .
Wai t r ess Bai t
As wi t h any pi ck- up, key f i r st st ep i s t o get your t ar get s att ent i on. Her e
ar e t hr ee good ways t o do t hat :
1. The cl ever l i ne appr oach. Here' s a l i ne t hat I ' ve used t i me and agai n.
God mus t have whi sper ed i t i n my ear, t he f i r st t i me I used i t . I t works
when you ar e i n a si ngl es bar or other bar or r est aur ant t hat has l ot s of f
ema l e
cust omer s, and your t ar get i s busy ser vi ng dr i nks. J ust l ook at her and say,
" I j ust want ed you t o know t hat ni nety- ni ne percent of t he wo me n who wal k
i n t hat door woul d ki l l t hei r own mo t hers t o l
ook hal f as good as you do. "
Thi s i s probabl y t he most ef f ect i ve l i ne you wi l l
ever use. I t ' s one t hi ng f or a beaut i f ul wo ma n t o hear t hat
a ma n t hi nks she' s good l ooki ng, but i t i sn' t
r eal l y t hat bi g a deal t o her . Af t er al l , she al r eady knows i t i s t r ue, and
may even be t i r ed of hear i ng i t .
But , wo me n bei ng such cat - l i ke cr eat ures, not hi ng pl eases t hem mor e than t o
know t hat t hey ar e SO beaut i f ul t hat other wo me n hate t hem f or i t
and are i nsanel y
j eal ous! Even t he most j aded, hard- ass ed woman woul d l ove t o bel i eve t hi s i
s true!
2. The di r ect appr oach. Her e, you ar e di r ect , but you al so acknowl edge the
r eal i t y t hat you are a st r anger t o her , and t hat you r espect
her need t o earn her l i vi ng wi t hout bei ng har assed by pi ck- up art i st s. Wa l
k up to her and say,
" I don' t mea n t o i nt er r upt you whi l e you are worki ng, but I j ust
want ed you t o know t hat I t hi nk you' r e one of t he
mo s t at t r act i ve wo me n I ' ve ever s een, and I ' m r eal l y gl ad I
worked up t he cour age t o i nt r oduce my s el f t o you. "
Tel l her your name, ask her hers, and t hen l et her get back t o wor k. Chances
ar e, she' l l be so i mpr essed, she' l l c ome over t o t al k to you. Thi s l i
ne i s ver y f l at t er i ng, and what r eal l y mak es i t wor k i s t he l ast bi t
about "wor ki ng up t he cour age t o meet you. " I t i mpl i es t hat she' s so beaut i f ul
t hat you j ust had t o over c o me al l t hat shyness j ust so
you coul d get a chance t o me et her . Wo me n eat t hi s l i ne l i ke candy and i t wi l l
get you l ai d by wai t r esses, sal esgi r l s and t he l i ke wi t h st ar t l i ng f r
equency.
3. The di r t y, sneaky, f ake l i ke you ar e i n show bi z appr oach. Her e i n L. A. ,

99. 999% of t he bet t er l ooki ng wai t r esses are aspi r i ng act r esses, wai t i ng f or
t hat bi g br eak. Some of t hese wo me n are so gor geous t hey woul d ma k e you dr
ool i n your pant s, and they are ri pe f or someone who t hey t hi nk
can hel p t hem al ong i n t hei r car eer .
Now, keepi ng i n mi nd t he ecol ogy warni ng at t he begi nni ng of t hi s
chapt er, l et me tel l you how I st umb l ed on t o thi s scam and how i t can hel p
you t o sl eep wi t h t he mo s t beaut i f ul
wo me n around.
At t he t i me I st u mb l ed on t hi s appr oach, I had a r o o mma t e who wor ked f or a

smal l aer ospace r esearch company. They had j ust mo ve d i nt o a
sui t e of of f i ces t hat
pr evi ousl y had been occupi ed by a t al ent agency. Openi ng a cl oset one day, t
hey di scover ed a f ew hundr ed pi ct ur es of ver y good l ooki ng act r esses who were
appl yi ng f or a rol e i n a f i l m.
My r o o mma t e brought about a hundr ed of t hem home, and as I was

goi ng through t hem, sl obber i ng al l over my s el f , i t suddenl y occur
r ed to me that :
Most of t hese gi r l s wer e pr obabl y worki ng as wai t r esses t o support t
hems e l ves. Wha t bet t er way t o get f avorabl e att ent i on f r om s o me cut i e pi e
wai t r ess than t o wal k i nt o a bar or r est aur ant wi t h t hese and j ust st art
goi ng t hr ough t hem.
So, t hat' s what I di d. And sure enough, bef ore l ong, a very gor geous young f
ood and dr i nk ser vi ce t echni ci an ( bur eaucr atese f or wai t r ess) c ame by t o
see what I was doi ng. I t ol d her t hat my si st er r an a company
t hat ma k es movi es f or TV
( whi ch happens t o be the tr ut h, but don' t wor r y i f you don' t have a si st er t
hat does t hat, you can t al k about my si st er i f you f eel gui l t y) and t hat she
want ed me to go t hrough t hese pi ct ures and sel ect t he ones I t hought wer e
the mo s t
at t r act i ve. Nat ur al l y, t hi s sweet i e pi e was an aspi r i ng f ut ur e Oscar wi nner ,
and asked i f she coul d get a r esume to me . I sai d i t woul d have to be f ast , as
my
si st er want ed t o know by t o mo r r ow. Of cour se, she i nvi t ed me to c o me back t o
her pl ace af t er wor k to get t he pi ct ur e, and wel l , we had a f ew dr i nks and. . . .
....
The key t o t hi s met hod i s not t o make i t seem l i ke you ar e bl ackmai l i ng her.
Tel l her you woul d be happy t o submi t her pi ct ur e and r esume t o t he r i ght
person. Af t er you have agreed t o t hat , THEN ask her out . The threat of you not
doi ng i t i f she doesn' t accept hasn' t been ma de , and ni ce guy t hat you are,
you woul dn' t even t hi nk of i mpl yi ng i t . But she mi ght be af r ai d of l osi ng your
good wi l l , and so wi l l accept . Tr y t o get her t o go out wi t h you on t he
spot .
Now, s o me of you ma y be wonderi ng, " We l l ,i t sounds great . But what i f I don'
t have a r oommat e who happens t o wor k f or an aer ospace r esear ch company t hat
happens t o be i n t he s a me of f i ce t hat used t o be used by a t al ent agency?"
Good quest i on. Wha t you do i s put a si mpl e ad i n your l ocal paper al ong these
l i nes:
" Model s want ed! Al l expenses pai d, pl us $500. 00 phot o shoot i n Tahi t i ! Send 8 x
10 t o: Your Na me Pr oduct i ons, Your Addr ess. "
That shoul d get you some ni ce r esponses.
Str eet and Super ma r ket Pi ckups
One of t he t oughest pl aces t o pi ck- up wo men i s r i ght on t he st r eet , and t hat' s

why I l ove i t ; i t ' s a real chal l enge.
Of cour se, one of t he easy ways out i s t he ol d " t aki ng a sur vey" met hod, but
t hat i sn' t near l y as muc h f un as usi ng l i nes.
The absol ut e key t o st r eet pi ckups i s t o be ver y upbeat, happy, war m and
f r i endl y. Do NOT come on heavy on the st r eet . Wo me n are nat ur al l y ( and j ust l
y) caut i ous i n t he bi g ci t y.
Her e' s a gr eat st r eet pi ck- up f or you t hat wi l l al so wor k i n a super ma rk et . I

cal l i t t he c ompl i ment st r i ng.
Pi ck out your t arget , t hen wal k al ongsi de her . Fi nd one thi ng about her you can
genui nel y c ompl i me nt , t hen say:
" I l i ke your hat . "
She' l l say "Thank you. "
Then say, " I l i ke your wat ch. "
She' l l say "Thank you. "
Then what you do i s pause, sor t of l ook at her si deways f or a moment , and say
wi t h as much charm and good humor as you can:
" Come t o t hi nk of i t , I l i ke ever yt hi ng. "
Ni ne t i mes out of t en t hat wi l l get a bi g l augh. I f she doesn' t l augh, she' s a

ver y upt i ght chi ck and you' d j ust get r ej ect ed i f you st r ai ght asked her out
anyway.
Once she' s l aughed you hi t her wi t h t hi s:

" My name' s ___ ___ __ . By what n ame are you cal l ed,
you shi ni ng exampl e of genet i c
per f ecti on?"
( I know t hat sounds cor ny but i t wi l l get a bi g l augh. Tr ust me.
) Once she tel l s you,you say,
" You know, I can t el l you' r e wo ma n wi t h f ant ast i c good t ast e. And you know
how I know t hat ?"
She' l l ask how.
" Because you l augh at al l of my j okes. "
She' l l l augh agai n. Then you hi t her wi t h anot her l augh l i ne.
"Do you bel i eve i n i r r at i onal and sel f - def eat i ng i nf at uat i on at f i r st si ght
?"
She' l l l augh agai n. I f she says yes, t hen you shoul d j oki ngl y l ook
heavenward and say,
" Thank you, God. Wo ul d you l i ke t o get a cup of cof f ee?" I f she says no ( t o the
i nf at uat i on quest i on, not your cof f ee i nvi t at i on) , you say,
"Gr eat . Then I ' m not bei ng i r r at i onal i f I ask you t o have a cup of cof f ee (
or s o me f r ozen yogur t , or what ever i s nearby and conveni ent ) .
Wha t ever t he response,you want t o t r y t o i nvi t e her t o do s omet hi ng wi t h
you, i n a publ i c pl ace, r i ght t hen and t her e.
I f she says she' d l i ke t o, but i s i n a hur r y to get s omewher e, ask her out f or
t hat eveni ng, i f i t i s at al l f easi bl e. Say s omet hi ng l i ke "I ' d be ver y
f l at t er ed i f you' d have di nner wi t h me t oni ght . " Be di r ect , but char mi ng at
t he same t i me , and don' t back down! Your ver y
di r ect ness i s part of what ma k es you appeal i ng, and when you c ombi ne i t wi t h
char m, a s mi l e, and the abi l i t y t o ma ke her l augh, you ar e real l y goi
ng to hi t her har d. And that bi t about bei ng
"f l at t er ed. " Wel l , f or s ome r eason I can' t f i gur e, t hat
wor ks ver y wel l . Make sur e you add t hat i n. I t ' s l i ke you' r e sayi ng t
hat t he ni cest c ompl i ment about your sel f woul d be t o be seen i n
publ i c wi t h her .
Thi s appr oach wi l l al so wor k wel l i n a super mar ket . I t ' s uni que, di f f erent,
f unny, di r ect , and f un and r o ma nt i c f or you and her . I di scover ed
anot her gr eat super mar ket pi ck- up tot al l y by acci dent . I was suf f er i
ng through anot her at t ack of hay- f ever dur i ng al l er gy season, so I went t o
the l ocal Osco dr ug st or e t o get s o met hi ng f or i t . As I was wal ki ng
al ong I spi ed an i ncr edi bl e honey weari ng ver y t i ght j eans and an equal l y t i ght
T- shi r t . As I wal ked by her , I had t o sneeze, but t he sneeze woul
dn' t c o me out , so I paused r i ght next t o her as I
st r uggl ed t o sneeze. I noti ced her l ooki ng at me, and i nst ant l y my ma gni f i cent
l y sl eazy brai n phoni ed up a sc am.
Wi t h one f i nger up t o my nose, as i f I wer e
about t o sneeze, I sai d t o her , " Do me a f avor . Pound me
real l y hard on the back. "
She sai d, " Ar e you sur
e?" I sai d, " Yes. "

She gave me a good sl ap, and I sai d, "Wel l , i t di dn' t hel p the sneeze, but I
t hi nk I j ust f el l i n l ove. What ' s your name? "
Then I hi t her wi t h t he ot her l i nes you' ve al r eady seen. Unf or t unat el y,she was
mar r i ed. Oh wel l . But I ' ve used t he l i ne on ot her occasi ons wi t h success. I t ' s
a n umb er s game, good buddy, a nu mb er s game. But you'
ll f i nd t hi s " sneeze" l i ne
wor ks wel l i n j ust about any publ i c " non- pi ck- up" set t i ng, such as t he beach,
par ks, et c. Tr y i t , and you' l l see i t ' s nothi ng t o sneeze at . Ha ha ha ha ha ha
ha. That ' s what ' s cal l ed an aut hor ' s r i ght t o abuse hi s r eader s.
How To As k A Wo man Out

Wh en You' r e Bot h I n Front Of Ot her Peopl e
Once I was i n bar ber s hop, gett i ng my hai r cut , and an i ncr edi bl y sexy l ady
was wai t i ng her t ur n. She was weari ng a ski r t t hat was so short t hat
you coul d
easi l y see her j ui cy t hi ghs. Her l egs wer e scr eami ng out t o be mi ne, but
what coul d I do? Al t hough I was busy
chatt i ng wi t h her i n f r ont of t he barber and t he ot her peopl e wai t i ng t hei r t
ur n, I coul dn' t gr aci ousl y ask her out r i ght t her e
i n f r ont of ever yone, coul d I ?
I st art ed r evi ewi ng my ot her opt i ons. I coul d

hang around af t er my hai r cut , and wai t f or her t o f i ni sh, and t
hen hi t her as she was c omi ng out t he door , but
t hat woul d be l a me, and ki nd of scary f or her .
Wel l , I di d a l i t t l e ment al exer ci se t hat r eal l y hel ps me when I ' m st umped

f or what t o say. I ma de a pi ct ur e i n my mi nd of my s el f , si t t i ng i n t
he barber chai r . Then I saw pi ct ure of mys el f st andi ng a f ew f
eet a away, wat chi ng me si t t i ng i n t he bar ber chai r .
So me ho w t hi s ki nd of " ment al di st anci ng" mysel f f r om a si t

uati on al ways hel ps. Sur e enough, t he r i ght wor ds c a me t o mi nd.
I sai d t o my t arget , "Let ' s see. You' r e a knock- out i n the l ooks depar t ment ,
you have the gr eat t aste to l augh at al l my j okes, and
you' r e al so ver y sweet . And
l i f e i s so unf ai r t hat i t ' s got t o be t he case t hat you' r e ei t her mar r i
ed or have a boyf r i end,or bot h. "
Thi s got a l augh f r om everyone present , most i mpor t ant l y her. " Act ual l y,
I don' t , " she sai d.
By t hi s t i me,i nst ead of bei ng an embar r assment , i t had t ur ned i nt o gr eat

ent ert ai n me nt f or ever yone pr esent ,
and she was enj oyi ng bei ng t he st ar of t
he show. You coul d have cut t he si l ence i n t hat pl
ace wi t h t he bar ber ' s st r ai ght
r azor, as ever yone wai t ed t o see what t he out c o me woul d be.
" Thank you, God" , I sai d, l ooki ng heavenwar d,hol di ng my hands t oget her i n
mo c k pr ayer . Anot her l augh f r om al l as s embl ed. Then I l ooked
at her , s mi l ed, paused, t hen sai d, "I ' d be ver y f l at t er ed i f you' d have di
nner wi t h me t oni ght . " She
sai d, " I ' d l ove to. " We set t he t i me , and she gave me her addr ess on a pi ece
of paper and i t was one of t he mo s t enj oyabl e and r omant i c eveni ngs I ' d
ever had. And her l egs f el t as good as t hey l ooked.
A Last Di t ch Met hod That Wi l l Al most Al ways

Get You A Dat e Even Af t er A Woman Has Sai d " No" To Goi ng Out Wi t h You
Thi s met hod wi l l wor k 9 t i mes out of 10 and r eal l y knock a woman out . You shoul d
use i t onl y af t er she' s ref used your i ni t i al of f er f or a dat e. I ' ve seen i t mel t
wo me n who had no i nt erest i n me what soever and i ni t i al l y r ef used t o
go out wi t h me.
I t wor ks l i ke t hi s. Fi nd out when your wai t r ess, or st or e cl er k, or ot her

wor ki ng gi r l i s on shi f t . Go t o your l ocal f l or i st and get a ni ce bouquet of
wi l df l ower s and such ma de up. Don' t go f or a dozen r ed r oses; t hat i s way t oo
heavy.
Wr i t e on t he card, " To ( Her na me) , f r omyour secret a dmi r er. "
Then have a buddy del i ver i t on or bef or e her shi f t . I f you can' t get a buddy t o
do i t , t r y t o t al k a passer by i nt o doi ng i t . Peopl e usual l y enj oy hel pi ng out
when i t i s a mat t er of l ove. Cor ny, ai n' t i t ?
Wa i t a f ew days, bef ore you go f or t he pi ece de resi st ance. Go t o your l ocal T-

shi r t st ore, and have t hem ma ke up a T- shi r t . I t shoul d say, " I AM YOUR SECRET
ADMI RER. " Put t hi s shi r t on under a but t on up shi r t or j acket , and t hen wal k i
n on your honey pi e' s shi f t . Wa l t z up t o her , t ap her on t he shoul der ,
and open your shi r t or j acket .
Now, t hat wi l l ma ke an i mpr essi on. You wer e cl ever , di f f er ent , uni que, and
went t o al l t hat t r oubl e j ust f or her . ( Never mi nd t hat you onl y have t o pay f
or t he shi r t once, but can use i t over and over agai n. J ust mak e sur e i t st
ays cl ean,
so i t doesn' t l ook used - t hat wi l l r eal l y bl ow i t f or you! ) Af t er she get s
t hr ough huggi ng you, or even ki ssi ng you, t el l her you' d l i ke t o see her , and
you' r e wi l l i ng t o go to s o me ef f ort t o do i t , and t hen some. Then ask her out
.
I f she' s got any s mar t s and hear t at al l , she' l l go f or i t . Thi s i s a gr eat , f
un met hod, and i t r eal l y works l i ke a charm!
By t he way, i fyou don' t have a l ocal T- shi r t shop, and want t o t r y t hi s,

you can or der a shi r t f r om me. Speci f y Smal l , Medi um, Lar ge,
or X- t r a l ar ge, and whet her you want t he gi r l ' s name put on t he
shi r t , so t hat she knows f or sur e you di d i t speci al l y f or her , or
whet her you want t he pl ai n, "I AM YOUR SECRET ADMI RER" message. It's t
went y bucks, t o t he same address and same name you sent your or i gi nal
pay ment f or t hi s book.
Chapt er Ten
SLASHI NG COMEBACKS FOR SLEAZOI D SLUTS!
Wo me n are not al ways sweet and f r i endl y, dyi ng t o me et you, and eager t o f ul
f i l l your every desi r e as a man. At t i me s t hey can be downr i ght nast
y.
Who says you have t o put up wi t h i t , f el l as? Her e are s o me wi cked r epl i es t o
her bi t chy put downs, t o l et her know j ust who' s i n charge!
HER: I ' M REALL Y NOT I NTERESTED I N MEETI NG YOU.
YOU: One of t hese days you ar e goi ng t o see a man acr oss a r oom and you' r e goi
ng t o want t o meet hi m but i t ' s not goi ng to happen because he' s goi ng to
i nt ui t i vel y pi ck up on your i ncredi bl e capaci t y f or r ude behavi or
. Al t er nat i ve One:
YOU: Thank you f or showi ng me how war m and f e mi ni ne you ar
e. Al t er nat i ve Two:
YOU: You' ve got a l i t t l e pi ece of snot hangi ng out your nose.
Al t er nat i ve Thr ee:
YOU: ( Gazi ng at her upper l i p) Gee. I t ' s amazi ng what t hey can do wi t
h el ectr ol ysi s t hese days .
Al t er nat i ve Four :
YOU: ( pul l out a t ampon whi ch you shoul d car r y f or j ust t hi s purpose) Her e. I t '
s gott a be that t i me of t he mo nt h!
Al t er nat i ve Fi ve:
YOU: I ' m a l onel y person t r yi ng t o over come my shyness and you' ve j ust sl
ammed me back i nt o my shel l f or mo nt hs. I hope
you' r e happy.
Al t ernat i ve Si x:
YOU:Chi l l out, ski r t !

Chapt er El even
HOW TO USE THE PERSONALS

TO GET HUNDREDS AND HUNDREDS OF WOMEN TO DATE!
Here' s how t o use t he personal s t o get hundr eds and hundr eds of r esponses f r
om j ust ONE ad! I got over FI VE HUNDRED
r esponses t he f i r st t i me I t r i ed i t - you
mi ght do even bet t er.
Fi r st , DON' T PLACE A PERSONAL AD! Now,I know I seem l i ke I ' m cont r adi ct i ng
my s el f her e, but pl ease bear wi t h me, because I ' m not ! I f you pl ace a per
sonal ad j ust l i ke ever y ot her guy on the si ngl es page of your l ocal paper ,
you ar en' t goi ng t o at t r act t he at t ent i on t hat you need! Re me mb er ,
ATTRACTI NG ATTENTI ON I S THE KEY TO MEETI NG WOMEN!
I nst ead, pl ace a s ma l l cl assi f i ed ad on t he si ngl es page of your l ocal paper or

magazi ne. Keep i t ver y si mpl e and don' t bot her wi t h art wor k or f ancy t r i mmi
ngs. The paper may do t he l ayout f or you f or a n o mi nal f ee - if not , a
graphi c ar t i st can do i t .I f you r eal l y want t o go cheap, hi r e a
ar t st udent f r om your l ocal
col l ege.
Her e' s how t he ad shoul d r ead:
WOMEN: How To Fi nd, Wi n and Keep t he

Love of Your Li f e I n Thi r t y Days or Less!
For absol ut el y f r ee i nf ormat i on send sel f - addr essed st a mped envel ope
to: ( YOUR ADDRESS GOES I N HERE, DUMMY! )
You ar e hal f - way home now. I nst ead of a f

ew cr u mmy r esponses t o a personal , you ar e goi ng t o get HUNDREDS and
HUNDREDS of women wr i t i ng! Run the ad t wo or t hr ee t i mes , to
convi nce t he skept i cs.
Her e' s t he second st ep. Wr i t e a one t o t wo page l et t er t hat i s a per sonal ad f or

you, descr i bi ng EXACTLY what you want and don' t want i n a wo ma n. Now of course,
I can' t t el l you what t hat i s. But I can t el l you how your l et t er shoul d st ar t
. Do i t j ust l i ke thi s:
" Dear Reader ,
" I have some SHOCKI NG news f or you. You ma y be j ust DAYS away f r om meet i ng
THE LOVE OF YOUR LI FE.
" I have even MORE shocki ng news f or you. You won' t have t o spend mo r e t han
50 cent s t o me et hi m, and i t shoul dn' t t ake mor e t han TEN
MI NUTES of your t i me. "
I have STI LL MORE shocki ng news f or you. Even i f t hi s shoul d happen f or you, I
wi l l st i l l owe you a GREAT, BI G, FAT APOLOGY.
" Al l ow me a mi nut e t o expl ai n.
"Thi s i s NOT a pi t ch f or a ' sel f - hel p' book. Thi s i s NOT a pi t ch f or a ' dat i ng
ser vi ce' or one of t hose di sgust i ng ' 976' number s. I t ' s not even a pi t ch f or a
s emi nar , an i r r esi st i bl e l ove pot i on, or a psychi c ast r ol ogi cal - past l i f e l ove
char t .
"So j ust what t he heck I S t hi s a pi t ch f or t hen?
"Qui t e si mpl y, dear r eader , t hi s i s a pi t ch f or
ME! " OK. Al l ow me ANOTHER mi nut e t o expl ai
n.
" My na me i s ( your n ame ) and I ' ve gone t o t he absur d ext r e me of pul l i ng a cr

azy st unt l i ke thi s because I ver y mu c h want t
o me et a VERY SPECI AL l ady t o l ove and enj oy and r espect . Who knows?
Maybe YOU ar e her .
" I KNOW you are out t her e, s o me wher e. But I ' ve r ecent l y real i zed t hat I woul
d have t o do s ome t hi ng DRASTI C t o get your at t ent i on, whi l e weedi ng out al l t
he CRAZI ES, LOSERS, and DUM- DUMS who are keepi ng us f r om meet i ng each ot her.
"I hope t hat l ast sent ence doesn' t seem over l y negat i ve, but I t hi nk i t ' s a
pr et t y accurat e descr i pt i on of t he si ngl es scene, f or bot h me n AND wo me n.
"
But I di gress . . . .
OK, you get t he poi nt . Then go on t o descr i be your good and bad poi nt s, what you
DON' T want i n a wo ma n, and what you do want . Fi nal l y, ask t
hem t o send a l ett er and a r ecent f ul l l engt h phot o. If
you l i ke what you see, ar r ange f or a meet i ng.
That ' s t he SMART way t o pl ay t he personal s.

Chapt er Twel ve
BI RDOGGI NG -
How To Get A Gi r l When She' s Wi t h Anot her
Guy ( Or Whe n You' r e Wi t h Anot her Gi r l )
You' r e at a part y, and so f ar t he act i on i s sl ow. The cl ass i est gi r l s t here ar

e t he ones who don' t have cooki e crumbs i n t hei r mus t aches. You' r e ser i
ousl y
consi der i ng goi ng h ome and t humbi ng t hrough t hat used copy of Ti t and Bu m.
And t hen. . . i n she wal ks. A st unni ng r aven hai r ed beaut y, i n t i ght r eveal i ng r
ed dr ess, her per t br east s st r ai ni ng
agai nst t he thi n, cl i ngi ng mat er i al ,ni ppl es
j ut t i ng, pout i ng bl ow j ob l i ps part ed ever so i nvi t i ngl y.
But you not i ce, t o your chagr i n,
t hat she' s wi t h anot her guy.
Wha t wi l l you do? Wh at wi l l you do????? ??? ??????
? Her e' s t wo appr oaches f or you t o tr y:
APPROACH NUMBER ONE:
As you f l i t about t he r o om, ma ke casual eye cont act wi t h t he gi r l . Try t o see

f r om her r esponse i f she' s i nt er est ed. I f you can' t t el l , MOVE I N ANYWAY.
Thi s i s a saf e me t hod - he won' t get a
chance t o punch you out . I ntr oduce yours el f ,
TO THE GUY. Be as ni ce and f r i endl y as you can, and above al l KEEP BRI NGI NG
THEM BOTH DRI NKS. The nast i er he shoul d get, t he ni cer you shoul d be. Thi s i ncr
eases your st atur e i n her eyes, and decr eases hi s. At s o me poi nt , Br
ui ser Boy i s goi ng t o have t o go pee. That ' s when you mak e your mo v e. Don' t
dawdl e, f or t i me i s of
t he essence. Move i n and pi t ch f or t he phone number. Then
get out of t here f ast , bef ore he c omes back! I deal l y, your bi r d- dog pi t ches
shoul d be t he f i nal ones of t he eveni ng as you don' t want t o be ar ound
if she snubs you and t hen deci des t o t el l hi m. There are s o me si cko
wo me n who enj oy ma k i ng t hei r boyf r i ends angry and j eal ous. Don' t
wai t t o see i f she' s one of t h e m.
APPROACH NUMBER TWO:

Hang out by the Bat hr oom.
Thi s i s gener al l y a good part y appr oach anyway everyone has t o go event ual l y,
and you get a gr eat chance t o see what ' s t her e i n t he r o om. Wa i t t i l l
ei t her your dr eamgi r l or her beau has t o go, and pounce t hen
and t her e. One t hi ng you shoul d keep i n mi nd - j ust because a gi r l i s wi t h
a guy doesn' t me an she' s REALLY wi t h t he guy. He coul d be her
brother , or cousi n, or r o omma t e. I f he' s
r eal l y unl ucky, he' s s o meo ne wi t h whom she' s " j ust f r i ends, " whi ch, bei ng
t r ansl at ed f r om womanese means, " he t akes me everywher e and pays f
or everyt hi ng, but i f he t r i es t o put a f i nger on me he' l l never
see me agai n. " Br ut al , ar en' t t hey?
Chapt er Thi r t
een GETTI NG THE
DATE
OK, l et ' s say you' ve managed t o pi ck- up a mo r e than pass abl e bi mbo. Wher e
do you go f r om t her e?
Basi cal l y, t her e are t wo school s of t hought . One school suggest s get t i ng
her h ome phone n umb er , wai t i ng a f ew days t o a week, and t
hen cal l i ng her f or a dat e.
The ot her advocat es t r yi ng t o get her t o go out wi t h you r i ght t hen and t here,
t he sooner t he bet t er. I f you can' t get a date wi t h her t hat eveni ng, you ma ke
a dat e f or anot her t i me, r i ght on t he spot .
I ' ve had both met hods wor k f or me , and t hei r are cert ai nl y advant ages t o
each. Per sonal l y I pr ef er t he on t he spot date
me t hod. Her e' s why.
Lot s of gi r l s who have nothi ng other wi se pl anned wi l l go out wi t h you t hat ni

ght i f you ma ke t he pi t ch exci t i ng enough. True, you' d
pr obabl y l i ke t o be wi t h a wo ma n who has mor e i nterest i n you, but t hen
agai n we' r e goi ng t o show you
t echni ques t o ma ke one of t hese "got nothi ng bett er t o do" gi r l s
eager t o sack wi t h you r egar dl ess of t hei r or i gi nal i nt ent i ons.
Al so, t here i s s o met hi ng ver y exci t i ng about goi ng out wi t h a st r anger t hat
you j ust met . I t ' s an ai r of " anythi ng coul d happen" t hat st r ongl y hel ps t o
al t er a gi r l s mo od and ma ke her suscept i bl e t o doi ng t hi ngs she nor ma l l y
woul dn' t .
By way of cont r ast i f you get her ho me number, and wai t sever al days t o cal l
, odds ar e t hat t he l ess i nt er est ed gi r l i s not goi ng t o be wi l l i ng t o
squeeze you i n t o her schedul e. And you' ve l ost t he ori gi nalexci t ement
of meet i ng a
st r anger . So i t ' s up t o you. I f you l i ke t he sel l i ng chal l enge, or j ust t he
adr enal i ne r ush of spont aneousl y ma ki ng a dat e on t he spot, do i t . If
you pr ef er t o f i ght by a set pl an, go wi t h t he phone
numbe r r out e.
Ei t her way, t he next t wo chapt ers wi l l show you the wi nni ng techni ques t o pul
l i t of f . . . . .
Chapt er Fourt een
GETTI NG THE PHONE NUMBER ROUTE
I f you' ve ever asked a wo ma n f or her phone nu mb er , you' ve pr obabl y not i ced

an i nt er est i ng phenomena - ver y f ew of t hem say "no" di r ect l y. I nst ead, t hey
say everyt hi ng BUT " yes. "
Have you ever got t en these r esponses?
"I ' m sor r y, I don' t have a phone. "
How do you communi cat e, chi ck? Smoke si gnal s??? " Wh y don' t you gi ve me
your number ?"
Ri ght . And as soon as your back i s t ur ned, t hat car d wi t h your number on i t wi l
l be shr edded so f ast t he CI A woul d envy the chi ck' s abi l i t y t o dest r oy do cument s.
DON' T BUY I T! I f a wo ma n t r i es t hi s sl i ck tr i ck on you, j ust nod your head,
smi l e, and wal k of f , l eavi ng her secur e i n t he knowl edge t hat she me t a ma n t oo
s mar t f or her t o bambooz l e. "Sur e. I t ' s 555- 1212. "
The ol d wr ong number pl oy. I cky, ar en' t t hey?
My poi nt i s t hi s - i f you get anyt hi ng but her i mmedi at e posi t i ve r esponse when
you ask f or her numbe r , you are i n bi g t r oubl e, part ner . Gi vi ng out t he ho me
phone number i s a ma j or st ep i nt o her pr i vacy, and she usual l y ai n' t about t o
do i t unl ess she di gs you on SOME l evel .
Wha t ' s t he best way t o ask f or t he nu mbe r ? Try t o be as mat t er of f act and
st r ai ght f orwar d as possi bl e. "I ' d l i ke t o t ake you out s omet i me, can I have your
home phone number ?" wi l l do j ust f i ne. I f you want t o be a l i t t l e sl i
cker , hand her a pen and a car d and say, " Magi c seven di gi t s, pl
ease. " That ' s a bi t mo r e
i nvent i ve, and i nvent i veness never hur t s.
I f you do get t he number, get l ost as soon as you can. Ther e' s no poi nt hangi ng
around af t er you' ve cl osed t he sal e. Leave her wonder i ng about you and get t he
hel l out of t her e bef ore you do or say somet hi ng t o ma k e her change her mi nd.
How l ong shoul d you wai t bef ore you cal l ? That depends. I f you sense her
i nt er est i n you was pr et t y hi gh, i t ' s saf e t o wai t 5 t o 7 days. She' l l be
wonder i ng what happened and why you haven' t cal l ed, and t hat wi l l make you
appear mo r e CHALLENGI NG and t her ef ore mo r e at t r act i ve i n her eyes.
I f you sense she wasn' t t hat i nt er est ed, wai t t wo days and then cal l .
Tr y t o must er up al l t he cheerf ul ness and f un you can when you make your cal l t
o pi t ch t he dat e. You want t o sound car ef r ee, f un,
and exci t ed about t he absol ut e bl ast t he t wo of you are goi ng t o
have t oget her . Tal k t o her i n t he t one of
voi ce you' d use f or an ol d f r i end who you enj oy bei ng wi t h.
The key poi nt i s t o ask her out FOR A SPECI FI C NI GHT. Don' t say, " Woul d you l i
ke t o get t oget her t hi s week?" or " Wha t ni ght are you f r ee?" That ' s a weak pi t
ch.
You want t o come on st r onger t han t hat .
Tr y " Let ' s have di nner Wednesday ni ght, ei ght o' cl ock. Then we can go danci ng. "
Then SHUT YOUR MOUTH AND DO NOT SAY A WORD! ! ! ! !
That bri ef moment of si l ence i s t he aci d t est . I f you hear a l ong hesi t at i on
bef ore she answer s, or excuses, or anythi ng but , "Sur e, I ' d l ove t o, " you' ve got
a pr obl em on your hands.
I f a wo ma n r eal l y does want t o see you, but has s omet hi ng t o do on t he ni

ght you' ve asked her t o be wi t h you, and j ust can' t cancel t hose pl
ans, what wi l l her r esponse be? SHE' LL MAKE A COUNTER- OFFER.
Somet hi ng on t he l i nes of , " I can' t Wednesday, but how about
Thursday at 8 o' cl ock?"
Don' t conf use a count er - of f er wi t h an " I ' m busy, but how about anot her t i
me ? " That ' s a st one col d REJ ECTI ON. If she r eal l y want ed t o go out
wi t h you anot her t i me , she' d t el l you when t hat t i me i s. Take i t f r om
s o meo ne who used t o f al l
f or t hi s one al l t he t i me - i t wi l l do not hi ng but gener at e usel ess, t i me-
wast i ng wi shf ul t hi nki ng on your par t . Ei t her you get t he dat e, or a speci f i c
count er - of f er , or you FORGET I T!
One f i nal war ni ng her e, because wo me n are even t r i cki er t han you can i ma gi
ne. Of t en t i mes you' l l mak e your pi t ch f or a speci f i c ni ght t o go out ; say
a Wednes day . And you' l l hear , "That ' s sounds l i ke f
un. Sur e I ' l l go. "
Then, t hr obbi ng wi t h t he t hri l l of vi ct or y, as you ar e about t o hang up you

hear , " Oh. Coul d you do me a f avor ? Coul d you cal l back Wednesday about 6 pm t o
conf i r m? " Or you mi ght hear, " Cal l me Wednesday around 6 pm and I ' l l gi ve you
my addr ess. "
DON' T GET SUCKERED BY THI S TRI CK! You haven' t got a dat e i n t hi s i nst ance,you
have an opt i on f or a dat e, whi ch i s about as val uabl e as an I OU f r om one of
my ga mbl i ng buddi es who l i ve at t he r ace
t r ack. The chi ck i s wai t i ng t o hear f r om t he guy
she' s REALLY i nt erest ed i n, and i f he' s not avai l abl e, t hen you ma y
get t he dat e.
I f a gi rl t ri es t o pul l t hi s on you, say s omet hi ng l i ke, " I don' t t hi nk that ' s a

good i dea. We' l l t r y anot her t i me when your schedul e i s l ooser. "
That wi l l put her i n her pl ace ni cel y. You' ve shown her t hat you can' t be
sucker ed and she can' t cal l t he shot s al mo s t cer t ai nl y an unl i kel y and
unusual occur r ence. That wi l l def i ni t el y get her at t ent i on.
Wa i t a week and cal l her back. Chances ar e she' l l accept t he dat e wi t hout t he
" cal l and conf i r m" bul l shi t .I f she doesn' t , t hen TOSS HER NUMBER AWAY and
move on t o the next advent ur e. She' s j ust out t o wast e your t i me anyway.
Once you' ve ma de your dat e wi t h your l ady, get of f t he phone! Agai n, you mi ght
bl ow i t i f you st ay on and j abber , and you want t o keep her wonderi ng about you.
Do your t al ki ng on t he dat e! I f you hi t i t of f on t he phone, wher e does t hat
l eave you? You can' t get l ai d over a phone wi r e, what ever t he 976 nu mb er s woul
d have you bel i eve! Save i t f or t he date.
Fi nal l y, nowadays al most ever yone has one of t hose d a mn phone answer i ng
mac hi nes! DO NOT LEAVE A MESSAGE ON ONE OF THESE BEFORE YOU' VE HAD A DATE WI TH A
WOMAN. Usi ng a phone machi ne as a buf f er bet ween you and t he l ady i s weak,
ant i - chal l enge, and put s t he bal l i n her cour t , as you ei t her
have t o wai t f or her t o cal l you back or al t er nat i vel y, l ook i mpat i ent and
desper ate by cal l i ng her t o see i f she got your mess age. AVOI D THI S
PHONE BLUNDER LI KE THE PLAGUE!
BASI C PHONE PI TCHI NG RULES:

DO TRY TO USE A HAPPY, CAREFREE, EAGER TO HAVE ALL THI S FUN TOGETHER TONE
OF VOI CE.
ASK HER OUT FOR A SPECI FI C NI GHT.
DON' T FALL FOR " OPTI ON DATES. "
HANG UP AS SOON AS YOU POLI TELY CAN, ONCE YOU' VE MADE THE DATE.
DO NOT UNDER ANY,ANY, ANY, ANY CI RCUMSTANCES WHATSOEVER LEAVE A MESSAGE WI TH
HER ANSWERI NG MACHI NE OR A ROOMMATE EI THER FOR THAT MATTER. THE FI RST TI
ME YOU TALK TO HER PERSON TO PERSON I S THE FI RST TI ME YOU' VE EVER CALL ED, AS
FAR AS SHE SHOULD KNOW.
Chapt er Fi f t een
MAKI NG THE DATE ON THE SPOT
Thi s i s t he met hod I t hi nk i s t he best . There' s somet hi ng exci t i ng and

spontaneous about i t t hat you j ust can' t get usi ng t he phone nu mbe r met
hod.
The t hi ng t o keep i n mi nd here i s t o t r y t o appear casual . You don' t want i t t

o l ook l i ke you are dyi ng t o rush her back to your pl ace and r i p her pant i es
of f .
The best i l l ust r at i on of t hi s met hod was gi ven t o me r ecent l y by a f r i end

of mi ne, J i m. Her e' s t he st ory he t ol d me:
" Our r egul ar secr etary at wor k was goi ng t o be gone f or a f ew days, so
we want ed t o hi r e someone t empor ary, j ust t o answer phones.
Someone was schedul ed t o come by t hat af t er noon, and t he boss
was goi ng t o be out of t he of f i ce. He t ol d me i f I l i ked her , I
coul d go ahead and hi r e her .
" She was a cut e l i t t l e bl onde name d Megan. She c a me i n about 4: 30 i n t he

af t er noon. We t al ked f or a whi l e,and I t ol d her she had t he j ob. Then I i nvi t
ed her t o go next door f or cof f ee.
" We l l , we t al ked f or about an hour and then I asked her i f she want ed t o have
di nner . We di d, and t hat t urned i nto a mo v i e. And f r om t her e we
went back t o my pl ace and di d al l sort s of wonder f ul l y obscene thi
ngs t o each other f or sever al hour s. "
Her e' s t he mai n poi nt : Tr y to st eer t he gi r l you' ve j ust

met i nt o a di f f er ent envi r o nme nt . Don' t make i t el aborate anywher e
near by wi l l do. The cor ner Yogur t st and f or s o me f r ozen f er ment ed cow j ui
ce; t he l ocal pi zza parl or, even a
bowl i ng al l ey. You want a chance t o set her down and use t he mo o d al t eri
ng hypnot i c t echni ques we' r e goi ng to be showi ng you.
Wha t ever you do, don' t i nvi t e her back t o your pl ace r i ght away, or do anyt hi
ng t hat mi ght scar e her of f . Make i t seem l
i ke you j ust want t o spend f i f t een
mi nut es t al ki ng i n a publ i c pl ace. Wi t h what we ar e goi ng to show you, t
hat' s al l you are goi ng t o need.
Chapt er Si xt een
HOW TO HANDLE CHI CKS WHO TRY TO CANCEL DATES
Per haps t he mo s t seri ous of f ense a chi ck can c o mmi t i s t o cancel a

dat e. I ' ve hear d al l sor t s of hi l ar i ous
excuses, and ni ne t i mes out of t en t hey ar e j ust t hat .
But so what ? Wi t h the pr oper a mo unt of coer ci on and psychol ogi cal pr essur e,
you can get her t o go out wi t h you anyway. Then you can use one of t he qui ck-
l ay/ hypnosi s t r i cks we' l l show you so you can st i l l
wi nd up scr ewi ng her . How dare she t r y to wast e
t he t i me of a ma s t er of Guer i l l a Get Lai d t act i cs? As Bat man woul d say,
" Poor del uded gi r l ! "
I t ' s r eal l y qui t e si mpl e. When she cal l s t o cancel

wi t h her si l l y excuse, you j ust do
t hi s:
HER: Oh, I ' m sor r y, but I can' t mak e i t t oni ght . I have t o take my f r i end t o
the ai rport ( Or: " I ' m j ust not f eel i ng wel l , " or what ever l i e she t el l s
you) .
YOU: So what you' r e sayi ng i s, you' d l i ke t o go, but due t o a ci r cums t ance
you can' t cont r ol and weren' t expect i ng, you won' t be abl e t
o?
HER: Yeah. That ' s r i ght .( She' s got t o admi t t hi s- she can' t c ome ri
ght out and say she j ust i sn' t i nt er est ed. That mi ght t ake a l i t t l e
gut s. )
YOU: ( Cl osi ng i n f or t he ki l l ) Wel l , si nce you sai d you' d l i ke t o go,

what arr angement s woul d you l i ke to ma k e t o do t hat r i ght now?
Then, you shut up. You have t he si l l y chi ck. She' s backed i nt o a cor ner, and
wi l l have t o na me a day, or el se r i sk bei ng r eveal ed as t he l i ar she t r ul y
i s.
Your ot her opti on i s t o bl ow t he chi ck of f , but make i t as embar r assi ng

and unc o mf ort abl e f or her as i s huma nl y possi bl e.
Her e i s a gr eat way t o ma ke her f eelabsol ut el y awf ul :
HER: Oh, I can' t ma ke our date because my parr ot i s havi ng an exi st ent i al cr i si
s and I want t o see hi m t hr ough i t .
YOU: Hmm. You know, I ' m si t t i ng here, wi t h t he phone i n my hand,l i st eni ng t

o you speak, and I r eal i ze I st i l l don' t under st and what ' s goi ng on. And
I al so
r eal i ze I can accept hear i ng t he f ul l and c ompl et
e t r ut h f r om you. So, why don' t you t el l me agai n
what ' s goi ng on.
I t ' s ver y i mpor t ant t hat you say t hat l ast sent ence wi t h t he r i ght i nf l ect
i on and tonal i t y. You' r e i mpl yi ng a par t of t he sent ence
whi ch i sn' t act ual l y sai d whi ch i s, ". . . and t hi s t i me t el l me t he t r
ut h. "
Bel i eve i t or el se, but ni ne t i mes out of t en, t he chi ck act ual l y wi l lf ess
up and ad mi t her decept i on. That ' s when you pounce on her !
YOU: So, how does i t f eel t o know t hat you' r e af r ai d t o t ake r esponsi bi l i t y f
or your own deci si ons and have to resor t t o l yi ng about t he m?
Oh, t he j oy of bat t l e, my br ot her s! Fl ushi ng a chi ck down t he t oi l et
of humi l i at i on i s al mos t as gr eat a ki ck as scor i ng!
Now, once i n a whi l e, a chi ck wi l l cancel , but when she does she' l l make
a count er - of f er t o go out agai n anot her t i me. Thi s
at l east i s bet t er t han a
st r ai ght cancel l at i on wi t hout such an of f er , but I ' d st r ongl y advi se agai
nst accept i ng. She coul d be j ust t hrowi ng you a bone t o ma ke you
f eel bett er, but even i f she i sn' t , your accept i ng her of f er of doi
ng i t anot her t i me mak es you l ook t oo easi l y avai l abl e and r emoves t he el
eme nt of your bei ng a chal l enge t o her . Thi s wi l l ma ke you l
ook muc h l ess appeal i ng i n her eyes.
Her e' s t he r i ght way t o handl e thi s. Let ' s say you have a dat e f or Sat ur day, and
she cal l s you Fri day eveni ng.
HER: I ' m sor r y, but I r eal l y can' t mak e i t Sat ur day.I ' ve got f r i ends c omi ng i
n f r om out of t own. But I r eal l y do want t o see you.
Can we go out Sunday i nst ead?
YOU: No, I have pl ans f or Sunday ( even i f you don' t and you ar e dyi ng t o be wi t
h her - bi t e t he bul l et and r ef use! ) .
At t hi s poi nt you have t wo opt i ons:
Opt i on One
YOU: Why don' t we t r y another t i me when your schedul e i s a l i t t l e l ooser ?
Then pol i t el y say goodbye, and hang- up. Wai t 2 weeks, t hen cal l and ask her out
f or a speci f i c ni ght . I f she doesn' t accept or mak e a speci f i c count er - of f er ,
t oss t he number and move on.
Opt i on Two
YOU: Wel l , I ' l l t el l you, t hi s i s j ust t he way i t i s f or me. I t ' s j ust t he way I
do t hi ngs. Whe n I ma k e a date, and someone cancel s, I l eave i t up t o t
hem t o mak e t he next dat e.So, if you want t o go out , I ' m i nt
er est ed. Cal l me, and I ' l l say yes.
Per sonal l y, I pr ef er t hi s opt i on. I t ' s not as down and di r t

y as t he f i r st one, but i t i s ef f ect i ve nonet hel ess. By put t i ng t he bal l back
i n her cour t , you don' t have t o spend t he t wo weeks bef ore you cal l ,
wonder i ng i f she' s r eal l y
i nt er est ed ( you shoul dn' t be wonder i ng t hi s, but i t ' s har d t o have t hat ki
nd of di sci pl i ne, and I ' m a sucker f or si t uat i ons t hat I
can' t qui t e f i gure out ) .You can j ust saf el y as s ume she i sn' t i nt er
est ed, f orget about her , and l eave i t up t o her t o pl easant l y sur pr i se
you. And you al so pr eserve t he el ement of bei ng a chal l enge,
conveyi ng the al l i mpor t ant mess age I DON' T NEED YOU,
YOU NEED ME.
OK. Now you' r e ready f or t he ul t i ma t e secr et s. I n t he next chapt er s we' r e

goi ng t o be showi ng you how, j ust by tal ki ng t o a wo ma n,
you can get her so damned
t ur ned on dur i ng t he dat e that she' l l be i t chi ng t o
screw you. Hang on t o your hats, gent l emen.
Chapt er Sevent een
DECI DI NG YOUR APPROACH
The next f ew chapt er s wi l l emphasi ze qui ck- l ay st r at egi es: How To Scor e
on t he Fi r st Dat e or even sooner t han t hat!
However , you may deci de t hat you want somet hi ng mor e t han qui ck, hot sex wi t h
a gi r l . I f you want a rel at i onshi p wi t h a l
ady, I r ec ommend that you don' t use the t echni ques i n t he next f ew chapt er s.
Chapt er Ei ght een
HOW TO USE HYPNOSI S

TO GET YOUR DATE I NTO THE SACK
Wha t you ar e about t o read ma y st r et ch your abi l i t y t o bel i eve t o t he br eaki

ng poi nt . I don' t bl ame you f or havi ng t hat r eact i on at al l .
Al l I can t el l you i s t hat t hi s st uf f wor ks- i t wor ks so wel l t hat i t scar es

me at t i me s . My onl y c o mf ort i s knowi ng t hat as you become mo r e and mo r e
successf ul and power f ul wi t h wo me n,you l ose t he desi r e to abuse t he power .
Success makes you want t o go a l i t t l e bi t easy on the poor def ensel ess cr
eat ur es.
Wha t I am about t o show you wi l l al l ow you t o creat e ver y power f ul f eel i ngs of
bei ng t urned on and exci t ed i n al most any wo ma n you can spend t i me wi t h. You
don' t have t o rel y on l uck, or t hat speci al " c hemi st r y" or "spar k. " Thi s chapt
er wi l l show you how t o creat e that i n about t en mi nut es t i me , wi t h al mo s t any
wo ma n you want , i n al mo s t any ci r cumst ances. I nst ead of dat es t hat
end up wi t h a pol i t e peck on the cheek, you' l l end up t aki ng i t as f ar
as you want t o go,
r egar dl ess of how t he wo ma n f el t about you bef or e you used t hese t echni ques
on her .
One l ast caut i on bef or e I l ay out t hi s t echnol ogy. I n s ome st at es, r ape i s
def i ned as "i nt er cour se of a wo ma n, by a ma n, by f orce, t hr eat
of f orce, or
OTHERWI SE WI THOUT CONSENT. " I n some st at es, i f you get a dat e dr unk, and
f uck her when she' s passed out , you coul d f i nd your sel f f aci ng a
rape r ap.
Li kewi se f or hypnosi s. I am not an att or ney, and am not goi ng t o gi ve you l

egal advi ce, but I war n you her e and now of t he possi bl e consequences and
am not about t o be hel d r esponsi bl e i f you get sl apped
wi t h char ges. YOU USE THESE METHODS AT YOUR OWN RI SK. ( And I
woul dn' t have t o gi ve thi s di scl ai mer / war ni ng i f t hese me t hods
di dn' t work as wel l as they do. )
HOW I T ALL WORKS:

COVERT HYPNOSI S AND THE STRUCTURE OF SEDUCTI ON
Thi s met hod wor ks because i t bypasses al l of a woman' s consci ous r esi st ance t
o scr ewi ng you. I t doesn' t ma t t er what t hat consci
ous r esi st ance i s based on.
Maybe you ar e not her t ype and she THI NKS she needs a cer t ai n LOOK i n a guy t
o t ur n her on. Maybe she want s you but i s af r ai d of l ooki ng
cheap i f she comes acr oss t oo f ast . Maybe she' s j ust r ecent l y
been bur ned by a guy and i sn' t eager t o have i t happen agai n.
I t DOESN' T ma t t er why, because f r om now on you

wi l l be abl e t o get past al l of
t hat by bypassi ng her CONSCI OUS mi nd and get t i ng r i ght t o her UNCONSCI OUS. I f
t hi s sounds l i ke bul l , pl ease st i ck wi t h me f or j ust a f ew mo r e pages, because
what you are about t o see i s a MAGI C key f or get t i ng l ai d wi t h st art l i ng
f r equency.
SCORI NG TECHNI QUE NUMBER ONE:

STACKI NG REALI TI ES
Let me tel l you a st ory about my buddy, Ri ck. Ri ck t ol d me about t hi s exper i

ence he had whenever he r ead a book. As he was r eadi ng al ong, he coul d begi n to
be awar e of cert ai n t hi ngs. As he r ead, he coul d suddenl y be awar e of t
he uni que darkness and shape of t he l ett ers. And as he be c ame awar e of t hat ,
he coul d al so see t he cont r ast i ng whi t eness of t he page. And he coul d al
so be awar e of t he
smoot hness of t he paper . And as he became awar e of t hat , he coul d al so f eel t
he r i se and f al l of hi s chest as he br eat hed, and t he sl i ght est l i t t l e
noddi ng,
l i t t l e noddi ng of hi s head. And as hi s eyes began t o cl ose . . . .
Now, what j ust happened as you wer e readi ng t hat ? Even t hough I ' m not st andi
ng over your shoul der as you r ead t hi s,I ' l l bet my Bat ma n c o mi c book col l ect i
on, t hat you st ar t ed t o not i ce t he thi ngs I was t al ki ng about . You
not i ced t he darkness of t he l et t er s, t he br i ght ness of t he page, and
t he s mo ot hness of t he paper . And you not i ced your br eat hi ng and your
eyes st art ed t o cl ose.
Here' s t he poi nt: The onl y way t o unders t and so met hi ng you are hear i ng or
r eadi ng, i s by havi ng a l i t t l e bi t of t he exper i ence your sel f . Nat ur al l y,
and wi t hout any r esi st ance, you began t o experi ence what I want ed you t o,
because you had t o do so i n or der t o ma k e sense out of my wor ds.
But not i ce so met hi ng el se of CRI TI CAL I MPORTANCE. I di dn' t suggest t

hat you experi ence t hese thi ngs, or war n you i n advance, or gi
ve you a di r ect c o mma nd. That woul d have caused i mmense r esi st ance on your part .
I nst ead, I present ed i t t o you as part of
a st or y. I t ol d you about an exper i ence SOMEONE ELSE HAD,
AND THE ONLY WAY FOR YOU TO UNDERSTAND THAT WAS TO
HAVE THE EXPERI ENCE FOR YOURSELF.
Thi s i s t he same pat t er n and t echni que t hat you can use t o put a woman i nt o
an al t er ed st at e and get her t o f eel and do j ust about what ever you' d l i ke
her t o. You st ar t by t el l i ng her a st or y about someone el se, and t
hat st or y descr i bes an experi ence t hat i nvol ves t he f eel i ngs and act i ons you want
HER t o t ake. I t sounds t oo si mpl e and t oo good t o be t r ue,
but i t WORKS ! And t he mor e you
pr act i ce t he bet t er you get .
Let ' s do a s ampl e of t hi s, t o l et you see j ust exact l y how t o use t hi s t echni
que t hat she' l l be unabl e t o r esi st . You may want t o wai t t i l l l at er i n t he eveni
ng, when you ar e al one i n your apar t me nt .
Even t hough i t usual l y onl y t akes f i ve mi nut es or so, you st i l l don' t want t
o r un t he r i sk of bei ng i nt er r upt ed.
Af t er t he usual smal l t al k, her e' s how i t woul d go:
YOU: Hey, di d I t el l you
yet about my f r i end, Mi ke? HER: No.
What about hi m?
YOU: Wel l , t hi s i s i nt er est i ng. I r e me mb e r one t i me Mi ke t ol d me t hi s st or y.

You see, he had t hi s f r i end. And t hi s f r i
end noti ced s o met hi ng unusual when she' d
l i st en t o someone t al k. Li ke f or e xa mpl e she coul d be c ome awar e of t he sound of
hi s voi ce . . . . and as she hear d the sound of hi s voi ce, she coul d al so hear t he
other sounds of peopl e i n t he r oom . . . . and she coul d bec o me aware . . . . of t he
r i si ng and f al l i ng of her chest . . . . and t he sl i ght noddi ng of her head as she
l i st ened . . . . and t he deep, deep r i chness of hi s voi ce . . . . and as she bec ame
awar e . . . . of al l t hese t hi ngs . . . . t he pr essur e of her hand as i t r est ed on t
he t abl e . . . . and t he out l i ne of hi s f ace as she wat ched hi m speak her
at t ent i on woul d bec ome r i vet ed . . . . on a ver y uni que det
ai l of hi s f ace . . . .
what ever i t mi ght be that se eme d t o capt ur e her att ent i on . . . . so t hat as she
f ocused mor e and mor e on t hi s par t of hi s f ace. . she became mo r e and mor e
f asci nat ed by what he had t o say . . . . mo r e and mo r e capt i vat ed and t ot al l y
enr apt ur ed by t hi s exper i ence of hi m t hat she was havi ng . . . . and as she al l owed
her sel f t o r eal i ze t hese t hi ngs . . . . she coul d al so f eel a deep l ongi ng wi t hi n
hersel f f or hi m . . . . t o f eel hi s to uch . . . . hi s gent l e t ouch across her f ace.
( Reach and gent l y st r oke her wi t h t he back of your hand) . . . . and as she f el t
t hi s t ouch and her eyes cl osed wi t h t he pl easur e of i t . . . . her br eat hi ng
began t o deepen, and her hear t began t o pound . . . . t
o pound . . . . wi t h t he r i ch . . . .
deep warmt h of hi s voi ce. . . t he r i ch, deep warmt h that began t o spr ead.............began
t o pound t hr ough her chest . . . . and t hr ough her bel l y . . . . and deep t hr ough her
t hi ghs . . . . as t he war mt h and t he wet ness and t he deep ri ch poundi ng of her
most bur ni ng f emal e pl ace . . . . t he poundi ng bur ni ng pl ace . . . . t hat l
onged t o be
f i l l ed, ached t o be f i l l ed . . . . f i l l ed wi t h hi s t hrobbi ng rock- hard mannes s . . . .
and as she f el t t hese t hi ngs . . . . deeper and deeper and even mo r e i nt ensel y . . . .
t he f eel i ng of hi s hand as i t t ouched her t hi gh. . . l et her know t hat she woul d
open her sel f t o t hi s man c ompl et el y . . . gi ve her sel f t o hi m . . . . at t he t i me he
chose t o take her . . . .
Now . . . . I guarant ee t hat THAT WI LL GET you l ai d . . . . i f she doesn' t r ape you
r i ght t here . . . . j ust ma k e sure you r epeat t hat s a me touch you gave her on t
he t hi gh, l at er on i n t he eveni ng.
I n hypnosi s t er ms , t hi s i s known as an anchor . Basi cal l y, al l t hat means i s t hat

when a person has an experi ence, anyt hi ng that i s associ at ed or l i nked wi t h t hat
exper i ence wi l l cause t he per son t o r ecal l t he ent i r e exper i ence. I t ' s what
Pavl ov di d t o hi s dogs - by associ at i ng t he ri ngi ng of a bel l wi t h t he st at e
of hunger and dr ool i ng, he coul d set of t hat st at e by si
mpl y ri ngi ng t he bel l at any ti me t her eaf t er . I n t hi s case, you ar
e al so r i ngi ng s o meone' s bel l , but hopef ul l y she wi l l NOT BE A DOG! ! !
You' l l have t o deci de when t o use t hi s appr oach. You can t r y i t i n t he

r est aur ant or wai t unt i l af t er when she' s i n your apart ment . I t depends on how
dari ng you want t o get .
FI RST DATE SCREW TECHNI QUE TWO:

ANCHORI NG
We ment i oned anchori ng above, bri ef l y, and here' s anot her way t o use i t t o
get l ai d on t he f i r st dat e.
The f i r st st ep t o maki ng t hi s wor k i s t o f i nd out your dat e' s pr ef er r ed

r epresent at i onal syst e m. ( FOR A DETAI LED GUI DE TO DOI NG THI S,SEE APPENDI X
T WO AT THE END OF THI S BOOK. ) You f i nd t hi s out by aski ng her t o recal lher l ast
vacat i on and have her descr i be i n her own wor ds, what she l i ked best . If
she says she enj oyed t he f eel i ng of l ayi ng out i n t he sun, and swi
mmi ng i n t he war m waves, you' ve got a ki nest het i c per son. If she says she
l i ked t he sound of t he poundi ng sur f , and t he qui et ni ght s, she' s audi t or y. I f
she uses vi sual t er ms , she' s vi sual .
Next , ask i f she can r e me mbe r t he mo s t exci t i ng experi ence she' s had r ecent
l y. When you say t he word "exci t i ng" dr op your voi ce a bi t , and gi ve i t an
er ot i c connotati on. Ni ne out of t en t i mes a
wo ma n wi l l r ecal l an er oti c experi ence.
Wh en she answer s yes, ask her t o cl ose her eyes a mi nut e. Then, dependi ng on
what her pr ef err ed syst em i s, ask her t o r e me mb er , what she saw, what
she hear d, and how i t f el t i n her body. As she exper i ences t hi s,
you' l l not i ce t hi ngs st ar t t o change.Her f ace wi l l f l ush, her br
eat hi ng wi l l get heavy, her l ower l i p wi l l get l ar ger , and she wi l l act ual l
y re- exper i ence i n her body al l t hose l ovel y
er ot i c f eel i ngs she had when she f i r st went t hr ough the exper i ence.
As she' s doi ng t hi s, t el l her t hat when t hose f eel i ngs i n her body reach t hei r
peak, she shoul d wi ggl e her pi nk f i nger. Whe n she wi ggl es i t , r each over and
gi ve her r i ght wr i st a squeeze, and at t he s ame t i me , say, " Good. " Run
her t hr ough t hi s a t wo mo r e t i me s .
Then have her cl ear her mi nd, and cl ose her eyes. Reach over , squeeze her wr i st ,
and say good. I f you' ve done i t r i ght , she' l l go r i ght back i nt o t he er ot i c
st at e she was i n bef ore.
Now, t ease her wi t h i t . Go back t o normal conver sat i on, t hen a mi nut e l ater,
r each over and t r i gger t he anchor agai n. Look i nt o her eyes, and s mi l e at her as
your do i t , but t hi s t i me, don' t l et go of her wr i st . Keep squeezi ng, keepi ng
her i n t he er ot i c state unt i l you st op.
You now have a weapon you can use any t i me dur i ng t he r est of t he eveni ng!
Lat er i n t he eveni ng, when your get her back at your pl ace, t ease her a bi t .
Don' t ma ke a pass f or a l ong t i me , j ust smi l e knowi ngl y. I f she makes a
c o mme nt you t hi nk i s i nt er est i ng, r each over , squeeze t he wr i st ,
and say "good. "
Whe n she goes i nt o t he er ot i c st at e agai n,keep one hand on t he wr i st squeezi ng,

t hen at t ack wi t h t he f r ee hand and your mo ut h.
Pr act i ce anchor i ng. You' l l get bet t er at i t and i t does t ake s o me pr act i ce-
we shoul dn' t ki d our sel ves about t hat . But shi t - i t wor ks ni cel y!
Wha t ' s great about t hi s t echni que and the pr evi ous t echni que of st acki ng
r eal i t i es i s you of t en don' t have t o go on a f ormal dat e. You can t ake a gi r l
you j ust me t f or an i nnocent cup of cof f ee and get her r eady t o f uck you i
n
f i f t een mi nut es t i me . Wh y wast e t i me goi ng out when you coul d be goi ng i n?
FI RST DATE SCREW TECHNI QUE THREE:

SENSORY OVERLAP
Agai n t o ma ke t hi s work, you have to f i nd out t he l ady' s pref er r ed syst em.
Once you do t hat , you st art t al ki ng to her about t he beach. You st art by aski ng
her t o recal l s o met hi ng f r om her pr ef er r ed syst em about t he beach.
Let ' s say you are t al ki ng t o a wo ma n who' s pr ef er r ed syst emi s audi t ory. Her e'
s how you' d do i t :
YOU: Hey, l et ' s t r y an i magi nat i on exper i ment . Cl ose your eyes f or a second.
Let ' s t ake an i ma gi nary t r i p to t he beach. You' r e at t he beach. And you can
hear t he sound of t he wi nd as i t bl ows, and t he sound of t he waves . . . . and t he
sound of a gul l , cr yi ng over head . . . . and as you hear t he sound of t he waves
....
( swi t ch t o vi sual syst e m) you can al so see a wave as i t mo ve s t owar d t he shore
. . . . you can see the sunl i ght gl i nt i ng of f t he wave, and s o me of t he whi t e spr
ay t hat ' s bei ng bl own of f by t he wi nd . . . . and as you see t hat spr ay . . . . you
can
al so f eel i t gent l y t ouch your f ace now . . . . and as you f eel t he spr ay on your
f ace . . . . and t he r i se and f al l of your chest as you br eat h . . . . and t he gent l e
war mt h of t he sun on your f ace . . . . you can begi n
to f eel a deep and c omf ort and war mt h . . . . and a f eel i ng of bei
ng t ot al l y at ease.
( Her e' s wher e you get her . You' ve al r eady

hypnot i zed her , because when you swi t ch peopl e f r om t hei r pr ef er
r ed syst em t o a syst em t hat i s nor mal l y not i n t hei r consci ous awar eness,
t hey ent er an al t er ed st ate. )
. . . . and t hat f eel i ng of ease and warmt h, begi ns t o spr ead t hr ough your body
. . . . wi t h each br eat h you t ake . . . . t he r i se and f al l of your chest.............al l ows
a gl owi ng r i ch war mt h t o spr ead t hr oughout your body . . . . a war mt h t hat f eel s
so ver y good . . . . so good . . . . l i ke war m and gent l e hands . . . . mas sa gi ng t hr
oughout your body . . . .
( From her e you l ead her i n t he s ame manner as t he f i r st st acki ng r eal i t i

es t echni que. )
MORE P OWER CLOSES FOR GETTI NG YOU LAI D
I want t o emphasi ze agai n t he i mpo r t ant super- r ul e you shoul d ma ke part of

you. I want you t o eat , sl eep, br eat he and shi t t hi s r ul e:
I MAKE NO EXCUSES FOR MY DESI RES AS A MAN
Thi s r ul e i s i mpor t ant i n every aspect of deal i ng wi t h a woman, but no wher

e mo r e so t han when you ma k e t hat f i r st seri ous pass.
I f you aren' t goi ng to use t he hypnot i c t echni ques ment i oned i n the pr evi
ous chapt er s, t hen I suggest you use one or bot h of t he f ol l owi ng
power cl oses.
POWER CLOSE ONE:

TAKI NG WHAT BELONGS TO YOU CLOSE
Wh at does t he average guy do when a wo ma n i nvi t es hi m i nt o her apar t ment f

or a cup of cof f ee?
I ' l l t el l you what he does. He mak es s mal lt al k whi l e t he cof f ee i s br ewi ng, al l
t he whi l e sweat i ng and ner vous about when he' s goi ng t o ma k e hi s pass.
Then, when she ser ves t he cof f ee, he dri nks i t nervousl y, wonder i ng when he
shoul d make a move. Maybe t hey si t down on t he couch, and he wonder s when
he shoul d si t cl oser.
Ti me wear s on. Not hi ng has happened, and he' s get t i ng mor e and mor e out
of cont r ol . Maybe he spi l l s hi s dr i nk or has t o keep goi ng t o the
bathr o om.
Per haps he deci des he bet t er do somet hi ng, so he mo ve s a l i t t l e cl oser and ki nd

of apol oget i cal l y put s an ar m ar ound her . He st ar t s t o sl owl y f i nger her hai r ,
wai t i ng t o see her r esponse.
The f i r st power cl ose cut s t hrough al l t hat nonsense Her e' s how i t wor ks.
She i nvi t es you i n f or cof f ee. You l et her sl i de whi l e t he cof f ee i s br ewi ng.
Thi s i s her saf e t i me- t he l ast f ew mi nutes she' l l EVER be saf e ar ound you agai n.
You can chuckl e t o yoursel f as you l ook at her and r eal i ze t hat .
The cof f ee i s r eady and she pour s i t f or bot h of you. Af t er she t akes t he f i r
st si p, don' t say anyt hi ng. J ust suddenl y stop t al ki ng
and l ook at her i nt ensel y, wi t h j ust t he sl i ght est hi nt of a s mi l e.
At t hi s poi nt she' l l not i ce, and pr obabl y ask, what i s i t . You CALMLY, SL OWL Y,
AND DELI BERATELY, put your cup down, r each over , t ake her s out of her hand, and
put i t down. Look at her f or a second, t ake her f ace i n her hands, and ki ss her
passi onat el y.
Thi s ki nd of act i on i s sendi ng a woman a POWERFUL mess age about t he ki nd of
man you ar e. You are i n ef f ect sayi ng, WI THOUT WORDS, "
Let ' s ski p t he crap baby. I want you,
HERE, NOW,AND I ' M NOT MAKI NG ANY EXCUSES FOR I T. "
Thi s i s my f avor i t e, non- hypnot i c cl ose, al t hough I can' t ent i r el y cal l i t t hat ,
because wo me n seem t o go i nt o a tr ance wi t h the sl ow, del i
berat e, but unexpected move ment s you mak e.
A key t o ma ki ng thi s pi t ch wor k i s SAYI NG NOTHI NG! I f you tal k, you' ve r ui

ned i t ! Al so, your mo ve me nt s must be sl ow, and del i berat e, not hur r i ed and r
ushed, l i ke you ar e af r ai d she' s goi ng t o st op you.
POWER CLOSE NUMBER TWO:

THE TEASE
Wi t h t hi s cl ose, you oper ate as i f you absol ut el y knew t he gi r l want ed t o

desper at el y sl eep wi t h you, but you ar e det er mi ned t o hol d out t i l l t he l ast
possi bl e mi nut e and t o enj oy t easi ng her al l eveni ng.
Wi t h thi s appr oach, you l ean i nt o her as you t al k as i f you ar e about t o ki ss

her . Then you MOVE AWAY . Get up and f i x yoursel f a dr i nk, or go t o t
he bat hr oom. Wh en you pl ay wi t h her mi nd l i ke t hi s, she won' t know what t o
t hi nk. And when you put her i n t hat st ate of mi nd, she' s muc h
mo r e pl i abl e and l ess l i kel y t o resi st you.
A good t act i c i s t o wai t unt i l she says so met hi ng f unny, and t hen r each over and
brush t he si de of her f ace wi t h the OUTSI DE of your hand. Then say somet hi ng
l i ke, "You' r e such a f unny l ady. " Do t hi s sl owl y and del i ber at el y, l ooki ng i n
her eyes t he whol e t i me. Then PULL AWAY.
Her e' s how you end t hi s. Whi l e you' r e tal ki ng, suddenl y yawn, l ook at your
wat ch, and say, "I ' m f eel i ng a l i t t l e bushed. Let ' s cal l i t an eveni ng. "
I f you' r e at your pl ace, you pr oceed l i ke t hi s: "C' mon. I ' l l dr i ve you home. "
Make as i f you' r e r eal l y get t i ng t o l eave. As she st ands up f r omt he couch, t ake
her i n your ar ms , and ki ss her passi onat el y. I t ' s t he l ast t hi ng she' l l be
expect i ng, and t he unexpect ed has t he best ef f ect .
THE MAKE OUT
Wh en you are ma k i ng out wi t h a l ady, you want t o show her t hat you ar e
deter mi ned and power f ul and cer t ai n you wi l l get what you want .
Don' t wast e t oo mu c h t i me i n her mout h. Thi s i s wher e mo s t men make

t hei r bi g err or. Go f or her neck as soon as you can.
As you go f or her neck, cup her
br east i n one of your hands. Gent l y rub i t wi t h t he pal m of your hand. Let
your hands r oamf r eel y over her l egs and ass - you ar e t he r i ght
f ul ki ng, and t hi s i s YOUR TERRI TORY, r i ghtf ul l y yours
t o expl or e as you see f i t .
Rat her t han t r yi ng t o get your hands i n her pant s r i ght away, t ake t he pal m of
your hand, and pl ace i t over her pubi c mound. I f you pr ess down l i ght l y and
mo ve your pal m up and down you wi l l get her ver y hot and bot hered.
Don' t bot her t r yi ng t o t ake of f her br a ei t her , bef ore you t ake her br east s i
n your mout h. Si mpl y l i f t up her shi r t or bl ouse, and pul l
t he cup of t he br a down, so the br east i s exposed. Li ck,
AROUND t he ni ppl e at f i r st , i nst ead of goi ng at i t di rect l y.
Then, l et your t ongue f l i ck i t qui ckl y a f ew t i mes. Then bi t e i t . . . . not hard
enough t o hur t .
I f she' s wear i ng pant s, move your head down, and ki ss her on t he cr ot ch. Then
r each f or her bel t , i f she' s wear i ng one, and undo. Don' t be shy about i t . Pul
l her pant s r i ght of f , and t r y t o t ake her pant i es wi t h t
hem, i f you can.
Ki ss back up to her chest now, but t hi s t i me you wor k your pal m on her
naked bush, sl i ppi ng your i ndex f i nger on her cl i t , and
i n her cunt .
Af t er a f ew mi nut es of t hi s, mo ve back down t o

her pussy. Ki ss her i nner t hi ghs once or t wi ce and t hen go f or t he
eat- out .
Her e i s my f avor i t e cunni l i ngus t echni que. I di scover ed i t by acci dent years
ago, and wo me n go cr azy over i t . I don' t cl ai m t o be t he best f uck i n t he worl
d
- I know I am not . However , wo me n have t ol d me , over and over agai n t hat I gi
ve t he best head of any man t hey have ever met .
Her e' s t he secr et .Kneel down so your f ace i s l evel wi t h her snatch. She can si t
on t he edge of t he bed or chai r or couch, wi t h her l egs over your shoul der s.
Take t he i ndex f i nger of your l ef t hand, and t he i ndex f i
nger of your r i ght hand. Use t he l ef t f i nger t o push away t he ski n hi di ng
t he cl i t ori s on t hat si de, and t he r i ght f i nger t o push away
t he ski n hi di ng t he cl i t or i s on t he ot her . Once you' ve pushed
t hi s l oose ski n t o the si de the cl i t or i s wi l l be exposed. Fr
om her e, what you do i s use your f i ngers t o push the base of t he cl i t or i s,
so i t pops up, f ul l y exposed. Thi s i s sor t of t he equi val ent of a
wo ma n squeezi ng t he base of your cock when she bl ows you - i t hel ps t o
keep your cock r i gi d by t r appi ng t he bl ood i n i t and al so keeps i t f r om mo vi
ng.
From her e, she' s your s. You' l l be abl e t o suck and l

i ck on t he l i t t l e bi ngo but t on and she' l l f r eak out . The har
dest pr obl em wi l l be get t i ng her t o hol d st i l l - if she t hr ashes
around t oo muc h you ar e goi ng t o l ose your gr i p.
At t hi s poi nt , st op f or a mi nut e and take of f your pant s and short s. Res ume
eati ng, and when you f eel r eady, r ol l on your c o ndo m. You shoul d pr acti ce thi
s unt i l you can do i t qui ckl y and wi t hout f umbl i ng.
Then spr ead her l egs open and sl i p i t i n sl ow and deep. Let her enj oy t
he pl easur e of havi ng your cock i nsi de of her .
Chapt er Ni net een
HOW TO TOTALLY BREAK A WOMAN' S RESI

STANCE TO SLEEPI NG WI TH YOU
We ' ve al l hear d t he nonsense about " No Means No" and r especti ng a gi r l ' s r i
ght t o r ef use a pass.
We l l , I hope by now you know di f f erentl y. Of t en t i me s "no"

doesn' t me an t hat at al l . I t coul d mea n, " I don' t want t o
appear cheap, so I have t o put up t oken
r esi st ance f i r st . " Or i t coul d mean, "I ' m
not sur e. " Or i t coul d mean, "I ' m scar ed of sex.
"
Wh at ever i t means, t he t wo wor st r esponses you coul d make t o a

wo ma n who resi st s you, ar e t o:
Ar gue wi t h her about i t .
Gi ve up and sul k.
The best t hi ng t o do i s express agr eement wi t h how she f eel s, t hen back of f
and t r y l at er agai n i n t he eveni ng. I f she' s j ust t r yi ng t o avoi d appear i ng
easy or cheap, you' l l nai l her l at er anyway.
The r eal probl em ar i ses when t he l ady j ust happens t o have a ser i ous probl
em about sex or i s j ust NOT at t r act ed t o you.
I n t he f i r st case, you ar e i n t r oubl e, buddy. I f she' s t hi s hung up, what ki

nd of a f uck i s she goi ng t o be anyway? Per sonal l y, I ' d see
her t o t he door and
t hrow away her phone number .
I f she' s not at t r acted t o you, but l i kes sex gener al l y, you' ve st i l l got a
f i ghti ng chance. Let me show you sever al ways ar ound the, " I ' M J UST NOT
ATTRACTED TO YOU LI NE. "
METHOD ONE: AS I F FRAME
Thi s i s perhaps t he sneaki est and most unf ai r met hod I know t o break a woman'
s r esi st ance t o sl eepi ng wi t h you. I t i s t he H- bomb i n your ar senal . I t
works on
t he pr i nci pl e t hat i f you put s o meone i n t he physi ol ogy ofa cer t ai n st at e, t
hey wi l l actual l y BE i n t hat state.
Here' s how i t wor ks. You ma ke t he pass and she rej ects you. You
shoul d act apol oget i c. Tel l her you are sor r y
you mi sr ead her cues. Say s o met hi ng l i ke, "Look. I ' m sor r y. I ' m j
ust r eal l y dumb when i t c omes t o readi ng women, y' know. Maybe you
can hel p me wi t h thi s? I know t hi s sounds r eal l y dumb , but I don' t
want t o keep ma k i ng t hi s ki nd ofdumb mi st ake wi t h wo me n. "
Odds ar e, she' l l be wi l l i ng t o hel p.
" I f you can r e me mb er a t i me you wer e wi t h a guy t hat you wer e real l y att r
act ed t o,can you show me what t he l ook was on your f ace?"
She' l l l augh at f i r st , but t hen show you.
" OK. But can you show me how your mout h was? Was i t open? And how di d your
eyes l ook?"
" OK. And how wer e you breat hi ng? Can you show
me?" " How wer e you si t t i ng? What was your post
ure?"
" And what f eel i ngs, cl osi ng your eyes f or a second, were you awar e of i n your
body? And how di d t hose st art t o bui l d?"
At t hi s poi nt , you have a choi ce. You can anchor t hose f eel i ngs and ma ke a
pass l ater by f i r i ng of f t he anchor, or you can ma ke a pass t hen and
ther e, usi ng a tr ansi t i on l i ke thi s:
" And how woul d t hi s t ouch f eel t o you i f he wer e t ouchi ng you l i ke t hi s, her
e and now?" Resume your pass now.
METHOD TWO: REDEFI NE THE MEANI NG OF THE SI TUATI ON
Thi s i s a mor e ver bal appr oach t han t he l ast met hod. When she f eeds you t he " I '
m j ust not at t r act ed t o you" obj ect i on, you r epl y as f ol l ows:
" Wha t you' r e real l y sayi ng i s you have an unpr ecedent ed opport uni t y t o
expand t he range of peopl e you can shar e j oy and pl easure wi t h. "
That wi l l bl ow her mi nd. You' ve t aken a negat i ve and t urned i t ar ound i nt o a

posi t i ve oppor t uni t y f or her t o gr ow and expand her l i f e. You' ve ma de her
excuse f or not f ucki ng you her posi t i ve r eason to do so. Wo w!
METHOD THREE: CONSEQUENCES
Here you poi nt out t he consequences of her act i ons by sayi ng: " Tel l i ng me t
hat i s onl y goi ng t o ma k e me want you mo r e, because I get r eal l y t
urned on when wo me n r ej ect me . " We l l , wher e does THAT l eave her ?
You' ve l et her know t hat
pushi ng you away agai n i s onl y goi ng t o ma k e i t wor se f or her! She can' t wi n no
ma t t er what .
METHOD FOUR: SHOCK
Thi s met hod r el i es on i nt er r upt i ng her pat t er n by r eversi ng t he t abl es. Her e
you say: "At t r act ed? Who says I ' M att r act ed t o YOU. As f ar
as I ' m concer ned, honey,
I ' m gi vi ng you a MERCY f uck! " Then i mme di at el y r esume your pass.
METHOD FI VE: HUMOR
Her e you i nt er r upt her patt er n of r ej ect i on agai n, but t hi s t i me mor e gent l y.
Pol i t el y say, " Oh. I ' m sorr y. Excuse me. " Then get up, and go i nt o t he ki t chen.
Get a paper shoppi ng bag, st i ck i t on your head, and wal k back over t o her .
"Ther e, " you say, "t hat shoul d f i x i t ! " As she l aughs, r es ume your pass.
METHOD SI X: GUI LT
One of t he har dest t hi ngs f or anyone t o do i s wat ch a grown ma n cr y. You ar e

goi ng to depend on t hat f or t hi s met hod, but be aware t hat t hi s one i s goi ng to
t ake s o me act i ng abi l i t y. Pul l away af t er she r ej ect s you and put your head i n
your hands. Qui et l y st ar t t o sob.
" I ' m sorr y . . . . I shoul d have known bet t er t han t o t hi nk . . . . t hat a gi rl l i ke

you . . . . coul d l i ke me . . . . " Sob s ome mor e. "Let me si t a second . . . . and I ' l l
t ake you ho me. " ( Obvi ousl y i f you are at HER pl ace, you word i t accor di
ngl y, dummy! ) "I t ' s j ust t hat I ' l l never know . . . .t he peace . . . . of havi
ng you i n my ar ms . . . . and l ovi ng you . . . . i t woul d have meant so muc h
.... ( sob, sob) . I ' ve never been wi t h a wo ma n as beauti f
ul as you . . . . you don' t know t he conf i dence i t woul d have gi
ven me. . . and t he happi ness . . . . . ( sob uncont r ol l abl y now) . . . .
coul d you f i nd i t i n your sel f . . . . j ust t o l et me ki ss you once . . . . t o know I
at l east had t hat ?"
Now I pr o mi se you, if t he gi r l has any heart at ALL,

she' l l ki ss you. And t hat ' s when you r esume your pass. I f she st
ops you, st art weepi ng agai n.
Chapt er Twent
y A FI NAL
WORD
Wel l , we' ve c o me a l ong way t ogether. You' ve l ear ned and hopef ul l y appl i ed
met hods t o gi ve you unbeatabl e and easy conf i dence wi t h women. You know how t
o meet wo me n l ef t and r i ght , and how t
o scor e wi t h the ones you want , when and
wher e YOU want t o.
I si ncerel y hope that you put t he techni ques i n thi s book to use. Make t hem
WORK f or you. You' l l be ast oni shed
at how easi l y and qui ckl y they can br i ng you success and happi ness wi t h wo me n.
I ' ve been a col ossal f ai l ur e wi t h wo me n and a col ossal success and you
know what ? Col ossal success i s not onl y one hel l of a l ot mor e f un, i t ' s
al so one hel l of a l ot easi er ! Once you know how t o do i t , i t ' s HARD t o f
ai l wi t h women, and EASY to get what you want .
I hope you di scover j ust how easy i t i s! And how muc h ni cer col ossal success can
be!
Appendi x One
THE ULTI MATE RULES AND ATTI TUDES

FOR SUCCESS WI TH WOMEN
Not e: These at t i t udes and rul es are t he f oundat i on of ever ythi ng i n t hi s

book, and t he key t o your success wi t h wo me n. To ma k e t
hem wor k f or you, you must
pr acti ce t hem, both i n your i ma gi nat i on and r eal l i f e! Wr i t e t hem down on t hr
ee by f i ve i ndex car ds, and vi sual i ze your sel f put t i ng t
hem i nt o act i on.
At t i t ude/ Rul e One:
I MAKE NO EXCUSES FOR MY DESI RES AS A

MAN. I MOVE THROUGH THE WORLD WI THOUT
APOLOGY.
At t i t ude/ Rul e Two:
I DON' T NEED YOU- YOU NEED ME.
At t i t ude/ Rul e Thr ee:
YOU CAN' T CONTROL ME.
At t i t ude/ Rul e Four :
I NEVER KNOW WHERE I STAND WI TH A WOMA N UNTI L I

MAKE THAT FI RST SERI OUS PASS, SO I DON' T CONSI DER A
WOMAN A SERI OUS PROSPECT UNTI L AFTER WE' VE MADE
LOVE.
At t i t ude/ Rul e Fi ve:
THE FI RST STEP I N ATTRACTI NG A WOMAN

I S GETTI NG HER ATTENTI ON, AND THE BEST
WAY TO DO THAT I S BY BEI NG UNI QUE, AND NOVEL,
AND DI FFERENT.
At t i t ude/ Rul e Si x:
I DON' T ARGUE WI TH A WOMAN AND NEI THER DO I

ATTEMPT TO APPEASE HER. I LI STEN CAREFULLY TO
WHAT SHE HAS TO SAY, BUT GENTL Y AND FI RMLY
DO AS
I HAD PLANNED ALL ALONG.
At t i t ude/ Rul e Seven:
THERE I S NO WOMAN SO BEAUTI FUL THAT I CAN' T MAKE HER MI NE.
At t i t ude/ Rul e Ei ght :
A "5" I N YOUR BED BEATS A " 10" I N YOUR HEAD,

BUT A "10" I N YOUR BED, BEATS A HUNDRED " 5' s" I N YOUR HEAD!
At t i t ude/ Rul e Ni ne:
NEVER GET SERI OUSLY I NVOLVED

WI TH A WOMAN WHO HAS MORE PROBLEMS THAN YOU DO.
At t i t ude/ Rul e Ten:
PERSI STENCE WI THOUT FLEXI BI LI TY I S A PRESCRI PTI

ON FOR DI SASTER. VARY YOUR APPROACH AND STYLE
TO
DI SCOVER WHAT WORKS THE BEST.
Appendi x Two
REPRESENTATI ONAL SYSTEMS
Peopl e per cei ve t he wor l d i n t hr ee basi c modes : Vi sual ( pi ct ur es) , Audi t or y

( sounds) , Ki nest heti c ( body f eel i ngs) . Whi l e ever yone uses one or mo r e of t
hese syst e ms at any gi ven t i me , mo s t peopl e have a pr ef err ed syst e m. I f you
speak t o t hem usi ng t er ms f r om t hei r pr ef er r ed syst em, you wi l l creat e gr eat
f eel i ngs of
r apport and warmt h, because you are, i n ef f ect , speaki ng to t hem i n the l
anguage t hei r brai n pref ers.
How To Fi nd Out Your Dat e' s Pr ef err ed Syst
em Step One:
Ask, "Can you r ecal l t he l ast t i me you had a r eal l y f un vacat i
on?" Step Two:
Af t er get t i ng a "yes" answer , ask, " What di d you r eal l y l i ke mo s t about i t
?" St ep Thr ee:
Make sur e your date uses SENSORY t er ms t o descri be t he experi ence. I f she j
ust says, " I t was real l y f un! "
you haven' t gott en anywhere. Ask her what
speci f i cal l y about i t was f
un. St ep Four :
Li st en f or t he sensory based t erms she uses t o descr i be t he exper i ence. " I

r eal l y l i ked t he wat er .I t was so cl ear and bl ue. And you coul d see t he bi t s
of sunl i ght spar kl i ng of f t he t ops of t he waves. "
Guess what ? She' s vi sual .
St ep Fi ve:
Descr i be a r ecent exper i ence of your s t o her ,usi ng t er ms f r om her pr ef er r

ed syst e m.
St ep Si x:
Wa t ch her non- ver bal r esponses as you descr i be your exper i ence. You shoul
d not i ce, i f you ar e r eal l y get t i ng t hr ough t o her , pupi l di l at i on ( her
eyes gett i ng bi g and wi de, dumdum) i ncr eased br eat hi ng r at e, etc.
Appendi x Three
I NDUCI NG TRANCE STATES I N YOUR

DATE USI NG THE STORY TELLI NG
METHOD
Fi r st , never , NEVER ment i on t hat you can do t hi s! I f you t el l her

about i t , you mi ght as wel l f or get about i t ! Don' t
say the word "hypnosi s" - i t wi l l have t
he s a me af f ect as sayi ng " AI DS" or " Her pes. " Your ai m i s not t o i mpr ess wi t
h what you know, but t o use what you know t
o get r esul t s!
Tr y t o do t hi s i n a qui et pl
ace. Step One:
Fi nd out your dat e' s pr ef er r ed syst em. Thi s i sn' t absol ut el y necessar y f or
t hi s par t i cul ar met hod, but i t sur e can hel p!
Step Two:
St ar t by t el l i ng a stor y, but mak e t he st ory hard to f ol l ow.You want t o

over whel m her consci ous abi l i t y to keep t r ack. Thus you woul d say, " Di d I ever
t el l you about my f r i end, J i m? I t s e ems he was at t hi s conf erence, and he was i
n t he hot el bar on a br eak. And t he bart ender was t el l i ng a st
ory about hi s
nei ghbor who had t wo br other s. One was r eal l y good at
deal i ng wi t h peopl e, but t he ot her had pr obl ems unt i l he me t t hi s guy. "
et c, et c.
St ep Thr ee:
Wea ve el ement s of your cur r ent si t uati on i nt o t he st ory t hat are based
on your dates cur r ent sensor y experi ence.
St ep Four :
Lead her i nt o a ki nest heti c mo de of experi ence and descri be erot i c body
sensat i ons.
St ep Fi ve:
Make a s mo ot h tr ansi t i on i nt o your physi cal pass at her . Don' t suddenl y st

op t al ki ng and r oughl y gr ab her . You' l l j ol t her out of t he st at e you
worked so har d t o bui l d.
Appendi x Four
THE RI GHT WAY TO USE VI SUALI ZATI

ON TO BUI LD I RESI STI BLE CONFI
DENCE
Re me mbe r f i r st t he t wo di f f erent ki nds ofvi sual

i ma ge s you can ma ke i n your mi nd:
Di sassoci at ed, wher e YOU SEE YOURSELF I N THE PI CTURE!
Associ at ed, wher e YOU DO NOT SEE YOURSELF I N THE PI CTURE! YOU SEE THE EVENT
OR CI RCUMSTANCE AS I F YOU WERE STANDI NG THERE, L OKI NG OUT OF YOUR OWN EYES.
You' l l use t he f i r st ki nd of i mage, di sassoci at ed, t o i magi ne al l t he new,

a gr essi ve, power f ul ki nds of behavi ors you' d l i ke t o have wi t h wo men. That ' s
your f i rst step.
Your second st ep i s t o make associ at ed i mages of t he ci r cumst ances wher e

you want t o use t hose new power f ul , bol d, asser t i ve behavi ors.
Wha t woul d i t
act ual l y l ook l i ke f r om your own eyes?
Your t hi r d st ep i s t o r un t hrough t he behavi or s, f ul l y associ at ed. How woul d

you f eel i n your body? What woul d your
voi ce sound l i ke? Wh at woul d you be seei ng out of your own eyes?
Thi s wi l l make t hese behavi or s ver y r eal t o your brai n, and wi l l t el l your brai n
I NSTANTLY t o cal l t hem up when you need t h em, so you don' t even have t
o t hi nk about i t !
Appendi x Fi ve
ANCHORI NG TO BUI LD CONFI DENCE
Step One:
Recal l a t i me when you f el t ver y power f ul , r esour cef
ul and poi sed. Step Two:
Cl ose your eyes, and run t hr ough t he si t uat i on. Wha t di d you see? Hear ? How di
d i t f eeli n your body?
St ep Thr ee:
Experi ence t hose powerf ul f eel i ngs i n your body. Whe n t hey r each t hei r
peak, anchor t hem by r eachi ng wi t h your r i ght hand and gent l y squeezi ng
your l ef t wr i st , usi ng your i ndex f i nger and t humb. Keep hol di ng
t hat squeeze as you cont i nue t o exper i ence t hose power f ul f eel i ngs.
St ep Four :
Run t hr ough t he f i r stt hr ee st eps anot her t wo t i
mes . St ep Fi ve:
Make an associ at ed i mage of a ci r cumst ance wher e you want power and conf i
dence wi t h wo me n. As you do so, fire
your anchor by appl yi ng t he same wr i st squeeze.
St ep Si x:
Keep hol di ng the squeeze and you wi l l experi ence the power f ul , bol d, conf i dent
f eel i ngs i n a ci r cumst ance that used t o ma k e you ner vous! You have now t r ai
ned your br ai n t o react t o wo me n by put t i ng you i nt o a power f ul , conf i dent
, bol d
st at e, WI THOUT YOUR HAVI NG TO THI NK ABOUT I T AT THE TI ME YOU ARE ACTUALLY I N
THE SI TUATI ON!
Step Seven:
Do t hi s once a day, i n t he mo r ni ng t o st art your day, f or one week! Ref r esh

and r epeat af t er t hat i f needed!
Appendi x Si x
HOW TO SWI FTLY DETECT AND ELI MI NATE WOMEN

WHO ARE WACKOS, L OW- LI FES, CRAZI
ES AND SCUM
I wi sh t he wor l d wer e f ai r . I f i t wer e, I woul dn' t be si t t i ng her e wr i t i ng t hi

s. I ' d be a an i ndependent l y weal t hy mu l t i - mi l l i onai r e pl ayboy, on my own beaut
i f ul t r opi cal i sl and, sur r ounded by t he ent i r e UCLA Women' s Vol l eybal l t eamt hi
nki ng up new ways t o be ni ce t o me.
Ahemm.
But l i f e I SN' T f ai r . And one of t he mos t unf ai r r eal i t i es i s t hat MOST of t

he wo me n you meet are not goi ng t o be decent , i nt el l i gent , t
oget her pi nnacl es of
l ove, j oy and sel f - est eem, dyi ng t o meet you and f ul f i l l your l i f e i n ever y way
possi bl e.
Nope. Most wo me n are ser i ousl y di nged i n one way or anot her .
Maybe i t ' s t he i mpos s i bl e expect at i ons of soci et y t hat does i t . Maybe i t ' s t
he hor r i bl e ear l y t r ai ni ng or j ust bi ol ogy. What ever t he r eason, i t i s a f act
you mus t be pr epar ed f or.
So many t i me s Iwoul d f al l head over heel s i n l ove wi t h a wo ma n j ust because

she had a f ew char acteri st i cs I r eal l y l i ked. I t hi nk I
di d i t because I t r ul y do
l i ke peopl e and enj oy t he f eel i ng of l i ki ng s omeone.
But ma n, di d I get my head ki cked i n.
Tat t oo t hi s on t he i nsi de of your eyel i ds: J ust because a woman i s gorgeous

or f un or s mar t or ( f i l l i n your f avor i t e her e) doesn' t say BEANS about her
char act er .
Many wo me n wi t h great per sonal i t i es have t err i bl e char act ers. I ' ve me t wo me n
who are wi t t y, bri l l i ant and t ons off un and GORGEOUS to boot
who woul d have no second thought about st eal i ng you bl i nd i n a second. Or doi ng
what ever whi m
cr ossed t hei r mi nd at t he mo me nt .
These l adi es l i ve by one r ul e: I ' M NOT GOI NG TO DO ANYTHI NG UNLESS I

ABSOLUTELY FEEL LI KE I T AT THE MOMENT.
Char mi ng f l akes l i ke t hi s can r eal l y put your head ( not t o ment i on ot her par t
s) t hr ough t he r i nger .
Then t hei r ar e l adi es wi t h great personal i t i es, great char act er s, and even great
l ooki ng. But t hey have one smal l pr obl e m:
THEY HATE SEX!
That ' s r i ght . I f you' ve ever r ead Geor ge Or wel l ' s cl assi c book, l 984, you know
how t he t ot al i t ar i an gover nment di d i t ' s l evel best t o di
scour age peopl e f r om enj oyi ng sex. They were successf ul t o such an ext
ent t hat peopl e vi ewed sex as
t hey woul d a di sgust i ng mi nor medi cal procedur e l i ke havi ng an e ne ma or poppi
ng a boi l .
They even had a group f or youngst er s cal l ed THE J UNI OR ANTI - SEX LEAGUE.
Wel l , l 984 ma y have been f i ct i on, but t he J ASL i sn' t . I ' ve used t o dat e ma ny
of i t ' s me mb er s!
The best way t o deal wi t h al l of t hese var i ous var i et i es of l ow- l i f e f ema l es i
s t o t ake t he same t act you' d t ake wi t h cancer : EARLY DETECTI ON AND
SWI FT REMOVAL.
To ai d you i n det ect i on, I ' ve desi gned what I cal l r at her modes t l y t he J EFFRI
ES UPRI GHT/ UPTI GHT SCALE. I t al l ows you t o qui ckl y si ze up a gi r l t
o l et you know i f she' s got r el at i onshi p pot ent i al or i f she
deser ves no mo r e t han havi ng one of t he "qui ck- l ay" st r at egi es pul l ed on her .
The ver t i cal scal e measur es her enj oyment of sex. Not necessar i l y perf or
mance, but ent husi asm and genui ne pl easur e she gets out of i t . Nat ur al l y, you'
d want someone wi t h a l ow " upt i ght scor e. "
The hori zont al scal e measur es her char act er , how " upri ght " she i s. Lot s of
t hi ngs go i nt o t hi s: i s she war m? Does she tr eat peopl e, especi al l y st r anger
s, wi t h r espect ? DOES SHE DO WHAT SHE SAYS SHE WI LL? I s she honest ?
Thi s l ast i s most i mpor t ant . I once wor ked wi t h a gi r l who I consi der t o be one
of my mo del s f or upr i ght ness. I n addi t i on t o her r egul ar j ob, whi ch she worked
wi t h me , she sol d cert ai n door t o door ki t chenwar e/ soap pr oduct s. She
knew I had an i ncr edi bl e crush on her, and woul d buy
anyt hi ng she sl apped down i n f r ont of my f ace.
Bel i eve me , l ot s and LOTS of l adi es woul d not have hesi t at ed t o t ake
advantage of t hi s. But not Li sa. Af t er t al
ki ng t o me f or awhi l e, she r eal i zed t hat I
r eal l y di dn' t need her pr oduct s and she woul dn' t l et me buy t he m! She sai d
she di dn' t f eel r i ght about maki ng a sal e t o someone who coul d get a cheaper
product t hat woul d do t he s a me j ob f or t he par t i cul ar need t hey had!
That , my f r i ends, i s i nt egri t y and UPRI GHTNESS.

Ot her qual i t i es t hat go i nt o t hi s: I s she a gi ver ? And, j ust as i mpor t ant l y, can
SHE r ecei ve good t hi ngs f r om YOU? Wi t hout f eel i ng un c omf ort abl e about i t ? One
of t he sur e si gns t hat you' ve got a si cko on your hands i s she can' t accept
someone' s bei ng good t o her.
So me one once descr i bed a good f r i end of mi ne t hi s way: " She' s r eal l y gr eat t
o anyone who can t ake i t . "
Pi ck a gi r l who can t ake i t .
Wh en you me et a l ady, si ze her up as t he t wo of you spend t i me t oget her , and tr

y t o put her on t he upt i ght / upr i ght scal e.
Her e are s ome ear l y tel l - t al e behavi oral cues t o l et you know you' r e deal i ng
wi t h someone who i s NOT goi ng t o get a f avor abl e spot on t he scal e:
She t al ks about sex on t he f i r st dat e. Any wo ma n who does t hi s ei t her has no

cl ass, or , f ar mor e f r equent l y, i s a pr i ckteaser . I f a woman t al ks about sex on
t he f i r st date, or even pul l s out a di r t y dr awi ng or photogr aph t o show you
( bel i eve me, I ' ve had i t happen) don' t get hot and bot her ed! Thi s i s a si gn of a
si cko, bel i eve me! Your best r esponse i s t o act a t r i f l e shocked and say, "I
t hi nk t al ki ng about t hese ki nd of t hi ngs wi t h s omeo ne you hardl y know i s ki nd
of vul gar , don' t you?" Or , even mo r e ef f ecti ve, " You know I f i nd peopl e who
have t o t al k about sex r i ght of f t he bat usual l y have a r eal pr obl em wi t h i t ! "
That wi l l REALLY PUT HER I N HER PLACE. She may even t r y t o prove you wr ong,
by f ucki ng you l at er t hat ni ght . But gener al l y speaki ng, you' ve got a J ASL
me mbe r on your hands and ar e best of f cal l i ng i t an earl y eveni ng. Tel l her
you f or got
t hat you have t o dr i ve out of t own r eal l y earl y t he next day f or a Thr ee St ooges
convent i on. Have s ome f un wi t h i t , but f orget her , FAST!
She keeps you wai t i ng a l ong t i me when you go t o pi ck her up or does somet hi
ng el se t hat i s darn r ude ei t her at t he begi nni ng of t he dat e or l at er on.
Maybe she' l l pul l a f l aky st unt l i ke havi ng you wai t i n t he l i vi ng r oom, whi l e
she ma kes a qui ck cal l . Then she' l l get on t he phone and chat wi t h a gi r l f r i
end f or an hour or so.
Wo me n l i ke t hi s ar e l ooki ng f or a ma n who' s goi ng t o ABUSE THEM EMOTI

ONALLY. They ar e t est i ng you r i ght of f t he bat t o see i f you' l l
be pat i ent and underst andi ng and i f you ar e, YOU ARE
OUT! She i deal l y woul d l i ke you to pul l
t he phone out of t he wal l , gr ab her by t he hai r and ei t her dr ag her out t he
door or wal k out , wi t h her r unni ng af t er you.
I f t he chi ck pul l s s o met hi ng l i ke t hat , you have t
o mak e a deci si on. Ei t her gi ve her what she want s, by aggr essi
vel y t el l i ng her what an asshol e she i s and
t ur ni ng t o wal k out i n whi ch case she' l l f al l i n l ove wi t h you r i ght t hen and
t her e. Or , deci de she' s not wor t h wasti ng t he t i me, wave pol i t el y, and get l ost .
Or , wai t pat i ent l y f or her t o f i ni sh t he cal l and t hen ski p t he dat e and scr
ew t he chi ck ri ght t her e, usi ng a qui ck- l ay hypnosi s st r at
egy. She cer t ai nl y
doesn' t deserve any bet t er t r eat ment !
By t he way, you ma y f i nd i t qui t e a mi nd- expandi ng t r i p t o pl ay t he abusi

ve asshol e j ust once i n your l i f e! I t i s a f ar wei r der and mo r e mi nd bl owi
ng experi ence than any dr ug you mi ght ever use - i t ' s l i ke bei ng a new
person, bei ng r eborn i n a new per sonal i t y and body. Tr y i t , i f onl y to see
what i t i s l i ke and t o add t o your per sonal f l exi bi l i t y.
She star t s t al ki ng about her past boyf r i ends or ot her guys she' s cur r ent l y
dat i ng. Thi s i s mor e easi l y deal t wi t h and not necessari l y cause to r el egate her
t o t he "l owl i f e" cat egor y. J ust t el l her you' d r eal l y r at her not hear about i t .
Thi s wi l l est abl i sh you as havi ng some bal l s and t hen you wi l l have passed her
l i t t l e t est .
She dr i nks or uses dr ugs t o excess. I f she get s r i otousl y dr unk ever y t i me
you go out , consi der t he f act t hat you ma y have an al
cohol i c on your hands. Sure,
t hey can be f un f or a whi l e, but I personal l y woul d r at her not be wi t h a
wo ma n who l oves J ack Dani el s more t han she does Ross J ef f r i es.
She does not keep appoi nt ment s or c o mmi t me nt s. I don' t know how " f l akes"
ar e ma nu f act ured; I suspect t hat t hey wer e rai
sed by par ent s who put enor mo us
pr essur es on t hem t o perf orm on cue, so now t hey have a pol ari t y response and
r ef use t o do anyt hi ng unl ess t hey f eel l i ke i t at t he mo me nt ! I f a wo ma n doesn'
t do as she says she wi l l , dump her or use a "qui ck- l ay" st r ategy.
She asks f or a f avor BEFORE you' ve even gone out ! Maybe she needs a r i de, or
some money, or even her car washed.
To hel l wi t h t hese evi l l i t t l e Nazi douche- bag expl oi t at i on queens. Fuck and
dump t i me, good buddy! And DON' T DO HER THE FAVOR. TELL HER
YOU' LL DO I T AFTER YOU GO OUT!
I n s u mma t i on, I ' m no bi bl e t humper , but
scr i pt ur e does say s ome t hi ng ver y, ver y wi se on t he subj ect :
" A good wo ma n, who can f i nd her ? Her pri ce i s
beyond pear l s. " Use t he upt i ght / upr i ght scal e, and get your sel f
a STRAND OF THEM!
ORI GI NAL TABLE OF CONTENTS
TABLE OF
CONTENTS I
NTRODUCTI ON
PART ONE: HOW TO HAVE POWER AND CONFI DENCE WI TH WOMEN
CHAPTER ONE:THE ONE ATTI TUDE THAT I S THE KEY TO HAVI NG I RRESI STI BLE APPEAL
TO WOMEN AND GETTI NG LAI D WI TH THE WOMEN OF YOUR DREAMS
CHAPTER TWO:HOW TO I NSTALL THE SUPER- GET LAI D ATTI TUDES I N YOUR SELF SO YOU
USE THEM AUTOMATI CALLY
CHAPTER THREE: BELI EVE I T OR NOT, HOW TO HAVE EVEN MORE CONFI DENCE WI TH
WOMEN CHAPTER FOUR: STI LL MORE CONFI DENCE AND POWER WI TH
WOMEN!
CHAPTER FI VE: YET MORE CONFI DENCE AND POWER WI TH WOMEN
PART TWO:HOW TO MEET WOMEN, ANYTI ME,

ANYWHERE ( I n whi ch we l ook at t he f our st eps t o any pi ck- up) Get t i
ng at t ent i on, Maki ng your i nt r oduct i on, Cr eati ng
r apport , Maki ng your pi t ch
CHAPTER SI X: HOW TO FAKE LI KE YOU ARE WARM AND FRI ENDLY
CHAPTER SEVEN: GETTI NG HER ATTENTI ON- THE KEY TO PI CK UPS WHEREVER YOU ARE
CHAPTER EI GHT:HOW TO MAKE A WOMA N YOU' VE J UST MET FEEL LI KE SHE' S MET THE
MAN OF HER DREAMS
CHAPTER NI NE:SOME GREAT METHODS AND GREAT PLACES TO PI CK UP MORE WOMEN THAN
YOU AND A FRI END COULD POSSI BLY HOPE TO HANDLE I NCLUDI NG THE ONLY T WO PI CK- UP
LI NES
I N THE WORLD THAT WORK SO WEL L THAT THEY CAN GET YOU LAI D AUTOMATI
CALLY CHAPTER TEN: SLASHI NG COMEBACKS FOR SLEAZOI D SLUTS!
CHAPTER ELEVEN: HOW TO USE THE PERSONALS TO GET HUNDREDS AND HUNDREDS OF WOMEN
TO DATE!
CHAPTER TWELVE:BI RDOGGI NG: How To Get A Gi r l When

She' s Wi t h Anot her Guy ( Or Whe n You' r e Wi t h Anot her Gi r l )
CHAPTER THI RTEEN: GETTI NG THE DATE
CHAPTER FOURTEEN: GETTI NG THE PHONE NUMBER
ROUTE CHAPTER FI FTEEN: MAKI NG THE DATE ON THE
SPOT
CHAPTER SI XTEEN:HOW TO HANDLE BI TCHES WHO TRY TO CANCEL
DATES PART THREE: HOW TO GET THE WOMEN YOU DATE I NTO BED
CHAPTER SEVENTEEN: DECI DI NG YOUR APPROACH
CHAPTER EI GHTEEN: HOW TO USE HYPNOSI S TO GET YOUR DATE I NTO THE SACK
CHAPTER NI NETEEN: HOW TO TOTALLY BREAK A WOMAN' S RESI STANCE TO SLEEPI NG WI TH

YOU

Ross Jeffries How To Get The Women You Desire Into Bed

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Ross Jeffries How To Get The Women You Desire Into Bed

Uploaded by

Copyright:

Available Formats

HOW TO GET THE WOMEN YOU DESI RE I NTO BED

A Down And Di r t y Gui de

A qui ck r ecommendat i on. Al l of my wor k was done based on an onl i ne dat i ng si t

Publ i shed i n t he USA.

USE OF THI S BOOK I S DONE AT YOUR OWN RI SK.

" He who wi l l not t ake t he hi nt , mus t t ake the consequences. "

 HYPERLINK \ l "Introduction" Introduction

 HYPERLINK \ l "Chapter_1" Chapter 1

 HYPERLINK \ l "Chapt er _ 2" Chapter 2

 HYPERLINK \ l "Chapter_3" Chapter 3

 HYPERLINK \ l "Chapter_4" Chapter 4

 HYPERLINK \ l "Chapter_5" Chapter 5

 HYPERLINK \ l "Chapter_6" Chapter 6

 HYPERLINK \ l "Chapter_7" Chapter 7

 HYPERLINK \ l "Chapter_10" Chapter 10

 HYPERLINK \ l "Chapter_12" Chapter 12

 HYPERLINK \ l "Chapter_13" Chapter 13

 HYPERLINK \ l "Chapt er _14" Chapter 14

 HYPERLINK \ l "Chapter_15" Chapter 15

 HYPERLINK \ l "Chapter_16" Chapter 16

 HYPERLINK \ l "Chapter_17" Chapter 17

 HYPERLINK \ l "Chapter_18" Chapter 18

 HYPERLINK \ l "Chapter_19" Chapter 19

 HYPERLINK \ l "Chapter_20" Chapter 20

 HYPERLINK \ l "Appendix_1" Appendix 1

 HYPERLINK \ l "Appendix_2" Appendix 2

 HYPERLINK \ l "Appendix_3" Appendix 3

 HYPERLINK \ l "Appendix_4" Appendix 4

 HYPERLINK \ l "Appendix_5" Appendix 5

 HYPERLI NK \ l "Appendix_6" Appendix 6

 HYPERLINK \ l "Original_TOC" Original Table Of Contents

UNFAI R SEDUCTI ONS I N AN UNFAI R WORLD

Many peopl e who read t he rough dr af t of t hi s book wer e upset by part s of i t .

But , i f YOU st ar t f i ght i ng di r t y,I wi l l f eel under no mor al obl i gat i on

Unf ort unat el y, when you deal wi t h wo me n, you ma y of t

Now, any chi ck who pul l s t hi s of f DESERVES to be on the recei vi ng end of t he

Somet hi ng el se t o consi der : Wh en i t comes t o sex,

FOR GUYS, GETTI NG LAI D I S A CHORE.

Many of t hese wo me n are goi ng t o be hung- up sexual l y, depr essed, suf f er f r om l

A FEW MORE WORDS BEFORE WE GET ON WI TH THI S BOOK

Thi s book wi l l NOT make t hat mi st ake; i n f act t he whol e f i r st sect i on i s

ances. Not bad f or one l i t t l e book, huh?

Throughout t hi s book, I wi l l be l ayi ng down cer t ai n i deas t hat you woul d do

Enough chi t chat. Let ' s go t o batt l e men.

THE ONE ATTI TUDE THAT I S THE KEY

Once, one of my super - scor i ng buddi es i nvi t ed me t o go t o a par t y wi t h hi m.

Anyway, we wer e wander i ng around t hi s huge apar t me nt compl ex, l ooki ng f or t

I MAKE NO EXCUSES FOR MY DESI RES AS A

Do you r eal l y want t o get l ai d wi t h al l t he wo me n you coul d ever possi bl y

St op ma k i ng excuses f or want i ng t o meet a wo ma n ! St op mak i ng excuses f or want

Her e' s t he ot her at t i t ude/ bel i ef you' l l want t o mas t er i f

I DON' T GET RATTL ED BY

I r e me mb er wat chi ng a TV show wher e t he host was i nt ervi ewi ng a movi e

" Whe n I f i r st st art ed out c ompe t i ng i n Karat e Tour na ment s, I

Ok. As I pr o mi sed, l et ' s get on t o t he next

Now, ma ke another pi ct ur e of a r ol l er coast er , but t hi s t i me, do NOT see

THE FAI LURE TO UNDERSTAND THI S SI MPLE DI FFERENCE

For ease we are goi ng t o cal l t he f i r st ki nd of pi ct ur e, wher e you do see

Ok. Now t hat we have ma de t hat cl ear , l et' s get on t o t he

exerci se. St ep One:

Cl ose your eyes, and see your sel f i n t he f i r st ki nd of pi ct ur e, goi ng t hr

Now, st ep i nt o the pi ct ur e, and see t he event s as i f you wer e actual l y l ooki ng

Thi nk of a si t uat i on or ci r cums t ance wher e you woul d l i ke t o be mor e power