Vibraphone

i.AM.OK Sample Project 2020

Tijn Wybenga & AM.OK
1. Song 1 (Wonder van Amsterdam 1)


Samples by: Joris Roelofs, Reinier Baas, Alistair Payne, Federico Calcagno
 = 78      
        
     
3–4 6–8 10–12

  
                        
A

 
14


  
                   
B

   
20–21

 
                     
         

27


                             
C

   
33

 
                     
         

39


       
 
    
45

           
  
         
D E

          
48–50 54–55 56–57 59–60 62–63 65–67
2 Vibraphone

       
         
F

       
68

             
                                   
    
76

   

                   

    
        
  

80

 

                   
             
G

       
83

  

                           

                      

86

                 

          


         
89

   

         

            
H

                   
92

 
 
    
               
96

                 
  

                     

                             
100

 
             

 Vibraphone 3


    
                          
I

            
105


       

 
       
            
               
     
109


 

    

         
                        
 
113


 
 

 
   
                                   
   
117

 

     
                                     
 
121

  

    

            
  
J Bass Clarinet Solo

 
125


 128–129
K

  
 
ON CUE

                      
132


 

 
                   
136

               
 
  
   
   
138–140
4 Vibraphone

  
   
   
              
     
   
ON CUE 1 ON CUE 2

                            
143
 = 

   sub.  149–152
  145–148

                 


ON CUE 3

                   
153

  

    

                       
             
156

        


 = 78
    


              
=s

         
159

       161–162

           
             
L

           
163

            

  






















 
175

                
                      
M

                                 
188

  
 
                     

193

                
               

 
   
                                    
   
196

 
 Vibraphone 5

      
                                   
200

   

     
   
   
205

 

2. Song 2

  
Samples by Ben van Gelder, Alistair Payne,
 = 84       

    
A B C

1–4 5–12 13–20 21–24 25–28 29–36 37–40 41–50 51–54 55–58

      

      
           
D

   

59–66   

       

    
               
E

  

69

 
           
71–75

 
       
        
76

    77–80  

F         
81–84 86–90

    
        
ped.

   
91

     92–94 96–98

     

  
G

                      

99

 

6 Vibraphone

     

                         
101

 
     
                         
103

sub.
     
     
H

                      
105

     
 107–108

 = 67  = 54
     
 


       
ON CUE q= 8x q=


I
   
4x


109–113
    115–118

 
4x

                
      
122
8x 4x play only last 2 times 8x

    


poco a poco
=q  = 84

 = 67 

               
      
125
play last 4 times 8x =q

   

   
127–128

     
                   


  
4x max

129


     
              
ON CUE

              

 
131


     
                  

J

     
133

 
 Vibraphone 7

     

                         
135

    

                         
137

      

   
                          
139

     

   
                  
142

    

  
                       
145

3. Song 3

 
Samples by Pau Sola, Reinier Baas, Pablo Rodriguez

  
 
 = 84 A B

                               
1–8 9–12 13–16 17–24

 
C

          
25

 
                             
   

27

 
                               
 

29

 
8 Vibraphone

                                D 
           

31

  33–40

           
                                
41

 

                                
43

 


                                
45

 

              
E

                                 
47

 
            
     
50–56

     
  
      
 
             
        
57

    



 
                   
F

  
                     
63–70
 
 
                               
73

          
 
                    
   
                   
75

 
 Vibraphone 9

                      

G Cello solo

 
                     
77

  79–82

   
guitar solo, start soft

     
ON CUE and build up

 
83–84 85–87 90–96

         
                    
97

  
 
         
                    
99

   

        
                     
101

   

         
                      
103

   

         
                    
105

   

         
                    
107

   

                    
   
     
      
109


10 Vibraphone

 arco
 
I

 
         
                      
111

    
        

         
115

     
     
122

4. Song 4 (Wonder van Amsterdam 2)


Samples by George Dumitriu & Reinier Baas

     
          
A
  
 = 84


 
1–3 5–8 9–10

               
                       
12

            
      
 
13–14 17–18

                
             
        
19

     
                  
           
B

       
23

   
                  
               
27

        
  
 Vibraphone 11

                  
        
         
31

  
        
                
C
      
35

     
  

             
                  
39

             

                       
                                   
43

         
  
                 
   
D

             
46

     
                   
                   
  
50

        
  
                   
      
E

          
54

   

      
F

                   
  
  












 
60–68

         
     
          
71














12 Vibraphone

      
                
        
73

   











75  
             
 
                   
 
















       
Rubato

 
   
G viola solo

              
78

 
 80–83
ON CUE

                       
improvise an atmosphere with these notes. vary speed

            
ON CUE also leave space in between

  
85

    

               
H
    
Time

  

  
90–107 108–113

   
              
115

    

               

 
 

              
118

          

                

 


            
         
121

     

      
           
         
I

 
124

     
 Vibraphone 13

               
                    
129

               

     
                                        
133

            
 
136 
    
J
          
              
  











   
             
          
138














           
                
140

  













 
             
            
142















144–152

       

 
 
 
            
         
153

      

5. Song 5
Samples by Federico Calcagno & Reinier Baas

 
 Vibraphone

6. Song 7
E

           
Samples by Ben van Gelder, Pau Sola, Reinier Baas

 
B C

   
 = 84 A D Trumpet solo

1–12 13–20 21–24 25–32 33–40 41–48 49–56 57–62 63–86 87–88 93–96
F

      
89–92

      
fast vibrato

       
97


 
   
   
   
    
              
           
104

   
 
106–111

    

         
113

                

    

         
115

        
       

117   


     

                       
       

           
         
                        
119

  
     
          
121

             
      

    

         
123

                
 Vibraphone 15

     

          
125

                   

      

                 
127

       
        

         
      
               
             
130

   

              

       
         
             
134

    

              

       
        
           
138

     

      


           
                 
  
 
  
142

    
   
   
                       
G


    


146–148

  
  
                              
152


  
    
  
   
                 
          
155

     

 
16 Vibraphone

           
     
          
158

 
   
 
 
        
                             
160


   
     
  
   
                     
              
162

  

     
        
                       
165

    166–167    

                  
          

169

      

                    

         

173

    174–175  

7. Song 9 (Wonder van Amsterdam 3)

Melody by Yanna Pelser, samples by George Dumitriu, Pablo Rodriguez

 
              
 = 126 A

   
1–4 5–11 
    
          
   
14

15–19
 Vibraphone 17

        
    
       
22–26


                         
              
28

        
  
      
B

  
30

31–32


                       
33

     
       
34

          


                       
35

         
        
 

36

  


                       
37

       
              
38

 
18 Vibraphone


                       
39

         
         
  
40

 


                       
41

            
         
42

 

            
43

           

     
       
        
44

 


                       
45


                       
46


                       
47
 Vibraphone 19

       
       
  

48

    


                       
49

      
       
  
 
50

    

                  
51

     

            
52

           


                 
53

     


                 
54

     

                         
C

              
55


   D 
       

57

 63–68
20 Vibraphone

                    
   
69

              
         
70

               

                
71

   
          
E

        
73

 

                           
    
76

 

                        
        
78

 

                    
       
   

80

 

  
                  
    
 
   

82

     
               
 
 
 
   

84
 Vibraphone 21

     
       

      
   

86

  
                
F

  
88

89–92 

    

               
                 
94

 
  
97

 
  
105

    
       
      
 
113

115–116

          
sax solo

        
G

 
Cm7

 
117



       
              
 
121

               
    
125

 
22 Vibraphone

   
          

      
129 1.



 
132–134

             
     
         
135 2.

136–138 140–142

            

              
QUE2

 
143

144–146

    

    
I

      

147
(4)


 
             
152
rubato time

   

 
153–159


             

162

 

163–164 165–167

                

169

170–174 

                

     
176

            
J

             
179

    
 Vibraphone 23

                                
181

   
 
  
183

 
   
K


191

 


195–200

     
          
202

     
