THE WHOLE STORY: (paced slowly) Lilly goes to do her food shopping for her mums dinner as she is a

young career, [[[[ Is walking back to car, calls her mum in the car park as she is walking back to the car,
she says she is going to be home and tells her mum about the food she bought. (As the production goes
on the pace gets faster and faster gradually. Building tension) she goes up the lift, the doors open, and
she walks out into the car park. Pace gets faster, clips get shorter, and it cuts to a figure hiding behind a
pillar, the man is wearing a black hoodie with a mask/ something covering his face, he is in the frame to
the left but is unfocused to create tension. As Lilly goes to get in her car the man gets closer, but Lilly
turns around and he disappears. Panick begins to build and Lilly tries to get to safety but before she can
the appears behind her covering her mouth- this will be filmed with extreme close up of her face...
scene ends ]]]] the kidnapper ties her up, stuffs her in his boot and takes her to abandoned warehouse.

SCRIPT
FADE IN

INT. OUTSIDE SAINSBURYS

Scene opens with lily walking out of the shop with a shopping bag full
of food for her mum. A hooded figure walks towards her, going into
sainsburys and bumps into her. She drops her shopping
LILY
(TAKEN ABACK)
oh sorry...
HE CODLY WALKS ON AND DOES NOT APOLOGISE, WALKING FASTLY PAST AS IF HE
HAS SOMEWHERE TO BE.
LILY
(LOOKS BACK IN CONFUSION AND MUTTERS)
no, no don't you worry its fine
LILY GATHERS HER STUFF AND GETS UP AND CARRIES ON WALKING, SHE WALKS
INTO THE STAIR WELL AND UP A FEW FLIGHTS. BEHIND HER YOU CAN HEAR THE
DOOR OPEN AGAIN. AS IT GOES ON THE CLIPS GET SHORTER AND THE PACE GETS
FASTER. IN A FEW CLIPS YOU CAN SEE A FIGURE SUBTILY BEHIND HER. AS
SHES WALKING UP SHE GETS A PHONE CALL.
LILY
(TAKING OUT HER PHONE)
hello?
SILENCE TO ADD SUSPENCE
 LILY
oh hi mum, everything ok?

(all audience can her is muffled speaking on the other end)

LILY
no mum that’s Tomorrow, you just relax I will be back with dinner in a
bit I am just heading back to the car now, ok? Have you taken your
meds yet? Ok well take them now please mum. Ok I'll see you in a bit,
love you, bye.”

LILY CARRIES ON WALKING AND HEADS TO THE LIFT AND CLICKS THE BUTTON,
IT DOSNT WORK SO SHE CLICKS IT FRANTICALLY A FEW MORE TIMES. IT WORKS
AND SHE GETS IN THE DOORS CLOSING BEHIND HER. THE CAMERA GOES UP WITH
THE LIFT AS LIFTS GOING THROUGH THE FLOORS. SHE COMES OUT AND WALKS
OUT INTO THE CARPARK, THE CLIPS ARE MOVING FASTER AND LILY IS
BECOMBING PANICKED NOW. SUDDENLEY, IT CUTS A HOODED FIGURE AND HIS POV
OF LILY FROM BEHIND. CUTTING BACK TO LILY SHE REACHES HER CAR, TYRS TO
OPEN IT AND REALISES SHE NEEDS HER KEYS AND STUMBLES FOR THEM IN HER
BAG, SHE DOESNT KNOW SHES BEING FOLLOWED BUT SHE FEELS AS THOUGH SHES
BEING WATCHED. AS SHE GRABS HER KEYS AND GOES TO OPEN A CAR, SHE SEES
A REFLECTION OF A FIGURE IN THE WINDOW BUT BEFORE SHE CAN REACT IT
CUTS TO A CLOSE UP OF HER FACE AS A GLOVED HAND COVERS HER MOUTH. THEN
IT CUTS TO BLACK.