Blue Lips Regina Spektor

Arranged by Allison Rene' S.

 = 80 Urgently

4 
  4           

  
        
     
 
 
 He stumbled in tofaith and thought: gosh, this is all there is. The pictures in his mind a woke, and be
4     
4    

      

cresc.
 
 








  44   


      
     
7

           
        
          
 gan to breathe. and all the gods and all the worlds began colliding on a back

                      


               
dim. 
            
   
   
11

  
      
      
      
drop of blue---------------------- Blue
 lips, blue veins.  He took a step, but then felt

 
                            
rit.         
  
  a tempo 
        
             
   

  
     
17

       

 
 
tired. He said, I'll rest, a little while.

        
   
       
           



   




        
  
  
20

 
        
     
 
But when he tried to walk a gain he was n't a

  














       
                       
   




        


   
  
23
 

     
            
chi ld and all the peo ple hurr ied fast, real fast, and no one ever

                         






              
  





         


  

26

 6  44
                     4
smiled. 
 
Blue lips, blue veins blue the color of our planet from far far away

                  46  44
             
 rit.  cresc.
a tempo
        
        46     44
          

    

31

4   
4        
      
  
 He stum bled in to faith and thought, gosh this is all there
4
4  














       
                       

  44    
    


    
  

34

          
       
is the pic tures in his mind a woke and be

            
           
            
  

37
  
         
     
gan to brea the  and no one saw and no one

                    
                      
  

   
       

  
40

 
   

    
heard they just fo llowed the lead.

            
       
   

  
           
  
43

 
              
 
the pic tures in his mind a woke and be gan to

            
           
         
    
      
     
46


           
             
breed.
 they started off beneath the knowledge treeand they chopped it down to make a picket
fence then they're marchin along the railroad

                                
                               
  
                 
    
   

50

   
             
tracks they sm iled real wide for the cam era len ses they made it past the en e my lines just to become enslaved in the assembly

            
           
            
  
 

53

 
    
            
       
lines blue lips blue veins blue the color of our planet from far far away blue lips blue veins blue the

  
              
          
   
          

 rit. 

           
            
              
     
59 Slower

4 4 4 4
                   8      4        8      4           
 
color of our planet from far far away blue  the most human color blue the most human color 
blue the most
 4 4  4 4 
  

 

8 

4  

8 

4  

   
       rit.
      48    44   48    44  
     
  
     

65

                      
hu man color blue lips blue veins blue the col or of our planet from
way
   far far a
  
      
 morendo 
    
  
           
       

  