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DEPARTMENT OF ENGLISH
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Rajdeep Mandal
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• ACKNOWLEDGEMENT:-
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• TABLE OF CONTENTS:-
▪ Project Title 5
▪ Introduction 6
▪ Conclusion 11
▪ References 12
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• ABSTRACT:-
The present paper deals with William Blake’s The Lamb and The
Tyger that explore two contrary states of human soul. Blake beautifully represents the
theme in front of us by juxtaposing the experience of faith, wonders and joy of child
like perspective with the sense of horror, doubt and suffering one gains through
experience in a fallen world Our present study is an in-depth analysis of the two
poems The Lamb and The Tyger set in the context of his idea of Innocence and
Experience.
• KEYWORDS:-
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THE LAMB
&
THE TYGER
OF
HUMAN SOUL
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• INTRODUCTION:-
“Blake’s poetry contained an honesty against which the whole conspires because it is
unpleasant.”
------T.S. Eliot
William Blake was a mystic poet and this “Mystic movement” of his mind required
Metaphor, he saw no likeness but identities, so the images and symbols are found
galore in his poems. The two sets of Blake’s songs, Songs of Innocence and Songs
of Experience were originally composed separately: Innocence fetched in 1789
preceded Experience by five years. When Blake issued the two collections together
in 1794, he gave the volume an interesting subtitle:
The poems The Lamb and The Tyger are symbols of two different states of the
Human soul. They do not supplant each other rather they act as a supplement. The
idea of “Contraries” provides an important element in Blakean thought. As Blake
asserts The Marriage of Heaven and Hell:
The first part The Lamb sets out an imaginative vision of the state of innocence
while the second part The Tyger shows how life challenges, corrupts and destroy it.
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In Songs of Innocence and Songs of Experience similar experiences
and events are presented from contrary angles. The “Contraries” together give a
complete vision; There is also a suggestion that the differences are resolved in a
higher principle symbolised by Christ, something like the relativist theory that
parallel lines meet in infinity. To understand this completeness in contradiction, we
have few better examples than the contrast and collaboration of The Lamb of
“Innocence” and The Tyger of “Experience”. The two poems show remarkable
parallelism but also a different message. Blake wrote The Lamb from the point of
view of a child, with naivete and wonder, while The Tyger revisits its predecessors
from the perspective of an older, more mature individual. As the titles indicate, the
poems are in opposition, pitting innocence and experience against each other.
The most obvious similarity between the two poems is their address
of an animal, although their tones differ greatly. In The Lamb Blake seems to be
more joyful and adoring of a great creator. He uses words such as ‘delight’ and
‘rejoice.’ In The Tyger however, Blake grows austere and meditative. This change can
also be seen in his vocabulary choices: ‘fearful’, ‘dread’, and ‘deadly terrors’. Blake’s
Songs of Innocence and Songs of Experience are meant to be read together. The
Lamb and The Tyger complete and build upon each other.
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equally is explicitly presented. ‘The child on the cloud’ is the Christ child, the lamb
of god. This connection is at the heart of The Lamb:
But Blake in the poem inquires into the source of the Lamb-child Christ innocence,
into the nature of god who created the Lamb:
The answer is often ‘yes’: the contraries originate from the same cosmic womb. And
this suggestion of unity in the midst of diversity and opposition is consonance with
the prophesies in the Bible:
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“ I from the light and create darkness
I make peace and create evil
I the lord of all these things.”
It is for this reason that when the stars threw down their spears and shed tears of
negation, god smiles on his new creation. The star symbolised the antihuman forces
and the fantastic control on human destiny as in astrology. And these forces are
destroyed by the Tyger ---- the forces that oppress innocence and darken the divinity
in man.
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From innocence man passes to experience and what Blake
means by this can be seen in The Four Zoas:
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• CONCLUSION:-
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• REFERENCES:-
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