शिक्षणातील नाटक आशण कला

कलेची एक िैली- वारली

Nameeta Sahare
Tilak College of Education, Pune
 िैक्षशणक साधन शनशमिती
शालेय विषय १ + शालेय विषय 2
साधन वनवमितीकरीता वनिडे लला पाठ्यंश
साधन स्वरूप व आराखडा
वनवमिती साधने वित्ररूपात सादरीकरण
प्रत्येक्ष शनशमित साधनाचा आकार
साधनेिी उपयुक्तता - तुमिे मत
Warli painting
• Warli tribal art is
created by the tribal
people from the
North Sahyadri Range
which encompasses
cities such
as Dahanu, Talasari,
Jawhar, Palghar, Mok
hada, and
Vikramgadh of
Palghar district.
Using Art in a multilingual classroom :
A multilingual classroom is a classroom
with learners having more than one
languages at their disposal

Art in Education
“A comprehensive, articulated arts education program
engages and helps students develop the self-esteem,
self-discipline, cooperative skills, and self-motivation
necessary for success in life.”
 Art in Education

Have intrinsic and instrumental value

Add richness and engagement to the learning
environment
Help students understand their own community
Provide intellectual demands
Dance
 Is used to communicate, comprehend, shape,
and make meaning

 Is innate; self-expression through movement is intrinsic to existence as

humans and exists in all cultures and places

 Provides means for kinesthetic learning and communication

 The dance program develops creativity, problem-solving, self-discipline,

and focus, and helps people connect to one another
Folk Dance:
Chhau is a martial art
based dance
or dance-drama
forms
of East India.
 What Bihu Stands For? The festival of Bihu gives a unique identity to the Assamese people and makes
them standout in the history of the nation. Bihu besides being a primary identity of Assam is also a
harvest festival. It is celebrated thrice during important junctures of the agrarian calendar.

• Bihu – How Did The Name of the Festival Come Up?The

word Bihu is originally derived from the word known as “Bishu’,
which means that people ask for prosperity from the Gods
during important junctures of the harvesting season. Later on,
the name somehow got distorted and the festival came to be
known as Bihu. According to another source, it is commonly
believed that the festival received its name from two different
words, namely “bi” which means to ask and “hu” which means
to give. Both these words combined to form the name Bihu.
• The first Bihu which is known as the Bohag Bihu or Rongali
Bihu is celebrated for a period of seven days. It celebrates the
onset of spring and farmers on this occasion prepare the field for
cultivation. There is a general air of feasting and festivity all
around in the atmosphere of Assam.
• The next Bihu is known as Kati Bihu and this is more of as
subdued occasion. This Bihu is primarily celebrated to seek
blessings from the Gods, so that no harm is done to the crops
while they are getting ready for harvest.
• The last Bihu is known as Magh Bihu. Magh Bihu marks the end
of the harvest season. During Magh Bihu, the primary emphasis
is on feasting and celebrating, as the granaries are full and
farmers are no longer required to worry about their crops.
Celebration of Magh Bihu involves a lot of food and
entertainment and is celebrated with much enthusiasm in all
Assamese families located in different parts of the World.
 However the most significant and comparatively largest of the three Bihus is Rongali Bihu which is in reverence of the harvest season coinciding with the Assamese
New Year. Rongali Bihu is the festival among the three Bihus which also implies Bihu Dance as a part of the fanfare and celebrations surrounding this event. Like the
festival in itself which is in observance with fertility in soil and harvested crop, Rongali Bihu is also exploited as a fertility festival through dance forms by women
trying to find suitable partners through courtship.

• The dancers perform in a circle beginning with a

slower tempo, which gradually gains momentum.
Drums, cymbals, hornpipes, harps and bamboo
clappers, provide musical accompaniment.
Though the dance is inspired by agricultural
operations, the songs and the graceful dancing
builds up an atmosphere of love and romance.
The dance has been noted for maintaining
authenticity and at the same time displaying the
traditional Assamese handlooms and
handicrafts in their beauty and glory. The
costume worn by the women consists of a Gitigee
(kind of headgear), Agoo (mekhala) and Lagu
Richa (chaddar). Beautiful ornaments are their
accessories. The men wear a Dhoti, Gomocha
(Towel) and Chapkan (shirt)
Famous around the world, Kathakali's magnificence has won great admiration for
the state of Kerala. Proud that this renowned artfrom originated, was originated
from Kerala's shores over 300 years ago. It combines devotion, drama, dance,
music, costumes and make up into a divine experience for all who get to view it.

• The traditional themes of

the Kathakalī
are folk mythologies,
religious legends and
spiritual ideas from the
Hindu epics and the
Puranas. ... The vocal
performance has
traditionally been
performed in Sanskritised
Malayalam.
•
Folk music
• Folk music is the music that is sung by the people,
not music recorded in a studio or performed on a stage. ... The
roots of this genre are in traditional music, but it is by no means
all traditional. This genre is also referred to as "acoustic music"
because usually acoustic instruments are used.
भारतातील प्रत्येक राज्यािी आपली एक विवशष्ट शैली आवण कला
पद्धत आहे जी लोककला म्हणून ओळखली जाते. आपली कला आवण पारं पाररक प्रभाि व्यक्त
करण्यासाठी भारताच्या कला आवण वशल्प नेहमीि एक माध्यम रावहले आहे .

दे शभर पसरलेल्या 35 राज्ये आवण केंद्रशावसत प्रदे शां िी

त्यां िी एक खास सां स्कृवतक आवण पारं पाररक ओळख आहे , जी
ते थील प्रथेच्या विविध प्रकारच्या कलां तून वदसू न ये ते.
िारली पेंव ं ग ही आवदिासी कलेिी एक शैली आहे
जी बहुते क आवदिासीन ं ी उत्तर सह्याद्री रें जमधील तयार केली
आहे .
या पररसरामध्ये पालघर शिल्ह्यातील डहाणू, तलासरी, िव्हार,
पालघर, मोखाडा आशण शवक्रमगड या िहराां चा समावेि
आहे .
या आवदिासी कलेिा उगम महाराष्टरात झाला
आवण आजही वतिा अभ्यास केला जातो.
भारतातील लोक व आशिवासी कला अशतिय पारां पाररक आशण साधी असूनही
इतकी सिीव आशण प्रभाविाली आहे त की ते आपोआपच िे िाच्या समृद्ध वारिाचे
आकलन करतात.
 वारली लोककला

िारली वित्रकला प्रामुख्याने मवहला करतात.

या वित्रां मध्ये पौरावणक पात्र वकंिा दे ितां िे
स्वरुप दशि विले जात नाही तर सामावजक
जीिनािे वित्रण केले आहे . दै नंवदन
जीिनाच्या घ नां बरोबरि, मानिािे आवण
प्राण्यां िे वित्र बनिले जातात
जे कोणत्याही योजनेवशिाय,
सरळ शै लीत रं गिले जातात.
Where are Warli art practiced?

िारली लोककले साठी महाराष्टर प्रवसद्ध

आहे . िारली ही पविम भारतातील मुंबई
शहराच्या उत्तर
बहमां िलमध्ये स्थावयक केले ली एक
फार मोठी जमात आहे . भारताच्या
इतक्या मोठ्या महानगराच्या
अगदी जिळ असूनही शहरीकरणािा
िारली आवदिासींिर काही पररणाम
होत नाही.
वाली,
महाराष् र की िाली जनजावत की रोजमराि की वजंदगी और सामावजक जीिन का सजीि वित्रण है ।

इस कला का प्रारम्भ कब हुआ इसका

कोई वलखखत प्रमाण तो नहीं वमलता वक
लेवकन दसिीं सदी ई.पू. के आरखिक
काल में इसके होने के संकेत वमलते हैं ।
यह वित्रकारी िे वमट्टी से बने अपने कि्िे
घरों कीदीिारों को सजाने के वलए करते
थे। वलवप का ज्ञान नहीं होने के कारण
लोक िाताि , लोक सावहत्य के आम लोगों
तक पहुं िाने को यही एकमात्र साधन था।
आशिवासी कलेची एक िैली- वारली

या आवदिासी कले िा उगम महाराष्टरात

झाला
1970 च्या दशकाच्या उत्तराधाित
िारली कला प्रथम सापडली.

मधुबनीच्या वित्रां च्या तु लनेत ही

वित्रकला अगदी सोपी आहे .
 TRAINING INSTITUTIONS FOR SPECIAL
SUBJECT TEACHERS:-
The following training institutions prepare special subject teachers such as
music, drawing, painting, fine arts, home science, etc.
(a) Viswa Bharathi University, Santhinikethan (Bolpur, W.Bengal)
(b) Institute of Art education, Jumia milia, Delhi.
(c) Government school of art, Lucknow
(d) Kala kshetra, Adayar, Madras
(e) One year diploma in physical education for graduates at Govt: physical
college of education, Patiala
Where are Mithila painting art practiced?

• Darbhanga district, Bihar

• Mithila art is a style of Indian painting, practiced in the Mithila
region of the Indian subcontinent. This painting is done with a
variety of tools, including fingers, twigs, brushes, nib-pens, and
matchsticks and using natural dyes and pigments. It is
characterized by its eye-catching geometrical patterns.
• Madhubani Painting has been an age-old tradition that women in the
countryside perpetuated as a practice to decorate their huts from outside as
well as inside on social and religious occasions. It has evolved from a folk
culture tradition into a popular form of Indian art with the wheeling of time
• Lively illustration of natural objects such as the sun, the moon, flowers, birds
and herbal plants like tulsi is popular with the artists of Madhubani Painting.
The artists of the past years used organic colors derived or made from natural
things like cow dung, charcoal soot, turmeric, flowers, plants, leaves, rice
powder, sandalwood and indigo.
 Drama ना क
• Tuka Mhane Ata (तुका म्हणे आता) – 1948
• Pudhari Pahije (पु ढारी पावहजॆ) – 1951
• Ammaldar (अंमलदार) – 1952...based on Nikolai Gogol ‘s Inspector General
• Bhagyawan (भाग्यिान) – 1953
• Tujhe Ahe Tujhapashi (तुझें आहे तुजपाशीं) – 1957
• Sundar Mi Honar (सुंदर मी होणार) – 1958
• Vatvat Vatvat (ि ि ि ि ) -1971
• Pahila Raja/adhe Adhure (पवहला राजा/आधे अधूरे) – 1976...based on Jagadish Chandra Mathur's Adhe Adhure
• Teen Paishancha Tamasha (तीन पै शां िा तमाशा) – 1978...based on Bertolt Brecht's The Three Penny Opera
• Ti Fulrani (ती फुलराणी) – 1975...based on George Bernard Shaw's Pygmalion
• Varyavarchi Varaat (िाऱ्यािरिी िरात)
• Eka Jhunja Varyashi (एक झुंज िाऱ्याशीं) -1988... based on "The Last Appointment" By Vladin Dozortsev
• Children's plays
• Vay Motha Khota (ियं मोठं खो ं ) – 1956 & Nave Gokul (निे गोकुळ) – 1958
Tounge Twister
Tongue twister
Biopics on Indian freedom fighters
Gandhi (1982) was not just a detailed biography of Mahatma
Gandhi but also ended up as Richard Attenborough’s Oscar-
winning film.
To be or not to be,
That is the Question
Jagava ki marava, Ha ekach sawaal aahe...
 मोरूिी मािशी हे ना ककार प्रल्हाद केशि अत्रे यांनी वलवहले ल्या िाली आं ी
या इं ग्रजी ना कािर आधाररत एक मराठी ना क आहे . ना क हलक्या मनािा विनोद आहे .
विजय िव्हाण यांच्या प्रवतवित भूवमकेसाठी हे सिाांनाि ठाऊक आहे .
प्रिंड गाजले लं ना क मोरूिी मािशी पुन्हा एकदा रं गमं िािर यायला सज्ज झालं . अवभने ता भरत जाधि हे मु ख्य भूवमकेत

• Film adaptation
• It's the same play which has
inspired Govinda's drag act
in Aunty No. 1 (1998)
िैक्षशणक साधन शनशमिती: शालेय विषय १

साधन वनवमितीकरीता वनिडे लला पाठ्यंश

साधन स्वरूप व आराखडा
वनवमिती साधने वित्ररूपात सादरीकरण
प्रत्येक्ष शनशमित साधनाचा आकार
साधनेिी उपयुक्तता - तु मिे मत
Reference:
• file:///C:/Users/c_nam/Downloads/warli%20dhol.webp
• file:///C:/Users/c_nam/Downloads/warli%20bird%20and%20tree.ht
ml
• https://in.pinterest.com/pin/645211084104924170/visual-
search/?cropSource=6&h=562&w=544&x=10&y=10
• https://www.shutterstock.com/image-vector/indian-tribal-
painting-warli-house-143534134
• medium.com › the-history-and-origin-of-warli-painting