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Smart 2012 Fiscal Crisis and Creative Destruction Critical Reflections On Schumpeter S Contemporary Relevance Ver Prioridade
Smart 2012 Fiscal Crisis and Creative Destruction Critical Reflections On Schumpeter S Contemporary Relevance Ver Prioridade
Article
Journal of Classical Sociology
contemporary relevance
Barry Smart
University of Portsmouth, UK
Abstract
Two matters addressed in the analyses of Joseph Schumpeter, namely fiscal crises to which modern
‘tax states’ are vulnerable and processes of ‘creative destruction’ intrinsic to modern capitalism,
have grown steadily in significance since the mid-twentieth century. Schumpeter anticipated
a continuing growth in demand for public services and forms of social provision and drew on
aspects of Rudolf Goldscheid’s innovative designation of a critical new field of inquiry, ‘fiscal
sociology’, to discuss fiscal limits to the state’s capacity to respond to needs and demands for social
provision. The fiscal crisis symptoms identified by Schumpeter are argued to be bound up with
much broader and more substantial underlying economic processes and tendencies exposed by
Marx, in particular with social and economic costs arising from the necessity for continual rounds
of ‘creative destruction’ which constitute an intrinsic feature of all phases in the development
of the capitalist mode of production and have become even more prominent in ‘late’ globalized
capitalism.The paper concludes by comparing Schumpeter’s unidirectional view of the state–capital
relationship with views outlined by other social and economic analysts for whom the contradiction
between capitalist economy and the public household or common good is paramount.
Keywords
Creative destruction, debt crisis, fiscal crisis, fiscal sociology, Goldscheid, Marx, predator state,
Schumpeter, Sombart, tax state
Corresponding author:
Barry Smart, School of Social, Historical & Literary Studies, University of Portsmouth, Milldam, Burnaby
Road, Portsmouth PO1 3AS, UK.
Email: Barry.Smart@port.ac.uk
Smart 527
mid-twentieth century. They are, respectively, (i) fiscal crises to which modern ‘tax
states’ have become increasingly vulnerable as levels of state expenditure have grown
and the sovereignty of national economies has been eroded and (ii) the increasing fre-
quency of processes of ‘creative destruction’ intrinsic to a modern capitalist system of
production. The latter, through the devaluation, degradation, and displacement of exist-
ing economic assets and productive capacities by virtue of innovation and the develop-
ment of new forms, have, alongside the creation of undoubted benefits, devastated
industries and businesses and disrupted the lives and careers of individuals, affecting
their families and communities, cities, regions, and national economies, contributing, in
turn, to a growing demand for welfare and social security provision. While not specifi-
cally considered by Schumpeter there is a close connection between these two sets of
concerns. The necessity for and consequences of processes of creative destruction,
occurring with increasing rapidity in a globalized capitalist economic system wedded to
competition, growth, and capital accumulation, and fiscal crises confronting modern
states are closely articulated and of increasing contemporary relevance.
In the aftermath of the First World War, with European nations in substantial debt to
the US Treasury, having borrowed in the region of US$11.5 billion (US$ 206 billion in
2002 dollars) (Schukera, 2003), Joseph Schumpeter responded to Rudolf Goldscheid’s
identification of a potential new field of study – ‘fiscal sociology’ or ‘financial sociol-
ogy’ (Goldscheid, 1958 [1925], 1976 [1917]) – by reflecting on the fiscal measures
potentially available to what he termed ‘the tax state’ (Schumpeter, 1954a [1918]). A
prominent concern expressed at the time was that underlying fiscal problems exacer-
bated by the war could not be resolved within the existing economic order. Schumpeter
notes that opinions were divided: some considered ‘high capitalism’ to be on the verge of
collapse, while others emphasized the need for greater economic freedom and competi-
tion, or, in contrast, ‘an “administered economy” fashioned by … intellectuals’ (1954a
[1918]: 5). Reflecting critically on the tendency for a variety of unscientific opinions to
be expressed on complex economic matters, Schumpeter (1954a [1918]: 6) argues that,
at most, the war merely brought to the surface basic ‘structural weaknesses’ and prob-
lems associated with ‘providing for the wants of the community’ in a modern capitalist
society, and that it was these that received expression in the notion of a fiscal crisis of the
tax state.1
Fiscal issues and problems have continued to preoccupy nation-states as they have
sought to cultivate capitalist economic growth within their territorial boundaries, nurture
conditions conducive to investment, influence income and wealth distribution through
taxation and social policy, underwrite programmes of scientific and technological
research and development, and in addition offer social welfare provision to promote
social inclusion and maintain a degree of social cohesion, all in the face of the increasing
turbulence produced by global economic flows (Chomsky, 2010). But there have been
relatively few social analyses of the fiscal difficulties faced by the state, few attempts to
generate sociological analyses of the public finances (Bell, 1976; Block, 1981; Martin
et al., 2009; Musgrave, 1992; O’Connor, 1973).
The steady growth in the course of the twentieth century in commitments assumed by
the state was associated with the implementation of measures to achieve a greater degree
of regulation or management of the economy, address some of the social and economic
528 Journal of Classical Sociology 12(3-4)
How much the government shall spend, and for whom, obviously is the major political question
of the next decades … [but] the pressure to increase services is not necessarily matched by the
mechanisms to pay for them, either a rising debt or rising taxes.
The fiscal problems identified by Goldscheid and Schumpeter, and reaffirmed and devel-
oped by later analysts, have only grown in scale and intensity as time has passed and, in
consequence, the question posed above has lost none of its relevance.
During the Second World War Schumpeter produced his best known study Capitalism,
Socialism and Democracy (2010[1943]) in which, in the course of deliberating on the
prospects for capitalism (‘Can capitalism survive?’), he elaborated on a defining feature
of its form of economic life, namely the necessity for recurring processes or rounds of
creative destruction. The continual necessity under capitalism for innovation or creativ-
ity and the simultaneous inevitability of older or prevailing ways of producing things, as
well as the stock of existing commodities, continually being subject to obsolescence, to
displacement, replacement, and destruction, had been identified earlier by Karl Marx and
Friedrich Engels in The Communist Manifesto (1968 [1848]), with the process of cre-
ative destruction receiving further clarification from Marx in Grundrisse (1973 [1857–
1858]). More controversially, the notion is argued also to have been briefly invoked by
Werner Sombart (1863–1941) in Krieg 1968[1848]: 83). und Kapitalismus (War and
Capitalism, 1913; see Reinert and Reinert, 2006).
In accord with this tendency, capital drives beyond national barriers and prejudices … as well
as all traditional, confined, complacent, encrusted satisfactions of present needs, and
reproductions of old ways of life. It is destructive of all of this, and constantly revolutionizes it,
tearing down all the barriers which hem in the development of the forces of production, the
expansion of needs, the all-sided development of production, and the exploitation and exchange
of natural and mental forces.
It is primarily from Marx’s analytic exposure of the economic logic of capitalism that
Schumpeter derives the basis of his concept of creative destruction (Elliott, 1978–1979,
1980; Harvey, 2010). Ideas about the emergence of new forms of life being closely bound
up with the passing of existing or older forms do have a longer history and have been
argued to be present in ancient civilizations, as well as in the works of other German
thinkers, including the philosopher Nietzsche (Reinert and Reinert, 2006). But while an
interesting and reasonably convincing general ‘history of ideas’ case can be made for a
series of connections existing between various views expressed on creativity, innovation,
and regeneration, on the one hand, and decay and destruction, on the other, in selected
texts from ancient Egypt and Greece, in Hindu mythology, as well as in the literary nar-
ratives of Goethe and the philosophical deliberations of Nietzsche, it is only really in the
works of Marx that creative destruction, albeit before the term was coined, is recognized
to be an economic imperative for a competitive, growth-orientated modern capitalism.
There is what appears to be a later reference to the phenomenon in a sentence in
Sombart’s Krieg und Kapitalismus (War and Capitalism), but it is a relatively brief and
enigmatic comment suggesting that a ‘spirit’ of creation emerges phoenix-like from
destruction:
… from destruction a new spirit of creation arises; the scarcity of wood and the needs of
everyday life … forced the discovery or invention of substitutes for wood, forced the use of
coal for heating, forced the invention of coke for the production of iron … these events … made
possible the enormous development of capitalism in the 19th century.
Two brief comments are appropriate here. First, the context in which Sombart makes
his observation about destruction–creation is in a consideration of responses to wood
shortages in Europe in the nineteenth century following the destruction of forests. The
emphasis seems to be placed on scientific discovery and invention rather than on the
inexorable logic of an economic system which, of necessity, continually unleashes waves
of creativity and innovation that leave, as an inevitable corollary, wreckage and destruc-
tion in their wake.
530 Journal of Classical Sociology 12(3-4)
Second, the sequence outlined, destruction leading to a ‘new spirit of creation’, is the
reverse of the process Marx and Engels identified as intrinsic to the dynamism of modern
capitalism, in which a competitive culture or ethos of innovation and creativity is imper-
ative and continually leads to new forms of production and organization, as well as new
commodities, producing as a by-product the destruction of ‘old-established … industries
…[and] old wants’, as well as precipitating the displacement of old or existing forms of
‘local and national seclusion and self-sufficiency’ (1968 [1848]: 83–84).
Given the prominence accorded to Sombart’s ideas within economics in Germany at
the time, it is not surprising to find reference being made to the influence his work might
have exerted in Schumpeter’s formative years (Reinert and Reinert, 2006). But a far
stronger case can be made, and has been made, for the influence of the writings of Marx
and even Weber on Schumpeter’s works. Indeed it has been argued that while
Schumpeter’s writings clearly display ‘esteem for Marx’ and that ‘Weberian themes
reverberate through … [his] texts’, Sombart, in contrast, is taken to task by him for
‘shoddy scholarship and lack of theoretical sophistication’ (Osterhammel, 1987: 108,
109, 112; see also Grundmann and Stehr, 2001: 259), as well as for making ‘“method-
ological” pronouncements [which] followed fashions too closely to be interesting’
(Schumpeter, 1954b: 818).
In consequence the proposition that the notion of ‘ “creative destruction” enters the
late 19th century Zeitgeist through the works of Friedrich Nietzsche’ and the contention
that it was ‘brought into economics not by Schumpeter but by Werner Sombart (1863–
1941)’ appear at best misguided (Reinert and Reinert, 2006: 55). Nietzsche (1844–1900)
was born into a world in which capitalism was routinely producing creative destruction
at an increasing rate and on an expanding scale, as Marx had quite clearly recognized.
The idea of creative destruction does not derive from Nietzsche’s work; as noted above,
it was already firmly present in Marx’s critical analysis of capitalism from the mid-
nineteenth century (Elliott, 1978–1979, 1980). Furthermore, closer consideration of
Schumpeter’s work, especially his discussion of ‘the process of creative destruction’ and
his expressed interest in and opinion of Marx’s works, serves to further confirm the prov-
enance of the term (1949: 210; 2010 [1943]: 71–75).
Creative destruction
In a discussion of Marx’s contribution to economic analysis in the opening pages of
Capitalism, Socialism and Democracy, Schumpeter notes that, more than any other
economist of his era, he had grasped the significance of the relentlessly transformative
character of capitalism, namely that existing economic structures, forms of organization,
business conditions, and product lines were subject to frequent, if not continual, change.
Capitalism cannot stand still because it is a dynamic system, it is perpetually in motion,
and in consequence, as Schumpeter notes in comments that recall passages from the
Communist Manifesto, ‘[e]very situation is being upset before it has had time to work
itself out. Economic progress, in capitalist society, means turmoil’ (2010 [1943]:
27–28).
In a series of more detailed comments on the changing character of capitalist eco-
nomic life, Schumpeter states that it is not due to external factors, to changes in the
Smart 531
‘social and natural environment’, population, or ‘the vagaries of the monetary system’
(2010 [1943]: 72). Rather it is intrinsic to the capitalist economic system itself, essential
to its DNA, a corollary of its competitive character, its pursuit of increasing capital accu-
mulation through the cultivation of increasing growth in productive capacity and com-
mensurate stimulation of rising levels of consumption:
The fundamental impulse that sets and keeps the capitalist engine in motion comes from the
new consumers’ goods, the new methods of production or transportation, the new markets, the
new forms of industrial organization that capitalist enterprise creates.
Following to some extent in Marx’s footsteps, and with the benefit of an additional six
decades of evidence to draw on, Schumpeter proceeds to note how in one sector of the
economy after the other an incessant process of ‘industrial mutation’ gives rise to ‘dis-
crete rushes’ of significant forms of transformation and then periods of absorption and
accommodation to the consequences, followed in due course by yet more mutations,
more rounds of innovation and transformation. Taking stock of the process, Schumpeter
comments:
The opening up of new markets, foreign or domestic, and the organizational development from
the craft shop and factory to such concerns as US steel illustrate the same process of industrial
mutation … that incessantly revolutionizes the economic structure from within, incessantly
destroying the old one, incessantly creating a new one. This process of Creative Destruction is
the essential fact about capitalism. It is what capitalism consists in and what every capitalist
concern has got to live in.
(2010: 73, 395 n. 2, emphasis in original)
… the problem that is usually being visualized is how capitalism administers existing structures,
whereas the relevant problem is how it creates and destroys them. As long as this is not
recognized the investigator does a meaningless job. As soon as it is recognized, his outlook on
capitalist practice and its social results changes considerably.
It is competition in respect of innovation, and not just in reality but also in prospect and
as potential, which counts most in Schumpeter’s view. Innovation in various possible
forms, including products made, technologies employed, sources of raw materials and
supplies/suppliers used, as well as in the ways in which production itself is organized,
not only leads to significant competitive ‘cost or quality advantage’ for initiators, but
potentially threatens the very foundations of other existing enterprises left behind,
perhaps temporarily, possibly terminally, in the wake of the gale of creative destruc-
tion. As Schumpeter notes of competition along these lines, it ‘acts not only when in
being but also when it is merely an ever-present threat. It disciplines before it attacks’
(2010 [1943]: 74). To put it another way, competition in respect of innovation is inte-
gral to the logic of capitalist economic activity, intrinsic to its business culture and
practice. It ensures continual change is the norm, that fluidity is the rule in economic
life – in short, that creativity in respect of product(ion) research, design and develop-
ment, and, as a necessary corollary, forms of obsolescence and destruction, are at the
very hub of the capitalist process.
But it is in his appraisal of the place and significance of the Communist Manifesto
in economics and sociology, especially in passages where he is reflecting on the
recognition given by Marx and Engels to ‘bourgeois achievement’, that Schumpeter
most clearly reveals the provenance of his concept of creative destruction. Noting
Marx and Engels’ acknowledgement of the achievements and accomplishments of
‘bourgeois class culture’ and the `business class’, Schumpeter emphasizes that while
they recognized that creativity in respect of innovation in production was constant
and revolutionary, they simultaneously critically noted the downside, the inevitable
Smart 533
Fiscal sociology
Schumpeter drew on the views of Austrian writer and social economist Rudolph
Goldscheid (1958 [1925], 1976 [1917]) regarding the sociological import of the fiscal
needs of the modern state and the tax measures and policies introduced to meet and man-
age them.3 While endorsing the value of fiscal economy (Finanzwissenchaft) for secur-
ing tax contributions for the modern state, Goldscheid argued that a broader sociological
knowledge of finance was required to provide a more comprehensive perspective on
developing social democratic welfare societies:
Only sociology can show how social conditions determine public needs and the manner of their
satisfaction by more direct or indirect means, and how ultimately the pattern and evolution of
society determine the shaping of the interrelations between public expenditure and public
revenue.
[a]n enormous influence on the fate of nations emanates from the economic bleeding which the
needs of the state necessitates, and from the use to which its results are put. … The spirit of a
people, its cultural level, its social structure, the deeds its policy may prepare – all this and more
is written in its fiscal history … [which provides insight] into the laws of social being and
becoming and into the driving forces of the fate of nations. … The public finances are one of
the best starting points for an investigation of society.
The issues outlined constitute a distinctive field of inquiry, designated ‘fiscal sociology’,
the central focus of which is the modern tax state, the genealogy of which, following
Goldscheid, Schumpeter tracks from fiscal crises faced in the Middle Ages by feudal
estates through to later modern states. Schumpeter describes the respects in which the
financial difficulties encountered by princes in the fourteenth and fifteenth centuries aris-
ing from mismanagement and poor administration of personal affairs, the costs of culti-
vating and maintaining a ‘pliable court’, but with insufficient means to do so, and most
significantly ‘the growing expenses of warfare’, including paying for mercenary armies,
inevitably led to debt and demands being made of feudal estates that would in due course
become tax liabilities (1954a [1918]: 13). Schumpeter remarks that increasing acknowl-
edgement on the part of some estates that wars did not constitute personal affairs of the
prince but rather matters of ‘common exigency’ led to tax concessions being accepted,
and this in turn signified the emergence of a ‘a private sphere’ which was ‘ confronted by
the public sphere as a distinguishable element’ (Schumpeter, 1954a [1918]: 15).
In his account of the embryonic emergence of the tax state, it is the ‘fiscal element’ to which
Schumpeter accords priority, for it constitutes the ‘driving element’ in the development of the
state and its bureaucratic apparatus or ‘machinery’ (1954a [1918]: 15–16). The emergence of
the modern state is bound up with the meeting of ‘financial need’ through taxation. Indeed the
very form of the state and its subsequent institutional development are considered to have been
shaped by the tax system, which intrudes into those ‘private economies’ that have grown in
significance with the fragmentation of ‘all-embracing community’ and, in turn, has the capac-
ity to transform ‘social structure’ (Schumpeter, 1954a [1918]: 16–18, see also n. 17).
But while the emergence of the tax state is deemed to be bound up withfiscal demands and
the associated constitution and growth of a personal or private sphere, comprising individuals
and families, and a public sphere of ‘common need’ or ‘common purposes’ necessitating tax
revenues, once established as a social institution the state’s field of action increases in scale and
scope and it can no longer be accounted for from a purely fiscal standpoint: ‘If the finances
have created and partly formed the modern state, so now the state on its part forms them and
enlarges them – deep into the flesh of the private economy’ (Schumpeter, 1954a [1918]: 19).
enterprise and private capital derive from the state, or the possibility that the dependence
of public finances on the private economy may fundamentally compromise the state and
prevent it ‘from assuming the functions which it should have assumed in a changing
society’ (Goldscheid, 1958 [1925]: 211; see also Chomsky, 2010: 27, 87, 105–106).
Goldscheid argues that, lacking sufficient funds, the state is ‘at the mercy of private capi-
tal’, and that there is hostility towards it from powerful vested interests who continually
strive to ‘keep it economically impotent and unable to take too much from them without
damage to itself’ (1958 [1925]: 211–212). While much has changed in the near nine
538 Journal of Classical Sociology 12(3-4)
decades since Goldscheid reflected on the problems of public finance, the state has con-
tinued to cultivate conditions conducive to capital accumulation and the expansion of
markets, has intervened to stabilize economic conditions when and where necessary, and
has consistently nurtured the educational, scientific, energy, and communication infra-
structures vital for research and development, innovation, and the generation of growth
in productive capacity (Chomsky, 2010: 87).
(2008: 131)
The modus operandi of transnational corporations, including the growing tendency ‘to
migrate to countries of lower taxation’, undoubtedly has further exacerbated the limits to
the fiscal capacity of the state noted by Schumpeter (1954a [1918]: 23) and perfectly
illustrates Goldscheid’s concerns about the respects in which the state is perpetually ‘at
the mercy of private capital’ (1958 [1956]: 211).
In the wake of the first ‘Great Crash’ of the twenty-first century, a number of late
modern ‘tax states’ faced serious fiscal crises, primarily as a result of essential measures
taken to recapitalize credit-bereft financial institutions whose privatized ‘winning
streaks’, deriving principally from unregulated, highly speculative, ‘creative’ financial
instruments, came to an end, rendering a substantial number of loans bad or ‘toxic’,
levels of debt unsustainable, and leaving the public household as the lender of last
resort. The subsequent transfer of debts and risks to the state and decline in taxation
revenues following the Crash, in turn, led to a ‘sovereign debt crisis’ and in due course,
from 2009/10 in Europe in particular, to the implementation of wide-ranging public
Smart 539
expenditure cuts to redress the fiscal deficit. But while the losses and risks of the finan-
cial sector have been ‘socialized’, profits have remained ‘private’ and taxation measures
have continued to be largely regressive, prompting one critical observer to remark that
‘[a]n economic war is being fought. … Wealth is being transferred from the poor and
middle to the rich at stupefying speed and on a stupefying scale’ (Monbiot, 2011; see
also Bawden, 2007; Chomsky, 2010: 94, 114; Stiglitz, 2010: 135).
The scale of the public sector and public expenditure, expectations about present
and future provision of public services, and the level and impact of existing and pro-
posed public spending cuts are now at the centre of social and political debate and in
some instances have provoked public demonstrations and forms of social conflict.
Joseph Schumpeter anticipated a continuing growth in demand for public services and
forms of social provision but argued that there were fiscal limits to the state’s capacity
to respond and, in consequence, that social tensions and conflicts over resources would
be likely to increase and might in due course trigger the collapse of the tax state. The
imposition of public expenditure cuts in reaction to the sovereign debt crisis led to
demonstrations and strikes in a number of European countries, including Greece, the
Republic of Ireland, Portugal, Spain, and the UK. The fiscal crisis tendencies identi-
fied by Goldscheid and Schumpeter, and even more evident today, are bound up with
broader economic processes, especially the competitive pursuit of rising capital accu-
mulation and associated necessity for increasingly frequent rounds of creative destruc-
tion, an intrinsic feature of the capitalist mode of production, which whilst engendering
new industries and businesses, as well as new forms of work and commodities and
services for consumption, leaves in its wake the debris of destroyed industries, jobs,
and lives in devastated communities burdened with debt, for which the public house-
hold, the tax state, needs must assume responsibility.
Goldscheid and Schumpeter deliberated in different ways on the difficulties encoun-
tered by the tax state, but they each confirmed the existence of a new field of study, fiscal
sociology, and briefly speculated on possible futures. In concluding his consideration of
the fiscal crisis confronting the tax state, Schumpeter anticipated a future in which capi-
talism would have completed its ‘creative destruction’ work and the economy would be
‘satiated with capital’ (1954a [1918]: 38; see also 2010 [1943]: Part II). The early signs
were already considered to be present: ‘Society is growing beyond private enterprise and
tax state’ (1954a [1918]: 38). But after almost a century of further economic develop-
ment and considerable growth in social provision, private enterprise has not lost its
‘social meaning’, as Schumpeter suggested it would; to the contrary, capitalism, now
global in scale and scope, continues to deliver all manner of innovations and remains
both creative and destructive. And states still strive to cultivate conditions conducive to
capital investment and job creation within their territories, frequently through fiscal
inducements, whilst simultaneously facing fiscal dilemmas arising from the continually
contested character of taxation, the increased global mobility of capital and prospect of
flight to low-labour cost locations and tax havens, and the cost of meeting rising social
expectations and escalating claims for rights and entitlements from a reduced fiscal rev-
enue base. The hour still ‘belongs to private enterprise … [and] the tax state’, as
Schumpeter (1954a [1918]; 38) observed early in the twentieth century, but following the
financial crisis that erupted in 2007 and the sovereign debt crisis that it subsequently
540 Journal of Classical Sociology 12(3-4)
Notes
1. Schumpeter’s essay `The Crisis of the Tax State’ was of considerable relevance to concerns
expressed at the time in the United States of America and Western Europe about the scale of
public sector expenditure, and the issues he outlined in the essay have continued to preoccupy
governments and political policy makers, corporations and businesses, media commentators,
tax-paying citizens in their capacities as workers and consumers, and some social and eco-
nomic analysts (Bell, 1976; Economist 1983; O’Connor, 1973). Indeed with the sovereign
debt crisis that followed inexorably from the policy measures introduced to cope with the
financial and banking crisis that erupted in 2007, it might be argued that Schumpeter’s ana-
lytic reflections on the fiscal constraints on the tax state have become even more relevant.
2. In his reflections on the significance of the Communist Manifesto, Schumpeter draws atten-
tion to the increasing insecurity and uncertainty that Marx and Engels recognized to be a cor-
ollary of the development of modern capitalism, a feature that has only grown in prominence
with its continuing mutation and expansion, as later analysts have observed (Beck, 2000;
Castells, 1996; Harvey, 2010).
3. From 1907, Goldscheid (1870–1931), a socialist, was a member of the Sociological Society
in Vienna, and in 1909 he was one of the founding members of the Deutsche Gesellschaft für
Soziologie (German Society of Sociology) (Exner, 2004: 286).
Smart 541
4. Thorstein Veblen offers a comparable observation on the relationship between business inter-
ests and the state in The Theory of Business Enterprise:
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Author biography
Barry Smart is Professor of Sociology in the School of Social, Historical & Literary
Studies, University of Portsmouth, UK. His most recent publications include Consumer
Society: Critical Issues and Environmental Consequences (Sage, 2010) and Post-
Industrial Society (4 volumes, Key Debates in Sociology series; Sage, 2011). Observation
Methods (4 volumes, edited with Kay Peggs and Joseph Burridge, Sage Benchmarks in
Social Research series) is in press for 2013 publication. Barry Smart’s current research
includes projects on the contemporary relevance of classical social thought, the political
economy of sport, and consumerism and the environment.