Blame It On The Boogie

Jackson 5

Mick Jackson
Bass Transcripción Marco Chiqui Ortiz

          
Intro

                    
3x

       
Verso

       
        
3

        
      
         
          
6

          
       
   
10

   
         
            
Coro

  
www.BAjiSSimo.com  
13

 
           
               
Verso

  
16

      
                            
20

 
        
  
Coro

               
24


 

     Puente
                    
 
27

   
4x  
www.bajissimo.com
Page 1
          
               
 
31


  

 
slap

            
 
34

  
    
    
     

     
       
Verso

              
37

   normal

                      
     
40

         
       
   
44

     
www.BAjiSSimo.com
          
               
Coro

 
47


  
  
          
Puente 2

 
3


50

          
4x y fade out

            

56


  
        
               

60

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