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HOW PHILIPPINE IS PHILIPPINE ART? A SURVEY ON THE MARKERS OF OUR ARTISTIC CULTURE Lesson 5
HOW PHILIPPINE IS PHILIPPINE ART? A SURVEY ON THE MARKERS OF OUR ARTISTIC CULTURE Lesson 5
PHILIPPINE ART? A
SURVEY ON THE MARKERS
OF OUR ARTISTIC
CULTURE
Lesson 5
FILIPINO ARTISTS
1. Fernando Amorsolo interpreted the
“Philippine Light”
He developed the use of light—actually, backlight—which is his greatest contribution to Philippine painting.
Characteristically, an Amorsolo painting contains a glow against which the figures are outlined, and at one
point of the canvas there is generally a burst of light that highlights the smallest detail.
Amorsolo was noted for his portraits. He made oils of all the Philippine presidents, including the
revolutionary leader Gen. Emilio Aguinaldo, and other noted Philippine figures. He also painted many
wartime scenes, including Bataan, Corner of Hell, and One Casualty.
Amorsolo, who died in 1972, is said to have painted more than 10,000 pieces. He continued to paint even in
his late 70s, despite arthritis in his hands. Even his late works feature the classic Amorsolo tropical sunlight.
He said he hated "sad and gloomy" paintings, and he executed only one painting in which rain appears.
2. Vicente Manansala developed his rendition
of transparent cubism technique
The end of World War II had brought about significant social awareness of cultural identities, which Vicente
began to reflect in his own work with the necessary amount of delicacy. His canvases employed repetition
of shape and form to depict everyday iconic moments of life in the city and the slums, and the intrinsic
connection between members of family and society. His unique approach to cubism utilizing translucent
color would be coined as “transparent cubism”. Though he went through a black-and-white phase for a
time, primarily for crucifixes and Madonna and child paintings, he found a huge advantage in color
manipulation which would become a vital element of his art.
3. Hernando R. Ocampo’s style was considered
by some critics as the most Filipino
HR Ocampo is a Filipino National Artist in the visual arts. He is also fictionist, a playwright and editor.
Ocampo was a leading radical modernist artist in the Philippines. He was a member of the Saturday Group
of artists (also known as the Taza de Oro Group), and was one of the pre-war Thirteen Moderns, a group of
modernist artists founded by Victorio C. Edades in 1938. Famously known for his triumvirate of with
neo-realists Vicente S. Manansala and Cesar Legaspi, he did works which reflected the harsh realities of his
country after the Second World War. However, many of his works, through his skillful use of fierce and bold
colors, depicted lush sceneries and beautiful Philippine landscapes.
4. Napoleon Abueva’s modernist but
Filipino-themed sculptures
His long and fruitful career as a sculptor has lent him the official title of the National Artist of the
Philippines, and the unofficial recognition of being the father of contemporary Filipino sculpture. Abueva’s
influence on Filipino art has been immense, and his skill as a sculptor spans material as varied as wood,
bronze, coral, and stone. We explore the life and work of the Philippines’ most talented and recognized
modern sculptor.
WHAT’S HAPPENING? A
BITE OF VISUAL ARTS
HISTORY OF THE
COUNTRY
Lesson 6
TIMELINE OF PHILIPPINE ARTS
CHARACTERISTIC
ERA TIME DISTINCT FEATURES
S
Arts for ritual purposes or for everyday
use. As local communities become
established, art starts to go beyond mere
ETHNIC ART Pre-13 AD Integral to life
craft, i.e. stone weapons or jewelry but
starts to have decorative elements,
meaning and context.
TIMELINE OF PHILIPPINE ARTS
CHARACTERISTI
ERA TIME DISTINCT FEATURES
CS
Characterized by geometric designs and patterns
ISLAMIC ART 13 AD Geometric designs
eliciting focus from believers