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David Chipperfield
David Chipperfield
His conservation projects include strategies ranging from the most rigorous and scientific restoration
to the most abstract interpretation and even invention without representing a conflict. Chipperfield
stated in an interview, “In my work I have always been concerned with what an intervention might
somehow borrow, strengthen, protect or enhance” (5) He later gives an example about the concept of
borrowing is applied to the landscape in Japan. A view of landscape is borrowed to include it into a
scenic composition of nearby and distant things. “I don´t see architecture in itself as the centre of
attention. I always think about the frame...” (1) Chipperfield does not only focus on designing from a
spatial view but his use of colour supports and emphasizes his architectural design. Chipperfield
employs the colours provided by the architectural context and the building materials in a way that is
both modest and meaningful. He also has a very strong control of the detail seen in his projects.
“My position architecturally would be that I am more interested in normality than I am in the
extraordinary” (4) “ the motto of...my work… where it allows you more to conduct your rituals and it's
like special” (2) Chipperfield motto is left very clear after stating that he finds normality in the projects
that he does and designs within the restrictions but looking for comfort in the every life .
He has a passion for what he does and believes “There should be a purpose in the story that can
explain why you've done whatever you have done” (3). He stands out by the way his designs
incorporate the location’s specific history and situational framework. Chipperfield remembers, through
the evocation of the building, the importance of architecture as an idea of society and community.
Bibliography:
References used:
Fig. 2. CHIPPERFIELD, D. Museum Island Berlin,
David Chipperfield Architects,
1999. davidchipperfield.com/bibliography/essays/simple_ordinary_complex.
Source of images: