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  • Ai! Que Saudades Da Amélia-Saxofone Alto

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    Walter Rodrigo
    16 views2 pages
    This document appears to be sheet music written in an unfamiliar musical notation. It contains the title "AI! QUE SAUDADES DA AMÉLIA" which is Portuguese for "Oh! How I Miss Amélia", along with indications that it is for alto saxophone and in the samba style. The sheet music is credited to Mário Lago and Ataulfo Alves.

    Original Description:

    saudade da amelia

    Original Title

    Ai! Que Saudades Da Amélia-saxofone Alto

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    This document appears to be sheet music written in an unfamiliar musical notation. It contains the title "AI! QUE SAUDADES DA AMÉLIA" which is Portuguese for "Oh! How I Miss Amélia", along with indications that it is for alto saxophone and in the samba style. The sheet music is credited to Mário Lago and Ataulfo Alves.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    16 views2 pages

    Ai! Que Saudades Da Amélia-Saxofone Alto

    Uploaded by

    Walter Rodrigo
    This document appears to be sheet music written in an unfamiliar musical notation. It contains the title "AI! QUE SAUDADES DA AMÉLIA" which is Portuguese for "Oh! How I Miss Amélia", along with indications that it is for alto saxophone and in the samba style. The sheet music is credited to Mário Lago and Ataulfo Alves.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    AI!

    QUE SAUDADES DA AMÉLIA


    Sax Alto Eb Samba Mário Lago e Ataulfo Alves

      = 90                                     
    Arr: Byra do Sax

         

                                      
     
     
    8

                
              
        
    18

                                   
     

    26

                        
        
      
    35

                         
           

    43

          
                                  
    3 3

      3 3
    51

                  
          
    3 3

            
       
    60

                        
    3

           
      
    68

           
        
                 
     
    77
        
                        
      
    2

       
    86

                  
             
       
    94

                         
        
       

    102

    3 3

                   
                  
     
    110

    3 3 3 3

               
       
     
    118

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