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Playlist - Guide To Classical Music
Playlist - Guide To Classical Music
First, and perhaps most importantly, is the foundation of most music; counterpoint and the
Baroque era. Perhaps the biggest distinction between classical music and pop music is the use
of counterpoint; that is, multiple voices. The most apparent example of this would be a 2 part
invention. A popular 2 part invention is the second invention of Bach (who is one of the most
influential and greatest composers of all time) in F major.
https://www.youtube.com/watch?v=B6GvSExplL0
As you listen, notice how the bottom voice does what the top voice does but with a delay. This
helps you differentiate between the voices. As we reach the middle section, we hear what is
called the development section. We go through different ideas with this one motif, and we end
with a resolution in the key, which would be F. Now, this might seem complicated, but bear with
me. If you understand the concept of counterpoint, you already have most of the classical music
figured out.
Now, let us move on to a slightly more complicated example of counterpoint in a fugue. Fugues
are more complicated and are usually analyzed in depth, but as a casual listener, you don’t
have to. I specifically chose this fugue in D major which has four voices. This is Bach’s fifth
fugue from the Well-Tempered Klavier (regarded as the old testament of music).
https://www.youtube.com/watch?v=wn_qyvMMi68
Here, everything is already analyzed for you. You can see the subject (the main recurring
melody) along with countersubjects and harmonies. If you just follow each voice, it isn’t difficult
to distinguish between the four voices. As you listen, notice how each voice works with the other
voices.
Second is what is considered the golden age of music, the Classical era. Now, I do not like this
era except for a notable composer which we will get to at the end. This is for a simple reason
and it is also the reason I do not like pop music: simplicity. The classical era is far more simple
contrapuntally and in terms of chords compared to its counterparts, but this era is also a very
important era for the introduction of many concepts, notably the popularization of sonata form
and the symphony. Haydn is known as the father of the symphony, and he more or less
pioneered the standard symphonic form in which there are 4 movements. Each movement of a
symphony works together with similar ideas to create one full piece. Generally, a symphony
starts with a fast movement, follows with a slow movement, follows with a dance-like movement,
and ends with a fast movement. Our first full-length symphony definitely will not be introduced
here, but this is just good to keep in mind. Next, sonata form. Sonata form is relatively simple,
and here is a fun video explaining it with a song (I feel like a teacher).
https://www.youtube.com/watch?v=L7PfGTtUC84
This video is an absolute gem, it is the clearest explanation of sonata form I have ever found.
First movements of symphonies, sonatas, and string quartets generally follow this form. Now,
we will look at an example of this with Beethoven’s first piano sonata in F minor, first movement.
https://www.youtube.com/watch?v=JGCX0wf7bkM
I could also discuss concepts such as horizontal vs vertical counterpoint but I will not for the
sake of accessibility.
Next is the Romantic era of classical music, which is my favorite era. This is the era of
enlightenment. Things were becoming freer and more expressive. I will skip the technical
explanations because they have already been given. Let us start with one of the greatest pieces
of music ever made, Tchaikovsky’s 1812 Overture. Now, this is a longer piece, but trust me, it is
worth it. https://www.youtube.com/watch?v=VbxgYlcNxE8
In this piece, there are cannons, fireworks, and a whole fucking church bell tower. This is
certainly a monumental work. If this isn’t powerful, then I don’t know what power is. A very
influential composer is Gustav Mahler, but he deserves his own section.
Now we know the basics, we have to build up our stamina. In this section, I will give you pieces
that progress in how long they are. We will start with a very short prelude piece and work our
way up to a full symphony. It is important we can concentrate on a piece for a determined
amount of time without skipping off before we move any further.
And here we have it, 10 works up to a full-scale symphony. Now, these are a few of my personal
favorite works, sorted by the composer.
GUSTAV MAHLER:
Gustav Mahler is my favorite composer, period. He is by far the greatest composer for epic
music of all time, one of the greatest symphonic composers, and the greatest composer for
programmatic music. One thing you will notice in all his music is epic fucking music. Without
further ado, I present to you Gustav Mahler.
SERGEI RACHMANINOFF
Rachmaninoff was a Russian late-romantic era composer. He was one of the most influential
composers ever in terms of texture and influence. A characteristic of his music is having really
powerful and badass climaxes, and these pieces are no different. Without further ado, Sergei
Rachmaninoff.
FREDERIC CHOPIN
Chopin is one of the greatest romantic era piano composers who ever lived. He was nicknamed
the poet of the piano. His music is characterized by amazing melodies and colors. Unfortunately,
he died an early death due to tuberculosis but he is not and will not be forgotten. I present to
you, Chopin.
😍
This was written as a love letter, and you can hear it in the music. The beautiful tone created by
the pianist (mommy yuja ) and the melodies written by Chopin fuse together to creat this
perfect performance. While the first concerto is more popular, I prefer this one by far.)
FRANZ LISZT
Franz Liszt was the biggest virtuoso of all time and he was the first rockstar ever. There are well
documented events where women would throw themselves at him to get a piece of his clothing
or his used handkerchief and what not. He was very popular, and for good reason. He was
considered wildly attractive and his pianistic ability was unmatched. However, his composition
skills were very very underrated, and here I present some of my favorite works of his.
LUDWIG BEETHOVEN
The greatest of all time, next to Bach. He kickstarted the Romantic era, revolutionized the
symphony, and his piano sonatas are out of this world. He was born to the classical era but his
style became more and more avant-garde as he grew older. He even went deaf at the end of his
career, but that didn’t stop him from writing one of the greatest symphonies of all time, which I
will show.
Of course I have many more pieces that I just utterly adore (I haven’t even scratched
impressionistic music or contemporary music), but these should do. Again, tell me which pieces
you like and ill make you a catered custom playlist.