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CIN215 Film Refection
CIN215 Film Refection
CIN215 Film Refection
In the film Amar, Akbar, Anthony (1977), I chose a scene that I was very interested in, and
that was when Anthony goes to the church and finds the father has been murdered and
iconicity and illusionism with realism and creating a convincing cinematic world.
In this scene, I see the director presenting the narrative style of the entire film through the use
of iconicity and illusionism. First of all, at the beginning of the scene, Anthony is dressed in a
white suit, and the father dies in front of the statue of God wearing a church uniform, with his
hands making a gesture of prayer, at which time the character's dress and behavior naturally
show that the role that should not be dead but unexpectedly died in the sacred church,
resulting the scene becomes a symbol of moral authority and spiritual guidance. At the same
time, when Anthony walks towards the God statue, the background music is mournful, while
the camera gives a close-up shot of the God statue. The solemn God statue plus the mournful
music will arouse strong emotion in the audience, which further highlights the tragedy of the
situation. The use of illusionism at this moment is reflected in the depiction of the details and
the ambiance of the setting, also underscoring the sense of loss and grief in the scene.
In addition, I think the use of iconicity and illusionism in this scene can be very effective to
combine realism, thus helping to create a sense of miraculousness and distinguish the film
from other genres such as social and devotional. In fact, in the clip, the death of the father and
Anthony's grief are both very common phenomena in reality. Most viewers will not find it
strange when they see Anthony's grief and prayer for God, most people will see this as a
natural phenomenon. While the father's death is sad, it is also reasonable. However, the fallen
Buddha's medal and Anthony's prayer to the statue give the father's death a more significant
meaning and transform the movie from a realistic subject to a mythological film.
In conclusion, through this scene with Anthony and the father, it is shown how the use of
iconicity and illusionism enhances the emotional impact. Precisely I think because the use of
culturally significant imagery in the clip, combined with music and dialogue, creates a