Professional Documents
Culture Documents
AMST 358 Fall 22 Syallbus
AMST 358 Fall 22 Syallbus
Course Rationale
In this course we will study both black and white writers’ psychological responses to and their
verbal onslaughts on the “peculiar institution” of American chattel slavery. We will explore how
and by whom the written word was deployed in pursuit of physical and mental freedom and
racial and socioeconomic justice. We will deepen our study of historical context as the course
progresses; drawing on the substantial resources of Middlebury’s special collections, students
will have the opportunity to engage in archival work.
Studying American chattel slavery is an invaluable exercise in its own right—this crucial chapter
of America’s history is often oversimplified or misunderstood in popular discourse; we will be
well served by exploring and analyzing how and why slavery made up a significant portion of
the foundation of America’s economic, social, political, and religious identities.
This subject matter also has much to teach us about the present. As historian Ira Berlin notes,
“slavery has become a language, a way to talk about race, in a society in which it seems that
blacks and whites hardly talk to each other at all.” Our engagement with that language will
enable us to assess and contribute to the ongoing dialogue about race that must be a part of our
path forward as a nation more effectively.
A course such as this one cannot hope to be comprehensive, or perhaps even exhaustive, within
the boundaries of a single semester. Put another way, for every moment and artifact we are
going to consider, there are other significant moments and artifacts from the history of slavery
that will go unexamined or unaddressed by the group. We can’t cover it all, but we will dive
deeply into the parts of this history that we explore.
Learning Goals
In this course we will work to
develop an awareness and understanding of the cultural context in which American
chattel slavery rose and fell;
formulate an understanding of enslavement’s essential role in the creation of American
culture;
acquire a multi-faceted understanding of the arguments for and against abolishing
enslavement;
gain a thorough grasp of the importance of print culture to the anti-slavery struggle;
determine the contributions various individual writers and speakers made to the
abolitionist conversation;
strengthen critical & analytical reading and writing skills; and
articulate and practice effective spoken communication skills
The success of this endeavor depends largely on your willingness to meet these obligations,
which you are implicitly accepting by staying in the course:
coming to class consistently
preparing for each class by doing the reading early enough to have time to reflect on it
and to prepare yourself to discuss it
adhering in good faith to the fundamental principles of successful dialogue: openness,
honesty, and respect
pushing yourself beyond your class participation comfort zone and committing to our
collective effort to make meaningful dialogue
Course Texts
o Hinks, Peter, ed. David Walker’s Appeal to the Colored Citizens of the World
(Penn State Press)
o Risley, Ford. Abolition and the Press.(Northwestern U Press)
o Douglass, Frederick. Narrative of the Life of Frederick Douglass, An American
Slave, Written By Himself (Norton Critical)
o Northup, Solomon. Twelve Years a Slave (Norton Critical)
o Stowe, Harriet Beecher. Uncle Tom’s Cabin (Norton Critical)
o Jacobs, Harriet. Incidents in the Life of a Slave Girl, Written By Herself (Norton
Critical)
Course texts are on reserve in the library; please note that library copies might not be the same
editions as the ones I ordered for class; all references to pagination will be based on the editions I
ordered.
Here is a list of the assignments that you must complete with a breakdown of their weights.
Descriptions and details to follow.
Response to Kolchin reading—15%%
Participation in discussion blog on Canvas—15%
Final Examination—30%
Final Group presentation on Special Collections item—40%
Academic Integrity
As a community of learners, we have all agreed to abide by the provisions of the College honor
code; I expect your work to be yours, your use of other’s work within appropriate guidelines and
properly cited, and your discussion of assignments with your classmates to remain within the
guidelines I have set. If you have any questions or concerns about the honor code or about a
particular assignment, please do not hesitate to ask—I am always happy to have those
discussions and much prefer having them before work has been submitted, so that students can
rectify any errors or oversights.
Please note:
Deadlines are firm
Students who do not turn in all assigned work will not pass the course
In this spirit, I also want to say a word about the use of electronic devices in the classroom. In
some instances, obviously, students’ use of electronics can be disruptive and distracting;
however, as a person who uses a cell phone app to control my hearing aids and who knows that
some students take notes better with a laptop, I know that not every use of phones or computers
is what it seems to be. Therefore, rather than banning the use of electronics unilaterally, I
will say that I expect any use of electronics in the classroom to be for the purpose of making
yourself more, rather than less, present and engaged with our collective work.
WEEK ONE
09/12 M Introductions; Housekeeping; Why Are We Here?
09/14 W What is American Studies? What is Black Studies?
09/16 F American Chattel Slavery—Preconceptions and
Misconceptions; discuss Paper 1 Assignment
WEEK TWO
09/19 M Kolchin, American Slavery, Ch. 4
09/21 W Kolchin, American Slavery, Ch. 5
09/23 F Kolchin, American Slavery, Ch. 6
09/24 S Paper 1 due by 11:59 PM—turn in on Canvas
WEEK THREE
09/26 M Walker, An Appeal to the Colored Citizens of the World
09/28 W Walker, An Appeal to the Colored Citizens of the World
09/30 F Walker, An Appeal to the Colored Citizens of the World
WEEK FOUR
10/03 M Risley, Abolition and the Press, Chapters 1 & 2
10/05 W Risley, Abolition and the Press, Chapters 3-5
10/06 R Ford Risley lecture, 7 PM; attendance mandatory
10/07 F Ford Risley visits our class
WEEK FIVE
10/10 M Special Collections, Introduction and Overview
10/12 W In-class discussion of Archives project
10/14 F Mid-Term Recess; no class meeting
WEEK SIX
10/17 M Special Collections; Choosing a text for your group project
10/19 W Douglass, Narrative of the Life, pp. 3-44
10/21 F Douglass, Narrative of the Life, pp. 45-84
WEEK SEVEN
10/24 M Douglass, Narrative of the Life, pp. 131-180
10/26 W The Compromise of 1850
10/28 F Stowe, Uncle Tom’s Cabin, pp. 3-139
WEEK EIGHT
10/31 M Stowe, Uncle Tom’s Cabin, pp. 139-287
11/02 W Stowe, Uncle Tom’s Cabin, pp. 288-418
11/04 F Stowe, Uncle Tom’s Cabin, pp. 454-76
WEEK NINE
11/07 M Stowe, Uncle Tom’s Cabin, pp. 478-504
11/09 W Douglass, Narrative of the Life, pp. 94-108
11/11 F Northup, Twelve Years a Slave, pp. 1-63
WEEK TEN
11/14 M Northup, Twelve Years a Slave, pp. 64-140
11/16 W Northup, Twelve Years a Slave, pp. 141-215
11/18 F Northup, Twelve Years a Slave, pp. 279-352
WEEK ELEVEN
11/21 M Thanksgiving Break; no class meeting
11/23 W Thanksgiving Break; no class meeting
11/25 F Thanksgiving Break; no class meeting
WEEK TWELVE
11/28 M Jacobs, Incidents in the Life of a Slave Girl, pp. 1-85
11/30 W Jacobs, Incidents in the Life of a Slave Girl, pp. 86-169
12/02 F Jacobs, Incidents in the Life of a Slave Girl, pp. 213-274
WEEK THIRTEEN
12/05 M Jacobs, Incidents in the Life of a Slave Girl, pp. 274-350
12/07 W Group Presentations
12/09 F Group Presentations
WEEK FOURTEEN
12/12 M Classes end—optional review session
12/16 F Final Exam due by 5 PM