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Subtractive Synthesis
Subtractive Synthesis
Subtractive Synthesis
Signal Generating and Processing Components
Oscillators: Generate the basic signal. This is usually a waveform that is rich in harmonics. Many synthesizers offer more than one oscillator. Filter section: Used to alter the basic signal by filtering out (removing) portions of the frequency spectrum. Many synthesizers offer a single filter, which is applied universally to all oscillator signals. Multioscillator synthesizers can provide multiple filters, allowing each oscillator signal to be filtered in a different way. Amplifier section: Used to control the level of the signal over time. The amplifier features a module known as an envelope, which is broken down into several elements that provide level control for the beginning, middle, and end portions of your sound. Simple synthesizers generally offer a single envelope, which is used to control the oscillator (and filter) over time. Modulation and Control Components Modulators: Used to modulate the signal-generating and processing components. Modulations can be machine-basedautomatically generated by a synthesizer componentor can be manually activated by using the modulation wheel, for example. Most synthesizers provide a component called an LFO (low frequency oscillator) to provide a waveform that modulates the signal. Global controls: Affect the overall characteristics of your synthesizer sound, such as glides between notes, pitch bend, monophonic or polyphonic playback, and more.
Oscillators
The audio signal of a synthesizer is generated by the oscillator. Usually you would choose from a selection of waveforms that contain differing types and varying amounts (more or fewer) of harmonics. The level relationships between the fundamental tone and the harmonics of the chosen waveform are responsible for the basic sound color or timbre.
Sine Wave
Clean and clear-sounding, a sine wave contains no harmonics but the first harmonic; in other words, it is the fundamental tone. The sine waveused standalonecan be used to create pure sounds like whistles, the sound of wet fingers on the rim of a glass, tuning forks, and so on. The symbol for a sine waves typically looks like this:
Subtractive Synthesis
Sawtooth
Clear and bright-sounding, a sawtooth wave contains both odd and even harmonics. It is ideal for the creation of string, pad, bass, and brass sounds.
The square wave can be reshaped to make the waveform cyclesor pulsesmore rectangular on many synthesizers, using a pulse width modulation (PWM) control. The more rectangular the wave becomes, the more nasal it sounds. When modulated in this way, the square wave is known as a pulse wave, and contains fewer harmonics. It can be used for reeds, basses, and brass sounds.
Triangle
Like a square wave, a triangle wave contains only odd harmonics. Because a triangle waves higher harmonics roll off faster than the ones of a square wave, the triangle wave sounds softer. It is ideal for creating flute sounds, pads, and vocal oohs.