Music 8 - Q1 - M3

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O

MAPEH 8
MUSIC • ARTS • PHYSICAL EDUCATION • HEALTH
Quarter 1 – Module 3: Southeast Asian Music
First Edition, 2020

Republic Act 8293, section 176 states that: No copyright shall subsist in any work
of the Government of the Philippines. However, prior approval of the government agency or
office wherein the work is created shall be necessary for exploitation of such work for profit.
Such agency or office may, among other things, impose as a condition the payment of
royalties.

Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand names,
trademarks, etc.) included in this module are owned by their respective copyright holders.
Every effort has been exerted to locate and seek permission to use these materials from
their respective copyright owners. The publisher and authors do not represent nor claim
ownership over them.

Published by the Department of Education Division of Pasig City

Development Team of the Module

Writers: Wenalyn L. Luz and Demosthenes B. Soriano


Editor: Demosthenes B. Soriano
Reviewer: Demosthenes B. Soriano
Illustrator: Nowell Son A. Distror
Layout Artists: Edison P. Clet, Nowell Son A. Distror and Demosthenes B. Soriano
Management Team: Ma. Evalou Concepcion A. Agustin
OIC-Schools Division Superintendent

Dr. Aurelio G. Alfonso


OIC-Assistant Schools Division Superintendent

Dr. Victor M. Javena


OIC – School Governance and Operations Division and OIC- Chief
Curriculum Implementation Division

Education Program Supervisors


Librada L. Agon, Ed. D., EPP/TLE
Liza A. Alvarez, Science
Bernard R. Balitao. Araling Panlipunan
Joselito E. Calios, English
Norlyn D. Conde Ed. D., MAPEH
Wilma Q. Del Rosario, LRMS
Ma. Teresita E. Herrera, Ed. D., Filipino
Perlita M. Ignacio, Ph. D. ESP/SPED
Dulce O. Santos, Ed. D., Kinder/ MTB
Teresita P. Tagulao, Ed. D., Mathematics

Printed in the Philippines by Department of Education – School Division of


Pasig City
MUSIC 8
MUSIC • ARTS • PHYSICAL EDUCATION • HEALTH

Quarter 1
Module3
Southeast Asian Music
Introductory Message

For the facilitator:

Welcome to the Music Grade 8 Module on Southeast Asian Music!

This module was collaboratively designed, developed and reviewed by educators


from Schools Division Office of Pasig City headed by its Officer-In-Charge Schools
Division Superintendent, Ma. Evalou Concepcion A. Agustin in partnership with
the Local Government of Pasig through its mayor, Honorable Vico Sotto.
The writers utilized the standards set by the K to 12 Curriculum using the Most
Essential Learning Competencies (MELC) while overcoming their personal, social,
and economic constraints in schooling.

This learning material hopes to engage the learners into guided and independent
learning activities at their own pace and time. Further, this also aims to help
learners acquire the needed 21st century skills especially the 5 Cs namely:
Communication, Collaboration, Creativity, Critical Thinking and Character while
taking into consideration their needs and circumstances.

In addition to the material in the main text, you will also see this box in the body of
the module:

Notes to the Teacher


This contains helpful tips or strategies
that will help you in guiding the learners.

As a facilitator you are expected to orient the learners on how to use this module.
You also need to keep track of the learners' progress while allowing them to
manage their own learning. Furthermore, you are expected to encourage and assist
the learners as they do the tasks included in the module.
For the learner:

Welcome to the Music 8 Module on Southeast Asian Music !

The hand is one of the most symbolized part of the human body. It is often used to
depict skill, action and purpose. Through our hands we may learn, create and
accomplish. Hence, the hand in this learning resource signifies that you as a
learner is capable and empowered to successfully achieve the relevant
competencies and skills at your own pace and time. Your academic success lies in
your own hands!

This module was designed to provide you with fun and meaningful opportunities
for guided and independent learning at your own pace and time. You will be
enabled to process the contents of the learning material while being an active
learner.

This module has the following parts and corresponding icons:

Expectations - These are what you will be able to know after completing the
lessons in the module

Pretest - This will measure your prior knowledge and the concepts to be
mastered throughout the lesson.

Recap - This section will measure what learnings and skills that you
understand from the previous lesson.

Lesson- This section will discuss the topic for this module.

Activities - This is a set of activities you will perform.

Wrap Up- This section summarizes the concepts and applications of the
lessons.

Valuing-this part will check the integration of values in the learning


competency.

Posttest - This will measure how much you have learned from the entire
module.
EXPECTATIONS

At the end of this module, you are expected to:


• analyze the music of Myanmar;
• identify the different instruments in Myanmar; and
• improvise musical instrument using recycled materials.

PRETEST

JUMBLE LETTER

Directions: Re-arrange the jumbled letters to get the correct answer and write on the space
provided.
____________1. BARUM former name of Myanmar.
____________2. HAINSG GNAIW Myanmar’s traditional folk music ensemble.
____________3. AUNGS KUAG National instruments of Myanmar.
____________ 4. GNMUA NGSHAI are larger bronze gongs in a rectangular frame.
____________ 5. APT GNWAI is a set of 21 drums in a circle.

RECAP
Directions: Fill in the blanks to complete the sentences and choose the correct words given
below.
Javanese Gamelan, Karawitan, Balinese Gamelan, Pelog and Irama

1. It is an Indonesian term for tempo _________.


2. ______________ an orchestra that is used for court music.
3. It is the term for every kind of gamelan music in Java_______.
4. _______________ heptatonic (7) tone scale with semi tone.
5. ___________________ orchestra that is used for sacred music.
LESSON

Music of Myanmar

Schwedago

Myanmar was known as Burma until 1989. The country’s name was officially
changed by the military government that took over in 1988. Early civilization in Myanmar
dates back to the 1st century with archaeological evidences of the Pyu Kingdoms of
Thayekhittaya (Sri Ksetra), Beithano (Visnu), and Hanlin.
The music of Myanmar (or Burma) has similarities with many other musical traditions
in the region, including Chinese music and Thai music, probably because its longest land
border is shared with China.

Hsaing Waing

The Hsaing Waing is Myanmar’s traditional folk music ensemble. It is made up


mainly of different gongs and drums as well as other instruments depending on the nature of
the performance.

Myanmar’s musical instruments are categorized into 2 types, the loud sounding and
soft sounding. The loud sounding instruments are performed in open-air ensembles at
ceremonies and festivals. Most of the Hsaing Waing instruments belong to the loud sounding
category.

Other instruments in the Hsaing Waing are the:

Hne (a double Kyi waing (small bronze gongs Maung Hsaing (larger bronze
reed pipe) in a circular frame) gongs in a rectangular frame)

Pat waing (a set of 21 drums in Chauk Lon Pat (a set of Siand wa (bell and
a circle ) 8 tuned drums) clapper)

Saung Gauk

For more formal and classical performances that are performed indoors, the ensemble may be
accompanied by the saung gauk the national instrument of (13-string angular harp with soft
sound) Myanmar, the pattala (Burmese xylophone), or the piano and violin, both introduced
during colonial rule.
The body of the saung gauk is made of padauk, the famous Myanmar mahogany, the
flat bar is made of cutch wood, it is covered with the leather of a female deer and the strings
are made of silk.
Saung Gauk
Myanmar Harp

Myanmar not only has musical ensembles but also an extensive collection of classical
songs called the Mahagita. These songs are divided into different types like the oldest
repertoires, royal court music, songs of longing, horses’ dance songs, worship songs for
Burmese spirits, and songs of sorrow and music adapted from Ayutthaya and the Mon people.
The saung gauk usually accompanies these songs.

ACTIVITIES

Activity 1

WORD PUZZLE

Direction: Fill in the puzzle below using the hint given. Write the letter in each box to form
the word being described.
Across:
2. Mon people
3. Saung Gauk

Down:
1.Burma
4. Myanmar Mahogany
5. Siand Wa
Activity 2
Direction: Complete the information by filling out the information needed.
Hornbostel-Sachs
Name of Instrument Definition Classification of
Instrument
a double reed pipe
Maung Hsaing Idiophone
13-string angular harp
Pat waing Membranophone
Si and wa bell and clapper
small bronze gongs in a
Idiophone
circular frame
Chauk Lon Pat
.

WRAP-UP

Directions: Fill in the blanks to complete the sentences and choose the correct words
given below.

Nhe, Mahagita, Saung Gauk, Loud, Hsaing Waing, and Soft

1. Myanmar not only has musical ensembles but also an extensive collection of
classical songs called the ________.
2. The _____________ is Myanmar’s traditional folk music ensemble.
3. The _______ sounding instruments are performed in open-air …ensembles at
ceremonies and festivals.
4. _____________ is the national instrument of Myanmar.
5. ______________ is a double reed pipe.

VALUING

Musical instruments have never been cheaper, which can be are suitable for beginners
and kids. However, if you have some extra time and patience, you can make your
own musical instruments. What’s more, you can add a pinch of ecology to this
process and use recycled materials to put together those instruments.
CREATIVITY

Can you make your own musical instrument? Let’s try! You can use any recycled materials
in making your own instrument and use your creativity to make it more presentable. After
doing your improvised instrument, you can share a picture of it to your classmates and
teacher. It can also be use in your performance task at the end of the lessons in this module.
Here are some examples of improvised instruments:

POSTTEST

Matching Type
Directions: Match column A with the correct answer on column B, write only the letter of
answer on the blank provided.

COLUMN A COLUMN B
_____ 1. Myanmar’s traditional folk music ensemble a. Chauk Lon Pat
_____ 2. Myanmar’s national instrument b. Saung Gauk

_____ 3. A small bronze gongs in a circular frame c. Kyi Waing

_____ 4. A set of 8 tuned drums d. Mahagita

_____ 5. An extensive collection of classical songs e. Hsaing Waing


I. PRE-TEST II. RE CAP
1. Burma 1. Irama
2. Hsaing Waing 2. Javanese Gamelan
3. Saung Gauk 3. Karawitan
4. Maung Hsaing 4. Pelog
5. Pat Waing 5. Balinese Gamelan
III. ACTIVITY NO. 1
WORD HINT
1. Myanmar - Burma
2. Ayutthaya - Mon people
3. Myanmar Harp - Saung Gauk
4. Padauk - Myanmar Mahogany
5. Clapper - Siand Wa
IV. ACTIVITY NO. 2
Hornbostel-Sachs
Name of Instrument Definition Classification of
Instrument
Hne a double reed pipe Aerophone
Large bronze gongs in a
Maung Hsaing Idiophone
rectangular frame
Saung Gauk 13-string angular harp Chrodophone
Pat waing A set of 21 drums in a circle Membranophone
Si and wa bell and clapper Idiophone
small bronze gongs in a
Kyi Waing Idiophone
circular frame
Chauk Lon Pat Set of 8 tuned drums Membranophone
V. WRAP UP VI. POSTTEST
1. Mahagita 1. e
2. Hsaing Waing 2. b
3. Loud 3. c
4. Saung Gauk 4. a
5. Hne 5. d
KEY TO CORRECTION
REFERENCES
❖ Books

Government of the Philippines, Department of Education.


Music and Arts of Asia- Grade 8
Learner’s Module
First Edition, 2013
ISBN: 978-971-9990-76-5

❖ Online and Electronic Sources

https://www.youtube.com/watch?v=SjcbkaozxXs
https://www.youtube.com/watch?v=KLrjMQyhEto
https://www.slideshare.net/yrral19/music-of-southeast-asia
https://feltmagnet.com/crafts/Music-Instruments-for-Kids-to-Make
Maphttps://www.lonelyplanet.com/maps/asia/myanmar/
Hsaingwainghttps://asiasociety.org/burmese-hsaing-and-anyein
Wikiwanhttps://www.wikiwand.com/en/Music_of_Myanmar
Hnehttps://www.pinterest.ph/pin/257057091205081740/
kyiWainghttps://www.europeana.eu/en/item/09102/_RMAH_109844_NL
SaungGaukhttps://www.europeana.eu/en/item/09102/_spk_obj_256409
ChaukLonPathttps://www.jpf.go.jp/e/project/culture/archive/information
Siand Wahttps://www.slideshare.net/ianbernardino1/southeast-asian-music
Maung Hsainghttps://www.europeana.eu/en/item/09102/_spk_obj_256409
ACKNOWLEDGEMENT

EDISON P. CLET
Illustration

ELINETTE B. DELA CRUZ


Project Development Officer II(LRMS)
Lay-out Artist

WENALYN L. LUZ
Video/PowerPoint Presenter

NOWELL SON A. DISTOR


Video/ PowerPoint Editor

DEMOSTHENES B. SORIANO
Video/ PowerPoint Reviewer

MARIVIC D. LISING
MAPEH Department Head

GILBERT O. INOCENCIO
Rizal High School
School Head

NORILYN D. CONDE
MAPEH Education Program Supervisors

RODOLFO B. MANUEL / ROLANDO C. JULIAN


Public Schools District Supervisor
For inquiries or feedback, please write or call:

Department of Education – School Division Office of Pasig City

Caruncho Avenue, San Nicolas, Pasig City

Contact No.: (632) 8641-8885

E-mail Address: divisionofpasig@gmail.com

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