Roland STEREO SIGNAL PROCESSOR AS’ SS ALGORITHM GUIDEKEY TO THE ALGORITHM GUIDE KEY TO THE ALGORITHM GUIDE ‘This guide is organized so that you can easily, speedily find information about the composition and functioning of each of the algorithms. As such, it forms 2 convenient reference that cen be used when creating effects programs, or when ‘making settings for Control Assign. * For instructions on how effects are created, refer to the Owner's Manual. This guide is organized as follows: © ‘The Preset Area (Program Numbers 161 to 199) provides the fundamental settings for 39 different algorithms. Within this guide, they can be looked up by either Algorithm Name or by Program Number. @ At the top, the display page forthe algorithm as it appears in the Play mode is shown, and an explanation of the algorithm's characteristics is provided, @ Block Diagram ‘The diagram graphically details the composition ofthe algorithm. ‘The meanings of symbols used areas follows: ‘A pararter within the sama effector. ‘An effector whieh cannot be tomed off. (an efter that matches. ove of the ertera below) The afer the ory or the alert conta. ctor Ia the mast fundamental one of those used by the det ‘An effector which ean be tured On/Off A filter providing automatic processing or 2 unt contraing an sttocter, Central sionals, @ Parameters All parameters forming the algorithm, and the range of settings possible for them are shown, * For further detalls on how certain parameters work, refer to “How the Parameters Function,” p67. © Control Assign ‘Shown here are the parameters that can be specified for Control Assign.CONTENTS CONTENTS 16: 162, 163: 164; 165: 166 167 168: 169) 170: m1 17 173 174; 175: 176: in 178 179: 180) 131 182: 183: Isa 185; 16: Is 188: 189: 190: 191 192: 193: 194 195: 196: 197. 198: 199: Gate Reverb Reverse Gate Ambience Modulation Reverb: 8 Tap Delay: 4 Tap Delay « Stereo Delay ‘Tempo Delay ‘Simple Delay-~ Penta Chorus Space Chorus Stereo Chorus: 4 Band Chorus 2 Band Chorus Ensemble ~~ ‘Stereo Pitch Shifter ‘Quad Pitch Shier 2 Band Pitch Shifter ‘Muli Phaser Dynamic Phaser Stereo Flanger Enhancer Rotary 1 Rotary 2 Vocoder Multi Multi 2~ Muli3 : Multi d= Multis Modulation Delay/Reverb Reverb/ReverbiDelay + AMBIENCE " see 68 268 68 o71 “7 “1 ENSEMBLE BQUALIZER FEEDBACK LANGER = GATE GATE REVERB ~~ MODULATION OVERDRIVE PANNING ~ PHASER PITCH SHIFTER ~~ REVERB. REVERSE GATE ROTARY-- ‘SPACE CHORUS“ TEMPO DELAY VIBRATO“ VOCODER ALGORITHM LIST FACTORY PRESETS +--+ BLANK CHARTS ~ 88 Copyright © 1991 by ROLAND CORPORATION All rights reserved. No part of this poblication may be reproduced in any form without the permission of ROLAND CORPORATION,161: Halt 161 : Hall 1 ‘A reverb that simulates the reverberation of a large hall, Provides a quality that is joie Hall 1 aerier virtually identical to the real thing. This is due to the fact that it employs carly reflections and a high density reverberation, and in addition, offers 3-band neu equalization for controling the tone of the reverberant sounds. Combined with use cof a gate, you can obsain effects unobtainable with conventional gate reverbs * The reverberation effect cannot be tured off © The timbre of the reverberant sound’s early reflections cannot be altered by ‘means of equalization. Block Diagram oureut inte ‘ourPuT A UParameters sa aee Tes a, El Ge Tn Baveiaer [Revers Tine [ot to 480.0ee¢ _[Thveshoid Level]? to 100% [High Lave! = 120 to + 12.035] [Pre Delay lo to 450ms Hold Time 100rs to 75s[Middle Freauency [250H2 to 63kHe [HF Damo [20 to 100Kiiz [Attack Time [10s to 1.25 [Middle Level |= 120 to + 12048] HF Dama _|-9 to ~ 168, Thru|Relase Tinw _[Oms to 75s [Low Level = 120 = 12068] Dison TO t0 120% [laftover Lavel [0 to 100% [Total Level 120 to + 12.085] Early Refraction Pre Oaay|0 to 480ms Early Retrecion Level [0 to 100% ever Level [0 to 100% Dect Level [0 to 100% Tota Level [0 to 100%181: Hot Control Assign Pavers Time evar Laval Gate On708F Hold Tima Euler On7 OM igh Level Eauatzer [Miele Love Low Level Tota Level Total Level Bypass On OH162: Hall 2 162 : Hall 2 seme Hall ‘A reverb that simulates the reverberation of a hall. Has a distinctive character in the riddle range that makes it effective for use with vocals or the guitar. Provides seis: | a band equalization for controlling the tone of the reverberant sounds, INPUT ‘The reverberation effect cannot be tuned off. Block Diagram oureur [1 Parameters Reverb ‘ Eavalizer: Rove Tine OT to 480Ose [High Love | -120 10 +12088 re Ovay 0 te <50rs [Mie Fracumey [ 250%: wo 6 HE Dono |20 to 10Gu [Wiad Lev! |= 120 t0 + 12085 HE Dame | =9 wo ~1a8. Tru Low Lovet [120 to + 12088 Dison To to 120% [Tot Une [120 wo = 1208) Reve Used fot 100% Gist Lael ie 10088 Coat ex OContro!l Assign Raver Tine Reverb Level Equazor On7OF High Love Eaualzor [Mid Love Low Lave “Total Level Tota Level Byosss On OH163 : Hall 3 ~~ ‘A reverb that simulates the reverberation of a hall having walls made of fairly hard materials. Provides a bright effect. Offers 3-band equalization for controlling the att Hall 3 wrt | tone of the reverberant sounds. * The reverberation effect cannot be turned off +The timbre of the reverberant sound's early reflections cannot be altered by ‘means of equalization. Block Diagram Neu [ ourrur oo Parameters z Taner Rave Tire igh Lov] 120 + 2008 ie Oxy Mid Freeney |250He to 88s HF Dano [20 t 100K [Midd Lave | - 120 to + 12008 HE Dorp | = 810 = 108, Tru] Low Lev | =120 72008 Difain 70 to 120% [Total Loel 1206 +1208 Esly Reffecion Pre Oalay {0 to 450ms Eni Relrecion Level [0 to 100% Fever Level (0 to 100% Dirot Lave! (Oto 100% Tor tel [0 10 10086 Control Assign Fevers Tine Bev [ever Lovet Exvalzer On70H High Level sausizor [widde Level Lom Lawl Tota Lav! Tai Bypass On7 OH164: Room 1 164: Room 1 ‘A teverb that simulates the reverberation obtained inside a room. By adjusting the sate, * The reverberation effect cannot be turned off. * The timbre of the reverberant sound's early reflections cannot be altered by means of equalization. carly reflections, the most natural sound can be obiained. Additionally, it allows for wink Room 1 tettt | creation of reverberation that uses OBlock Diagram INPUT RK corte { rt ‘INPUT R L ouTur FR Parameters [eee Gee: Fanaa: ever) Tire fo. t 4000ee0 _[Treahoid Levet_[I to 100% |vigh Love [120 v0 + 12048] Pre Coy [ot 450ms [Hols Tine [100m wo 75e|Midde Fecuey [250He to Gare THF Daren [20 to 10065 —avack Tine [10s to 125 fae Level [- 120 w + 12008 THE Daren |= 1 ~ Ie, Thru[Rolease Tire [10s to 758 flow Level [120 w + 12008 Dison 70 to 120% [uafover Lever JO t 100% [Total Lee! |= 120-t0 + 12.085 Fay Reteaion Fre Osey|0 w 46a Fay Rarecton Level _ [0_to 100% over Level lowe 100% rect Love lore 100% (Cree Jore 100%164: Room 1 SE SETS OControl Assign Fevers Tine ever Laval Gate On/ 08 Hold Tine Eaulzer On OM oh Love Eauatzer [Middle Level Low Laval Total Level Tost Leva Bysass On7 OF165 : Room 2 Provides a more luscious reverberation in the middle range, compared with Room 1 Most suitable when used with vocals or guitar pieces. seek Room 2 tot * The reverberation effect cannot be turned off OBlock Diagram INPUT input ouTeuT Parameters LL mae] Reverb Tie (01 to 4800e0 [High Lev | ~120 to + 12008 Pre Delay (Ot Stns [Medea Frenuaney_| 2500 to Bete TE Dare [20 to 100% [Middle Lovel_ | -120-t0 + 12008 HE Dare |= to ~ 168, Tru] tow Love! Tr20 t+ 12008 ition 70 to 120% | Torw nel | 1200 + 12005] Rove Lave ove 100% Drect Level [ote 100% Teal Level [0 %6 100% 10165: Roorn 2 OControl Assign Reverb Tine Revers Leva Eaualaer On/ 08 igh Level Eavalor [Nido Loval Low Loved Total Lave Total Level Byoass On OH i188: Plate 1 A evetb that simulates the sound obtained with a plate echo. (Unit employing the vibrations of a metal plate to produce reverb) Provides @ metallic luster, joe Plate 1 tote Additidnally, it allows for creation of reverberation that uses a gate. + The reverberation effect cannot be turned off. CDBlock Diagram eure pours mare OUP A (Parameters ee on tai reve Tire [ar w Ode —[Tresedd Leet [1 to 100% eh teal [1209 VO Pe Deny 0 460ne [Hod Tire [100s o 75a] de Frecsnoy_[250%s 0 Ee IE Doro 20 te 100% [Aad Tina [10ns to 12s [wide Lovet |= 100 t0 + 12008 I Dero [0 to ~ 1c Tal Rdeoe Tine _[10ne to 75s [Low Lave |= 10010 + 12088 ison Dw OK [eatover Level Jo to 100% [Fort vel [= 120 to + 12089 Reveb Ua [oe 00x Bees Lave [ot 100% Toate [oe 0% 12168: Pate 1 OControl Assign Fever Tine Revers Level Gate On/Off Hold Time Equolaee On/Off Fish Lave Milo Lol Low Level Total Level Total Lave Bypass On/Off 13187: Plate 2 167 : Plate 2 EE St SI EES eet Compared with Plate 4, it provides a more luscious reverberation inthe middle range. Most suitable when used with vocals or guitar pieces. seer Plate 2 ok Block Diagram INPUT inpoT a © The reverberation effect cannot be turned off. Parameters ene Feat ever) Tne 0x1 te 4800ee [Hh Level [120 t0 + 12038 Pre Ovv Oto SS0me [Wide Frcuarcy [250re vo OMe HF Dano [20 to 100mm [mdse Love | 12010 + 12008 HE Dame —_|~9 to 168, Tru tow Level | = 12010 + 1208 Dison 10 to 120% | Tot Lev [120 w + 12.008 ever Lave fo 100% rect Lee [oe 100% Toate [016 100% (11Contro! Assign Equalizer Revers Tine Revert Level Eavalzer On 70M High Lave Mile Love Low Laval Total Level Total Lave Byoass On7OM 14168: Gate Revers 168 : Gate Reverb ‘A nated reverb providing stereo processing. ‘The gated reverberant sounds can be ‘output at he same point inthe stereo image asthe diect sound. Quite effective * Gate Reverb * when used with the snare drum. * The reverberation effect cannot be turned off. Block Diagram neu t oureut & ESEah fase. innoT OORT A Parameters eae Reeds i (Gate Mode [Mode 1/Mode 2/Mede 3]igh Lovet [120 to + 12098 fate Tine | 10 v0 600ms MidnFresueey [250K to 63eHe Pre Oxsy [0 to 450re Nie Level |= 120 to + 12.008 Deesty [1 0 20 Low vel [120 to 1208 rTekness [0-10 100% Frets bev [= 120 wo = 12.008 Accent Oslay [Oto 200m= ‘Accent Level [0 t0 10036 Rover Leet [0-10 100% Dvest Lev [0 to 10056 Taal Let [0 to 100% Control Assign Gre Te Density Thickness Eauolaer Total Level Tccent Level Reve Level Equalizer On70F High Level Misale Level Low Level Total Level Bygass On7OF 15169 : Reverse Gate 169 : Reverse Gate Bate + Provides a very specialized effect, one sounding as ifthe reverberant sounds were reproduced in reverse. This reverse-reproduction effect can be emphasized funther by adding on accent sound, ‘The reverberation effect cannot be turned off. OBlock Diagram INPUT L. oureut EG: ‘ourPur A 16 Parameters Paverse Gato. Equalizer. (Gate Mode | Mods 1/ Mode 2[ oh Level [120 + 12038 Ge Tine 10 to 600s [Mase Fessency | 250He to Bkte Fre Osay Ove 450s | Mée Le! | -120 0 + 12008 ‘Density 10 20 Low Levi | = 12010 = 12008 Trikes O10 100% | Tow! Lave [= 180 to + 1208 ‘cent Belay [0 t0 200s Accent Level [0 to 100% Feverb Lev [0 to 100% Diest Laver [0 to 10096 Toot Lever] 0-10 100% Control Assign Gua Tine Density Thickness ‘osant Level Revers Level Equalaer On 70M High Leva Milo Lov Low Love Total Level Tetat Level Bypass On OF Eouslzer170 : Ambience — Simulates the effect obtained using an ‘ambience microphone”. (A microphone used for recording: itis located at distance from the sources of sound in order to add 2 sik Ambience + | sense of spaciousness and depth.) Additionally, che edge expander can be used to add ‘more clarity. OBlock Diagram INPUT L = oureur EQ: ‘EXPANDER [7 | Lawes % weet ese |) inure jose EXPANDER. ouTPUT Parameters ae Ea Ear Tees Hh Love =120 te + 120d8 [Sentviy [0 wo 100% | Pre Daly 0-10 Ore Malle Foasoney | 260M to G:kHe [Peles Tire [0 to 100% [Eafy Rereon Lael] 010 100% Mido Use! | ~ 120%0 + 12006 | Mix tw [0 to 100% [Wx Love De 100%, Low La S120 10 + 12008 rect Level Tie 100% Teal tev] = 120710 + 12.008, Tea teat [0 100% OControl Assign Tota Laval Bypass On/ OH 17TTT: Modulation Revert 171 : Modulation Reverb Allows for the reverberant sound to be modulated ee Mod. ever’ | «The reverberation effect cannot be turned off. CBlock Diagram INPUT ourPUT L £0: eure 7 OuTFOT A MODULATION eee Parameters Times ee Toston Taker ever Tere [01 to Ts 3 to OOOH [Low Une! | =120 t +12038 THE Goro [20 to 100%He rota Lever | = 120 86 + 12038 HE Donp —_[-9 © — 108, Tow Mie Lev Tee 100% [rose Mix O-t6 100% Deect Level oe 100% Toul ted [0 100% 18Control Assign Total Level 171: Modolation Revers Fever Tine Max Level Gross Mic ‘Medulaion On7/OH Fae Oecth Equalase On70F Fish Lavo Mike Level ow Level Total Lave Byoass On 70h ity172 :8 Tap Delay This delay allows the time for each ofthe eight delays to beset independently 4 _@ Tar Delay + Block Diagram peur Korn { \ PES amy TAP. DELAY’ 8} t INPUT R 1 oureur R 20172: 8 Teo Delay Parameters Te a a, eae sey Tire to 210000 | Wh Level =120 te + 12008 Feedback O10 120% _| widde Frequency | 2EOHe wo Ohta Pan 0-10 100% | wise Love! =120 10 + 12088 Mix Li O10 100% | Low Leva =720-10 + 72008 Toil Level 120-16 + 12008 Drect Leet [0 6 100% Toul Levi [0 to 100% Control Assign Day On OF Two aay! | Fodback Wx Loe Daley On7 OF oo Daina [Fedback Mix Lee Oday Oni eo paleya [Feodoak Wx Love Daey On/0H oo Delays | aware Wi Lr Day On Two betnys | Foster Min Lol Dey O70 ‘oo bales | Faedback Wx Love Oey On Tap Dov? [Fawtbak Wx Loe Day On Tap batnve | Faodback Nox Lo oar co Bros O07 OFF 21173: 4 Tap Delay ‘This delay allows the time foreach ofthe four delays to be set independently. Two of the four are equipped with a panning function. Additionally, it provides for creation 4 Tar D of truly unique effects, since it allows feedback to be applied at timings that vary from the delay times. L1Block Diagram RECT LeveL TOTAL LeveL INPUT L r r L L FEEDBACK oureur £0. FAP DELAY 1}{ PANNING FFAP_DELAY. 2}{ PANNING ; TAP DELAY. 3| [TAP DELAY. 4] TOTAL LEVEL Damar near > DIRECT LeveL Parameters ates Daa To Dae Fasc bday Tire |! 10 2700s [Deby Tine 1 to 2700ms)Feedbok Postion [1 to 2700ns Mic Lovet Jo 100% [Pan [ovo 100% [Lert lowe 120% Panning UFO Wavefor| TAS Mix Level 0 v0 100% |HF Damo-|[20 to 100% Panning Pate 1 10056 THF Damp [9 to ~ 168, Tro Penring Dest Joe 100% Feedoeck Fite PE) [Th 20 to 250h Exot: ih Lave! = 120 t0 + 12035 Mle Freaueney [250K to 63kie Mile Lov 120 to + 12.08 Low Lav! 10 te + 12028 Breet Unt] 0 100% Feta Leva [180 16 + 12029 Tots Level [0 to 100% 22Control Assign 173: 4 Top Ostay Tap Davi poeeY nO Mix Cael Top Deley2 fDbeY On/OHt Minx Covel Top Daoya | Peler Ord OH Mix Covel yw baa [Her 00708 Mix Covel ; Fondoock On7OH cock Tov Eausizor On7 OF High Level Estas — [Middle Level Low Lave Total Love Tota Level Byoess_ On OH 23174: Stereo Delay ‘This is a stereo delay which allows modulation tobe applied, * Stereo Delsu *| — «Thedelay effectcannot be tumed off Block Diagram INPUT _L ourPuT L £0: ‘MODULATION. rR amar Parameters Bee Toa: Ta Delay Tire 7 0 1200s JO Wavetom [T#/Sn [Hoh Level 1206 + 2038 oc fot 120% [Ane 1 10 100% [Male Freamrey | 260H so 63kHe ross Foodback [ow 120% [Dent [ove TOON | wecde Laver | - 12010 + 12085 HE Damp [20 to 100% [UR Polaiy _imven/Symero [Low Lavei | 120 w+ 12008 HF Damo | -@ to ~ 108, Tew otal Use | -120-w + 12.088 Feedback Fite HPF) [Tru 20 to 260He Mix av 0 #0 100% Drest Level fo 100% Toul tev [06 100% 24174: Stereo Oaay 5 eS TST SS SESS SESE EES Control Assign Feasback Mix Level ‘Mduation On7 0% Rate Devt Equalzor On7 OF aay High Level Wide Level Low Love Total Love Total Covel Bypass On7 0 251 75 ei Tempo Delay [A delay allowing for delay times that are set to match the tempo/notes ofthe music played oe Tenpa Dela Block Diagram INPUT _L > a L OUTPUT L i Eo aL inpuT R i amar Parameters Te Toros DoT Module aur im [ast 260 [UFO Waveform [Tai/Sin igh Une | 120 to + 12008 fem vote (Rote 1 to 100% [Wide Fraaancy [250H2 to O'ete i ee Bree Does [ote 100% [Mle tnt] 120 + 12088 Bot Str note Low Lave 120 w + 12.048 Sate FFots et__[- 120 w = 12.006] Feedback [oe 120% HF Dare |20 to 10.00% IF Dare [= t0 108, Th Feechack Fito (HPF) [Tvu, 20 vo. 250K Seperton = 100 16 10036 Ni Leva love 100% rect Level Jo 100% Too teat [0 w 100% 26178: Teno Daly ee EN En EP TISSUE Control Assign The Control Assign available for Tempo Delay functions somewhat differently than that with other algorithms. For controling the tempo, the three choices below are provided. Note that the manner in which settings should be made also differs from that of other algorithms No Control: Control SW: MIDI Tempo Clock: ‘The unit operates constantly a the tempo that has been set forthe “Tempo” parameter. ‘The tempo can be changed to whatever desired by pressing the panel's CONTROL button (or stepping on a pedat ‘connected to the CONTROL jack) for more than 4 times, a the tempo you wish, This allows changes in tempo to easly bbe made to suit the mood during a performance. ‘The unit operates in synchronization withthe tempo th being sent as MIDI clocks to its MIDI IN connector. This setting is most suitable when the unit is to be played in keeping with the tempo of music arriving from a sequencer. Note that noise may in some cases be produced if the tempo is changed while something is playing. [Procedure] DHave the Program Number forthe Tempo Delay algorithm currently selected, then press [CONTROL ASSIGN ‘The page used to select the method of controt will appear. Select he typeof contro desired using VALUE [ICY 271 76: Simple Delay ‘This is simple, single delay that allows fora Delay Time of upto 2,600 ms. # Simple Delay * Block Diagram INPUT _L ourPut WaT UTPUT A Parameters Deny Te Te 2500 Feedback O10 120% Mie Level 10 100% Orect Leva O10 100% Tosa Level Ore 100% OControl Assign Teva Level Bypats On OH 28177: Peete Chon 177 : Penta Chorus ‘Allows for the creation of broad-ranging chorus effects, from single-phase chorus 10 five-phase chorus. + Penta Chorus Block Diagram INPUT L outeut CHORUS CHORUS) TONE [eHORUS| ‘SEPARATION [chorus CHORUS oureut R. NPT A Parameters Ghana Mode | Snole Dusl/3 saee/4 wnes/S wate EO Wave —[Ta/Sn Fre Delay 0 16 12m Grows Rate | 110 100% Crone Deoth | 10 100% Separation O10 100% Ghons Tone | = 120 wo + Ta Cronus Lever [0-10 100% rect Level | 0-t0 100% Total Lev] -t0 100% Control Assign Thon Fate (horus Deoth Cherue Level Total Love Bypass On 70H 29178: Soace Cons 178 : Space Chorus HEE ee ‘A chorus which simulates the one provided by the acclaimed Roland Dimension D (sbD-320), * Space Chorus * Block Diagram Input Ez pus TOTAL LEVEL. t—-D-aara mre (Parameters Space Mode Vode 1/ Mode 2/Wode 3/Mode 4 Direct Mie Cus Total Level 0 t0 100% Control Assign Tota Level Bysass On7OM 30179: Stereo. Chonas 179 : Stereo Chorus ‘A chorus providing stereo processing. The chorus sounds can be localized atthe same point in the stereo image as the direct sound when output. Offers 3-hand Cho a ‘equalization for controlling the tone of the chorus sounds + The chorus effect cannot be turned of Block Diagram ‘iRecT LEVEL INPUT oureur L TOTAL LeveL. U ‘CHORUS TOTAL LeveL wre CTO R RECT LeveL Parameters g Com ea. Emaar Mode Srege/ Oval | igh Unset] - 180 w+ 12000 LFO Wavetarn | Ti/Sin__| Made Froaunay | 250H« to 83khe Pre Os O10 Vim | Midde Level | - 120 10 + 12008 a to 100% [Low Level = 120 to + 12098 Deoth Oto 100% | Tota Love __[ -120 to + 12008 Mi Ll 20 10055 eset Leva O10 100% To tee! [0 100% Control Assign fae = Mix Leva Eavalaer On7 0 High Level eauataer [Midd Level Low Level Total Love Teal Leva Bypess On 70 31180: ‘4-Band Chorus ‘A new type of chorus, whereby the frequency content of the direct sound is divided imo four bands. Separate setings can be made for each ofthe bands. Additionally, at ee eee individual, band-specific pan settings can be made, allowing each of the chorus bands to be localized wherever desired OBlock Diagram INPUT L _ ourrur [Low Gane S$ tPF CHORUS. } Tow idae Bond] IRS ‘CHORUS Fagaaas ora]|_'NS ‘CHORUS ene S ‘CHORUS omen fae > > Parameters Tow fend ove Tow Me Band Ore Tigh Wile Band Gran UFO Wavetom | T/Se UFO Waveform —_[Ta/Sin UFO Waveform —_[To/Sn Pre Daly 0 to 135na_| Pe Day O10 126s | Pre Oaev 0 16 12s ate 10 100% — | Pate 2 100% | Rae 1 to 100% Deoth Oto 100% | Deoth 0 to 100% | Booth O10 100% | Pon O10 100% | Pan Ot 100% | Fen O10 100% Mx ova O10 100% | Mix Cee O16 100% | Mx Leva O10 100% Tigh Bind Crone UFO Wavelorn | TA/Sn Pre Oalay Oto 1283 | Rate 1x0 100% Deoth O10 100% Pan Oto 100% Deost Level [0 to 100% Mix Laval Oto 100%, Tota Level [010 100% 32180: 4Band Chorus Control Assign ae CET oo a a Ta cat ie oe (oom fou re coe ie oe fiom eet oe a VE 2 fe Chorus | Beeth a 33181 : 2-Band Chorus Employs @ new concept for chorus, whereby the frequency content of the direct sound is divided into two bands ("band-split chorus"). Separate settings can be made foreach ofthe bands. Block Diagram INPUT ourpur yee oo |CHORUS | ich Band CHORUS. ee a [CHORUS ; \ fee ae |CHORUS. ouruT R. input a (Parameters Lox, Band Choe “Hah Bond Grows FO Waveform Ti/Se LEO Waveform | Ta/Sin Pre Oeay 0 19 125ms_| Pre Oaay 0 to 125m Rate 1 te 100% | Rate Tie 100%, Death © to 100% | Depth © to 100% Mix Laval Oto 100% | Mix Level (to 100% Grossower Froavensy [ 4008 16 ate Diack Level [0 to 100% Total Level [0 to 100% * Crossover Frequency is an adjustment for the frequency at which the sound is split ino the Low and High Bands.Control Assign Chorus On OH Pate Desth Mix Level (Chorus On 7H Rate Dest Moe Lav end Chorus Tot Cove Bypa55 On OF 181 = 284ed Chow 35182 : Ensemble 182 : Ensemble ‘This isa chorus effect which is controlled by two LFOs carrying varying rates. It is ‘capable of providing a chorus effect that is much fater than conventional choruses Block Diagram INPUT L Sos oureur t ENSEMBLE INPUT R i See p OUTPUT R Parameters Treen Wace [Mode 17 Wade 27 Mode 37 Moe 47 Mose 57 Node 6 Tata Leet [0 10056 Control Assign Total Lave Byooss On 7H182: Ensen ae183 : Stereo Pitch Shifter A stereo-compatile pitch shifting effec. Two different pitch shifted portions can be localized separately in the stereo image when output Block Diagram RECT LeveL INPUT > a oureur TOTAL Le PRE DELAY }pircH SHIFTER 1 PITCH SHIFTER: 2| PRE DELAY PRE DELAY HPITCH SHIFTER 7 PRE DELAY HPITCH SHIFTER 2| TOTAL LEVEL b oa DIRECT LEVEL wor 38183: Stereo Pteh Shifter Parameters mar Sana Fa SE ‘Fit Wode Hah Gunty Hah Sheed [Sut Nace [Hah Gunty gh Some Ghani | =24 to + 2ésaara | Cronatio | = 24 to + 24sonitne Fee = 50.19 450% Fire =B0 19 + 50% Fe Boay Oto Gone Pre bday [0 10 0000 Feotack [0-10 120% Foxes [00 120% Wie Cov [0-10 100% Wx Lee! [Oe 100% Diet lado TOR Tora Lew [0 10 100% Control Assign Pich Shier On7 Of Pitch [Cromate shite [Fine Mix Level ich Shir On7 OH Pitch — [Oram shite? [Fie Mix Level Tota Leva Bypass On7OMh 39184 : Quad Pitch Shifter Allows for the output of four different pitch shifted portions. If these pitch shifted sounds are used so they form chords, single notes canbe played to obtain harmonies. ft Guia PS, toot Block Diagram OIRECT LEVEL « INPUT r TPT > t ’ TOTAL LeveL ix UVEL PAN PRE DELAY Hpitcn. siren i} {>—a_| — “ax UNE paw PRE DELAY HpitcH. SuiFTER 2} {> = i = LEVEL PAN PRE DELAY {Piro SHIFTER 3} {> 7 Sao = Uv pan PRE DELAY H[piTon suiFteR 4}- {> = : TOTAL LEVEL r Rect Level Parameters Ras Fin Sikes Fan Site E Sit Mode [gh Gulty7igh Seed Sut Noe] gh Qeity High owed] Soh ode]Hah Ova /Fh Sond rears |=24 to + 2évoritone —[cvarate [-24 to + 2éseritrw —[Oworaie |= 26 t+ 24smitene Fee [801 80% [Foe [O10 450K [Fw __[-50.t +508 re Dey [0-10 608s re Day [010 Bars re Day [0 to 60008 i Lov [O-to 100% vic Love foto 100% Ni Lovet [O-to 100% fan Jove 100% an _[o to 100% en [0-10 100% Tien Sites [SGA Mode]Figh Ousity “High Soeed [orvomsatie [= 24 to + 24saritone Fine =50 to + 50% Pre Oaay ]O to 600m Mc Level JO 0 10056 Dios Lever [0 wo 10036 Pon ___[o wo 100% Total Level [0 to 100% 40184: Quad Pitch Shier Oo Control Assign Pach Shifter Oo7 0% Cromatic Pen suite} Mix Level ich Shier On7 08 Crromatie ich swine }Or Mix Level ish Shifter On70M Crromatie Fine Mi Lael ich Shifter On7 0% Chromatic teh Shier Fine Moe Lave Total Leva Bypass On 70h This algorithm allows forthe chords composed as a result of each Pitch Shifter to be altered as desired during performance. In onder to have chonts altered in accord wi what is played, a keyboard should be connected to the MIDI IN connector, and the various Control Assign numbers should beset to conform with the data shown below. ‘The amount of pitch shifting that takes place can be changed depending on the chords (note numbers) played on the keyboard. The amount by which the pitch is shifted changes based on middle C (note number 60), ‘The higher above middle C that the Key pressed is, the higher the pitch will be. ‘Whereas the further below middle C thatthe key pressed is, the lower the pitch will be. Control Assign Number 1 Controller: Note Number Parameter Controlled: Chromatic for PSI (Pitch Shifter 1) Control Assign Number 2 Controller: Note Number Parameter Controlled: Chromatic for PS2 (Ptch Shifter 2) Control Assign Number 3 Controller: Note Number Parameter Controlled: Chromatic for PS3 (Pitch Shifter 3) Control Assign Number 4 Controller: Note Number Parameter Controlled: Chromatic for PS4 (Pitch Shifter 4) +f you do not wish to have all four pich-shified sounds played, turnoff those plch-shifers that are unnecessary. 41185: 28and Pitch Shifter 185 : 2-Band Pitch Shifter ‘This algorithm divides the frequency content of the direct sound into two bands. Separate settings can then be made for each of the bands. Since individual, band-specific pan settings can also be made, the pitch-shifted bands can be localized wherever desired Band Py Block Diagram RECT LeveL INPUT L r pte frovAL Level | PITCH SHIFTER HPP PRE DELAY H2"< HIGH! > PRE DELAY CPR PRE DELAY PITCH: SHIFTER fre DELAY Hs ~ ~ \TOTAL LEVEL mare Damme DIRECT LeveL Parameters Fash Svar Low Pion Sater an Grromate = 24 to + 2tzeritons [ Gromatc = 24 to + 2seritone Fo ~s0 0 150% | Fre =50 to 50% Pre Daly Oe 606s Fre Oaay O10 660ms Max Level 10 100%, Mx Level O te 100% Pan O10 100% Pan Ot6 100% Crossover Froauncy | 40H to Aire Direct Level [0 t0 100% Tota Level [0 +0 1008 * Crossover Frequency is an adjustment for the frequency at which the sound is split ito the Low and High Bands. 42Control Assign 185: Band Fitch Shiter Pach Shifter On OF Pitch shitter [Chromatic Low! Fw Mx Level Pich Shier On7 OH Pitch shitter [Chromate Lowe Fre Wx Level ich Shier On7 0% Pitch Shifter [Chromatis Hioht Fe Mix Level Pitch Shitir On7 Of Pitch Switter [Chromatic Hohe Fine Mix Level Tota Level Byoass On7OHh 43186 : Multi Phaser Produces a more spacious sound by adding to the direct sound other portions which have been shifted in phase. Since it supponts stereo, the phaser effet is obtained ‘while sill preserving the localization ofthe stereo image. a Malti Ph. C1Block Diagram INPUT oureut L psn [> SUR ware | Das (Parameters Fatea Nats [Woe ios 37s 37M @/iote 57a 6 Phasing Rate | 1 t0 100% Phasing Depth | 0 to 100% ‘Manual Oto 100% Resonance = 100 +6 1008 Ste Fate Ore 100) Modulation Phase | - 180 to 160300 “Trenolo Desth [0 to 100% Tot Level (Oto 100% OControl Assign Prosing Fate Phasing Oeoth Manual Resonance Step Fate Tromalo Depth Total Level Byoate On 70H187 : Dynamic Phaser 187 : Dynamic Phaser ‘This is a Phaser effect which dynamically alters the Rate in accord with the input level OBlock Diagram INPUT L oureur PHASER ware Damar Parameters Pratng Made Mods 1/ Made 2/ Wade 3/Node 47 Maoh 57 Wose 6 Sesiviy O10 100% UFO Fate MAK | 1 we 100% Con Range 716 10056 Phasing Oooth | 0 to 100% Mera (10 100% esorace =100 to 10056 Stn Fate Te 100 Modation Phase | — 180 t0 16049 Tremolo Deoth | 0 to 100% Tot Level O10 100% Control Assign Prasing Depth Morus Resonance Step Fate Tremale Deoth Total Leva Byesss On7OF 45188: Stereo anger 188 : Stereo Flanger ‘Atwo-channel, fully stereo-compatible flanging effect. Even deeper flanging can be obtained by setting MODE at "Bi-Flanges” tek Stereo FL_ wh Block Diagram INPUT L age oureur wore ieee ‘ouTPUT A Parameters Tome Teal Fine Fate 1 100% Fleging Depth [0 to 100% rus Ore 100% Fasorance Made | Mixed Urrieed Resonance = 100 to 10056 Medlston Phase | ~ 180 10 160300 Mix Lev O16 100% Tremolo Osrth [0 to 100% Drect Mie Gai ott Level O10 100% O1Control Assign Fangna Rate Farging Depth Maras Resonance Tremele Depth Total Level Bypass On7OH169: Enhancer 189 : Enhancer This enhancer handles two completely independent channels, Block Diagram INPUT L as oureur ERSANCER Be inpoT ERMAN ouTeUT a OParameters ah ere ah Eh Fracuaey 0 10 100% [Femancy [0 v0 100% ‘ix Baorca [0 100% [Mix aurea [0 0 100% Toa tee [0 © 100% Control! Assign hance O07 OF Leh Exhareer | Feauener x Banca Erhaner On7 0% fy Ennancer | Frasueney Mix Bao Tota Uo Breese 0708 47190: Rotary 1 190 : Rotary 1 ‘This algorithm simulates the sound of rotary speakers recorded “off mike". The fluctuations are at a minimum, making it ideal for jazz ~ type organ music Alterations in the speed of the rotation, as well as the manner in which the speed changes when switched, can be made as desired using Control Assign. Block Diagram eu L oureur t Overonve || ROTARY _ Re mre SOPOT A (Parameters Lae aoe Sond Sac Sow/tt [oan [0 100% Hom Sowed Tan [500 19 0887 owe [1 100% fen Soe too fe Hom Speed (sow) | 005 9 500K Rotor Speed (sow) | 005 to 500K ice Time : Horn [1 wo 100% ise Time: Rotor [1 v0 1008 Fal_Time 3 Hom 119 100%, Fal Time : Rotor [1 v0 100% ‘Mix Balance 109 Teta tvs] 0 10 100% OControl Assign Horn Sousa Rotor Soeed Feat Sion Gain Overdvve [Brive Level Total Level Bypass On7OHF 48191 : Rotary 2 191: Rota 2 shee Robars 2 eee This algorithm simulates the sound of rotary speakers recorded “on mike". The fctuations are at 2 maximum, making it ideal for organs in rock arrangements. Alterations in the speed of the rotation, as well 4s the manner in which the speed changes when switched, can be made as desired using Control Assign. Block Diagram INeuT ‘OverDrive | [ROTARY ner Ou A Parameters esa aS ‘Drerbrve Soned Select Slow Fast Gan] 010 100% Horn Sosed ast) | 5.00 to 995H2 [ive | 1 to 100% Rotor Sposd_{fast) | 600-10 996i [unvel [0 vo 100% Hain Seeed (elon) [005 to 500H= Rotor Seeed_ (sow) [008 to 500H= Fae Tie ; Horm [1 to 100% fase Tene; Rotor | 1 to 10036 Fal Tene :Hom [1 to 100% Fal Tere Rotor | ¥ to 100% Mix Bares 16 90 Toot Leet [0 v9 100% OControl Assign Horn Sood Fotor Soesd Fast Sow Gan’ Overorve [Dive evel Total Love Bypass On7OH 49192: vocoDER 192 : VOCODER or other instrument, in combination with a microphone, When used with a synt the Vocoder provides an effect whereby a person's voice sounds as if it were being sung by the instrument. Since the Vocoder is equipped with 8 BPFs (Band Pass Filters), it is capable of the highest quality sound production, ‘Toemplay the Vocoder, connect your equipment as illustrated below. Mixer Symthasine se] SENANEERCAA AT tt ca oureur.—fourrut Put RWINUT L SS * Although a microphone can be connected directly to the RSP-550, iis preferable Ifyou fst run its output through a preamplifier or miker, since in many cases the Input gain ofthe microphone could prove tobe insufficient. + Wah the Vocoder, sound willbe produced only atthe tines that sound & being input from the instrument and microphone. As a result, If you employ decaying-type sounds such as the plano, the sound wil stop sounding whenever the piano sound fades. For this reason, you should always use a sustaining type sound such as asring sound. [Block Diagram INPUT L. uk J input F 50192; vooooer Parameters [Genera Tw wN Wie in est Oto 100% Tiss Mix Lvl 0-1 100% eee Chaar 200%) [100% Voies Character @20H2) Voice Cheraster 6002) 1 100% Voice Ohorsster (B02) 10 100% 0 100% ° ° Voce Chorester (120-3) 0 +0 100% ° ° ° 2 Voce Character (18H) 0 100% Voice Character (27853) 0 10036 Voice Character (aha) 0 100% “Toto Level 110036 O1Control Assign Craracter Hod On 088 Mic Mix Leva oval Level Bypass On7 OF, + Character Hold On/Off can be used whenever you wish to hold the sound which ‘has arrived from the microphone. If turned on while the Vocoder is producing sound, you will not need to continue inputting sound ino the microphone ~ — all _you need dois press the keyboart’s keys and sound will be played. SI193: Mule 1 193 : Multi 1 ‘A smulticeffects algorithm that combines equalization, chorus, delay, and reverb connected in series. Most effective when used with sound tha end tobe sustained, sete MM os ‘such as that of strings, organs, etc. Block Diagram INPUT L ourpur ea] { ions REVERS] are EEC OUTPUT A C1 Parameters Tlaee Gane Baer Tigh Love! 130 w + 120d8 UFO Waveform [i7Sn —]Oay Tire to 16000 Milde Frauarey | 250He to 6&ra [Pre Oslay [0 10 125re | Fndback O16 120% Mie Level 120 to + 12008 [ae 1-10 10096 | HF Damp [20 to 1000 Low Lave 120 w + 12088 [Deon © t0 100% [HF Dome _|-9 to 148, Tha rota Level 120 w + 12058 [Mix Love [0-t0 100%] vox Laver ote 100% [ress Wx | 0 to 10036 Orect Love [ot0 100% ect tava —[0 to 100% Tee ve Tine Oto 480.0 Pre Delay oto 40 Fier 100 fe 20007 Thea Fier < HPF Feu 32 +0 600 HE Dare [20 to 10.00% HE Dare —_|-9 10 - 108, Te Mix Lor fo. t6 100% rect Level fo-t0 100% Tou teat [0 12 100% 52193; Mut 1 OControl Assi: Eauelze On7 0% High Lave auslaer [Miadle Level Tow Level Tots! Level Chorus On 70H Fate eoth Mix Lovet Cross Mix Delay On70F Feostock Mix Level Raver On7 0H Revet> [Raver Tene Mix Level Tea Leva Bypass On7OF 53194: Mut 2 194 : Multi 2 ‘A multi-effecs algorithm focussed mainly on pitch shifting, fete Mud 2 stot Block Diagram £0 el t > omLAY fev i wore [FE ‘OUTPUT Parameters ae Fick Sitar bach te 120-16 + 120a8 faut Moco! Pash Quai /Hh Spee Wide Foanrar [eSOre to Batt _[Oronatct | 24 to + 2ésorton ie Lee = 120 1 + 12058 fret 806 80% Lew Lawl 120 we + 1208 fx Coll to 100% Fer tee = 12016 +120 font te 100% Tieden Ousiy ah Sd vameied | 24 16 + Zéaritore Fie 50 1 +50% Wx Coal 1 100% ena to 100% ect tava Jove 100% [FEED Fees] Posoy Tie ae To 00a Fectack ee Oxy bt 140m [iF Come )p0 to 100c% [Per 1.00 we 20008, Te IF Dore |= @ to ~ 168, Truter < HPF ru. 32 to 600K Wiz eve bw 100% iF Cane —_|-8 wo - 108 Tro x cove we 100% eect Lev ot 1008 Tea tne [oe 100% 54194: Mult 2 OControl Assign Reverb Total Lov Eaualzer On7 08 igh Level ile Level Low Lvl Total Level itch Shifter On7 OH Fre Mx Lover Fie Mix Level Delay On 70M Feedback Mix Level Revers On7 0% Revers Tire Mix Level Bypess On 70H 5S195 : Multi 3 ‘A multi-effects algorithm focussed mainly on flanging. Block Diagram Neu ourPur vis Fea} France| | evens] LJ i S amore LES peace Py t SRIF Parameters eae Foe Bay From Cont = 120 w + 12068 100% [oaiey Te ft 1600n= ice Freacarcy 50s 10 62H [Pwo 0 100% [Feeback ote 120% eave = 120% + 12088 Worl [oto 100% HF Oar J20 to 10.00%" [ow Lat 120 to + 12048 [Resonance Mods [Mined “Unrinad [HF Dove [-9 to - 168. Tn [rat toe 120 16 12068 Feronace | 100-20 10096 en Leal © 100% JMcclason Fhas|= 180 to 160ea)oeect Level ‘bre 100% fe Lovet [oto 100% Fae Pes Tine ers Bre Geir © Ors Fer 10 to ~ 2000 Tal Fier [ftw 32 to 600s JF Oar 20 to 100% [bere [9 0 = 18 Th fie tee ‘2 100% PBirect Leva to 10056 01 100% 56196: Mat 2 Control Assign Eavaliar Revers Tota Url Byooss On7OME Cavalier On7 0% ich Level Mile Love Low Lavel Total Lave Fangar On7OM Rate Depth Resonance Mix Level Delsy On7 OFF Foadack Mix Level Reva 09708 Reverb Time Mix Lovet ae196: Mati 4 196 : Multi 4 ‘A mult-effects algorithm that combines phaser, delay, chorvs, panning, and revert ‘connected in series. Most effective when used for an electronic piano. seer Mulid 4 eter O1Block Diagram INPUT r oureur t ang | CHORUS] freverel INPUT RI | ay OUTPUT R Parameters —_== Ee Tay Fate 7x0 100% | Oniay Tero 10 1600m= 10.125 Dept Ovo 100% | Focback 0 10 120% 12 1005 Mansel [010 100% | HF Carp [20 w 1000 | Dept Oe 100% eserarce [Ow 100% [HF Dano |-9 to - 108 Tw [Mx tei [Ow 100% Mix Level O16 100% Drect Level [0-10 100% Dract La O10 100% Tea Fever Tine Or to 40008 Pre Ose 0-19 Taos Fier | 20 to 100KHe HE Dano © 10 — 148, Tho Mix Level O16 100% Drect Level O10 100% Toa twa [0 1 100%) 58198: Muti 4 OControl Assign Rover Total Love Phaser Ov OH Rate esta Daley On7 OF Foeabock Mix Level Chorus On7 0% Rate eoth Mix Lovet Panring On7 Off ate Dest Raver On7 08 Revert» Tima Mx Level Byoass On OH 59197 : Multi 5 ‘This algorithm combines the vibrato and tremoloipanning effects. Natural sounding changes in the vibrato can be produced by turing vibrato On/Off using Control seer Multi Some] assign Block Diagram eur. FEE] > oureur naeato| p-{DELAY] REVERS) mare Damar Parameters Yew Tomy Rate 1 to 100% Doty Tine To 16000e Deets jo16 100% Feedback ove 120% ae Tare to 100% HF Dama |20 to 100K Fal Tire to 100% HE Dare |= 8 10 ~168, Taw Penning : Meda renal Panring [Mx Level ose 100% Penning FO Wavelorn|TH/Sin Dest Level [ote 100% Panning Doth 0 16 100% oo Fever Time 0.1 to «00.08 Pre Deby 0-10 140s Fiter < UES 1.00 to 2008 Ths Fiter < HPF Pt 32 to 600K HE Damp [20 to 1000He HE Oana |= 8 10 - 148, Tha Mie Lev 16 100% Brest Lee [O10 100% Toa beat [oe 100% 60197: Muti 5 | EP SEES Control Assign Verso On7 0H ate Dest Parsing Depth Delay On/0Hf Feedback Mix Level Reve On7OM Reverb [Reverb Tine Mix Level Tota Leva ‘Byeass On7 OM 61198 : MadUaton Daly/Reveld 198 : Modulation Delay“Reverb «Mod. Dly-Rev + “This algorithm connects Modulation Delay and Reverb in parallel. Using the Input Selector for each effector, you can create effects such as one where Modulation Delay is applied tothe L input signals, while Reverb is applied 0 the R input signals Effective when connected to Send/Retura on a mixer. «When Delay is turned Off, modulation and equalization are also turned Off, reganiless of any settings made for them. + When Reverb is turned Off, equalization is also tuned Off, regardless of any settings made fort. a Block Diagram fBtn £Q: } = } oiEln 62198 : Modulation Delay/Raverd Parameters Tam Tse Testa (aan) nn Sct eh Ren7L+ [UFO Wevetom _[Ta7Sia oh Levi __[=120 10 + 12068 oaey Tere a to 100% [oi Freasency [250He to Bare Feedback [oto 120% ~[eeoth [oto 100% Middle Level | -120 to + 12.0d8] IHF Dara [2 to 100i Low Led |=12010 + 12.008 [iF Oaro — |-9 to - 168, Ths [rout tee | = 120 t= 12.005 ML [O16 100% [ross Mie [oto 100% fone [Ena Ene) neu Seuct ehh R [rch tvel___[-120 10 +1200] Reve Tino at to [20 to 100kHe IE Dare | -9 wo — 168, Thru Dees Unet [0 w 100% Mie Leet te 100% Total Lev [0 t0 100% [1Control Assign Dey O07 OFF sey [Fen Mix Lev Meduation On70H Moduation [Rate Dest Equalizer | Eater On7 08 (Deter) [Total Covel Reve Mx Level Eavalaar | Eauateer On7O Fever) _ [Total Level Total Level Byposs On 76M 631 99 : Reverb’ Reverb,“ Delay This algorithm connects two types of Reverb and Delay in parallel Through creative use of the Input Selector foreach effector, you can setup effects such as one where 4 Reu/ReusDly be Reverb is applied to the L input signals, while Delay is applied to the R input signals Effective when connected to Send/Return on a mixer. Block Diagram iNeur L oureur iba, salicton > ik | Se} evens x input . saticron ue REVERB2 eur satéston thx “pS DELAY. ourruT 64199: Revecb/Reverb/Delay Dolev Tota Level Parameters Reverb! Raverb2: Inout Sat Lene +R [rout Stet Len Roh A Rover Tene 01 to 4000se0 | Reve Tine 1 fo 4B00se0 Pra Day 0 te Tas Fre Osey 0 to 140s ter 100-to 200%, Thru) Fw 1.00 to 20.00% Tew Fer Fra 88 to 800He [iter a 82 to 600He HE Damo [20~10.Ger HE Damp [20 to 10008 HE Dero |= te ~ 1a Tru [HF Osvo _|-9 10 - 168, Tw Mi Ler fo 100% Mi Ue 16 100% Gear ina Sal Leh ARAL SR ay Tere 1 10 620m Feeboxk foe 120% HE Doro [20 t 100K HE Dore [= 9 to ~ 108 Tru Dre Le [0 w9 1008) Me Level Tie 100% Tata Lev [0-0 100% Control Assign Fevers On7 08 ever Tine Wc Level Reverb O77 0% Reverb Time Mx Level Delay On70HF Feedbock Mic Level Byoass On7OH 6566How the Parameters Function Each Algorithm employs @ number of Effector, combined to provide a specific effect. This section explains the workings of the individual parameters provided by each Effector. Note that any one Effector may offer a different selection of parameters, and the range of values for them may vary, {depending on the particular algorithm itis used in 67CIAMBIENCE COCHORUS 68 ‘Simulates the effect obtained with the ambience recording technique. (A microphone is placed at a distance from the sources of sound when recording in order to add a sense of spaciousness and depth) @ PRE DELAY Adjusts the Pre-Delay. (@ EARLY REFLECTION LEVEL Adjusts the volume ofthe Early Reflections (@ MIX LEVEL Adjusts the volume ofthe Ambience sound. @ DIRECT LEVEL ‘Adjusts the volume ofthe Direct sound. ‘This effect adds warmth and spaciousness to sound. @ CHORUS MODE Allows you to select the type of Chorus to be applied. ‘The higher the value, the thicker the sound becomes, @ LFO WAVEFORM Allows you to select the LFO Waveform used when the Chorus effect is produced. Tri (single wave): Provides a smooth Chorus. Sin (sine wave): Provides a distinctly unique Chorus @ PRE DELAY Determines the amount of time before the Chorus sound is to be heard. With Pre-Delay set to a high value, you obtain an effect that produces sound which seems to be generated by numerous sources (doubling effect. @RATE ‘Adjusts the rte of Chorus fluctuations @ DEPTH ‘Adjusts the depth of Chorus fluctuations.CODELAY @PAN Allows you to adjust the panning (position of sound image) ofthe Chorus sound (@ SEPARATION ‘Adjusts the breadth ofthe Chorus sound. @ CHORUS TONE ‘Adjusts the tone ofthe Chorus sound. @ CHORUS LEVEL @ MIX LEVEL ‘Adjusts the volume ofthe Chorus sound. @ CROSS MIX Adjusts the volume of the Chorus sound that is output on the other channel after it has passed through the hi-pass fie. @ DIRECT LEVEL ‘Adjusts the volume ofthe Direct sound, @ TOTAL LEVEL ‘Adjusts the overall volume. Provides specialized effects and thickens sounds by adding delayed portions to the direct sound. @ DELAY TIME Aajusts the delay time. @ FEEDBACK ‘This feature controls the amount of Feedback. Feedback refers tothe process of feeding portions of the delayed signal back into the delay circuitry. By changing the amount of feedback, you can alter the numberof repetitions made by the delay. @ CROSS FEEDBACK With algorithms that include this parameter, the delayed signals can be fed back into the other channel. Here, the amouat of such feedback can be adjusted, @ HF DAMP < FREQUENCY > Provides adjustment forthe Base Frequency of the HF Damp (attenuation of the higher frequency portions ofthe reverberant sound). Sounds above the base frequency will be atenvated. 69ET 70 @ HE DAMP Adjusts the degree of atenvation obsained with HF Damp. When at THRU, there is no high frequency damping @ FEEDBACK FILTER HPF Controls the cutoff frequency of the High-pass Filer tht affects only the Feedback signals. When at THRU, the High-pass Filter is inactive. @PAN ‘Allows you to adjust the panning (position of sound image) ofthe Delay sound, @ MIX LEVEL ‘Adjusts the volume of the Delayed sound, @ CROSS MIX ‘Adjusts the volume of the Delayed sound that is output on the other channel after it has passed through the hi-pass filter (@ PANNING : LFO WAVEFORM: ‘Allows you to select the Waveform used for the LFO (Low Frequency Oscillator) which applies the Panning modifications tothe delayed sounds when output ‘Tri (tiangle wave): The time sound i localized on only one channe! is shortened. Sin (sine wave): The time sound is localized on only one channel is lengthened @ PANNING : RATE ‘Adjusts the rate at which the output sound is panned left and right @ PANNING DEPTH ‘Adjusts the distance over which the output sound is panned left and right (@ DIRECT LEVEL ‘Adjusts the volume ofthe Direct sound. @ TOTAL LEVEL ‘Adjusts the overall volume.ne ES SSE EO HE EEE CEDGE EXPANDER ‘This effect creates clarity and presence as a result of its expansion of the attack portions of the original sounds. @ SENSITIVITY ‘Contols the degree to which the Expansion effect will be applied relative 10 the input level. The higher the value, the lower the Expansion effect threshold level (the level at which the effect begins to work}. @ RELEASE TIME “This seting determines the amount of time it will take for the Expansion effect to become inaudible (starting from the moment the signal falls below the threshold level), (@ MIX LEVEL Adjusts the 1ount of Expanded sound to be mixed with the origina CIENHANCER ‘A two-channel, completely independent Enhancer ‘The Enhancer produces sound with much greater definition (enhances it) by adding to the original sound other portions which have been shifted in phase. @ FREQUENCY ‘Adjusts the frequency band to which the enhancement is to be applied (@ MIX BALANCE ‘Adjusts the mixture of direct versus enhanced sound that will be output. CENSEMBLE ‘This isa chorus which is controlled by two LFOs having varying rates. Its capable of providing a chorus effect that is much fatter than conventional choruses, @ ENSEMBLE MODE. Allows you to select the type of Ensemble to use @ TOTAL LEVEL ‘Adjusts the overall volume. a2 SS SSS WHI CIEQUALIZER Athree-band equalizer is provided. A parametric equalizer controls the mid-range. @ HIGH LEVEL ‘Adjusts the tone ofthe upper range. (@ MIDDLE FREQUENCY Determines the center frequency to be used when adjusting the tone ofthe mid-range. @ MIDDLE LEVEL. Adjusts the tone of the mid-range. @ LOW LEVEL Adjusts the tone ofthe lower range @ TOTAL LEVEL Adjusts the overall volume. CIFEEDBACK Controls the delayed signals that are fed back into the circuitry. Since Feedback is processed independently, an independent setting (different from that for Delay Time) can be made. (@ FEEDBACK POSITION Determines when the delayed signals ae fed back into the circuitry’s input @ LEVEL Controls the amount of feedback, By altering the amount of Feedback, you change the number of times the Delayed signals will be repeated, @ HF DAMP < FREQUENCY > Provides adjustment for the Base Frequency of the HF Damp (attenuation ofthe higher frequency Portions ofthe reverberant sound). Sounds above the base frequency will be attenuated @ HF DAMP Adjusts the degree of attenuation obtained with HF Damp. When at THRU, there is no high frequency damping. (@ FEEDBACK FILTER (HPF) Controls the cut-off frequency of the High-pass Filter that affects only the Feedback signals. When at THRU, the High-pass Filter is inactive.COFLANGER Av its greatest depth, the flanger can produce an effect that could be likened to the sound of a jet plane's ascent and descent. two-channel, full stereo effect is provided, @MODE Provides selection of the typeof Flanging desired Normal: Provides ordinary Flangin. Bi-Flanger: Links two flangers in series on each channel to provide an even wilder Flanging effect! @RATE ‘Aajusts the rate of Planging @ DEPTH Adjusts the depth of Flanging. @ MANUAL ‘Adjusts the Center Frequency to be employed with the Flanging effect. (@ RESONANCE MODE Provides for selecting the manner in which Resonance will be applied. Mixed: Applies Resonance to both Direc and Flanged sounds. Unmixed: Applies Resonance to only the Flanged sounds, @ RESONANCE ‘Controls the amount of resonance. The higher the valve, the more distinctive the sound becomes. @ MODURATION PHASE Adjusts the phase differential forthe Rate relative to left and right channels. @ MIX LEVEL ‘Adjusts the volume of the Flanged sound. @ TREMOLO DEPTH ‘Adjusts the Depth of Tremolo (synchronized with Flanging) forthe output stage. When at "0%", no effect will be obtained from the Tremolo function. @ DIRECT MIX Provides selection for whether or not the Direct sound is to be mixed in withthe Flanged sound when output takes place Cut: ‘The direct sound will nt be ouput, Mix: ‘The direct sound will be mixed in with the sound output, @ TOTAL LEVEL ‘Adjusts the overall volume. 73SSE EET A TEESE ATES COGATE 74 Although Gate is used with Reverb it provides an effect quite unlike that of Gated Reverb. The Gate effect is threshold activated trout Sint ++ Reverberated Sound Threshold Level Tie (Changes in Gate [EEE] sox sctnty Threshold Level Hold Tine ‘Attack Time Felease Time (@ THRESHOLD LEVEL ‘This setting determines the level used to control the Gate. Whenever the input signal is above the Threshold Level, the Gate will open. Conversely, whenever the input signal falls below the ‘Threshold Level, the Gate will close, @ HOLD TIME Specifies the amount of ime the Gate will remain open before starting to close (from the moment the input signal falls below the Threshold Level). @ ATTACK TIME ‘This seting specifies the amount of time it will take for the Gate to completely open (From the ‘moment the input signal rises above the Threshold Level). @ RELEASE TIME ‘Specifies the amount of time that will pass before the sound is completely muted (after the Hold Time has passed) @ LEFTOVER LEVEL ‘This isa balance sestng which allows you to select the level of reverberant sounds that can be muted with the Gate, relative to the level of standard reverberant sounds. The higher the value you selec, the higher the level ofthe standard reverberant sounds.OOGATE REVERB ‘This type of Reverb mutes the sounds midway through their natural reverberation. Twovchannel, full stereo performance is provided. When used with Accent sounds, truly intresting effects can be obtained. Love Dect Level ro ~ Delay @ GATE MODE Provides selection for the manner in which Gate Reverb is applied Mode I: An ordinary Gate Reverb ‘Made 2:.Reverberant sound moves from lft to right ‘Mode 3: Reverberant sound moves from right to left * When using Modes 2 or 3, always use an identical input signal for both leftand right channels. @GATE TIME Adjusts the duration of the reverberant sound. @ PRE DELAY Determines the amount of time before the reverberant sound is to be heard @ DENSITY Adjusts the density ofthe reverberant sounds. (@ THICKNESS ‘Adjusts the thickness ofthe reverberant sound @ ACCENT DELAY Determines the amount of time (after the reverberant sound has been muted) before the Accented sound will be heard @ ACCENT LEVEL ‘Aajusts the volume ofthe Accented sound. @ REVERB LEVEL ‘Adjusts the volume ofthe reverberant sound. @ DIRECT LEVEL ‘Adjusts the volume ofthe Direct sound. ri]CMODULATION ‘This effect applies modulation tothe signals using an LFO. It produces effects similar to Chorus and Flanging. (@ LFO WAVEFORM Allows you to select the LFO Waveform that i to be used to modify the sounds. ‘Tri (triangle wave): Provides a smooth modulation, SSin(sine wave): Provides a distinctly unique modulation @ RATE ‘Adjusts the modulation rate @ DEPTH ‘Adjusts the modulation depth @ LR POLARITY ‘Adjusts the phase ofthe Rate relative to left and right channels Syncro: Changes on both chaanels occurs in phase with eachother. Invert: Change on one channel occurs 180 degrees out of phase withthe other channel CIOVERDRIVE COPANNING 76 ‘Simulates the distortion produced by rotary speakers, @GAIN ‘Adjusts the level of input tothe Overdrive. The higher the gain, the greater the distortion becomes. * At. 0% no sound will be output. @ DRIVE Adjusts the amount of distortion @ LEVEL Adjusts the level of sound output by the Overdrive. ‘This effect periodically pans the output sound to the lft and right. @ RATE Adjusts the rate at which the sound will periodically pan tothe left and right @ DEPTH Adjusts the distnce over which the output sound is panned left and righ.CUPHASER By varying the phase of a signal and mixing it with the original, a more expansive sound can be ‘obtained. This isa two-channel, full stereo Phaser. @ MODE Provides selection of the type of Phaser desired Mode 1: A Phaser employing Four-stage Phase-shift circuitry. Mode 2: A Phaser employing Eight-stage Phase-shift circuitry. Mode 3: A Phaser employing Ten-stage Phase-shift circuitry. Mode 4: A Phaser employing Bight-stage Phase-shift circuitry, each having a diferent character. Mode S: A Phaser employing two Six-stage Phase-shift circuits connected in series, Mode 6: A Phaser employing Twelve-stage Phase-shif circuitry @ SENSITIVITY Controls the Rate forthe Phaser effect that will be obtained respective to the input level. ‘The higher the value, the more you cause a higher Phaser Rate to be used for even lower level signals. (@ LFO RATE MAX Allows you fo set the Rate that will pertain atthe maximum level of input @ CONTROL RANGE Adjusts the allowable range forthe alterations in the Rate that occur in correspondence with te input level @ RATE Adjusts the Phaser rat, @ DEPTH ‘Adjusts the Phaser depth @ MANUAL ‘Adjusts the Base Frequency for the Phaser. @ RESONANCE Controls the amount of resonance obtained with the Phaser. The higher the value, the more distinctive the sound becomes. @ STEP RATE Causes changes in Rate and Depth tobe in stepped form. ‘The higher the value the finer the steps become. If set to "100," no effect will be obtained from ‘Step Rate @ MODULATION PHASE ‘Adjusts the phase differential forthe Rate relative to left and right channels @ TREMOLO DEPTH ‘Adjusts the Depth of Tremolo (synchronized with Phaset) forthe output stage. + When at “0%", no effect will be obtained from the Tremolo function. @ TOTAL LEVEL Adjusts the overall volume. 77eee STAN OANA AANA OIPITCH SHIFTER 78 “This Effector makes it possible to shift the pitch of the original sound to any pitch within a range of +/= Doctaves * The shifted sound may tend tobe slighty delayed even if Pre-Delay i set to “O ms”, @ SHIFT MODE Allows you to select the desired characteristic ofthe Pitch Shift High Quality: Results in very litle wavering in the shifted sounds and provides a celatively precise pitch, Most effective when wishing to make wide ranging pitch changes ‘The shifted sounds may be somewhat delayed, however: High Speed: Effective when wishing to make sensitive changes in pitch, Very little delay ‘occurs inthe shifted sound. @ CHROMATIC Setting forthe amount of Pitch Change desired; in semitones. @ FIN Provides precise adjustment ofthe pitch change * If the value for FINE ts changed from ~ 50 10 +50, the plich will shift by one semitone. * If you assign "FINE” to Control Assign, the values available for controling pitch will range from ~ 2400 to +2400( + 2 octaves). * The plich can only be shifted within the range of +/ ~ 2 octaves. @ PRE DELAY Determines the amount of time before the shifted sound is heard. Ordinarily, it should be set to a @ FEEDBACK Controls the amount of feedback forthe shifted sounds. @ MIX LEVEL ‘Adjusts the volume ofthe shifted sound. @PAN Allows you to adjust the panning (postion of sound image) forthe shifted sound. @ DIRECT LEVEL ‘Adjusts the volume of the Direct sound.COREVERB Reverberation isthe result of numerous reflected sounds, For example, ifyou clap your hands inside 4 large building (such asa church) you will hear the sound gradually fade away. Reverbertion refers to sound whch decays inthis way. ‘A numberof factors determine the character of a panicular reverberation. These include the size (ball, room, et.) and shape of the space, a5 well as the type of material making up the reflective surfaces (ceiling oor, and walls). The RSP-S50 is equipped withthe ability to digitally silat all these factors < Types of Reflected Sounds > Inanalyzing sounds we find that they can be divided into the following three categories: ——> Dieot Sound = Late Reflection Listener Direct Sound: sound which travels in a straight line from the source to the listener. Early Reflections: sounds which have been reflected back one or more times from wall, et. Late Reflections: the time the last remsining sound continues to resound. < Relationship Between Reflections and Time > Reflected sounds reach the listener in this manner: “ ee | mui - Uti: ws ng =a Early Reflection Pre-Delay: the amount of time it takes before the early reflections are heard Pre-Delay: the amount of time it takes forthe late reflections to be heard Reverb Time: the amount of time the late refletions continue to sound. 7980 < Other Factors > HF Damp (High Frequency Damp) Different materials inthe reflecting surfaces have different affects upon high frequency sounds. HP Damp is a parameter which provides control over the manner in which attenuation of higher frequencies takes place. Low-Pass Filter (LPF) Cuts the higher frequency content while allowing the lower frequencies wo pass. Level Frequency Cutott Frequency High-Pass Filter (HPF) CCuts the lower frequency content while allowing the higher frequencies to pass. Level Frequoney > Cutoff Frequoney @ REVERB TIME ‘Adjusts the Reverb Time. @ PRE DELAY ‘Adjusts the Pre-Delay. @ FILTER Controls the cut-off frequency of the Low-pass Filter. When at THRU, the Low-pass Filter is inactive. @ FILTER Controls the cutoff frequency of the High-pass Filter. When at THRU, the High-pass Filter is inactiveene SPE ET @ HF DAMP < FREQUENCY > Provides adjustment forthe Base Frequency of the HF Damp (attenuation of the higher frequency portions of the reverberant sound). Sounds above the base frequency wil! be attenuated @HF DAMP Adjusts the degree of attenuation obtained with HF Damp, When at THRU, there is no high frequency damping (© DIFFUSION Controls the expansiveness of the reverberant sound. @ EARLY REFLECTION PRE DELAY ‘Adjusts the Pre-Delay time of Early Reflections. (@ EARLY REFLECTION LEVEL, Adjusts the volume ofthe Early Reflections. @ REVERB LEVEL @ MIX LEVEL Adjusts the volume ofthe reverberant sound, @ CROSS MIX ‘Adjusts the volume of the reverberant sound that is output on the other channel, after it has passed through the hi-pass filter @ DIRECT LEVEL ‘Adjusts the volume of the Direct sound. 81COREVERSE GATE 82 Provides a very specialized effect, one sounding as ifthe reverberant sounds were reproduced in reverse. ‘This reverse gate effect can be emphasized further by adding on accent sound. @ GATE MODE Provides selection forthe manner in which Gate Reverb is applied. Mode 1: A reverse Reverb effect Mode 2: A specialized Reverse Gate that first atenuates the reverberant sounds, then amplifies ther again @ GATE TIME Determines the amount of time the reverberant sound is heard @ PRE DELAY Determines the amount of time before the reverberant sound is hear @ DENSITY ‘Adjusts the density ofthe reverberant sounds. (@ THICKNESS Adjusts the thickness of the reverberant sound. @ ACCENT DELAY Determines the amount of time (after the reverberant sound has been muted) before the Accented sound will be heard @ ACCENT LEVEL Adjusts the volume of the Accented sound. @ REVERB LEVEL ‘Adjusts the volume of the reverberant sound @ DIRECT LEVEL ‘Adjusts the volume of the Direct sound.COROTARY Simulates the effects of rotary speakers. Rotary speakers provide rotation speed selection (Siow, Fast), In addition, a horn rotates for the higher frequency ranges and a rotor spins for the lower frequency ranges. For this reason, separate settings can be made for upper and lower ranges. (@ SPEED SELECT Provides selection forthe speed of the sound's oscillations. Slow: Revolves slowly. Fast: Revolves rapidly. @ HORN SPEED ‘While “Fast” is selected, this controls the rotation speed ofthe Horn, @ ROTOR SPEED While "Fast" is selected, this controls the rotation speed ofthe Rotor @ HORN SPEED < SLOW > While "Slow" is selected this controls the rotation speed of the Horn. @ ROTOR SPEED ‘While "Slow is selected, this controls the rotation speed ofthe Rotor. @RISETIME Aliows you to set the time it wll ake for the Horns speed to increase from "Slow" to “Fast” @RISE TIME ‘Allows you to set the time it will take forthe Rotor's speed to increase from “Slow” to "Fas". @FALLTIME ‘Allows you to set the time it will tke forthe Hom's speed to decrease from “Fast” to “Slow”. @FALLTIME Allows you to set the time it will tke forthe Rotor's speed to decrease from “Fast” 10 "Slow" @ MIX BALANCE ‘Adjusts the volume balance between the Horn and Rotor. 83SEES (SPACE CHORUS ‘The Chorus provided by this effect simulates the characteristics ofthe renowned Roland Dimension D (SDD-320), @ SPACE MODE Allows selection ofthe manner in which Chorus fluctuat 1; Provides a relatively shallow effect, ata slow rate 2: Provides a deeper effect, aa slow rate 3: Provides a relatively shallow effect, 4: Provides a deeper effec, at a fat rate fast rte. @ DIRECT MIX Allows you to choose whether the Direct sound will be added or aot Cut: ‘The direct sound will not be output Mix: The direct sound will be mixed in with the sound output @ TOTAL LEVEL Austs the overall volume. COTEMPO DELAY 84 ‘This allows you to seta Delay Time that matches the Tempo(Note of the music. @ TEMPO ‘This setting represents the Tempo; set to match the music. @ INTERVAL Allows you to set the interval between delayed sounds; the interval being expressed as note values. (@ FEEDBACK Controls the amount of feedback forthe Delayed sound. @HF DAMP < FREQUENCY > Provides adjustment for the Base Frequency of the HF Damp (attenuation of the higher frequency portions of the reverberant sound). Sounds above the base frequency will be attenuated. @ HF DAMP Adjusts the degree of attenuation obtained with HF Damp. When at THRU, there is no high frequency damping, @ FEEDBACK FILTER (HPF) Controls the cutoff frequency ofthe High-pass Fier that affects only the Feedback signals. When at ‘THRU, the High-pass Filter is inactive. (@ SEPARATION ‘Adjusts the breadth of the Delayed sound, @ MIX LEVEL ‘Adjusts the volume of the Delayed sound, @ DIRECT LEVEL ‘Adjusts the volume of the Direct sound.OVIBRATO ‘This effect adds Tremolo/Panning to Vibrato, which is composed of sound created through minute alterations in the pitch ofthe Direct sound. @ RATE Adjusts the Vibrato Rate @ DEPTH ‘Adjusts the Vibrato Depth @ RISE TIME This setting specifies the time it will take forthe Vibrato to reach its maximum effect (after it has been tumed ON using the Control Assign function). @ FALL TIME This setting specifies the time it wil take forthe Vibrato effec to become inaudible (after thas been tured OFF using the Control Assign function). (@ TREMOLO / PANNING MODE ‘This feature allows you to choose between Tremolo and the Panning function, @ TREMOLO / PANNING LFO WAVEFORM. Allows you to select the LFO Waveform that ist be used when the Tremolo/Panning effect is produced Tri (twiangle wave): The transition (changes) in sound occurs smoothly Sin (sine wave): The transition (changes) in sound occurs abruptly. (@ TREMOLO / PANNING DEPTH When using Tremolo, ths setting determines the extent to which changes inthe output level will be made. (When using the Panning function, it determines the amount by which the sound will pan from left to right + When at ‘0%, no effect willbe obtained from the Tremolo/Panning function. 8s5 SS SS sce SATRASEREA LA CVOCODER 86 ‘The Vocoder frst takes the sound produced by a keyboard or other instrument and divides it into 8 frequency portions by means of its BPFs (Band Pass Filters), These frequency portions are then altered by control signals, which have been produced as the result of spectral analysis of the voice being input through the microphone. This all results in the production of an effect that allows @ voice to sound using the tones ofan instrument @ GATE THRESHOLD “The voice input through the microphone is tumed on or off (muted) based on the input level set by means of the Gate Threshold, Should be adjusted when wishing to cut out unwanted noise if it becomes noticeable when the voice isa the lowest levels. @ MIC MIX LEVEL ‘Adjusts the proportion of sound from the microphone that is to be added tothe sound output from the Vocoder, @ HISS MIX LEVEL ‘Adjusts the proportion of higher frequency sound portions from the sound of the microphone that are to be added to the sound output from the Vocoder. By altering this level relative to that of the Mic Mix Level, the “human-voice-like” quality ofthe effect is emphasized or lessened. @ VOICE CHARACTER ‘Adjusts the relative proportion ofthe frequency content from each BPF. The timbre obtained with the Vocader is altered as result ofthis siting, @ TOTAL LEVEL ‘Adjusts the overall volume,MI ALGORITHM LIST Program No.| Algorithm Name Effect Name i [rant Fava + Gove + Easter 162 [rot 2 Faved + Easter ror 3 Fever + Easier _ Room 1 ‘Reverb + Gate + Equalizer Fen 2 Reve + Exar Plate 1 Reverb + Gate + Equalizer a 167 Plate 2 Reverb + Equalizer 166 [Gate Rove 160 [Reverse Guo Eases 170 [Anbirce Canker + Base Exvanie + Abie 17 | Modnton Reverb Fave + Modaton + Emaar | 172] 8 Too Doar [Onley + Coat 17 [4 Tao Dal ay x4 + Feodieck + Eaclior 174 | Siro Ouay [Ola + Modsnon + Eat 175 [Taree Ooay Teneo Osoy + Modlsion + Ealae 176 | Sirele Coley Oaey i 17? | Penta eu Gro 176 [Soave Chorus Soe Cn = 73 ‘Sterso Chorus Chorus + Equalizer 120 [4 Band Grove Gens ¥ 4 1a] 2 Band Grove Gens ¥2 — ea [Eventi Ereriie ~ 168 [Sto Pich Sif | Pich Str 184 | Quad Pitch Shifter Pitch Shitter x 4 186 [2 Bond Pieh Shiter [Pach Siw x2 | 186 Malt Phaser Phaser z 187 | Omaic Pras Phar _ Sto. Fanor anger Enhancer Enhancer x 2 _ Rotay 1 Rotey + Owine Rotary 2 ~ Rotary + Overdrive 192 | Vowotar Vecode 193 | Mati 1 Equalizer + Chorus + Delay + Reverb: 194 Multi 2 Equalizer + Pitch Shifter + Delay + Reverd a a8 Eafe + Fngor + Diy + Rove 16 aia aer + Deny + Gros + Faring + Row iota Naa ra Varato © Oslay + Rove I} 198 | Mocinton Orioy Rove's | Modinion Onley 7 Fave iz 199 Reverb/Reverb/ Detay_ Reverb / Reverb / Delay 87MEFACTORY PRESETS Na: [RANE Algorithm Ne [No [NAME Algor No No. [NAWE7Aigorithim No [No, [NAME Algorithm Ne. T [orgs tort [161] 81 [aratog Grows 177] 101 [cwge alt = —_[16r] 151 Arion Ghona © Z |iarge Hor 2 [165] €2 [Enoorbe Chorus [177 [102 [Lape Hal 2 [165 152 [Owens Grove # [Mest Hor T [161 63 Detwd Chores | 183] 108 | odiom Ha 1 @ [161] 153 [ont Fae = | Mesum Wor 2 [162 64 [om Fonow | 80104 |eiom Hal 2 « | 162) 158 Taping Oxley © | 5 _|Large Room 164 55 [Deco Swell 188 | 105 ~ [164] 755 | Shimmer * 3 |Mesian Foon [164 6 | Teoing Onay | 175106 762156 [Anion Deby * [Sat Foon | 165 67 | Teoing Oot [175] 107 765 [157 [fouran [3 [Worn Pate 58 | Sireer 74 [108 iT] 158] Auto Pon Dey &- [at Pte 60-|orey fake [74] 109 765 [158] Cora 7 Rev = 10 | Vocal Plate 1 60 | Analog Delay 174] 110, 166 | 160 [Hall 7 Room + TT [woca Fate 2 61 [feanai T7211 [Vol Pate 2 + [167[ ver Fart 12 [athe 62 [Auto Por Diy [173] 112|Gnthedrs » [161 [62 [Hare 13 [Arena 63 | Weve 172] 113 [Arena = 161 | 163 | Hans 1a [ssc Fa Gt |ruving Howe [Te 14 |Oasson Pal = [162 164] Rent id 16 [Boeaue Hat 5 [Four Wows [173] 115 |Bavoave Hal x [161] 165 Room? 16 |Ooere Wose G5 [Doatle Pan BW [173 | 16 Ooo House + [163 165] Pine 17 [Sting Hal 87 [Doubling Echo [178[117 | Sting Hal » [162] 167] Pine? 18 | Wide Space 68 [Exiting Male [189] 118 | Wide Space * 161 | 168 | Gate Reverw ie [wide Sok G8 |Excing Fora [169 | 118 vant Steet ©[161] 169] Reve Cue 20-|Gevse 70 |Uaht Proer 1185] 20 |Gaoe © 166] 170] anbence 2 data TH |Pound Phase [188] 721 fins © Ter [177 es 72 |e Prasor [108] 122 |Fetecton = [163] 172] se Oey Tie | 7a [Accent Phaser [187 [173 [chen 164] 173] Taps 24 [Mette Room [ae Phasing 124 [ease Foon + | 165174] Sere Day = 2S | Cub Stoge 75 [Jet Flanaing 125 | Club Stage * 1641175 | Tempo Detay 26 | Wood Foor 76 Foden Pras 726 | Wood Foor =] 164] 176 SinleDsr | 27 | o 77 | Rhodes Chorus 127 | Bright Chamber * | 161 | 177 | Penta Chorus [Rhodes Visto 128 Sting Chamber * [165] 179] Spe Chon 7 [Wee Gutar [108] 120 | Teed Room » [164] 179] Sew Cun 30 [Oct Brass [194] 190 [rahi Room © [164] 100] «Bsns Cn St [Suing Phaser [108] 131 [War Foor + [165 181 | 28snd Chas 32 |W Faro Tot 132 Conor © 761 162 [Exenie Cows 33 [Brahh Pano [163 [133 Heven © i 184 |Flenging Fiano 195 | 134 [Hell * Z 171 | 184 | @ Note Pich Shifter 5 | Vibreting Vibe | 197 ] 136 | Drum Arblerae + [170] 185] 2 Band Fich Shiner 35 [Rnd Rotary [181 [195 | eer Cub» [170] 15 | wa Paver 37 [Sot Aowwy [180] 131 [lve Sauna ¥ [170] 187 [Ovni er a5 |Hurefock Gran [160] 138 Fal» Gate x [161] 188 | Se awe 38 [Sting Ergortie [162] 139] Pato > Gato x [166] 169] 20 Esc 36 | ioato Lead [T0740] 1S0ree Gate = [168] 190] Rawr Bex 1 [Mod Only Lond [188] Ta) |4Sorses Gate ® [168] 18 | Rewy Bee Fiangig Lead [105] 142 Lahi<= <> feo # [168] 12] voor iting Sow [174 143 |Poverse + Accont [ 18 169] €0-Cro Deby Re at |Searae Gate | 169] 84 [oI NOTES Chad | 164] 144 [Stange Gore x [160] 194] FO-PS-Dey-Ror 45 [500806 Mods 3 | 170] & [Sent Te | 15 [500300 Mode 4* [178 195] BORD: Ree “BL Vecat Ghous | 100] 86 [Dvmnigh Un & Bows] 13] 145 | Vo! Guns * [100] 105] P-by-cr 7 [eter Ghous [181 | 81 | 12 Stora Gutw [105] 147 [Guar Gum = [11 197] Virwo-Dy-Rev 8 [Bass Chon TBO] 98 [1 Note Arpeooio ] 184) 145 [ass Ghons + | 160) 106 | Modltion Deporte } 48 [Pare Onis |160] 89 [Funny BorberPoe | 84 149] Fano Gens # [120 [160] Revi Rewebeny 30" |Wde Chous [179 100] vocoder S Toots [192] 160 [Wile Grows = [178 88 Etfest sound ontMIBLANK CHARTS No. [NAME/Algorithm _No. NAME/Algorithm No. | No. [NAME/Algorithm No. | No. [NAME/Algorithm No. Tor] ist 102| 152 103] 153 104] 154 18 155; 156) ist 158] 159) 760, Ter fat 162 Han 2 163 | vas 164 | Reo 165 | Room? 768 [ise 167 | Pine? 168 | Ga Reve 169] Revese Gite 170] Ambence 771 | Movlsion Revere 172 | 8p Dey 173 | «Top Dea 174 | Seno Deey 175 | Tenpo Deoy 776 | Simple Deay 177 | Pets Choe TTB | Space Chon 179 | Sew Chors ~~ ]180 [4 Band Chorus 181 | 28nd Gen 182 | Exerie 163 | Stew Pichi 184] Cust Fics Stee 185 | 7 Band Per Ser 186 | Mt Phase 187 | Dyoumic Phaser 188 | Stereo Fanger 169 | Enhance 190] Rew 181 | Rosny? 182 Vosste 198M 194 Muni 1 195 | Mats zy 796) muti Zl ig7] Mons 128) 198 | Madison aoe 128] 199 | ReverRevert/Delay 150) Zz alajele|a|ale|2)2/2/3/2/2/2/s/a]2]2)2)/2 alalalal= BEEEEEEEREEE - | BDEBEE 3 89MIDI Program Change Map Program No./Name [PC No.) Program No./Name Program No./Name 6 a 90@Roland? iy 2604055200 Hf a WN a | | | | | | | =Roland