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How To Use Automation Clips in FL Studio - Synaptic Sound
How To Use Automation Clips in FL Studio - Synaptic Sound
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BASICS
Table of Contents
Introducing FL Studio
Automation
FL Studio automation can be achieved by a number of different methods. One way
part of a larger group of features in FL Studio and many other DAWs that are
linked to different buttons, sliders, knobs, etc. to vary the behavior of said button,
slider, or knob, with time and without the user actively engaged.
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Let’s say you want your drums to slowly decrease in volume as an airy synth
increases in volume. You could achieve this by creating an automation clip linked
to the volume of each instrument channel or mixer track. It may sound confusing,
but I promise after this, it’ll look simple. The best way to learn what these do is by
For this example, we’ll create and manipulate an automation clip for the channel
volume of the default kick in the channel rack. The fastest and easiest way to
380 make an automation clip is to open FL Studio and right-click on almost any knob
or slider you can get your eyes on. A drop down menu will appear, and an option
If you go over to your Playlist, you can see a flat default automation clip has been
created and pasted there for you. Your channel rack will now also have a channel
specifically made for the automation clip. We’ll mess with the Playlist clip first.
So we’ve got the clip in the playlist, now what? First, if you hover over the clip in
the playlist you can see a few thing happen. Three orbs will appear, one at each
far end, and one in the dead center. The two orbs at the left and right represent
the Kick channel volume level at the beginning (left side) and end (right side) of
the clip. The middle orb is called “tension” which changes the shape or curvature
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of the line between two points.
At default settings, as time progresses over the clip, the kick channel volume will
remain constant since there is no change in vertical position between the left and
right points. By clicking and dragging the end points, we can change their
position, and this changes how the volume knob will behave over time.
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We can also create new points anywhere between the default start and end points
by right-clicking inside the clip. Each of these new points can be clicked and
dragged to wherever you want, and you’ll also notice that new tension points were
created between each new pair of points. Right-click on a point and click “Delete”
There area a few ways to do this. If you right-click on any point, you will be
presented with the options Copy value, Paste value, and Type in value… Copy and
Paste is pretty self explanatory. Type in value… allows you to manually set the
point to any value between 0 and 1, with 0 sending the point to the bottom of the
they’re located on. If you want a straight line again, just right-click on the tension
To change the type of line between two points, right-click a point and select a
different Mode. By default, the Mode is set to Single curve. Here’s a visual
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1. Hold – maintains a straight horizontal line at the start value and then jumps up
2. Smooth – A simple smooth slide between points. The tension changes the
amount of curvature.
4. Single curve 2 – Another parabolic curve, but this one keeps the part of the
shape.
curvature. When the tension on this one is at its maximum or minimum, it can
6. Double curve – Similar to Smooth, but holds lows and high a bit longer
7. Double curve 2 – Similar to Smooth and Double curve. But this one keeps the
parts of the curve closest to the start and end points straight.
8. Double curve 3 – Similar to the other Double curves but with very exaggerated
curvature. When applied properly, this one can be used to get rid of popping
9. Half sine – Technically, this is a quarter of a full cycle of a sine wave. The end
point is the sine waves maximum, or amplitude. Tension adjusts the shape,
with the max and min tensions making a true sine wave.
10. Stairs – Evenly spaced step changes in the parameter in both time and level.
Tension adjusts the number of stairs/steps between the start and end points.
11. Smooth stairs – Same as Stairs, but… yea you guessed it, smooth. The corners
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of each step change have added curvature. Tension also works the same as in
Stairs.
12. Pulse – Evenly spaced and squared-off rises and drops in level. Tension adjusts
the amount of pulses between points. This one is great for creating gates and
fluttering effects.
13. Wave – Either a sine wave or triangle wave between two points depending on
how far tension is dragged to one side. Tension can change both the shape and
Back in our example, there are no kicks being triggered yet. We need to create a
Pattern with a few kicks and slap it into the playlist just above the automation
clip. I made a basic pattern in the Pattern 1 slot in the Step Sequencer. It’s got one
Take a minute to experiment with the end points, shapes, and tension, and how
each effects the volume of the kick as time progresses. Move the end points
around a bit and click the play button or hit the space-bar to start it. Make sure FL
Studio is in “Song mode” by toggling the button on your top toolbar (just to the
left of the play button) off. You’ll even notice the knob itself will move as the time
channel created in the Channel rack. Click on it and it will bring up a new window
shown below.
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This window basically allows you to override everything we just talked about in
the previous section by turning the automation clip into an LFO (low frequency
oscillator). The LFO produces a periodic and repeating waveform that you can
modify by playing with the knobs in the window. Make sure the LFO button is on
and you have your AMT knob set at anything but zero. I’ve summarized the knob
functions below:
1. SPEED – this changes the frequency of your LFO waveform
2. TNS – this stands for tension. It’s similar to the tension from earlier. If you look
at the max and min values of your LFO waveform, this changes the curvature
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3. SKEW – this shifts the mins and maxs of your LFO waveform to the left and
right
4. PW – this stands for pulse width. When TNS is all the way up, this changes the
width of your pulses. It also does some really weird things if TNS is at other
settings.
1. I always like to edit my automation clips with the Grid Snap set to “Line”. You
can find Snap settings in the drop-down menu next to the magnet symbol on
your main toolbar. It’s also next to the magnet at the top left of your Playlist
2. When an automation clip ends, it will hold the linked parameter at the end point
them. Just remember if you change one, you changed all of the copies too. If
you want a completely different clip, you have to either make a new one or click
the icon a the top left of your playlist automation clip and select “Make unique”
4. To link any parameter to another parameter’s automation clip, just right-click >
link to controller, and find the clip you want to link to in the internal controllers
list.
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5. When moving control points, hold down SHIFT to keep the point at the same
level.
6. Be creative. There are so many things you can do with automation clips. You
can link them to pitch, volume, panning, filter cutoff frequency, delay mix, the
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REPLY
Very straight forward and informative. I would like to know if when working with legato
REPLY
Hey! Thanks for the feedback. If I understand your question correctly, yes the
arrangements that utilize legato. The instruments and arrangements you choose
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REPLY
Hey. I don’t know how, but I how to change the “paint” in automation on a “hand’ ?
I can’t
REPLY
Hey Michael. It sounds like you may have step editing turned on in the Playlist. To
turn it off, you will need to look in the top left of the Playlist and change the
playlist focus to automation clips. The button looks like two connected dots.
Then, just below that, make sure the “Step” button is unchecked.
REPLY
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Okey…. First of all great tutorial…. really helped me very much thanks. Now i want to know if
u can create an automation clip for A WHOLE PATTERN which has multiple instruments. Can
u do that?
REPLY
No problem! And to answer your question, yes, sort of. It depends on what you
want to control. You can create an automation clip and then link as many things
as you want to that one automation clip. First create an automation clip for a
parameter you want to control. Then, right-click another parameter you want to
link to the automation clip and click “Link to controller.” Under “Internal
controllers” menu, select the 1st automation clip. Now they are both linked. You
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Synaptic Sound
Synaptic Sound was founded in April 2018 as an educational and informational resource for
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