Nocturne Op.9 No.


Chopin Básico 3
Escuela de música integral

    
Andante

 
   
  
2 5
3

 
      
        
    
 
espress. dolce

  


         
  
2

  
   

 
14 2


2


 
                  
          
      
  


     
   
   
Ped. simile 4
4


      
    
      
  






              
3

 
5 3

      
     
        





 
             
4

 
4


3

 
3 3
6

  
      
       

cresc.

  


  
    
 
132


 
5 2 3
7

       

 
      
   


       
           
 
3


4 3
8

   
            

          
 

     
 


              
poco rit. a tempo

 
    
 
3 2 1 4 5
3 4
10
5 4


                   
           
    
simile

  




     
     
4

 
                

4

   

5

    
5 a tempo


1 3


12

    
             



              
poco rallent.

 


 
     
                         
 
14

    
              
cresc.

     


       
     

2

     
            
5 4


3 1

 
4 3 2
16 2 3 3 2 3

       
         
  
3

 


       
 
17

       
       
    


             

       
18

               
       
4

       
    


   


   


  
  
         

    
  
20

       
          

poco rallent.

 


     
      
      
a tempo

    

21

      
    
       
 



3


     

  
                   
132

  
2
22


 
                
            
     



    

5

    
1 4

    
24 1 5


     
      
   
3 3

  